A surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart's membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs. First published in 1986, this study concentrates on five major examples: Smart, Burns, William Blake, William Butler Yeats and Rudyard Kipling, as well as a number of other poets. Marie Roberts questions why so many poets have been powerfully attracted to the secret societies, and considers the effectiveness of poetry as a medium for conveying secret emblems and ritual. She shows how some poets believed that poetry would prove a hidden symbolic language in which to reveal great truths. The beliefs of these poets are as diverse as their practice, and this book sheds fascinating light on several major writers.

Starting from what was, at its time, the most important vision of the Virgin Mary ever to take place in Western Europe, The Virgin and the Pentacle gradually uncovers a virtually unknown war that has been taking place across 1,700 years. This is the story of the battle between the orthodox Catholic Church and Freemasonry, itself the most modern manifestation of a much older religious conflict between patriarchal and matriarchal views of the godhead. Erupting occasionally in violence it is strikingly seen in the opposing visions of the Virgin Mary in the 19th century, which defined the conflicting theological parameters and led to the doctrine of the Immaculate Conception in the 1850s. Underpinning Freemasonic practice is a fraternity that has been active in Europe and beyond since the 4th century. At the heart of the Craft is a very specific social, economic and religious imperative, known only to the highest aspirants. The Virgin and the Pentacle cuts through the accusations that have been showered upon Freemasonry and shows what it's true objectives have been from the start. Reading like a whodunit, it is a story of dirty tricks that have included false visions, subterfuge and even murder. The conclusions are stunning and far reaching.

Writing Secrecy in Caribbean Free Masonry analyzes the Masonic, literary, and political writings of Andres Cassard, Ramon E. Betances, Jose Marti, Arturo Schomburg, and Rafael Serra, Spanish Caribbean intellectuals who lived in the decades of anti-colonial struggle in Cuba, Puerto Rico, and Hispaniola (1860-1898). In the Caribbean, Masonic notions of liberal freedom coincided with the legacies of empire and colonial slavery, creating languages of secrecy, dissent, and radical affective politics that influenced radical Caribbean political cultures in the turn of the nineteenth century. By analyzing the lives, writings, and activism of these exiled Masonic intellectuals, this book provides insights into the Pan-Caribbean formations of nation and diaspora and sheds light on the role of print-culture, Masonic ritual and languages, racial ideologies, and community in the Caribbean and the United States.