The award-winning, highly acclaimed Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." In recent decades, the art gallery and the museum have become a place for participatory art, where an audience is encouraged to take part in the artwork. This has been heralded as a revolutionary practise that can promote new emancipatory social relations. What was it is really? In this fully updated edition, Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Bishop challenges the political and aesthetic ambitions of participatory art this practise. She not only scrutinizes the emancipatory claims, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. In response Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.

The paintings are grouped under various headings to take the reader through specific visual experiences beginning with some of the artist's tools, colour palettes and showing the development of texture. Seascapes and shorelines are the first stop, going through to the moors,hills and beyond.

"Art+ NYC" is anart-lover s guide to New York City that combines a crash course in 20th- and 21st-centuryarthistory with in-depth bios of nine celebrated New York City artists: Jackson Pollock, Andy Warhol, Cindy Sherman, Yoko Ono, Mark Rothko, Jeff Koons, Donald Judd, Roy Lichtenstein, and Robert Rauschenberg. Each segment is written by a leading art writer from publications such as "Art in America," "Flaunt," and the "New York Times." Filled with useful information for both locals and tourists, "Art + NYC" includes comprehensive neighborhood-by-neighborhood gallery and museum listings, along with studios and other artsy places of interest. In addition, sidebars include the hotels and restaurants that are steeped with history artist hangouts, residences, and events of infamy. Also included is an extensive index of paintings, sculptures, and public art by New York City artists; detailed maps for 13 neighborhoods; a Q&A with a curator, gallerist, or artist for each NYC neighborhood; and a museum, gallery, and studio directory."

Volume 4 of Visual Century: South African Art in Context 1907-1948 is part of a four-volume publication that reappraises South African visual art of the twentieth century from a postapartheid perspective. The years 1990 to 2007 are covered in Volume 4, edited by Thembinkosi Goniwe, Mario Pissarra and Mandisi Majavu. The end of the Cold War and subsequent emergence of globalisation, along with the advent of democracy in South Africa introduced new social and political orders, with profound implications for South African artists. Concurrently, the persistence of economic inequalities and conflicts within and beyond national borders constantly mitigated against an unbridled celebration of `freedom'. The essays in this volume critically address some of the most notable developments and visible trends in postapartheid South African art. These include South Africa's entry into the international art community, its struggle to address its past, and artists' persistent and often provocative preoccupations with individual and collective identity. The widespread and often unsettling representation of human bodies, as well as animal forms, along with the steady increase in use of new technologies and the development of new forms of public art are also discussed. While much of the art of the period is open-ended and non-didactic, the persistence of engagement with socially responsive themes calls into question the reductive binary between `resistance' and post-apartheid art that has come to dominate accounts of `before' and `after'.

Traditional speech work has long favored an upper-class white accent as the model of intelligibility. Because of that, generations of actors have felt disconnected from their own identities and acting choices. This much-needed textbook redresses that trend and encourages actors to achieve intelligibility through rigorous language analysis and an exploration of their own accent and articulation practices. Following an acting class model, where you first analyze the script then reveal yourself through it, this work breaks down a process for analyzing language in a way that excites the imagination. Guiding the student through the labyrinth of abstract concepts and terms, readers are delivered into the practicality of exercises and explorations, giving them self-awareness that enables them to make their own speech come alive. Informed throughout by notes from the author's own extensive experience working with directors and acting teachers, this book serves as an ideal speech-training resource for the 21st -century actor, and includes specially commissioned online videos demonstrating key exercises.

This co-edited volume offers new insights into the complex relations between Brussels and Vienna in the turn-of-the-century period (1880-1930). Through archival research and critical methods of cultural transfer as a network, it contributes to the study of Modernism in all its complexity. Seventeen chapters analyse the interconnections between new developments in literature (Verhaeren, Musil, Zweig), drama (Maeterlinck, Schnitzler, Hofmannsthal), visual arts (Minne, Khnopff, Masereel, Child Art), architecture (Hoffmann, Van de Velde), music (Schoenberg, Ysaye, Kreisler, Kolisch), as well as psychoanalysis (Varendonck, Anna Freud) and cafe culture. Austrian and Belgian artists played a crucial role within the complex, rich, and conflictual international networks of people, practices, institutions, and metropoles in an era of political, social and technological change and intense internationalization. Contributors: Sylvie Arlaud, Norbert Bachleitner, Anke Bosse, Megan Brandow-Faller, Alexander Carpenter, Piet Defraeye, Clement Dessy, Aniel Guxholli, Birgit Lang, Helga Mitterbauer, Chris Reyns-Chikuma, Silvia Ritz, Hubert Roland, Inga Rossi-Schrimpf, Sigurd Paul Scheichl, Guillaume Tardif, Hans Vandevoorde.

Volume 3 of Visual Century: South African Art in Context 1907-1948 is part of a four-volume publication that reappraises South African visual art of the twentieth century from a postapartheid perspective. Edited by Mario Pissarra, the volume looks at the years 1973 to 1992. The forw0rd by Rashied Araeen titled `Art and Human Struggle', sets the theme for this period. Bracketed by porous transitional moments in the early 1970s and 1990s, this volume covers a period characterised by a deepening of the struggle for democracy, a time when historical preoccupations with race were increasingly complemented with growing discourses on class and gender. It was a time when unprecedented internal and external pressure resulted in heightened introspection and action in and through the visual arts. The essays address a multiplicity of ways in which artists responded directly and indirectly to the challenges of this period, mostly as individuals but also through organisations. Resistance and complicity, and the spaces between, found expression in the use of everyday themes, biblical sources, ethnically derived themes, subtle and extreme forms of humour, as well as through representations of conflict. This is a period when challenging art was produced in community arts centres, universities and in public places, a time when the cultural boycott simultaneously united and polarised artists, and exiles mediated the ambivalences of `home'.

Considered on of the most important religious structures of the twentieth century, the Chapel of the Rosary in Vence was regarded by Matisse himself as his great masterpiece. He dedicated four years to the creation of this convent chapel on the French Riviera, and the result is one of the most remarkable and comprehensive ensemble pieces of twentieth-century art. Every element of the chapel bears the artists touch, from the vivid Mediterranean hues of the stained glass windows to the starkly powerful murals; even the vestments and altar were designed by Matisse. This beautifully illustrated volume captures the chapel in exquisite detail, allowing an unparalleled view of this iconic and sacred space. With stunning new photography that captures the dramatic effects of the changing light in the building throughout the day, this book is the first to present the experience of being within the chapel exactly as Matisse himself envisaged it, while Marie-Therese Pulvenis de Selignys authoritative and insightful text explores the extraordinary story of the chapels creation and the challenges faced by the 77-year-old artist in realising his great vision."

This monograph brings together the work of artist David Medalla. Born in Manila, in the Philippines in 1942, and based since 1960 mainly in London, Medalla has distinguished himself internationally as an innovator of the avant-garde. His work has embraced a multitude of enquiries and enthusiasms, forms and formats, to express a singular yet deeply coherent vision of the world.

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Adopting an innovative and theoretical approach, Greek Tragedy and the Digital is an original study of the encounter between Greek tragedy and digital media in contemporary performance. It challenges Greek tragedy conventions through the contemporary arsenal of sound masks, avatars, live code poetry, new media art and digital cognitive experimentations. These technological innovations in performances of Greek tragedy shed new light on contemporary transformations and adaptations of classical myths, while raising emerging questions about how augmented reality works within interactive and immersive environments. Drawing on cutting-edge productions and theoretical debates on performance and the digital, this collection considers issues including performativity, liveness, immersion, intermediality, aesthetics, technological fragmentation, conventions of the chorus, theatre as hypermedia and reception theory in relation to Greek tragedy. Case studies include Kzryztof Warlikowski, Jan Fabre, Romeo Castellucci, Katie Mitchell, Georges Lavaudant, The Wooster Group, Labex Arts-H2H, Akram Khan, Urland & Crew, Medea Electronique, Robert Wilson, Klaus Obermaier, Guy Cassiers, Luca di Fusco, Ivo Van Hove, Avra Sidiropoulou and Jay Scheib. This is an incisive, interdisciplinary study that serves as a practice model for conceptualizing the ways in which Greek tragedy encounters digital culture in contemporary performance.

Life of Newlyn/St Ives artist famed for his paintings of animals and birds.

From Paris to Stalingrad, the Nazis systematically plundered all manner of art and antiquities. But the first and most valuable treasures they looted were the Crown Jewels of the Holy Roman Empire. In "Hitler's Holy Relics, "bestselling author Sidney Kirkpatrick tells the riveting and never-before-told true story of how an American college professor turned Army sleuth recovered these cherished symbols of Hitler's Thousand-Year Reich before they could become a rallying point in the creation of a Fourth and equally unholy Reich.
Anticipating the Allied invasion of Nazi Germany, Reichsfuhrer Heinrich Himmler had ordered a top-secret bunker carved deep into the bedrock beneath Nurnberg castle. Inside the well-guarded chamber was a specially constructed vault that held the plundered treasures Hitler valued the most: the Spear of Destiny (reputed to have been used to pierce Christ's side while he was on the cross) and the Crown Jewels of the Holy Roman Empire, ancient artifacts steeped in medieval mysticism and coveted by world rulers from Charlemagne to Napoleon. But as Allied bombers rained devastation upon Nurnberg and the U.S. Seventh Army prepared to invade the city Hitler called "the soul of the Nazi Party," five of the most precious relics, all central to the coronation ceremony of a would-be Holy Roman Emperor, vanished from the vault. Who took them? And why? The mystery remained unsolved for months after the war's end, until the Supreme Allied Commander, General Dwight D. Eisenhower, ordered Lieutenant Walter Horn, a German-born art historian on leave from U.C. Berkeley, to hunt down the missing treasures.
To accomplish his mission, Horn must revisit the now-rubble-strewn landscape of his youth and delve into the ancient legends and arcane mysticism surrounding the antiquities that Hitler had looted in his quest for world domination. Horn searches for clues in the burnt remains of Himmler's private castle and follows the trail of neo-Nazi "Teutonic Knights" charged with protecting a vast hidden fortune in plundered gold and other treasure. Along the way, Horn has to confront his own demons: how members of his family and former academic colleagues subverted scholarly research to help legitimize Hitler's theories of Aryan supremacy and the Master Race. What Horn discovers on his investigative odyssey is so explosive that his final report will remain secret for decades.
Drawing on unpublished interrogation and intelligence reports, as well as on diaries, letters, journals, and interviews in the United States and Germany, Kirkpatrick tells this riveting and disturbing story with cinematic detail and reveals-- for the first time--how a failed Vienna art student, obsessed with the occult and dreams of his own grandeur, nearly succeeded in creating a Holy Reich rooted in a twisted reinvention of medieval and Church history.

The definitive art book for the remastered Spyro Reignited Trilogy, for fans young and old. In 2018 Toys for Bob Studios thrilled fans world wide by releasing Spyro Reignited Trilogy, a faithful remaster encompassing all three titles from the beloved Spyro trilogy introduced in 1998. The Art of Spyro is a meticulously crafted compendium filled with in-depth behind-the-scenes content, insightful quotes from top illustrators in the industry, anecdotes from the game developers, and a dazzling assortment of incredible concept art, some of which has never been seen by the public. It is a must-have for art lovers, games, fans... and the fun-loving adventurer in all of us.