This updated third edition of Studio Television Production and Directing introduces readers to the basic fundamentals of studio and control room production. Accessible and focused, readers of this updated third edition will gain fluency in essential studio terms and technology and acquire the necessary skills to make it in the industry. This book is your back-to-the-basics guide to common technology-including principles of directing, assistant directing, technical directing, audio ops, the basics of studio lighting, an introduction to set design, camera ops, floor directing, story types (VO, VO/SOT, PKG), basic engineering, and more. Whether an established professional or a student, this book provides readers with the technical expertise to successfully coordinate live or taped studio television today. In this new edition, author Andrew Hicks Utterback offers an expanded glossary and new material on visualization walls, alternative camera mounts, basic engineering, and news narrative diagramming.

Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.

Surrealism was a broad movement, which attracted many adherents. It was organized and quite strictly disciplined, at least until the death of its leader, Andre Breton, in 1966. As a consequence, its membership was in a constant state of flux: persons were constantly being admitted and excluded, and often the latter continued to regard themselves as Surrealists. The wide-ranging nature of the Surrealist movement was spread over many countries and many different art forms, including painting, sculpture, cinema, photography, music, theater, and literature, most notably poetry. The Historical Dictionary of Surrealism relates the history of this movement through a chronology, an introductory essay, a bibliography, and over 600 cross-referenced dictionary entries on persons, circles, and groups who participated in the movement; a global entry on some of the journals and reviews they produced; and a sampling of major works of art, cinema, and literature."

A multitude of literary and cinematic works were spawned by the Vietnam war, but this is a unique book, combining moving prose with powerful illustrations created by combat artists in the U.S. military. Dr. Noble has assembled a remarkable collection of 153 reproductions printed in black and white, arranged with oral histories, letters and other commentaries to give the reader a more intimate understanding of the combat soldier who served in Vietnam and what he had to endure. Forgotten Warriors is not intended to argue the merits of U.S. involvement in Southeast Asia. Rather, through the visual impact of the illustrations, the soldiers themselves express what the Vietnam experience was like in a way that is different and more profound than perhaps any other work on the subject.

The main focus of the book is on the way artists saw the world of the grunt: patrols, life in the rear, fighting the terrain and weather, tests of endurance, the machines of war and the effects of combat and its aftermath. The reader is also given a sense of how some writers and artists felt about the country and the people of South Vietnam. To date, our perceptions of the Vietnam war have been influenced largely by movies, television and novels. Recognizing this, Dr. Noble enlisted Professor William J. Palmer, a noted authority on the media and their reportage fo the war, to provide an essay that allows the reader to compare his or her past impressions with the art works contained in this book. A moving collection, "Forgotten WarriorS" offers the truest picture of the Vietnam war in human terms.

Contemporary Uganda and other East African states are connected by the experience of Idi Amin's tyranny, rapacious and murderous regime, and the latter second Uganda Peoples Congress government, that forced Ugandans to go into exile and initiate armed struggles from Kenya and Tanzania to oust his government. Because of these experiences of disappearances, torture, murder and war, issues of identity, politics and resistance are significant concerns for East African dramatists. Resistance and Politics in Contemporary East African Theatre demonstrates the significant role of theatre in resisting tyranny and forging a post-colonial national identity. In its engaging analysis of an important period of theatre, the book explores key moments while considering the specific practice of individual artists and groups that provoke differing experiences and performance practices. Selected examples range from early post-colonial plays reflecting the resistance to the rise of tyranny, torture and dictatorships, to more recent works that address situations involving struggles for social justice and the cult personality in political leaders.

Forty-five of Japan's leading manga artists illustrate Star Wars! Explore the galaxy through the beautiful artwork of 45 outstanding Japanese manga artists and illustrators, including Akira Himekawa, Kamome Shirahama, and Taiyo Matsumoto. Celebrating the universal appeal of these iconic characters and their timeless stories, this collection presents each artist's unique tribute to the Star Wars universe and is a must-have for fans of Star Wars and manga alike!

Choreographic Dwellings explores performance practices that extend the remit of the choreographic. Covering walking practices, site-specific and nomadic performance that explore the movement potentials of everyday environments, parkour and art installation, it offers a reframing of the topologically kinaesthetic experience of the choreographic.

Against Ambience diagnoses - in order to cure - the art world's recent turn toward ambience. Over the course of three short months - June to September, 2013 - the four most prestigious museums in New York indulged the ambience of sound and light: James Turrell at the Guggenheim, Soundings at MoMA, Robert Irwin at the Whitney, and Janet Cardiff at the Met. In addition, two notable shows at smaller galleries indicate that this is not simply a major-donor movement. Collectively, these shows constitute a proposal about what we wanted from art in 2013. While we're in the soft embrace of light, the NSA and Facebook are still collecting our data, the money in our bank accounts is still being used to fund who-knows-what without our knowledge or consent, the government we elected is still imprisoning and targeting people with whom we have no beef. We deserve an art that is the equal of our information age. Not one that parrots the age's self-assertions or modes of dissemination, but an art that is hyper-aware, vigilant, active, engaged, and informed. We are now one hundred years clear of Duchamp's first readymades. So why should we find ourselves so thoroughly in thrall to ambience? Against Ambience argues for an art that acknowledges its own methods and intentions; its own position in the structures of cultural power and persuasion. Rather than the warm glow of light or the soothing wash of sound, Against Ambience proposes an art that cracks the surface of our prevailing patterns of encounter, initiating productive disruptions and deconstructions.

CONSTANTIN BRANCUSI

Constantin Brancusi is one of the greatest of all sculptors, and a key sculptor of the modern era, with Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean Arp, Barbara Hepworth, Minimalists and land artists.

This new book studies the religious and mythical dimensions of Constantin Brancusi's distinctive scultpural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest was for the 'essence of things', which resulted in purifying a form until only the essence was left.

It was Constantin Brancusi's project to strip away the detritus that had accumulated around sculpture, Henry Moore said, and to offer the pure, simple shape. What Brancusi did was 'to concentrate on very simple shapes, to keep his sculpture, as it were, one-cylindered, to refine and polish a single shape to a degree almost too precious.'

As well as being a sculptor, Constantin Brancusi was also an accomplished photographer. Quite a few artists (not all of them sculptors) have expressed for Brancusi's photographs, and the way he would set up his sculptures inhis studio and photograph them at particular times of the day, when the lightingwas just right. They are early examples of installation art (and some of the best, too). Andy Goldsworthy said he admired how Brancusi created the right conditions in his studio so that his work 'comes alive at a particular time of the day as the light momentarily touches it'. For Goldsworthy, Brancusi's works were at their best when they were arranged by the sculptor in his studio and photographed. Somehow, it wasn't quite the same when they were displayed in modern art museums (such as the Pompidou Centre in Paris or the Museum of Modern Art in Gotham, which have important Brancusi pieces).

Fully illustrated, including many photos of Brancusi's studio in Paris, Brancusi's works in museums in New York, Washington and L.A., and the art of his contemporaries.

With bibliography and notes. ISBN 9781861713391. 180 pages.

This new (4th) edition has been revised.

www.crmoon.com

AUTHOR'S NOTE: The art of Constantin Brancusi never ceases to fascinate and inspire, and it always seems fresh, as if it had been created fives minutes ago, no matter how many times you look at it. When you encounter a Brancusi sculpture in a museum, it pops out, clear and direct; there is simply nothing else like Brancusi's art in history. I have tried to explore the key elements of Brancusi's art, and the important events in his development as a sculptor. I have also included comparisons with other artists of the period, and also how Brancusi's art has influenced many subsequent artists.

In her ever-evolving career, the legendary filmmaker Agnes Varda has gone from being a photographer at the Avignon festival in the late 1940s, through being a director celebrated at the Cannes festival (Cleo de 5 a 7, 1962), to her more ironic self-proclaimed status as a 'jeune artiste plasticienne'. She has recently staged mixed-media projects and exhibitions all over the world from Paris (2006) to Los Angeles (2013-14) and the latest 'tour de France' with JR (2015-16). Agnes Varda Unlimited: Image, Music, Media reconsiders the legacy and potential of Varda's radical tour de force cinematique, as seen in the 22-DVD 'definitive' Tout(e) Varda, and her enduring artistic presence. These essays discuss not just when, but also how and why, Varda's renewed artistic forms have ignited with such creative force, and have been so inspiring an influence. The volume concludes with two remarkable interviews: one with Varda herself, and another rare contribution from the leading actress of Cleo de 5 a 7, Corinne Marchand. Marie-Claire Barnet is Senior Lecturer in French at Durham University.

Why Your 5 Year Old Could Not Have Done That is Susie Hodge's passionate and persuasive argument against the most common disparaging remark levelled at modern art. In this enjoyable and thought-provoking book, she examines 100 works of modern art that have attracted critical and public hostility - from Cy Twombly's scribbled Olympia (1957), Jean-Michel Basquiat's crude but spontaneous 'LNAPRK' (1982), to the apparently careless mess of Tracey Emin's My Bed (1998) - and explains how, far from being negligible novelties, they are inspired and logical extensions of the ideas of their time. She explains how such notorious works as Carl Andre's Equivalent VIII (1966) - the infamous bricks - occupy unique niches in the history of ideas, both showing influences of past artists and themselves influencing subsequent artists. With illustrations of works from Hans Arp to Adolf Woelfli, Hodge places each work in its cultural context to present an unforgettable vision of modern art. This book will give you an understanding of the ways in which modern art differs from the realistic works of earlier centuries, transforming as well as informing your gallery visits for years to come.

Gothic effigy brings together for the first time the multifarious visual motifs and media associated with Gothic, many of which have never received serious study before. This guide is the most comprehensive work in its field, a study aid that draws links between a considerable array of Gothic visual works and artifacts, from the work of Salvator Rosa and the first illustrations of Gothic Blue Books to the latest Gothic painters and graphic artists. Currently popular areas such as Gothic fashion, gaming, T.V. and film are considered, as well as the ghostly images of magic lantern shows. This groundbreaking study will serve as an invaluable reference and research book. In its wide range and closely detailed descriptions, it will be very attractive for students, academics, collectors, fans of popular Gothic culture and general readers. -- .

Part of an exciting series of sturdy, square-box 1000-piece jigsaw puzzles from Flame Tree, featuring powerful and popular works of art. This new jigsaw will satisfy your need for a challenge, with L.S. Lowry's Going to Work. This 1000 piece jigsaw is intended for adults and children over 13 years. Not suitable for children under 3 years due to small parts. Finished Jigsaw size 735 x 510mm/29 x 20 ins. Now includes an A4 poster for reference. This painting is an example of one of L.S. Lowry's famous crowd scenes. The colour palette is unusually light and airy for the artist, with pink and gold-tinged buildings lifting the atmosphere. Lowry said of this painting, 'To say the truth, I was not thinking very much about the people ... They were part of a private beauty that haunted me!' In his many depictions of north-west England Lowry makes industrial scenes his own, showing how industry had affected the landscape and how the inhabitants of the urban areas lived out their daily lives. Marches, evictions, accident s, illness, relaxation at the park or the fair, going to work, coming out o f school and going to the football match were all subjects for Lowry's brush or pencil. His works were created in his own unique style, poetic yet not sentimental, compelling, even at times disturbing, but never judgemental.

Enchanted Ground is about the challenge to modernist criticism by Surrealist writers - mainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and others - who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism - Paul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh - became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.

As readers complete each section of dots in this fun activity book, beautiful animal portraits are revealed -- so intricate they're ready for display The 20 puzzles in this book are much more sophisticated than the one-dimensional images created in childhood connect-the-dots books. Tonal shading and expressive line work build as each numbered section is finished. Dot-to-dot puzzles have also been proven to increase short-term cognitive acuity, hand-eye coordination, and concentration skills. Whether readers are filling time on a rainy day, using the puzzles for a party game, or learning the principles of drawing, "1000 Dot-to-Dot: Animals" is fun for all ages.

Sometimes considered to be America's first indigenous modernist art style, Precisionism, a movement principally of the 1920s and 1930s, concentrated on depicting the urban and industrial landscape, emphasizing the formal geometrical qualities of solid mass and clean lines and rendering these vistas with simplified, sharp-edged shapes and smooth, unmodulated application of pigment, void of extraneous details and impersonal in tone. This annotated bibliography deals with Precisionism and its ten leading practitioners: George Ault, Peter Blume, Ralston Crawford, Charles Demuth, Preston Dickinson, O. Louis Guglielmi, Louis Lozowick, Morton L. Schamberg, Charles Sheeler, and Niles Spencer. Each artist's chapter begins with a biographical sketch and includes sections for Writings, Statements, and Interviews; Monographs and Exhibition Catalogues; Articles and Essays; Exhibition Reviews; Book Reviews; Dissertations and Theses; Reference Sources; and Archival Sources. A special section at the end of each chapter lists annotated reproductions of the artist's work appearing in any of approximately 225 source volumes. Coverage extends to painting, drawings, lithographs, and photographs. An opening chapter, also divided by types of materials, covers Precisionism in general and cites material in which two or more of the ten artists are discussed. A keyword index provides full citations for the source volumes. Three other indexes facilitate access by author, short-title of exhibition catalogues, and subjects. The only annotated bibliography on Precisionism, this volume will be a valuable aid to research on a variety of subjects relating to modern American art.