Let the rich world of Tamriel guide your tarot practice with this sumptuous, illustrated deck inspired by the massively popular Elder Scrolls V: Skyrim. Featuring deluxe custom artwork of iconic figures in Elder Scrolls V: Skyrim, this deck is a great way to enjoy the characters and lore of this popular game. Containing both major and minor arcana, the set also comes with a comprehensive guidebook explaining each card's meaning, as well as simple spreads for easy readings. Packed in a sturdy, decorative gift box, this compelling tarot deck is perfect for Elder Scrolls fans and tarot enthusiasts alike.

Enchanted Ground is about the challenge to modernist criticism by Surrealist writers - mainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and others - who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism - Paul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh - became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.

Address book companion to the exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Bodleian Libraries: A Readers' Delight. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and this handsome trio of spines are just three examples of the beautiful objects in the Library's collection. With colourful illustrations and charming tales, these story anthologies showcase the sports and hobbies young people could enjoy during the 1930s.

Explore the Dark Arts of the Harry Potter films, with more than a dozen collectible stickers, cards, patches, prints, and more! Open the sturdy portfolio to discover the secrets behind Voldemort, Death Eaters, Horcruxes, and more in this exclusive collection of over a dozen authentic prop facsimiles, artifacts, stickers, and stationery inspired by the Dark Arts. Filled with facts and photos, fans will learn about the dark side of the Wizarding World, relive moments from the films, and delve into the behind-the-scenes magic that brought Harry Potter to life on the big screen. AUTHENTIC COLLECTIBLES: More than a dozen exclusive, official Harry Potter collectibles inspired by the Dark Arts including a 16-page journal, stickers, and more! BEHIND-THE-SCENES MOVIE FACTS: Dark Arts-related facts, trivia, and stories from the set of the Harry Potter films. STUNNING ART AND IMAGES: Photos from the films and gorgeous illustrations bring the world of the Dark Arts to life! PERFECT GIFT: An ideal and unusual gift for the Harry Potter fan. COLLECT THEM ALL: Harry Potter: Dark Arts joins the of Artifacts of the Wizarding World series that includes Harry Potter: Wand Magic, Harry Potter: Travel Magic, Harry Potter: Gryffindor Magic, Harry Potter: Slytherin Magic, Harry Potter: Hufflepuff Magic and Harry Potter: Ravenclaw Magic

Address book companion to the exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features William Morris' Seaweed. Born in Kent, William Morris was an outstanding character of many talents, being an architect, writer, social campaigner, artist and, with his Kelmscott Press, an important figure of the Arts and Crafts movement. Many of us probably know him best, however, from his superb furnishings and textile designs, intricately weaving together natural motifs in a highly stylized two-dimensional fashion influenced by medieval conventions.

Although the Holocaust represents one of the worst atrocities in the history of mankind, it is thought of by many only in terms of statistics--the brutal slaughter of over 6 million lives. The art of those who suffered under the most unspeakable conditions and the art of those who reflect on the genocide remind us that statistics cannot tell the entire story. This important and diverse collection focuses on the art expression from the inferno, documenting the Holocaust through sketches of camp life drawn surreptitiously by victims on scraps of paper, and through contemporary paintings, sculpture, and personal reflections. From an informative and comprehensive perspective, this book evokes a powerful response to the 20th-century catastrophe.

The private collector's museum has become a phenomenon of the 21st century. There are some 400 of them around the world, and an astonishing 70% of those devoted to contemporary art were founded in the past 20 years. Although private museums have been accused of being tax-evading vanity projects or 'tombs for trophies', the picture is far more complex and nuanced, as art-market journalist Georgina Adam (author of best-selling Big Bucks and Dark Side of the Boom) shows in her compelling new book. Georgina Adam's investigation into this extraordinary proliferation, based on her recent visits to over 50 private spaces across the US, Europe, China and elsewhere, delves into the reasons behind this boom, the different motivations of collectors to display their art in public, and the various ways in which the institutions are financed. Private museums can add greatly to the cultural life of a community, giving a platform to emerging artists, supplying educational programmes and revitalising declining or neglected regions. But their relationship with public institutions can also be problematic. Should private museums step in to fill a gap left by declining public investment in culture, and what are the implications for society and the arts? At a time of crisis in the museums sector, this book is an essential and thought-provoking read.

The complete, definitive and never-before-published catalogue of Hipgnosis, Vinyl * Album * Cover * Art finally does justice to the work of the most important design collective in music history, which, according to Roddy Bogawa, director of the documentary Taken by Storm (2011), 'designed half your record collection'. Founded in 1967 by Storm Thorgerson, Aubrey 'Po' Powell and Peter Christopherson, Hipgnosis gained legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design. Their revolutionary cover art moved away from the conventional group shots favoured by record companies of the day, resulting in the ground-breaking, often surreal designs which define the albums of many of the biggest names in the history of popular music: 10cc, AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Robert Plant, Syd Barrett, Throbbing Gristle, T. Rex, Wings, Yes and XTC, to name but a few. Arranged chronologically, Vinyl * Album * Cover * Art features stunning reproductions of every single Hipgnosis cover - 372 in total - coupled with detailed information by Po and Storm Thorgerson on the artworks and the compelling stories behind their creation. Additional contributions by Peter Gabriel, Marcus Bradbury, and Pentagram's Harry Pearce provide engrossing insights into the way these incredible artworks came into being; place the covers in context; and reflect on their enduring impact on album design. A highly accessible stand-alone volume, Vinyl * Album * Cover * Art will also make the perfect pop partner to the groundbreaking Hipgnosis | Portraits (2014) with its rare revelations and behind-the-scenes photography.

The artist Mark Hearld finds his inspiration in the flora and fauna of the British countryside: a blue-eyed jay perched on an oak branch; two hares enjoying the spoils of an allotment; a mute swan standing at the frozen water's edge; and a sleek red fox prowling the fields. Hearld admires such twentieth-century artists as Edward Bawden, John Piper, Eric Ravilious and Enid Marx, and, like them, he chooses to work in a range of media - paint, print, collage, textiles and ceramics. Work Book is the first collection of Hearld's beguiling art. The works are grouped into nature-related themes introduced by Hearld, who narrates the story behind some of his creations and discusses his influences. He explains his particular love of collage, which he favours for its graphic quality and potential for strong composition. Art historian Simon Martin contributes an essay on Hearld's place in the English popular-art tradition, and also meets Hearld in his museum-like home to explore the artist's passion for collecting objects, his working methods and his startling ability to view the wonders of the natural world as if through a child's eyes.

The most influential 20th century architects espousing modernism are brought together in critical discussion and independent profiles. This is accomplished through a short but discriminating examination of each architect's design work, an essay outlining the historical course and events that confirms his or her vital position, and a substantial bibliography at the completion of each profile. This sourcebook examines the life and creative activities of such founding architects as Wright, Eisenman, Van der Rohe, and Kahn, as well as their disciples. This volume will be of interest to social and cultural historians, scholars, students of all ages, architects, and the appreciative lay audience.

The architects and or firms chosen for the sourcebook were selected as a result of many years of research that required extensive reading of materials by respected experts. From such research, the editors were able to determine the individuals or groups who have been most influential in charting the course of a Westernized modern architecture. From evidence of their productive activities--proof in timber--there is a consensus that each made a unique contribution. The nature and measure of the contribution is discussed within each profile. Those whose reputations are based on paper only, with few buildings to prove their worth, are not included. The editors believe that architecture is an experiential art: all the senses must participate, and that requires the actual built product.

This book examines the art of Cobra, a network of poets and artists from Copenhagen, Brussels, and Amsterdam (1948-1951). Although the name stood for the organizers' home cities, the Cobra artists hailed from countries in Europe, Africa, and the United States. This book investigates how a group of struggling young artists attempted to reinvent the international avant-garde after the devastation of the Second World War, to create artistic experiments capable of facing the challenges of postwar society. It explores how Cobra's experimental, often collective art works and publications relate to broader debates in Europe about the use of images to commemorate violent events, the possibility of free expression in an art world constrained by Cold War politics, the breakdown of primitivism in an era of colonial independence movements, and the importance of spontaneity in a society increasingly dominated by the mass media. This book will be of interest to scholars in art history, 20th-century modern art, avant-garde arts, and European history.

In this dynamic collection a team of experts map the development of Live Art culturally, thematically and historically. Supported with examples from around the world, the text engages with a number of key practices, asking what these practices do and how they can be contextualized and understood.

Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The term environmental sound art is generally applied to the work of sound artists who incorporate processes in which the artist actively engages with the environment. While the field of environmental sound art is diverse and includes a variety of approaches, the art form diverges from traditional contemporary music by the conscious and strategic integration of environmental impulses and natural processes. This book presents a current perspective on the environmental sound art movement through a collection of personal writings by important environmental sound artists. Dismayed by the limitations and gradual breakdown of contemporary compositional strategies, environmental sound artists have sought alternate venues, genres, technologies, and delivery methods for their creative expression. Environmental sound art is especially relevant because it addresses political, social, economic, scientific, and aesthetic issues. As a result, it has attracted the participation of artists internationally. Awareness and concern for the environment has connected and unified artists across the globe and has achieved a solidarity and clarity of purpose that is singularly unique and optimistic. The environmental sound art movement is borderless and thriving.

Modern Art: A Critical Introduction traces the historical and contemporary contexts for understanding modern art movements, and the theories which influenced and attempted to explain them. This approach forgoes the chronological march of art movements and isms in favour of looking at the ways in which art has been understood. It investigates the main developments in art interpretation from the same period, from Kant to post-structuralism, and draws examples from a wide range of art genres including painting, sculpture, photography, installation and performance art. The book includes detailed discussions of visual art practices both inside and outside the museum. This new edition has been restructured to make the key themes as accessible as possible and updated to include many more recent examples of art practice . An expanded glossary and margin notes also provide definitions of the range of terms used within theoretical discussion and critical reference. Individual chapters explore key themes of the modern era, such as the relationship between artists and galleries, the politics of representation, the changing nature of self-expression, the public monument, nature and the urban,

The first comprehensive research guide and bibliography to the large literature surrounding the life and work of one of the 20th century's greatest artists, this volume includes information on more than 1,100 books and articles as well as a chronology, biographical sketch, and list of exhibitions. The secondary bibliography is arranged by topic and includes citations on the artist's life and career, his relationships with contemporary artists (notably Picasso), his influence on subsequent artists, his work in diverse artistic media as well as his oeuvre in general, iconography, and more. While concentrating on printed materials, this guide also includes selected manuscripts and audio-visual materials. Following a biographical sketch and chronology, the primary bibliography lists articles, essays, letters, interviews, manuscripts, and sketchbooks of Braque. The main part of the secondary bibliography lists monographs, catalogues, dissertations, theses, periodical articles, films, and selected newspaper articles. Substantial book reviews and exhibition reviews are also cited. Arranged by topic, this bibliography includes citations on Braque's career and development as an artist, his relationships with contemporary artists, a section on Braque/Picasso, his influence on other artists, his work in various media including paintings, drawings, prints, illustrated books, papiers decoupes, sculpture, jewelry, theatre designs, and other commissions. Georges Braque first came to world attention as Picasso's friend during the formative years of Cubism. Long overshadowed by his more famous contemporary, in the quarter-century after his death Braque is beginning to be evaluated accurately. Major retrospective exhibitions over the past decade, accompanied by a considerable body of new criticism and scholarship, have brought Braque into the spotlight.

In this pathbreaking study, the historical relationship between nineteenth-century spiritualism and twentieth-century surrealism is the basis for a general examination of conflicting movements in literature, art, philosophy, science, and other areas of social life. Because spiritualism delved into the world beyond humanity and surrealism was founded on the world within, the two provide a provocative frame for examining the struggles within modern culture. Cottom argues that we must conceive of interpretation in terms of urgency, desire, fierce contention, and impromptu deviation if we want to understand how things come to bear meaning for us. He demonstrates that even when Victorians holding seances and surrealists composing manifestoes were most foolish, they had much that was valuable to say about the life (and death) of reason.

Patron Saints: Collecting Stanley Spencer is a revealing new exhibition at the renowned Stanley Spencer Gallery in Cookham - Spencer's spiritual home and major source of inspiration. The exhibition draws together a spectacular collection of loans, including The Centurion's Servant (Tate); Love on the Moor (Fitzwilliam); John Donne Arriving in Heaven, (Fitzwilliam) and one work not seen in the public domain in over 50 years. The exhibition and catalogue examine the often complex relationships between Spencer and his patrons and what drove them to collect his work. Spencer was a single-minded genius, but the influence of his patrons on his painting is far greater than has hitherto been realised. At the turn of the century, collecting art was no longer the preserve of the aristocracy and the upper classes, but Spencer's art appealed to a broad spectrum of art lovers, fellow artists, businessmen and politicians. Many of his patrons lived in Cookham, where he lived and found artistic inspiration, and many of his paintings were influenced by his spiritual feelings for that place. His idiosyncratic and deeply personal approach gave him a wide and enduring appeal, and he was patronised by some of the most important cultural figures and taste-makers of that time. Curator Amanda Bradley comments, "Behind Stanley Spencer, one of the greatest Modern British artists, were a group of individuals who enabled his very existence - both artistically and emotionally. They were not wildly rich, but they were powerful, cultivated, intellectual and artistic. Some bought on spec, others were true patrons, giving him the freedom to fulfil his artistic genius. Most fostered long-lived relationships with the artist, influencing his life and work more than has hitherto been realised. These were the patron saints." Patron Saints: Collecting Stanley Spencer explores the emergence of Spencer as an artistic personality, looking at those who helped him and why he - and his popularity - was a product of the zeitgeist (first half of the twentieth century) characterised by social and economic anxiety.