This is the first full-length biography of Frances Power Cobbe (1822-1904), Anglo-Irish reformer, feminist, and anti-vivisectionist Lori Williamson builds on original research, Cobbe's autobiography, and the work of later historians to analyze Cobbe's life as well as her ideological outlook.

A workhouse visitor, Cobbe campaigned strenuously against those in power for rights of women, the poor and of animals. A prominent critic of the Poor Law, she was also the first person to draw up a petition to control cruelty to animals. Using Cobbe's thoughts and activities as a catalyst, Power and Protest explores the issues of protest, reform, hierarchy, power, and gender, the relationship between men and women, humans and animals, and includes important work on pressure-group dynamics.

Given its wide-ranging scope, depiction of nineteenth-century British society and culture, and its exploration of the symbiotic relationships between ideology and the dynamics of protest, Power and Protest will attract students of history, social policy, and gender. Its emphasis on anti-vivisection activity provides a powerful basis for understanding power relations and the historical concept of rights.

Contributions by Kylie Cardell, Aaron Cometbus, Margaret Galvan, Sarah Hildebrand, Frederik Byrn Kohlert, Tahneer Oksman, Seamus O'Malley, Annie Mok, Dan Nadel, Natalie Pendergast, Sarah Richardson, Jessica Stark, and James Yeh In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics, though often autobiographical, defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. Doucet is a Canadian underground cartoonist, known for her autobiographical works such as Dirty Plotte and My New York Diary. Meanwhile, Bell is a British American cartoonist best known for her intensely introspective semiautobiographical comics and graphic memoirs, such as the Lucky series and Cecil and Jordan in New York. By pairing Doucet alongside Bell, the book recognizes the significance of female networks, and the social and cultural connections, associations, and conditions that shape every work of art. In addition to original essays, this volume republishes interviews with the artists. By reading Doucet's and Bell's comics together in this volume housed in a series devoted to single-creator studies, the book shows how despite the importance of finding ""a place inside yourself"" to create, this space seems always for better or worse a shared space culled from and subject to surrounding lives, experiences, and subjectivities.

"I’ve always been told that if I was good, I’d attract good things. So then, why am I unhappy?"

From a young age, women are taught to put everyone else first. The result? A society full of ‘Good Girls’, pushing themselves to meet expectations while ignoring their own needs. But it doesn’t have to be this way.

In this whip-smart and empowering book, psychotherapist Marta Martínez Novoa explains that people pleasing is not a personality failing, but a common response to trauma – an instinct to become more appealing to a threat, and a way to feel safe. Taking you on a journey into your past, this book will help you understand why you feel the way you do in the present, and gives you practical tools to build a future where you feel bolder, safer and more confident in everything you do.

If you’re done being a people pleaser and ready to start living for you, this is your toolkit to wake up and finally take charge.

The surreal life and bizarre times of a college-educated career call girl. A brave new look at the oldest profession, A Roaring Girl is, without a doubt, the most unusual book of its kind ever written. Part edgy, x-rated memoir; part sex-positive, pro-prostitution polemic, H. A. Carson's 400-plus page interview with an anonymous "escort" known as "The Thinking Man's Hooker," is an unflinchingly honest presentation of one woman's professional life and Weltanshaung in all its sordid/surreal, gonzo/glamorous glory. From start to finish, the book is, much like the subject herself, intelligent, outrageous, relentlessly "in your face," and utterly unique. A Roaring Girl presents a prostitute who is neither gilded angel nor fallen victim nor pseudo-sexy, "nymphomaniacal" sophisticate. She is the sex worker as female outlaw/entrepreneur; the prostitute as world-class iconoclast. Perhaps most intriguing of all, A Roaring Girl lays bare the surreal world of pay-for-play psychopathia sexualis with humor and compassion as well as the unflinchingly analytical insight of a "happy hooker" swapping stories with Kinsey or Havelock Ellis. Raw, irreverent, visceral, disturbing, and funny, A Roaring Girl is, above all, a "roaring" good read It is astonishingly literate, unabashedly erotic; flawlessly analytical; shockingly explicit, and surprisingly (and often darkly) humorous. Carson's mystery woman turns a phrase as effortlessly and as expertly as she formerly turned tricks. Whatever else can be said of her, the whore can write. A Roaring Girl is a revolutionary work. It is also fascinating, You will try, unsuccessfully, to put it down.

This book offers an overview of the contributions of author Nora Roberts to the popular literary market. Nora Roberts's captivating biography and extensive canon are explored in this comprehensive reader's guide, including coverage on her early works, critical successes, trilogies and quartets, short stories and novellas, futuristic mysteries written as J.D. Robb, and titles under other pseudonyms. Reading Nora Roberts shows how this remarkable author expands the limits of the genres in which she writes, exploring feminist ideas, Celtic and Western settings, psychological and religious themes, and Gothic and supernatural elements. The book also highlights Roberts's willingness to have her characters face serious real-world issues, including sexism and racism, gun violence, abortion, suicide, corporate greed, and career burnout. Details models of dialogue, slang, and humor, illustrating Nora Roberts's intuitive replication of human quandaries and compromises Includes a timeline of Nora Roberts's life and career, which began in 1979 with a novel and magazine story and advanced to story anthologies, novellas, romances, sagas, trilogies and quartets, Gothic romance, and futuristic thrillers

"Scholars of American political thought have often failed to appreciate the significance of Elizabeth Cady Stanton. Scholars of Stanton have often not been deeply immersed in broader studies of American political thought. Sue Davis's outstanding book rectifies both these deficiencies in ways that will have enduring value."
--Rogers M. Smith, author of "Stories of Peoplehood: The Politics and Morals of Political Membership"

aSue Davis admirably succeeds in this book that integrates the conceptual and political legacy of Elizabeth Cady Stanton with current scholarship on heritage of the American liberal state. A must-read for students of American political development, womenas rights, and legal theory.a
--Eileen McDonagh, author of "Breaking the Abortion Deadlock"

aElizabeth Cady Stanton was open to any idea she encountered--old or new, conventional or innovated--except male supremacy. Sue Davis's admirable book shows that this great feminist's adaptability was both her best and worst characteristic.a
--Judith Baer, author of "Our Lives before the Law: Constructing a Feminist Jurisprudence"

Elizabeth Cady Stanton (1815-1902) was not only one of the most important leaders of the nineteenth century womenas rights movement but was also the movementas principal philosopher. Her ideas challenged the conventions of the time period that so severely constrained womenas choices and excluded them from public life.

In The Political Thought of Elizabeth Cady Stanton, Sue Davis argues that Cady Stanton's work reflects the rich tapestry of American political culture in the second half of the nineteenth century. Consequently, as Davis demonstrates, Cady Stanton deservesrecognition as one of America's major political thinkers. Davis reveals the way that Cady Stanton's work drew from different political traditions ranging from liberal egalitarianism to radicalism. Although Cady Stanton's arguments for women's rights combined what have come to be conflicting versions of feminism, her ideas are reflected in late twentieth and early twentieth century feminisms.

Thoroughly researched and engagingly written, The Political Thought of Elizabeth Cady Stanton draws on a wide variety of primary and secondary sources, and promises to fill a gap in the literature on the history of political ideas in the United States as well as womenas history and feminist theory.

A sweeping history of transformative, radical, and abolitionist movements in the United States that places the struggle for racial justice at the center of universal liberation. In Where Do We Go From Here? (1967), Dr. Martin Luther King, Jr., described racism as "a philosophy based on a contempt for life," a totalizing social theory that could only be confronted with an equally massive response, by "restructuring the whole of American society." A Wider Type of Freedom provides a survey of the truly transformative visions of racial justice in the United States, an often-hidden history that has produced conceptions of freedom and interdependence never envisioned in the nation's dominant political framework. A Wider Type of Freedom brings together stories of the social movements, intellectuals, artists, and cultural formations that have centered racial justice and the abolition of white supremacy as the foundation for a universal liberation. Daniel Martinez HoSang taps into moments across time and place to reveal the longstanding drive toward a vision of universal emancipation. From the nineteenth century's abolition democracy and the struggle to end forced sterilizations, to the twentieth century's domestic worker organizing campaigns, to the twenty-first century's environmental justice movement, he reveals a bold, shared desire to realize the antithesis of "a philosophy based on a contempt for life," as articulated by Martin Luther King Jr. Rather than seeking "equal rights" within failed systems, these efforts generated new visions that embraced human difference, vulnerability, and interdependence as core productive facets of our collective experience.

Volume 1 of "Mississippi Women" enriched our understanding of women's roles in the state's history through profiles of notable, though often neglected, individuals. Volume 2 explores the historical forces that have shaped women's lives in Mississippi. Covering an expanse of time from early European settlement through the course of the twentieth century, the essays in the second volume acknowledge the state's diverse cultural and physical landscapes as they discuss how issues of race, gender, and class affected women's lives in various private and public spheres.

Essays on the state's early history focus on such topics as Choctaw and Chickasaw women's influence on Native American society and tribal councils, daily life for free black women in slaveholding Natchez, and the efforts of white Protestant women to establish churches on the frontier. Several essays cast new light on legal concerns, including two on the pivotal Married Women's Property Act of 1839, while other essays examine the impact of the Civil War and Reconstruction on women's lives.

The boundaries of race and gender in Jim Crow Mississippi are explored through an essay on the women of the mixed-race Knight family, notably the educator, nurse, and missionary Anna Knight. Women's experiences with rural electrification, consumerism, civil rights activism, social and service clubs, and feminism are among the other twentieth-century topics addressed in the essays. Volume 2 concludes with an essay on storytelling and remembrance that centers on the family of Pulitzer Prize-winning columnist (and Mississippi native) William Raspberry.

Many of the available resources for teaching courses on feminist spirituality either come from the 1980s to 1990s or are written by the same authors as those earlier texts, thus showing us a progression of spiritual beliefs and practices of 'second-wave' feminists. This is useful, but when addressing this topic with university students it is also important to show the ways in which spirituality has been rethought by 'third-wave' feminists. This rethinking can be found in various small circulation 'zines, but these are not always accessible to a wide audience. This anthology addresses the experiences of third-wave feminists in the construction and reformulation of spirituality. It examines the experiences of young feminists and others who have been influenced by second-wave feminist spirituality and engaged in developing and critiquing themes of Goddess religion, queer theory, protest movements, and popular culture.

Moving chronologically from the colonial period to the present, this collection of seventeen biographical essays provides a window into the social, cultural, and geographic milieu of women's lives in the state. Within the context of the historical forces that have shaped Louisiana, the contributors look at ways in which the women they profile either abided by prevailing gender norms or negotiated new models of behaviour for themselves and other women. Louisiana Women concludes with an essay that examines women's active responses to problems that emerged in New Orleans after Hurricane Katrina. The women whose absorbing life stories are collected here include Marie Therese Coincoin, who was born a slave but later became a successful entrepreneur, and Oretha Castle Haley, civil rights activist and leader of the New Orleans chapter of CORE. From such well-known figures as author Kate Chopin and Voudou priestess Marie Laveau, to lesser known women such as Cajun musician Cleoma Breaux Falcon, this volume reveals a compelling cross section of historical figures. The women profiled vary by race, class, political affiliation, and religious persuasion, but they all share an unusual grit and determination that allowed them to turn trying circumstances into opportunity. Lively yet rigorous, these essays introduce readers to the courageous, dedicated, and inventive women who have been an essential part of Louisiana's history.

For the first two years of her life she feels love, but suddenly her protector is gone She's too young to even know her Mother is gone. From the innocence of childhood, to the growing sickness and abuse in her life, she is confused and full of fear

How will she ever make it when there is no time to wonder-only time to survive?
She wants to be the "good little girl," and please her family; she wants to be loved
She wants to be right with God

The confusion, pain, and abuse are unbearable The family sickness is more than one can comprehend

What she is asked to do is impossible-for the sake of her siblings-she MUST do it, but is she strong enough?

Walk through the journey with her from her earthly father to her heavenly Father.

"You are about to embark on a journey that will take you places you've never been before and you will learn much about things you don't even know exist." The words flowed out of Patricia Beirne's hand and onto the paper in front of her. Subsequent sessions of automatic writing encouraged her and gave suggestions. "I never felt alone again," she says about the beginning of her extraordinary voyage of discovery.

To the outside world, Patricia seemed to have it all: an athletic, successful husband, two beautiful daughters, and a home in the San Diego area. Raised with rigid ideas about what women should be, she worked to be the perfect wife, hostess, mother, and homemaker. But as the years went by, Patricia could no longer ignore the growing restlessness and unsettling dreams stirring inside her. She knew she was being called to discover the meaning of her life ... but what was it?

Within a five-year period, both daughters were in serious car accidents, one struggled with drug use, and the other fought depression and a mysterious illness that took her to the hospital-all while Patricia's marriage deteriorated. It was then that she discovered she had a gift. She could trust the divine, loving Voice that directed her, and she could use her gift to help her daughters as well as others. Her story is a testament to what can happen when we listen, trust, and open ourselves to new ways of hearing and healing.

In the early 1900s, Sarah, a single mother of six children, is trapped in the bloody upheaval marking the death of Czarist Russia and the birth of the Soviet Union. Facing bigotry, poverty, and bloody revolution, Sarah determines to escape the catastrophe engulfing her and her family. She vows to bring them to America.

In this memoir, author Isabelle Stamler traces her family's roots back to the small Belarussian hamlet of Vashisht, telling their story of the journey from Russia to a new life in New York City. From the Great Depression through World War II and beyond, "Sarah's Ten Fingers" narrates the trials and tribulations faced by this determined mother seeking a better existence for her family.

"Sarah's Ten Fingers" recalls Sarah's tenacity, strength, and intelligence-traits that have been replicated in her progeny, who are now teachers, lawyers, doctors, accountants, business owners, and writers. It portrays fifty years in the lives of a family that was brought out of hell by a pious Jewish woman seeking to attain the Golden Land.