Is today's All-Volunteer Force still "This Man's Army"?
In a nation that has seen the rise of feminism, the decline of blue-collar employment, military defeat in Vietnam, and a general upheaval of traditional gender norms, what kind of man is today's military man? What kind does the military want him to be?
In Enlisting Masculinity, Melissa Brown asks whether appeals to and constructions of masculinity remain the underlying basis of military recruiting-and if so, what that notion of masculinity actually is. Are the Army, Air Force, Navy, and Marines courting warriors or breadwinners; patriots or pragmatists; dominant masters of technology, or strong yet compassionate masters of themselves? Is each military branch recruiting the same model of masculinity?
Based on an analysis of more than 300 print advertisements published between the early 1970s and 2007, as well as television commercials, recruiting websites, and media coverage of recruiting, Enlisting Masculinity argues that masculinity is still a foundation of the appeals made by the military, but that each branch deploys various constructions of masculinity that serve its particular personnel needs and culture, with conventional martial masculinity being only one among them. The inclusion of a few token women in recruiting advertisements has become routine, but the representations of service make it clear that men are the primary audience and combat their exclusive domain. Each branch constructs soldiering upon a slightly different foundation of masculine ideals and Brown delves into why, how, and what that looks like.
The military is an important site for the creation and propagation of ideas of masculinity in American culture, and it is often not given the attention that it warrants as a nexus of gender and citizenship. Although most Americans believe they can ignore the military in the era of the all-volunteer force, when it comes to popular culture and ideas about gender, the military is not a thing apart from society. Building a fighting force, Brown shows, also means constructing a gender. Enlisting Masculinity gives us a unique and important perspective on both military service and prevailing conceptions of masculinity in America.

Farrago, from the Latin farragin, is a word that means a confused mixture. This memoir, sharing the story of the relationship between author Diana B. Roberts and her mother, Markie, is just that-a farrago, containing neither positive nor negative judgment.

Markie Byron Roberts was eighty-five years old when she passed away-a long life for anyone, but particularly for a woman who'd been institutionalized for mental illness six times, beginning at age sixteen, and who had been unwillingly subjected to thirty-six shock therapy treatments. Through mental and physical illness, on her death bed and throughout her life, she maintained a personal sense of style reminiscent of her long bygone life. In the end she went quietly, politely, and silently to the other side, leaving her children to wonder what her life, and their lives, might have been like if she had been with them all along.

A victim of mental illness and the wounding loss of her family's place in society, Markie became incapable of raising her three children. For many years the lingering effects of the brief years she spent with Markie Created shadow over Diana's life, a kind of aura of both the presence and absence of her mother.

Finally healed after a lifetime of uncertainty and ready to help shed light on the needs of survivors of parental mental illness, author Diana B. Roberts details life with and without-her mother. This is their story.

In contemporary pop culture, the pursuits regarded as the most frivolous are typically understood to be more feminine in nature than masculine. This collection illustrates how ideas of the popular and the feminine were assumed to be equally naturally intertwined in the eighteenth century, and the ways in which that association facilitates the ongoing trivialization of both. Top scholars in eighteenth-century studies examine the significance of the parallel devaluations of women's culture and popular culture by looking at theatres and actresses; novels, magazines, and cookbooks; and populist politics, dress, and portraiture. They also assess how eighteenth-century women have been re-imagined in contemporary historical fiction, films, and television, from the works of award-winner Beryl Bainbridge to Darcymania and Pride and Prejudice and Zombies. By reconsidering the cultural and social practices of eighteenth-century women, this fascinating volume reclaims the ostensibly trivial as a substantive cultural contribution.

This encyclopedia surveys the scientific research on gender throughout the ages-the people, experiments, and impact-of both legitimate and illegitimate findings on the scientific community, women scientists, and society at large. Women, Science, and Myth: Gender Beliefs from Antiquity to the Present examines the ways scientists have researched gender throughout history, the ways those results have affected society, and the impact they have had on the scientific community and on women, women scientists, and women's rights movements. In chronologically organized entries, Women, Science, and Myth explores the people and experiments that exemplify the problematic relationship between science and gender throughout the centuries, with particular emphasis on the 20th century. The encyclopedia offers a section on focused cross-period themes such as myths of gender in different scientific disciplines and the influence of cultural norms on specific eras of gender research. It is a timely and revealing resource that celebrates science's legitimate accomplishments in understanding gender while unmasking the sources of a number of debilitating biases concerning women's intelligence and physical attributes. Chronologically organized entries describing people and events influential in the development of scientific research on gender 40 thematic entries looking at larger issues across regions, disciplines, and historical eras A section of supportive demographic/statistical information

Jesus didn't say that the world would know we are his followers by our biting rhetoric, our political leanings, our charity work, or even by our knowledge of Scripture. He said the world would know us by our love for one another. Yet it's so easy to put others at arm's length, to lash out, to put up walls. Deidra Riggs wants us to put our focus on self-preservation aside and, like Jesus, make the first move toward reconciliation. In One, Riggs shows readers that when Jesus offered himself up in our place, he was not only purchasing our salvation but also setting an example for us to follow. She helps readers understand that they are secure in God's inexhaustible love, making them free to love others lavishly--not just in what they do but in what they say, what they don't say, what they will endure, and what they will forgive. Anyone who longs for unity in the church, in their family, and in their community will find in this book both inspiring examples of loving done well and encouragement to begin the often unnoticed hard work of building bridges with those around them.

Much more has been written about Charles Warren Fairbanks than about his wife, Cornelia Cole Fairbanks. Documents in archives and libraries, historical records, newspapers of the time, and personal letters from Mrs. Fairbanks to her husband have made it possible to learn more about this fascinating woman. Writings of historians about the late nineteenth and early twentieth centuries put her story in the context of her times. She had been among one of the early generations of women to graduate from college. She married an ambitious young lawyer and read law to help and advise him as he built his practice as a railroad lawyer in the Gilded Age. Throughout his life, he read his speeches to her for her comments before he delivered them. She raised their five children as he was investing in business and becoming involved in politics and was an important advisor to him as he campaigned successfully to become Senator from Indiana and later, Vice President with President Theodore Roosevelt. She became one of the most popular hostesses in the nation's capital and was the only woman who could enter a drawing room without immediately seeking out the most influential persons in the room. Gracious and charming, she treated all with equal respect.

Women's Voices in Ireland examines the letters and problems sent in by women to two Irish women's magazines in the 1950s and 60s, discussing them within their wider social and historical context. In doing so, it provides a unique insight into one of the few forums for female expression in Ireland during this period. Although in these decades more Irish women than ever before participated in paid work, trade unions and voluntary organizations, their representation in politics and public and their workforce participation remained low. Meanwhile, women who came of age from the late 1950s experienced a freedom which their mothers and aunts - married or single, in the workplace or the home - had never known. Diary and letters pages and problem pages in Irish-produced magazines in the 1950s and 60s enabled women from all walks of life to express their opinions and to seek guidance on the social changes they saw happening around them. This book, by examining these communications, gives a new insight into the history of Irish women, and also contributes to the ongoing debate about what women's magazines mean for women's history.

..".a perfect genius that makes the impossible in expression, possible; the unknowable in experience, knowable"
--Anya Achtenberg, author of "The Stories of Devil-Girl"
"Nickels" follows a biracial girl named "Little Miss So and So," from age 4-1/2 into adulthood. Told in a series of prose poems, "Nickels'" lyrical and inventive language conveys the dissociative states born of a world formed by persistent and brutal incest and homophobia. The dissociative states enable the child's survival and, ultimately, the adult's healing. The story is both heartbreaking and triumphant. Nickels is the groundbreaking debut of Minneapolis-area author and artist Christine Stark.
"Christine Stark has crafted a language and a diction commensurate with the shredding of consciousness that is a consequence of childhood sexual abuse. She brings us a wholly original voice in a riveting novel of desperation and love. Every sentence vibrates with a terrible beauty. Every sentence brings the news."
--Patricia Weaver Francisco, author of "Telling: A Memoir of Rape and Recovery"
"To be taken into the mind of a child can be an enchanting adventure, but to be taken into the mind of a child who is abused, confused, and taken for granted is a lingering, livid journey. I applaud her fortitude to bring an olden--too long ignored-- truth out of the darkness with blazing, innovative light."
--MariJo Moore, author of "The Diamond Doorknob"
"In "Nickels," Christine Stark, powerfully portrays the story of abuse and its impact on our lives. When this beautifully written and compelling story leaves, you are left wanting more. It's riveting; a book that will capture you from the beginning and carry you through the end. Everyone should read this book."
--Olga Trujillo, author of "The Sum of My Parts"
From the Reflections of America Series at Modern History Press www.ModernHistoryPress.com
Learn more at www.ChristineStark.com
FIC044000 Fiction: Contemporary Women
FIC018000 Fiction: Lesbian
SOC010000 Social Science: Feminism & Feminist Theory

A critical examination of the weaknesses inherent in international gender policy 2018 Victoria Schuck Award from the American Political Science Association Gender equality has become a central aspect of global governance and development in the 21st century. States increasingly promote women in government, ensure women's economic rights and protect women from violence, all in the name of creating a more gender equitable world. No Shortcut to Change is a historical, theoretical, and political overview of why the common, liberal-feminist-driven 'shortcut' approach has not actually improved the status of women throughout the world-and why a new approach taking social, racial, and political hierarchies into account alongside gender is sorely needed. This innovative book unites several streams of international relations and feminist theory in pursuit of a practical solution to global gender inequality. She gives an overview of what 'add-women' policymaking looks like and has (or has not) accomplished, examining three key policy areas: * Women's representation- including policies and practices to include more women in all branches of government, such as legislative quotas, which in many countries have been established to ensure enough women are represented in legislative bodies; * The recognition of women's economic rights, like the right for a woman to own property and gainful employment * Combating violence against women, through domestic violence and rape laws, which remains a major problem throughout the world. Ellerby explores how poor implementation, informal practices, gender binaries, and intersectionality remain key issues in addressing women's inclusion policy around the world. Ultimately, she concludes that all of these efforts have been co-opted by global neoliberal institutions, often reinforcing gender differences rather than challenging them. A much-needed critical text on the weaknesses inherent in international gender policy, No Shortcut to Change is an eye-opening overview for anyone interested in gender equality.

In recent decades, the issue of gender-based violence has become heavily politicized in India. Yet, Indian law enforcement personnel continue to be biased against women and overburdened. In Capable Women, Incapable States, Poulami Roychowdhury asks how women claim rights within these conditions. Through long term ethnography, she provides an in-depth lens on rights negotiations in the world's largest democracy, detailing their social and political effects. Roychowdhury finds that women interact with the law not by following legal procedure or abiding by the rules, but by deploying collective threats and doing the work of the state themselves. And they behave this way because law enforcement personnel do not protect women from harm but do allow women to take the law into their own hands.These negotiations do not enhance legal enforcement. Instead, they create a space where capable women can extract concessions outside the law, all while shouldering a new burden of labor and risk. A unique theory of gender inequality and governance, Capable Women, Incapable States forces us to rethink the effects of rights activism across large parts of the world where political mobilization confronts negligent criminal justice systems.

Humanizing LIS Education and Practice: Diversity by Design demonstrates that diversity concerns are relevant to all and need to be approached in a systematic way. Developing the Diversity by Design concept articulated by Dali and Caidi in 2017, the book promotes the notion of the diversity mindset. Grouped into three parts, the chapters within this volume have been written by an international team of seasoned academics and practitioners who make diversity integral to their professional and scholarly activities. Building on the Diversity by Design approach, the book presents case studies with practice models for two primary audiences: LIS educators and LIS practitioners. Chapters cover a range of issues, including, but not limited to, academic promotion and tenure; the decolonization of LIS education; engaging Indigenous and multicultural communities; librarians' professional development in diversity and social justice; and the decolonization of library access practices and policies. As a collection, the book illustrates a systems-thinking approach to fostering diversity and inclusion in LIS, integrating it by design into the LIS curriculum and professional practice. Calling on individuals, organizations, policymakers, and LIS educators to make diversity integral to their daily activities and curriculum, Humanizing LIS Education and Practice: Diversity by Design will be of interest to anyone engaged in research and professional practice in Library and Information Science.

Judy Chicago's monumental art installation "The Dinner Party "was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century.
More than most social movements, feminism was transmitted and understood through culture--art installations, "Ms. Magazine," "All in the Family," and thousands of other cultural artifacts. But the phenomenon of cultural feminism came under extraordinary criticism in the late 1970s and 1980s Gerhard analyzes these divisions over whether cultural feminism was sufficiently activist in light of the shifting line separating liberalism from radicalism in post-1970s America. She concludes with a chapter on the 1990s, when "The Dinner Party" emerged as a target in political struggles over public funding for the arts, even as academic feminists denounced the piece for its alleged essentialism.
The path that" The Dinner Party" traveled--from inception (1973) to completion (1979) to tour (1979-1989) to the permanent collection of the Brooklyn Museum (2007)--sheds light on the history of American feminism since 1970 and on the ways popular feminism in particular can illuminate important trends and transformations in the broader culture.

Honorable Mention, 2019 Distinguished Book Award, given by the Sex & Gender Section of the American Sociological Association Honorable Mention, 2019 Marysa Navarro Book Prize, given by the New England Council of Latin American Studies (NECLAS) A profound reflection on state violence and women's survival In the 1970s and early 80s, military and security forces in Argentina hunted down, tortured, imprisoned, and in many cases, murdered political activists, student organizers, labor unionists, leftist guerrillas, and other people branded "subversives." This period was characterized by massive human rights violations, including forced disappearances committed in the name of national security. State terror left a deep scar on contemporary Argentina, but for many survivors and even the nation itself, talking about this dark period in recent history has been difficult, and at times taboo. For women who endured countless forms of physical, sexual, and emotional violence in clandestine detention centers, the impetus to keep quiet about certain aspects of captivity has been particularly strong. In Surviving State Terror, Barbara Sutton draws upon a wealth of oral testimonies to place women's bodies and voices at the center of the analysis of state terror. The book showcases poignant stories of women's survival and resistance, disinterring accounts that have yet to be fully heard, grappled with, and understood. With a focus on the body as a key theme, Sutton explores various instances of violence toward women, such as sexual abuse and torture at the hands of state officials. Yet she also uses these narratives to explore why some types of social suffering and certain women's voices are heard more than others, and how this can be rectified in our own practices of understanding and witnessing trauma. In doing so, Sutton urges us to pay heed to women survivors' political voices, activist experiences, and visions for social change. Recounting not only women's traumatic experiences, but also emphasizing their historical and political agency, Surviving State Terror is a profound reflection on state violence, social suffering, and human resilience-both personal and collective.

The book chronicles the life story of a woman pioneer in the electrical trade. It begins with the early childhood experiences that formed her approach to life. The empowerment of feminism was a natural result of her changed life that lead her into teaching, nursing, farming and the formation of her own electrical contracting company. Another aspect in the book is her journey from realism to faith. The dynamic tension between both of these themes and the resolution of them is the substory in this very interesting memoir.