This book investigates early modern women's interventions in politics and the public sphere during times of civil war in England and France. Taking this transcultural and comparative perspective, and the period designation "early modern" expansively, Antigone's Example identifies a canon of women's civil-war writings; it elucidates their historical specificity as well as the transhistorical context of civil war, a context which, it argues, enabled women's participation in political thought.

Women and Art surveys the history of women in art and addresses the effects of feminist art history and art production. This book is among the first to offer a critical assessment of the role of feminism in art history and how it has presented and misrepresented women's roles in art. Seeking to counterbalance overwhelmingly pro-feminist narratives, it relies on evidence from artists, statisticians, and historians to support individual women artists while remaining critical of feminism. Cogent and persuasive, Women and Art stands as a key for students and researchers interested in art history, gender studies, feminism, and cultural studies.

Who doubts, my reader, that you will be amazed that a woman has the audacity not only to write a book, but to send it for printing, which is the crucible in which the purity of genius is tested'? Who doubts, my reader, that you will be amazed that a woman has the audacity not only to write a book, but to send it for printing, which is the crucible in which the purity of genius is tested?' A pioneer of early modern feminism, Maria de Zayas y Sotomayor wrote poetry, drama and prose but is best known for two page-turning collections of short stories: Exemplary Tales of Love (1637) and Tales of Disillusion (1647). This book provides an engaging introduction to Zayas and her work. It begins by relating what we know of her life, placing her in her socio-political and economic context and addressing the issue of women's literacy. Following chapters examine her use of sexual desire, violence and humour in her tales; her narrative structures; and her oral style. The book then turns to identity construction in her tales and in society, analysing questions of gender, class, family and 'race', and to her treatment of religion, magic and the supernatural. The final chapters explore Zayas's status as a proto-feminist; her early modern reception in Spain and elsewhere; and various critical readings of her work.

A key book for conflict and peace studies, reveals the gendered nature of peacebuilding, its consequences, and the importance of women playing a part in peace processes in Africa. Even in the best of circumstances, women are all too often excluded from formal peacemaking and peacebuilding processes and relegated to the sidelines as observers or limited to informal peacebuilding strategies. Yet there is enormous potential in these strategies as women often strive to build bridges across political, ethnic, religious, clan and other differences through alliances arising from common concerns around violence, land, access to resources, and protection of their families and communities, and address sources of conflict at both national and local levels. Drawing on cutting-edge research by scholars and women's rights activists in South Sudan, Sudan, Algeria, northern Nigeria, and Somalia, this book focuses on the consequences of the continuing exclusions of women from peace talks and from post-conflict governance structures. The case studies reveal how peacebuilding is gendered and why this matters in developing meaningful and sustainable approaches to peacebuilding. Examining how women activists have made a difference through informal peacebuilding activities, the contributors explore women's efforts to reshapethe post-conflict context by struggling for legislative and constitutional reforms and by advocating for political representation and political inclusion more generally within peacebuilding processes. They also look at how women have pushed back against the conservative Islamist forces that today dominate much armed conflict in Africa. Suggesting that women's formal participation in peace negotiations is vital in bringing about an end to conflict and preventing its resumption, as well as the one of the most effective strategies, this book will be essential reading for scholars and NGOs involved in development, conflict resolution and peacebuilding. The book is the product of a research project on Women and Peacebuilding in Africa, funded by Carnegie Corporation of New York and the Norwegian Foreign Ministry.

This is an unrivalled collection of source material on women in the ancient Greek world including literary, rhetorical, philosophical and legal sources, and papyri and inscriptions. The study of women in the ancient Mediterranean world is a topic of growing interest among classicists and ancient historians, and also students of history, sociology and women's studies. This volume is an essential resource supplying a compilation of source material in translation, with contextual commentaries, a glossary of key terms and an annotated bibliography. Texts come from literary, rhetorical, philosophical and legal sources, as well as papyri and inscriptions, and each text will be placed into the cultural mosaic to which it belongs. Ranging geographically from the ancient Near East through Egypt and Greece to Rome and its wider empire, the volume follows a clear chronological structure. Beginning in the eighth century BCE the coverage continues through archaic and Classical Athens, Etruscan Italy and the Roman Republic, concluding with the late Roman Empire and the advent of Christianity. "The Continuum Sources in Ancient History" series presents a definitive collection of source material in translation, combined with expert contextual commentary and annotation to provide a comprehensive survey of each volume's subject. Material is drawn from literary, as well as epigraphic, legal and religious, sources. Aimed primarily at undergraduate students, the series will also be invaluable for researchers, and faculty devising and teaching courses.

A Cultural History of The Human Body presents an authoritative survey from ancient times to the present. This set of six volumes covers 2800 years of the human body as a physical, social, spiritual and cultural object. Volume 1: A Cultural History of the Human Body in Antiquity (750 BCE - 1000 CE) Edited by Daniel Garrison, Northwestern University. Volume 2: A Cultural History of the Human Body in The Medieval Age (500 - 1500) Edited by Linda Kalof, Michigan State University Volume 3: A Cultural History of the Human Body in the Renaissance (1400 - 1650) Edited by Linda Kalof, Michigan State University and William Bynum, University College London. Volume 4: A Cultural History of the Human Body in the Enlightenment (1600 - 1800) Edited by Carole Reeves, Wellcome Trust Centre for the History of Medicine, University College London. Volume 5: A Cultural History of the Human Body in the Age of Empire (1800 - 1920) Edited by Michael Sappol, National Library of Medicine in Washington, DC, and Stephen P. Rice, Ramapo College of New Jersey. Volume 6: A Cultural History of the Human Body in the Modern Age (1900-21st Century) Edited by Ivan Crozier, University of Edinburgh, and Chiara Beccalossi, University of Queensland. Each volume discusses the same themes in its chapters: 1. Birth and Death 2. Health and Disease 3. Sex and Sexuality 4. Medical Knowledge and Technology 5. Popular Beliefs 6. Beauty and Concepts of the Ideal 7. Marked Bodies I: Gender, Race, Class, Age, Disability and Disease 8. Marked Bodies II: the Bestial, the Divine and the Natural 9. Cultural Representations of the Body 10. The Self and Society This means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume. Superbly illustrated, the full six volume set combines to present the most authoritative and comprehensive survey available on the human body through history.

The evil of female exploitation
Human bondage and the exploitation of the weak, poor and vulnerable is as old as human kind itself. It is such a primal aspect of human nature that there have been long periods of history where it was considered the natural order, and in numerous cultures the members of which could dispassionately view the matter without it ever occurring to them that it might be morally reprehensible. Such is the mobility of morality. That situation, of course, prevailed openly in 'modern' western societies until very recently and certainly abides in the wider world less openly to this day. The traffic in young women to be used as labour slaves and especially those to be forced into prostitution has a history equally as long. Indeed, all know that this exploitation persists to the present time and is seemingly impossible to eradicate as it provides enormous revenue for the unscrupulous and gratification for the irrepressible base instincts of men. This book, written at the turn of the nineteenth and early twentieth centuries, sought in its day to make the public aware of the practice of 'white slavery' in an attempt to promote its eradication. The circumstances of the victims of times past may have been different in detail to those of today's enslaved, but the common thread of exploitation remains the same. This book is an interesting chronicle on the subject from an historical perspective and will engross all those interested in learning more. It poignantly demonstrates that the practice and the battle against human trafficking has been long established and-though the war proceeds without final victory or the expectation of it-long opposed. Available in softcover and hardback with dustjacket.

This book comes out of a conference in April of 1999 at the Center for European Studies at Harvard University on the topic of 'Gender Parity and the Liberal Tradition: Proposals and Debates in Europe and the United States.' It is a collection of short essays that attempt to capture the theoretical arguments and policy changes presented at the conference. The essays are divided into three sections, each of which approaches from a different angle the central question of whether liberalism has failed women. The first section aims to frame the discussion by outlining the theoretical arguments for the amendments or revisions implied by the proponents of the Parity Movement in Europe and for the concerns raised by critics. The second describes recent changes in party rules, European legal framework, and national constitutions, as well as the gains made by women in response to rule change. The third section provides American perspectives on the lessons that parity advocates might draw from affirmative action policies and speculations about how parity rules would work in the American context. The essays are drawn from top European and American scholars.

"Treasures in the Attic: Gifts from a Woman of Faith "is the true story of author Dell Anne Hines Afzal's grandmother, Lois Annie, and the treasures she left their family. It is documented in memory of her love and strength and shows the trials and tribulations of how she lived her life. It also shows an extremely hard-working, honest, and loving woman who would not allow those heartaches she suffered in her life to limit or taint her examples to her children, grandchildren, and great-grandchildren.

Learning of her tragedies and hardships and how she survived them has given Afzal a sense of purpose and a belief that she can do all things through faith and hard work.

Her purpose in sharing her grandmother's life with the reader is to offer comfort and hope to those who are suffering. She offers her prayers and absolute faith in the understanding that whatever pitfalls may be thrown our way, we must never give up and we are not alone.

The treasures found in her attic on the day she moved from her treasured home of over fifty years offer a glimpse of true caring and respect she left for those she loves. The miracle of the recovery of those gifts and a lost member of the family will open your heart and soul to the true miracles of life.

Weaving Women's Spheres in Vietnam offers an in-depth study of the status of women in Vietnamese society through an examination of their roles in the context of family, religious and local community life from anthropological, historical and sociological perspectives. Unlike previous works on gender issues relating to Vietnam which focus on women as passive subjects and are restricted to specific spheres such as family, this book, through a series of case studies and life stories, not only examines the suppressive gender structure of the Vietnamese family, but also demonstrates Vietnamese women's agency in appropriating that structure and creating alternative spheres for women which they have interwoven in between the dominant realms of public and private spheres in the areas of family, religious practice, community organizations, and politics, including their participation in the (re)construction of national identity. Accordingly, this volume is expected to become an important new benchmark relating to gender issues in Asian societies, especially in the context of so-called 'transitional' societies, such as China and Vietnam. Contributors include: Kirsten W. Endres, Ito Mariko, Ito Miho, Kato Atsufumi , Hy V. Luong, Miyazawa Chihiro, Thien-Huong T. Ninh, Tran Thi Minh Thi.

This book relates the unique experiences of Lesbian, Gay, Bisexual, Transgender and Queer/Questioning (LGBTQ+) people in Australian Pentecostal-Charismatic Christian churches. Grounded in the theoretical contributions of Michel Foucault, Judith Butler, Lewis Coser, and others, the book exposes the discursive 'battleground' over the 'truth' of sex which underlies the participants' stories. These rich and complex narratives reveal the stakes of this conflict, manifested in 'the line' - a barrier restricting out LGBTQ+ people from full participation in ministry and service. Although some participants related stories of supportive-if typically conservative-congregations where they felt able to live out an authentic, integrated faith, others found they could only leave their formerly close and supportive communities behind, 'counter-rejecting' the churches and often the faith that they felt had rejected them.

In the long shadow of a presidential election rife with charges of sexist actions, this book explains how very common such behavior is among executives, why law doesn't protect victims, and how female professionals can bring change. Who do you report sexism to when the offender owns the company? "Overt and intentional sexism" against women by powerful men in politics, business, and academia and across the white-collar world in public and private institutions is common, according to author Elizabeth C. Wolfe, a conflict analysis and resolution specialist. Female executives, even at the pinnacle of their careers, remain vulnerable to their male colleagues. In this book, Wolfe details how men treat women at the highest levels and the result of their actions. Women executives from nine countries explain how their career advancement and earning potential are continuously harmed though overt sexism, sexist social behavior, and microaggressions--those damaging behaviors that are in a gray area but are not legally actionable. She further examines why law does not protect these women: sexism, like racism, is a way of thinking and so cannot be legislated. Each "-ism" has legal protections against documentable actions, but ways of thinking, socializing rituals, and microaggressions are not actionable by law. Wolfe details the minds of sexists and describes how sexism is "socialized," and then explains how to name each sexist behavior, address it, and take action to stop it. Spotlights the emotional and career fallout for female professionals targeted by executive men's "locker room talk" Considers why onlookers don't intervene, known as the "bystander effect" Reveals why female victims remain silent and how speaking out can be fatal to their career Details why successful action to stop sexism demands an alliance of women and men who support their cause

The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different--if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived?
Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian emigres and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. "If I were allowed one simple cry to God," she wrote in one of her last letters, "that cry would be I want to be REAL."

Maria Graham's story is as remarkable as her work, and this biography not only narrates her life but also delves into the representation she made of herself in her published and unpublished journals, diaries, memoirs, and letters. The result of her endeavours is a literary persona that appears far removed from the controversial woman that she actually was. Who is the woman behind the texts? How did she conceive them? Was she simply one of many other adventurous and articulate female authors of the nineteenth century, or did she for some reason stand apart? This book shows how she manufactured her identity at times by conforming to, challenging, or ignoring the rules of society regarding women's behaviour. She was a child of the Enlightenment in that she valued knowledge above all things, yet she flavoured her discoveries with a taste of romanticism. Her search took her to distant lands where she captured for her readers foreign cultural manifestations, exotic landscapes, and obscure religious rites; yet a reading of her work generates the impression that despite the dramatic descriptions of peoples and places, Graham's subject was, simply, herself. What we know of her story comes mainly from her own narratives, although there are significant letters to, from, and about her that round up the analysis. This biography reconstructs Maria Graham's literary image by means of significant passages of her work, memoirs, diaries, journals, and letters. The chosen texts are meant to illustrate salient features of her style and of her interaction with the prevalent ideologies of her time. The intention is to display a groundbreaking female intellectual who captured for her readers the ancientculture of India as deftly as she represented bloodthirsty bandits in the north of Italy or nascent countries in South America.

The first feminist analysis of some of the most performed works in the American-opera canon, emphasizing the voices and perspectives of the sopranos who brought these operas to life. In the 1950s, composers and librettists in the United States were busy seeking to create an opera repertory that would be deeply responsive to American culture and American concerns. They did not break free, however, of the age-old paradigm so typically expressed in European opera: that is, of women as either saintly and pure or sexually corrupt, with no middle ground. As a result, in American opera of the 1950s, women risked becoming once again opera's inevitable victims. Yet the sopranos who were tasked with portraying these paragons of virtue and their opposites did not always take them as their composers and librettists made them. Sometimes they rewrote, through their performances, the roles they had been assigned. Sometimes they used their lived experiences to invest greater authenticity in the roles. With chapters on The Tender Land, Susannah, The Ballad of Baby Doe, and Lizzie Borden, this book analyzes some of the most performed yet understudied works in the American-opera canon. It acknowledges Catherine Clement's famous description of opera as "the undoing of women," while at the same time illuminating how singers like Beverly Sills and Phyllis Curtin worked to resist such undoing, years before the official resurgence of the American feminist movement. In short, they ended up helping to dismantle powerful gendered stereotypes that had often reigned unquestioned in opera houses until then.