A study of the lives of and works of Anna Barbauld and Mary Robinson, two of the most influential women poets of the late 18th and early 19th centuries giving particular attention to them as London poets, and in the context of the political and cultural radicalism of the age in which they lived.

Women have a desperate longing for a stress cure--a revitalized

perspective and re-energized faith. STRESSED-LESS LIVING offers life-changing, heart-renewing, long-lasting remedies that will bring peace, even when things feel out of control.

In the wake of the violent labor disputes in Colorado's two-year Coalfield War, a young woman and single mother resolved in 1916 to change the status quo for 'girls,' as well-to-do women in Denver referred to their hired help. Her name was Jane Street, and this compelling biography is the first to chronicle her defiant efforts - and devastating misfortunes - as a leader of the so-called housemaid rebellion. A native of Indiana, Jane Street (1887 - 1966) began her activist endeavors as an organizer for the Industrial Workers of the World (IWW). In riveting detail, author Jane Little Botkin recounts Street's attempts to orchestrate a domestic mutiny against Denver's elitist Capitol Hill women, including wives of the state's national guard officers and Colorado Fuel and Iron operators. It did not take long for the housemaid rebellion to make local and national news. Despite the IWW's initial support of the housemaids' fight for fairness and better pay, Street soon found herself engaged in a gender war, the target of sexism within the very organization she worked so hard to support. The abuses she suffered ranged from sabotage and betrayal to arrests and abandonment. After the United States entered World War I and the first Red Scare arose, Street's battle to balance motherhood and labor organizing began to take its toll. Legal troubles, broken relationships, and poverty threatened her very existence. In previous western labor and women's studies accounts, Jane Street has figured only marginally, credited in passing as the founder of a housemaids' union. To unearth the rich detail of her story, Botkin has combed through case histories, family archives, and - perhaps most significant - Street's own writings, which express her greatest joys, her deepest sorrows, and her unfortunate dealings with systematic injustice. Setting Jane's story within the wider context of early-twentieth-century class struggles and the women's suffrage movement, The Girl Who Dared to Defy paints a fascinating - and ultimately heartbreaking - portrait of one woman's courageous fight for equality.

In a state where "majority rules" does not mean a state of democracy, a girl breaks all of the major rules, most significantly her own. In Sacrificing Safety, author Aeon Sage narrates her life story against the backdrop of the rules she believes she has broken-relating to sex, drugs, abortion, obsessions, and irrational reasoning. In this memoir, she shows how she sacrifices her safety in exchange for experiences that lead her to appreciate life more than she could imagine.

A collection of journal entries and poems, Sacrificing Safety provides a glimpse into the mind of someone diagnosed with bipolar disorder. It tells how Sage coped with life's twists and turns and how she transformed these trials and tribulations into positive lessons. It documents her journey from girl to woman-to professional writer, professional caregiver, professional wife, and professional woman.

Covering sensitive personal issues, Sacrificing Safety shares the best and worst moments of Sage's life as she makes sense of who she is.

Female philanthropy was at the heart of transformative thinking about society and the role of individuals in the interwar period. In Britain, in the aftermath of the First World War, professionalization; the authority of the social sciences; mass democracy; internationalism; and new media sounded the future and, for many, the death knell of elite practices of benevolence. Eve Colpus tells a new story about a world in which female philanthropists reshaped personal models of charity for modern projects of social connectedness, and new forms of cultural and political encounter. Centering the stories of four remarkable British-born women - Evangeline Booth; Lettice Fisher; Emily Kinnaird; and Muriel Paget - Colpus recaptures the breadth of the social, cultural and political influence of women's philanthropy upon practices of social activism. Female Philanthropy in the Interwar World is not only a new history of women's civic agency in the interwar period, but also a study of how female philanthropists explored approaches to identification and cultural difference that emphasized friendship in relation to interwar modernity. Richly detailed, the book's perspective on women's social interventionism offers a new reading of the centrality of personal relationships to philanthropy that can inform alternative models of giving today.

Law is a multi-dimensional aspect of modern society that constantly shifts and changes over time. In recent years, the practice of therapeutic jurisprudence has increased significantly as a valuable discipline. Therapeutic Jurisprudence and Overcoming Violence Against Women is a comprehensive reference source for the latest scholarly research on the strategic role of jurisprudential practices to benefit women and protect women's rights. Highlighting a range of perspectives on topics such as reproductive rights, workplace safety, and victim-offender overlap, this book is ideally designed for academics, practitioners, policy makers, students, and practitioners seeking research on utilizing the law as a social force in modern times.

Unpunished is a story about, love, abuse, sex, betrayal, deceit, mental illness, murder and the unknown. It's NOT a pretty story, however it is one woman's true story. Donna was on her way home from work one afternoon when she stopped to pick up her mail. She tore excitedly into a package that she assumed was from her mother; instead photographs from her past tumbled onto her lap. She is thrown into the memories of her past, memories that are unwanted and of deeds that went unpunished

This edited collection presents fresh and original work on Vittoria Colonna, perhaps the outstanding female figure of the Italian Renaissance, a leading Petrarchist poet, and an important figure in the Italian Reform movement. Until recently best known for her close spiritual friendship with Michelangelo, she is increasingly recognized as a powerful and distinctive poetic voice, a cultural and religious icon, and an important literary model for both men and women. This volume comprises compelling new research by established and emerging scholars in the fields of literature, book history, religious history, and art history, including several studies of Colonna's influence during the Counter-Reformation, a period long neglected by Italian cultural historiography. The Colonna who emerges from this new reading is one who challenges traditional constructions of women's place in Italian literature: no mere imitator or follower, but an innovator and founder of schools in her own right.

Women all over the world are still facing numerous challenges and obstacles in the business domain. A gender-equal workplace is still a dream to pursue for a brighter and better future. To change how women are seen, perceived, and treated in the business world, the overall mindset of women in the workplace needs to change. Management education plays a critical role in changing these perceptions of women in business. Gender equal curricula and gender equal teaching materials are a way that universities can begin to challenge those preconceived beliefs that business is a male only domain. More teaching materials discussing and presenting women in the workplace is needed in management education, including women's problems and challenges, their stories of overcoming adversity, and the ways in which they have handled touch situations. This book presents real life stories of women in business, specifically focusing on how they overcame challenges and broke the glass ceiling. These stories will serve as proper teaching materials to be used in different courses of management education and as a means to increasing the awareness of gender quality in business. It will also be of use to lecturers, professors, administrators, librarians, researchers, scholars, practitioners, and students.

Arlette Noirclerc was born with a silver spoon in her mouth and spent her early childhood playing at the royal Chateau de Versailles. Those factors did not, however, lead to the life of leisure and luxury that she might have expected. Growing up in occupied France, Arlette learned early to fear the almighty German army, a fear that she was not released from until she witnessed American soldiers rescue France when they stormed Normandy on D-Day. It was on that day that her interest in America was piqued.

Throughout her life, Arlette has always felt guided spiritually. She grew curious about people and their spiritual philosophy and set out on her lifelong career in fashion, seemingly by chance, when a visit to London landed her a short stint as a representative for the House of Dior. Before long, she was offered a long-term position and the chance to live where her dreams carried her-America.

Arlette faced a series of peaks and valleys, from fame as a fashion designer and courtship by a Moroccan prince to life-threatening surgery and financial wipeouts. All of these things have contributed to her awakening about the laws of the Universe. In her memoir, Arlette's spiritual journey unfolds, demonstrating how, through it all, she was always able to make things work.

In Engendering the Woman Question, Zhang Yun adopts a new approach to examining the early Chinese women's periodical press. Rather than seeing this new print and publishing genre as a gendered site coded as either "feminine" or "masculine," this book approaches it as a mixed-gender public space where both men and women were intellectually active and involved in dynamic interactions to determine the contours of their discursive encounters. Drawing upon a variety of novel textual modes such as polemical essays, historical biography, public speech, and expository essays, this book opens a window onto men's and women's gender-specific approaches to a series of prominent topics central to the Chinese woman question in the early twentieth century.

Women and Art surveys the history of women in art and addresses the effects of feminist art history and art production. This book is among the first to offer a critical assessment of the role of feminism in art history and how it has presented and misrepresented women's roles in art. Seeking to counterbalance overwhelmingly pro-feminist narratives, it relies on evidence from artists, statisticians, and historians to support individual women artists while remaining critical of feminism. Cogent and persuasive, Women and Art stands as a key for students and researchers interested in art history, gender studies, feminism, and cultural studies.