In Dilemmas of Adulthood, Nancy Rosenberger investigates the nature of long-term resistance in a longitudinal study of more than fifty Japanese women over two decades. Between 25 and 35 years of age when first interviewed in 1993, the women represent a generation straddling the stable roles of post-war modernity and the risky but exciting possibilities of late modernity. By exploring the challenges they pose to cultural codes, Rosenberger builds a conceptual framework of long-term resistance that undergirds the struggles and successes of modern Japanese women. Her findings resonate with broader anthropological questions about how change happens in our global-local era and suggests a useful model with which to analyse ordinary lives in the late modern world. Rosenberger's analysis establishes long-term resistance as a vital type of social change in late modernity where the sway of media, global ideas, and friends vies strongly with the influence of family, school, and work. Women are at the nexus of these contradictions, dissatisfied with post-war normative roles in family, work, and leisure and yet-in Japan as elsewhere-committed to a search for self that shifts uneasily between self-actualization and selfishness. The women's rich narratives and conversations recount their ambivalent defiance of social norms and attempts to live diverse lives as acceptable adults. In an epilogue, their experiences are framed by the aftermath of the 2011 earthquake and tsunami, which is already shaping the future of their long-term resistance. Drawing on such theorists as Ortner, Ueno, the Comaroffs, Melucci, and Bourdieu, Rosenberger posits that long-term resistance is a process of tense, irregular, but insistent change that is characteristic of our era, hammered out in the in-between of local and global, past and future, the old virtues of womanhood and the new virtues of self-actualization. Her book is essential for anyone wishing to understand how Japanese women have manoeuvred their lives in the economic decline and pushed for individuation in the 1990s and 2000s.

Li Ang (1952-) is a famous and prolific feminist writer from Taiwan who challenges and subverts sociocultural traditions through her daring explorations of sex, violence, women's bodies and desire, and national politics. As a taboo-breaking writer and social critic, she uses fiction to expose injustice and represent human nature. Her political engagement further affords her a visionary perspective for interrogating the problematic intersection of gender and politics. The ambivalence in her fictional representations invites controversies and debates. Her works have thus helped raise awareness of the problems, open up discussions, and bring about social and intellectual changes. Some of her works have been translated into such foreign languages as English, French, German, and Japanese. In her career spanning over forty years, she has won numerous literary awards. Li Ang's Visionary Challenges to Gender, Sex, and Politics is the first collection of critical essays in English on Li Ang and some of her most celebrated works. Contributing historians examine her vital roles in the Taiwanese women's movement and political arenas, as well as the social influence of her publications on extramarital affairs. Contributing literary scholars investigate the feminist controversy over her 1983 award-winning novel, Shafu (Killing the Husband; translated as The Butcher's Wife); offer alternative interpretative strategies such as looking into figurations of "biopower" and relationship dynamics; dissect the subtle political significance in her magnificent novel Miyuan (The labyrinthine garden; 1991) and explosive political fiction, Beigang xianglu renren cha (Everyone sticks incense into the Beigang censer; 1997) from the perspective of gender and national identity; scrutinize the multiple discursive levels in her superb novel Qishi yinyuan zhi Taiwan/Zhongguo qingren (Seven prelives of affective affinity: Taiwan/China lovers; 2009); and analyze the "(dis)embodied subversion" accomplished by her fantastic Kandejian de gui (Visible ghosts; 2004). As the first volume in English to examine Li Ang's trail-blazing discourse on gender, sex, and politics, this work will inspire more studies of her oeuvre and contribute usefully to the fields of modern Taiwanese and Chinese literature, feminist studies, and comparative literature.

Deaths by suicide are high: every 40 seconds, someone in the world chooses to end their life. Despite acknowledgement that suicide notes are social texts, there has been no book which analyzes suicide notes as discursive texts and no attempt at a qualitative discourse analysis of them. Discourses of Men's Suicide Notes redresses this gap in the literature. Focussing on men and masculinity and anchored in qualitative discourse analysis, Dariusz Galasinski responds to the need for a more thorough understanding of suicidal behaviour. Culturally, men have been posited to be 'masters of the universe' and yet some choose to end their lives. This book takes a qualitative approach to data gathered from the Polish Corpus of Suicide Notes, a unique repository of over 600 suicide notes, to explore discourse from and about men at the most traumatic juncture of their lives. Discussing how men construct suicide notes and the ways in which they position their relationships and identities within them, Discourses of Men's Suicide Notes seeks to understand what these notes mean and what significance and power they are invested with.

Benigna Preziosi Mazzarella led a life that seemed the epitome of ordinariness, except that it also embodied a perfect storm for longevity: amazing genes, adherence to a Mediterranean diet, and almost compulsive physical activity. Benigna imbued her days with an energy all her own. Even more remarkable, she lived to be over one hundred and seven years old.

David Mazzarella, a journalist and the son of Benigna, shares a cooking, eating, and lifestyle guide based on his mother's philosophies that a lifetime of hard work was not bad, that laughter was even better, and that the only enemy in her life was fat. Known as a wizard in the kitchen, Benigna possessed uncharacteristic dislikes for a lady who exclusively cooked Italian food-she had little use for garlic, oregano, unpeeled tomatoes, wine, and the insides of bread. Mazzarella offers a glimpse into a typical day in his mother's kitchen along with the recipes of her most sought-after dishes, including one made with a mysterious herb.

"Always Eat the Hard Crust of the Bread" shares a wonderful tribute to a tough matriarch and inspiring cook through entertaining anecdotes, personal foibles, unforgettable sayings, and practical recipes that share one woman's secret of how to live a long and happy life.

"A delightful tribute to a long-lived mother and some quirky family members with dozens of Mama's unique recipes, including one made with an obscure herb that few know how to use."
-Gwen Romagnoli, co-author of "Italy the Romagnoli Way: A Culinary Journey"

Misconceptions regarding gender identity and issues of inequality that women around the world face have become a predominant concern for not only the citizens impacted, but global political leaders, administrators, and human rights activists. Revealing Gender Inequalities and Perceptions in South Asian Countries through Discourse Analysis explores how an analysis of language use in the South Asian region exposes issues related to gender identity, representation, and equality. Emphasizing emerging research and case studies focusing on the concept of gender in Malaysia, Bangladesh, and Nepal, this publication is an essential resource for social theorists, activists, linguists, media professionals, researchers, and graduate-level students.

Allegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers of the period adopted the female form as the allegorical personification of France itself. Considering the role of female allegorical figures in the works of Eustache Deschamps, Christine de Pizan, and Alain Chartier, as well as in the sermons of Jean Gerson, Daisy Delogu reveals how female allegories of the Kingdom of France and the University of Paris were used to conceptualize, construct, and preserve structures of power during the tumultuous reign of the mad king Charles VI (1380-1422). An impressive examination of the intersection between gender, allegory, and political thought, Delogu's book highlights the importance of gender to the functioning of allegory and to the construction of late medieval French identity.

Foluke Joyce Omosule never forgot the love she received as a child and all the kindhearted people she grew up with in the southwestern part of Nigeria.

Raised by her grandparents, her parents were always in her life, and their caring and concern gave her the strength to overcome the many challenges she faced as she fought to get an education.

Her hard work paid off in the form of opportunities--and one of them was the chance to go to the United States to continue her education. Even after leaving home, she was constantly reminded of who she was and where she came from, and trust and intuition helped her move from one stage of life to the next.

Whether you're seeking to fit into a new place or trying to create a better life for yourself, you can find inspiration in the challenges, fears, and pain that Foluke overcomes in Behind the Glass Door.

Contributions by Susan Eleuterio, Andrea Glass, Rachelle Hope Saltzman, Jack Santino, Patricia E. Sawin, and Adam Zolkover. The 2016 US presidential campaign and its aftermath provoked an array of protests notable for their use of humor, puns, memes, and graphic language. During the campaign, a video surfaced of then-candidate Donald Trump's lewd use of the word "pussy"; in response, many women have made the issue and the term central to the public debate about women's bodies and their political, social, and economic rights. Focusing on the women-centred aspects of the protests that started with the 2017 Women's March, Pussy Hats, Politics, and Public Protest deals with the very public nature of that surprising, grassroots spectacle and explores the relationship between the personal and the political in the protests. Contributors to this edited collection use a folkloristic lens to engage with the signs, memes, handmade pussy hats, and other items of material culture that proliferated during the march and in subsequent public protests. Contributors explore how this march and others throughout history have employed the social critique functions and features of carnival to stage public protests; how different generations interacted and acted in the march; how perspectives on inclusion and citizenship influenced and motivated participation; how women-owned businesses and their dedicated patrons interacted with the election, the march, and subsequent protests; how popular belief affects actions and reactions, regardless of some objective notion of truth; and how traditionally female crafts and gifting behaviour strengthened and united those involved in the march.