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Books > Social sciences > Sociology, social studies > Gender studies
This collection of essays takes up the most famous feminist
sentence ever written, Simone de Beauvoir's "On ne nait pas femme:
on le devient," finding in it a flashpoint that galvanizes feminist
thinking and action in multiple dimensions. Since its publication,
the sentence has inspired feminist thinking and action in many
different cultural and linguistic contexts. Two entangled
controversies emerge in the life of this sentence: a controversy
over the practice of translation and a controversy over the nature
and status of sexual difference. Variously translated into English
as "One is not born, but rather becomes a woman" (Parshley, 1953),
"one is not born but rather becomes woman" (Borde and
Malovany-Chevallier, 2010), and "women are made, not born" (in
popular parlance), the conflict over the translation crystallizes
the feminist debate over the possibilities and limitations of
social construction as a theory of sexual difference. When Sheila
Malovany-Chevallier and Constance Borde (contributors to this
volume), translated Le Deuxieme Sexe into English in 2010, their
decision to alter the translation of the famous sentence by
omitting the "a" ignited debate that has not yet exhausted itself.
The controversy over the English translation has opened a
conversation about translation practices and their relation to
meaning more generally, and broadens, in this volume, into an
examination of the life of Beauvoir's key sentence in other
languages and political and cultural contexts as well. The
philosophers, translators, literary scholars and historian who
author these essays take decidedly different positions on the
meaning of the sentence in French, and thus on its correct
translation in a variety of languages-but also on the meaning and
salience of the question of sexual difference as it travels between
languages, cultures, and political worlds.
Contributions by Susan Eleuterio, Andrea Glass, Rachelle Hope
Saltzman, Jack Santino, Patricia E. Sawin, and Adam Zolkover. The
2016 US presidential campaign and its aftermath provoked an array
of protests notable for their use of humor, puns, memes, and
graphic language. During the campaign, a video surfaced of
then-candidate Donald Trump's lewd use of the word "pussy"; in
response, many women have made the issue and the term central to
the public debate about women's bodies and their political, social,
and economic rights. Focusing on the women-centred aspects of the
protests that started with the 2017 Women's March, Pussy Hats,
Politics, and Public Protest deals with the very public nature of
that surprising, grassroots spectacle and explores the relationship
between the personal and the political in the protests.
Contributors to this edited collection use a folkloristic lens to
engage with the signs, memes, handmade pussy hats, and other items
of material culture that proliferated during the march and in
subsequent public protests. Contributors explore how this march and
others throughout history have employed the social critique
functions and features of carnival to stage public protests; how
different generations interacted and acted in the march; how
perspectives on inclusion and citizenship influenced and motivated
participation; how women-owned businesses and their dedicated
patrons interacted with the election, the march, and subsequent
protests; how popular belief affects actions and reactions,
regardless of some objective notion of truth; and how traditionally
female crafts and gifting behaviour strengthened and united those
involved in the march.
Despite a plethora of initiatives, policies, and procedures to
increase their representation in STEM, women of color still remain
largely underrepresented. In the face of institutional and societal
bias, it is important to understand the various methods women of
color use to navigate the STEM landscape as well as the role of
their personal and professional identities in overcoming the
systemic (intentional or unintentional) barriers placed before
them. Overcoming Barriers for Women of Color in STEM Fields:
Emerging Research and Opportunities is a collection of innovative
research depicting the challenges of women of color professionals
in STEM and identifying strategies used to overcome these barriers.
The book examines the narrative of these difficulties through a
reflective lens that also showcases how both the professional and
personal lives of these women were changed in the process.
Additionally, the text connects the process to the Butterfly
Effect, a metamorphosis that brings about a dramatic change in
character and perspective to those who go through it, which in the
case of women of color is about rebirth, evolution, and renewal.
While highlighting topics including critical race theory,
institutional racism, and educational inequality, this book is
ideally designed for administrators, researchers, students, and
professionals working in the STEM fields.
In 1953, Margot Pringle, newly graduated from Cornell University,
took a job as a teacher in a one-room school in rural eastern
Montana, sixty miles southeast of Miles City. ""Miss Margot,"" as
her students called her, would teach at the school for one year.
This book is the memoir she wrote then, published here for the
first time, under her married name. Filled with humor and affection
for her students, Horseback Schoolmarm recounts Liberty's coming of
age as a teacher, as well as what she taught her students. Margot's
school was located on the SH Ranch, whose owner needed a way to
retain his hired hands after their children reached school age. Few
teachers wanted to work in such remote and primitive circumstances.
Margot lived alone in a ""teacherage,"" hardly more than a closet
at one end of the schoolhouse. It had electricity but no phone,
plumbing, or running water. She drew water from a well outside. The
nearest house was a half-mile away. Margot had a car, but she had
to park it so far away, she kept her saddle horse, Orphan Annie, in
the schoolyard. Miss Margot started with no experience and no
supplies, but her spunk and inventiveness, along with that of her
seven students, made the school a success. Evocative of Laura
Ingalls Wilder's school-teaching experiences some eighty years
earlier, Horseback Schoolmarm gives readers a firsthand look at an
almost forgotten - yet not so distant - way of life.
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