This book for, about, and by Males of Color, amplifies triumphs and successes while documenting trials and tribulations that are instructive, inspiring, and praiseworthy. This book will be a must-read for every Male of Color.

Socialist Women and the Great War: Protest, Revolution and Commemoration, an open access book, is the first transnational study of left-wing women and socialist revolution during the First World War and its aftermath. Through a discussion of the key themes related to women and revolution, such as anti-militarism and violence, democracy and citizenship, and experience and life-writing, this book sheds new and necessary light on the everyday lives of socialist women in the early 20th century. The participants of the 1918-1919 revolutions in Europe, and the accompanying outbreaks of social unrest elsewhere in the world, have typically been portrayed as war-weary soldiers and suited committee delegates-in other words, as men. Exceptions like Rosa Luxemburg exist, but ordinary women are often cast as passive recipients of the vote. This is not true; rather, women were pivotal actors in the making, imagining, and remembering of the social and political upheavals of this time. From wartime strikes, to revolutionary violence, to issues of suffrage, this book reveals how women constructed their own revolutionary selves in order to bring about lasting social change and provides a fresh comparative approach to women's socialist activism. As such, this is a vitally important resource for all postgraduates and advanced undergraduates interested in gender studies, international relations, and the history and legacy of World War I. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollection.com. Open access was funded by Knowledge Unlatched.

In Pride, Manners, and Morals: Bernard Mandeville's Anatomy of Honour Andrea Branchi offers a reading of the Anglo-Dutch physician and thinker's philosophical project from the hitherto neglected perspective of his lifelong interest in the theme of honour. Through an examination of Mandeville's anatomy of early eighteenth-century beliefs, practices and manners in terms of motivating passions, the book traces the development of his thought on human nature and the origin of sociability. By making honour and its roots in the desire for recognition the central thread of Mandeville's theory of society, Andrea Branchi offers a unified reading of his work and highlights his relevance as a thinker far beyond the moral problem of commercial societies, opening up new perspectives in Mandeville's studies.

Configuring Masculinity in Theory and Literary Practice combines a critical survey of the most current developments in the emergent field of Masculinity Studies with both a historical overview of how masculinity has been constructed within British Literature from the Middle Ages to the present and a special focus on developments in the 20th and 21st centuries. The volume combines seminal articles on the most important concepts in Masculinity Studies by acknowledged experts such as Raewyn Connell, Todd Reeser, and Richard Collier with new and innovative analyses of key British literary texts combining Literary and Cultural Studies approaches with those currently deployed in Masculinity Studies, Gender Studies, Legal Studies, Postcolonial Studies as well as methodologies derived from sociology.

Did homes in ancient Greece have kitchens and bathrooms? If so, why have archaeologists had such troubles finding their remains? What did the concepts of "home "and "house" mean to the ancient Greeks? This book offers an illuminating reappraisal of domestic space in classical Greece. Beginning with the premise that we must cease to view the classical Greek house through the lens of contemporary Western notions, Janett Morgan provides a fresh evaluation of what home meant to different communities in the ancient Greek world. By employing textual analysis alongside archaeological scholarship, "The Classical Greek House" seeks to explain some of the contradictions that previous approaches have left unresolved. Of value to students and academics alike, Morgan's work offers an exciting new perspective on relations between men and women, public and private, and between home and city in the ancient world.

"This book is a true love letter, not only to Jha's own son but also to all of our sons and to the parents--especially mothers--who raise them." -Ijeoma Oluo, author of So You Want to Talk About Race and Mediocre Beautifully written and deeply personal, this book follows the struggles and triumphs of one single, immigrant mother of color to raise an American feminist son. From teaching consent to counteracting problematic messages from the media, well-meaning family, and the culture at large, the author offers an empowering, imperfect feminism, brimming with honest insight and actionable advice. Informed by Jha's work as a professor of journalism specializing in social justice movements and social media, as well as by conversations with psychologists, experts, other parents and boys--and through powerful stories from her own life--How to Raise a Feminist Son shows us all how to be better feminists and better teachers of the next generation of men in this electrifying tour de force. Includes chapter takeaways, and an annotated bibliography of reading and watching recommendations for adults and children. "A beautiful hybrid of memoir, manifesto, instruction manual, and rumination on the power of story and possibilities of family." -Rebecca Solnit, author of The Mother of All Questions

Feminist Theory After Deleuze addresses the encounter between one of the 20th century's most important philosophers, Gilles Deleuze, and one of its most significant political and intellectual movements, feminism. Feminist theory is a broad, contradictory, and still evolving school of thought. This book introduces the key movements within feminist theory, engaging with both Anglo-American and French feminism, as well as important strains of feminist thought that have originated in Australia and other parts of Europe. Mapping both the feminist critique of Deleuze's work and the ways in which it has brought vitality to feminist theory, this book brings Deleuze into dialogue with significant thinkers such as Simone de Beauvoir, Rosi Braidotti, Judith Butler, Elizabeth Grosz and Luce Irigaray. It takes key terms in feminist theory such as, 'difference', 'gender', 'bodies', 'desire' and 'politics' and approaches them from a Deleuzian perspective.

In recent years, the media has attributed the surge of people eagerly studying family trees to the aging of baby boomers, a sense of mortality, a proliferation of internet genealogy sites, and a growing pride in ethnicity. New genealogy-themed television series and internet-driven genetic ancestry testing services have also flourished, capitalizing on this new popularity and on the mapping of the human genome. But what's really happening here, and what does this mean for sometimes volatile conceptions of race and ethnicity? In Alternate Roots, Christine Scodari engages with genealogical texts and practices, such as the classic television miniseries Roots, DNA testing for genetic ancestry, Ancestry.com, and genealogy-related television series, including those shows hosted by Henry Louis Gates Jr. She lays out how family historians can understand intersections and historical and ongoing relations of power related to the ethnicity, race, class, and/or gender of their ancestors as well as to members of other groups. Perspectives on hybridity and intersectionality make connections not only between and among identities, but also between local findings and broader contexts that might, given only cursory attention, seem tangential to chronicling a family history. Given the genealogy-related media institutions, tools, texts, practices, and technologies currently available, Scodari's study probes the viability of a critical genealogy based upon race, ethnicity, and intersectional identities. She delves into the implications of adoption, orientation, and migration while also investigating her own Italian and Italian American ancestry, examining the racial, ethnic experiences of her forebears and positioning them within larger contexts. Filling gaps in the research on genealogical media in relation to race and ethnicity, Scodari mobilizes cultural studies, media studies, and her own genealogical practices in a critical pursuit to interrogate key issues bound up in the creation of family history.

Two women share how they overcame feelings of spiritual inadequacy

Both Heather and Hazel are married to high-achieving Christian leaders, with agendas to change the world. When they first met they recognized in each other the same symptoms: a need to don masks of coping and efficiency to hide their feelings of inadequacy and fear.

From their first meeting, they quickly developed a friendship that allowed each to recover the self that God had intended. This book chronicles their journey. Written in a conversational style, each author reveals her feelings and thoughts regarding the change both were experiencing. Realizing that the situation they faced was a daily reality for millions of Christian women, and that it is much easier to spot potential in another than in one's self, they felt called to found a training and mentoring program for women.

Now in its sixth year, this program helps women to discover and develop their own potential, and also helps them with time management, creativity, consistency of character, accountability, and the skills for lifelong discipleship.

This book is the winner of the 2020 Joseph Levenson Pre-1900 Book Prize, awarded by the Association for Asian Studies. In Song Dynasty Figures of Longing and Desire, Lara Blanchard analyzes images of women in painting and poetry of China's middle imperial period, focusing on works that represent female figures as preoccupied with romance. She discusses examples of visual and literary culture in regard to their authorship and audience, examining the role of interiority in constructions of gender, exploring the rhetorical functions of romantic images, and considering connections between subjectivity and representation. The paintings in particular have sometimes been interpreted as simple representations of the daily lives of women, or as straightforward artifacts of heteroerotic desire; Blanchard proposes that such works could additionally be interpreted as political allegories, representations of the artist's or patron's interiorities, or models of idealized femininity.

Go back to where it all began with the dystopian novel behind the award-winning TV series.

Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire.

As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs.

Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction.