Winner of the 2022 Research Publication Book Award from the Association of Chinese Professors of Social Sciences in the United States. Based on ethnographic research with victims of intimate partner violence since 2014, this book brings to the forefront women's experiences of, negotiations about, and contestations against violence, and men's narratives about the reasons for their violence. Using an innovative methodology - online chat groups, it foregrounds the role of history, structural inequalities, and the cultural system of power hierarchy in situating and constructing intimate partner violence. Centering on men and women's narratives about violence, this book connects intimate partner violence with invisible structural violence - the historical, cultural, political, economic, and legal context that gives rise to and perpetuates violence against women. Through examining the ways in which women's lives are constrained by various forms of violence, hierarchy, and inequality, this book shows that violence against women is a structural issue that is historically produced and politically and culturally engaged.

Branded Women in U.S. Television examines how The Real Housewives of New York City, Martha Stewart, and other female entrepreneurs create branded televised versions of the iconic U.S. housewife. Using their television presence to establish and promote their own product lines, including jewelry, cookware, clothing, and skincare, they become the primary physical representations of these brands. While their businesses are serious and seriously lucrative, especially reality television enables a certain representational flexibility that allows participants to create campy and sometimes tongue-in-cheek personas. Peter Bjelskou explores their innovative branding strategies, specifically the complex relationships between their entrepreneurial endeavors and their physical bodies, attires, tastes, and personal histories. Generally these branded women speak volumes about their contemporaneous political environments, and this book illustrates how they, and many other women in U.S. television history, are indicative of larger societal trends and structures.

The Festschrift Darkhei Noam: The Jews of Arab Lands presented to Norman (Noam) Stillman offers a coherent and thought-provoking discussion by eminent scholars in the field of both the history and culture of the Jews in the Islamic World from pre-modern to modern times. Based on primary sources the book speaks to the resilience, flexibility, and creativity of Jewish culture in Arab lands. The volume clearly addresses the areas of research Norman Stillman himself has considerably contributed to. Research foci of the book are on the flexibility of Jewish law in real life, Jewish cultural life particularly on material and musical culture, the role of women in these different societies, antisemitism and Jewish responses to hatred against the Jews, and antisemitism from ancient martyrdom to modern political Zionism.

For much of the 20th century, books for children encouraged girls to be weak, submissive, and fearful. This book discusses such traits, both blatantly and subtly reinforced, in many of the most popular works of the period. Quoting a wide variety of passages, O'Keefe illustrates the typical behaviour of fictional girls - many of whom were passive and immobile while others were actually invalids. They all engaged in approved girlish activities: deferred to elders, observed the priorities, and, in the end, accepted conventional suitors. Even feisty tomboys, like Jo in Little Women, eventually gave up on their dreams and their independence. The discussion is interlaced with moments from the author's own childhood that suggest how her developing self-interacted with these stories. She and her contemporaries, trying to reconcile their conservative reading with the changing world around them, learned ambivalence rather than confidence. Good Girl Messages also includes a discussion of books read by boys, who were depicted as purposeful, daring, and dominating.

"Sexed Texts" explores the complex role that language plays in the construction of sexuality and gender, two concepts that are often discussed separately, although in practice are closely intertwined. The book draws on a range of theoretical perspectives and published research including performativity theory, feminism, queer studies, psychoanalytical theory, Marxism, social constructionism and essentialism. Illustrative examples are taken from written, spoken, internet, non-verbal, visual, media-scripted and naturally occurring texts. Some of the questions addressed in the book include: how do people construct their own and other's gendered or sexual identities through the use of language? What is the relationship between language and desire? In what ways do language practices help to reflect and shape different gendered/sexed discourses as 'normal', problematic or contested? Taking a broadly deconstructionist perspective, the book progresses from examining what are seen as preferable or acceptable ways to express gender and sexuality, moving towards more 'tolerated' identities, practices and desires, and finally arriving at marginalized and tabooed forms. The book locates sexuality and gender as socially constructed, and therefore examines language use in terms of socio-historical factors, linking changing conceptualisations of identity, discourse and desire to theories surrounding regulation, globalisation, new technologies, marketisation and consumerism.

In 1965, fed up with President Lyndon Johnson's refusal to make serious diplomatic efforts to end the Vietnam War, a group of female American peace activists decided to take matters into their own hands by meeting with Vietnamese women to discuss how to end U.S. intervention. While other attempts at women's international cooperation and transnational feminism have led to cultural imperialism or imposition of American ways on others, Jessica M.Frazier reveals an instance when American women crossed geopolitical boundaries to criticize American Cold War culture, not promote it. The American women Frazier studies not only solicited Vietnamese women's opinions and advice on how to end the war but also viewed them as paragons of a new womanhood by which American women could rework their ideas of gender, revolution, and social justice during an era of reinvigorated feminist agitation. Unlike the many histories of the Vietnam War that end with an explanation of why the memory of the war still divides U.S. society, by focusing on linkages across national boundaries, Frazier illuminates a significant moment in history when women formed effective transnational relationships on genuinely cooperative terms.

In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets-Propertius, Tibullus, and Ovid-writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change. Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse-mistresses, rivals, enslaved characters, overlooked members of households-their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.

Despite advancements in technological and engineering fields, there is still a digital gender divide in the adoption, use, and development of information communication technology (ICT) services. This divide is also evident in educational environments and careers, specifically in the STEM fields. In order to mitigate this divide, policy approaches must be addressed and improved in order to encourage the inclusion of women in ICT disciplines. Gender Gaps and the Social Inclusion Movement in ICT provides emerging research exploring the theoretical and practical aspects of gender and policy from developed and developing country perspectives and its applications within ICT through various forms of research including case studies. Featuring coverage on a broad range of topics such as digital identity, human rights, and social inclusion, this book is ideally designed for policymakers, academicians, researchers, students, and technology developers seeking current research on gender inequality in ICT environments.

This Open Access book aims to find out how and why states in various regions and of diverse cultural backgrounds fail in their gender equality laws and policies. In doing this, the book maps out states' failures in their legal systems and unpacks the clashes between different levels and forms of law-namely domestic laws, local regulations, or the implementation of international law, individually or in combination. By taking off from the confirmation that the concept of law that is to be used in achieving gender equality is a multidimensional, multi-layered, and to an extent, contradictory phenomenon, this book aims to find out how different layers of laws interact and how they impact gender equality. Further to that, by including different states and jurisdictions into its analysis, this book unravels whether there are any similarities/patterns in how these states define and utilise policies and laws that harm gender equality. In this way, the book contributes to the efforts to devise holistic and universal policies to address various forms of gender inequalities across the world. This volume will be of interest to scholars and students in Gender Studies, Sociology, Law, and Criminology.

I give all the glory to God, who helped me overcome abuse, divorce, depression, and loneliness. My story, similar to many other moms' stories, tells of how I struggled through rage, anxiety attacks, rejection, and isolation. God led me through it all to be the happy, content, and peaceful woman I am now. God helped me to forgive my ex and write this book, so that whoever reads it will be blessed.

This collection of essays is an interdisciplinary work bringing together an internationally acclaimed group of transgender writers. Informed by both academic and street experiences, it considers the practical issues faced in changing the world view of gender as well as the limitations of queer, feminism and post-modernism. In a wide-ranging set of contributions, it addresses our engendered places now and what we can aim for in the future. It evaluates the mechanisms we can use to galvanize both the micro theories of gender as a personal experience of oppression and the macro theories of gender as a site of social regulation. The collection aims to take identity politics and reclaim identity for the self.

Kim Jai Sook Martin entered the world in 1935, during the Japanese occupation of her native Korea. She was the second daughter of an ordinary family, born to parents who had hoped for a boy; they dressed her as one until she was three, when her brother was born. By the age of six, she had already learned the price of her fierce independence: refusing to acknowledge the Japanese flag as the Korean national flag, she was denied entrance to her first year of school.

This early conflict set Kim Jai Sook on a lifetime quest to understand her obligations to her family, her culture, her country, herself, and, ultimately, to God. Hers is a story of perseverance, turmoil, and love, as she fought to maintain balance between duty and her own desires.

She set her goals high. As the survivor of Japanese subjugation and two wars, she committed herself to living as a responsible and worthy person. As an adult, in pursuit of her deep desire to become a teacher, she left Korea and built a new life in Canada, where her father's advice on dealing with people became her guiding principles.

This is her story.

In Come Hell or High Water: Feminism and the Legacy of Armed Conflict in Central America, Tine Destrooper analyzes the political projects of feminist activists in light of their experience as former revolutionaries. She compares the Guatemalan and Nicaraguan experience to underline the importance of ethnicity for women's activism during and after the civil conflict. The first part of the book traces the influence of armed conflict on contemporary women's activism, by combining an analysis of women's personal histories with an analysis of structural and contextual factors. This critical analysis forms the basis of the second part of the book, which discusses several alternative forms of women's activism rooted in indigenous practices The book thereby combines a micro- and macro-level analysis to present a sound understanding of post-conflict women's activism.

Rich and real, BMom is one woman's mosaic of love, life and loss, and of being found among the pieces. No one piece is a whole, yet all are precious, together a masterpiece, and each a gem. It's God restoring the shattered pieces of my life and my soul. His fingerprints are all over it. The reader will laugh and the reader will cry, and in that, we will become friends. BMom begins with my relinquishing my infant son into the hands of parents I couldn't know. It moves through the intervening years until he found me, on to our reunion, and beyond. Not only was I reunited with my son, I was reunited with myself. Interspersed are various interludes that speak of lessons learned, feelings finally understood and felt, and poetry written as part of my journey. BMom is entertaining and engaging, while occasionally making a point, to be taken or not, as the reader chooses. BMom is, above all else, a good read.