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Books > Social sciences > Sociology, social studies > Gender studies
Propaganda, Gender, and Cultural Power: Projections and Perceptions
of France in Britain c1880-1944 analyses the powerful motivations
that fuelled members of civil society, and in particular women, to
dedicate their resources in the pursuit of improving the image of
France in Britain through cultural strategies. By tracing the
origins and development of this new diplomatic method, Faucher
reveals how French citizens, British Francophiles, and eventually
the French state, promoted French culture in Britain. At the same
time, it discusses interwar gender-based discrimination in the
field of cultural diplomacy; wartime catalysts for change - in
particular the arrival of child refugees and the introduction of
new propaganda methods in the French and British diplomatic
spheres; and the political contests over ownership of cultural
production. By studying the projections and perceptions of France
in Britain, Faucher also paints a new picture of cultural
cosmopolitanism in Britain.
In recent years, the media has attributed the surge of people
eagerly studying family trees to the aging of baby boomers, a sense
of mortality, a proliferation of internet genealogy sites, and a
growing pride in ethnicity. New genealogy-themed television series
and internet-driven genetic ancestry testing services have also
flourished, capitalizing on this new popularity and on the mapping
of the human genome. But what's really happening here, and what
does this mean for sometimes volatile conceptions of race and
ethnicity? In Alternate Roots, Christine Scodari engages with
genealogical texts and practices, such as the classic television
miniseries Roots, DNA testing for genetic ancestry, Ancestry.com,
and genealogy-related television series, including those shows
hosted by Henry Louis Gates Jr. She lays out how family historians
can understand intersections and historical and ongoing relations
of power related to the ethnicity, race, class, and/or gender of
their ancestors as well as to members of other groups. Perspectives
on hybridity and intersectionality make connections not only
between and among identities, but also between local findings and
broader contexts that might, given only cursory attention, seem
tangential to chronicling a family history. Given the
genealogy-related media institutions, tools, texts, practices, and
technologies currently available, Scodari's study probes the
viability of a critical genealogy based upon race, ethnicity, and
intersectional identities. She delves into the implications of
adoption, orientation, and migration while also investigating her
own Italian and Italian American ancestry, examining the racial,
ethnic experiences of her forebears and positioning them within
larger contexts. Filling gaps in the research on genealogical media
in relation to race and ethnicity, Scodari mobilizes cultural
studies, media studies, and her own genealogical practices in a
critical pursuit to interrogate key issues bound up in the creation
of family history.
What is women's empowerment, and how and why does it matter for
women's health? These are questions that the University of
California Global Health Institute's (UCGHI) Center of Expertise
(COE) on Women's Health, Gender, and Empowerment aimed to answer
with this book. Since 2009 the COE has brought together a
multidisciplinary network of experts from across the University of
California (UC) campuses and departments, along with their global
partners, to advance research and education on what has become a
capstone theme in the global health and development agenda: women's
and girls' empowerment and health. Women's Empowerment and Global
Health demonstrates the outcomes of COE's commitment to advance
pedagogy and present the work of thought leaders in this domain.
Despite the rise of a human rights-based approach to health and
increasing awareness of the synergies between women's health and
empowerment, a lack of consensus remains as to how to
operationalize empowerment in ways that improve health. Women's
Empowerment and Global Health presents thirteen multidisciplinary
case studies that demonstrate how science and advocacy can be
creatively merged to enhance the agency and status of girls and
women. The book is organized into two sections, the first focused
on sociocultural, educational, and health systems interventions,
and the second on economic, policy, and structural interventions.
Seven of the chapters are enriched by complementary videos that
provide readers with context about programs in India, Kenya, the
United States, Mexico, Nicaragua, Zimbabwe, and South Africa.
Women's Empowerment and Global Health provides the next generation
of researchers and practitioners, as well as students in global and
public health, sociology, anthropology, women's studies, law,
business, and medicine, with cutting-edge and inspirational
examples of programs that point the way toward achieving women's
equality and the positive outcome of empowerment on health.
Women and Gender in the Early Modern Low Countries, 1500-1750
brings together research on women and gender across the Low
Countries, a culturally contiguous region that was split by the
Eighty Years' War into the Protestant Dutch Republic in the North
and the Spanish-controlled, Catholic Hapsburg Netherlands in the
South. The authors of this interdisciplinary volume highlight
women's experiences of social class, as family members, before the
law, and as authors, artists, and patrons, as well as the workings
of gender in art and literature. In studies ranging from
microhistories to surveys, the book reveals the Low Countries as a
remarkable historical laboratory for its topic and points to the
opportunities the region holds for future scholarly investigations.
Contributors: Martine van Elk, Martha Howell, Martha Moffitt
Peacock, Sarah Joan Moran, Amanda Pipkin, Katlijne Van der
Stighelen, Margit Thofner, and Diane Wolfthal.
In the aftermath of the Second World War, the French government
cultivated images of sensual and sophisticated white French women
in an attempt to reestablish its global image as a great nation.
French publicists, journalists, and government officials working in
the tourism industry began a concerted effort to improve France's
international image and win valuable tourist money by promoting the
beauty, sexual appeal, and general allure of French women, all
while shrinking the boundaries of what was considered beautiful.
Charm Offensive explores how this elevation of French femininity
created problems on both sides of the equation: the pressure on
French women to conform to an exacting physical standard was
immense, while the inability of anyone else to access that
standard, coupled with the constant prods to try, resulted in a
sense of failure. Drawing on cultural figures like Air France air
hostesses, tourism workers, and celebrities such as Brigitte
Bardot, the book demonstrates how women were mobilized as
ambassadors of French superiority. Analysing cultural and political
sources simultaneously, Charm Offensive offers an innovative
understanding of a tumultuous time of decolonization.
Over the last few decades, the refrain for many activists in
technology fields around the globe has been "attraction, promotion,
and retention." Yet the secret to accomplishing this task has not
been found. Despite the wide variety of theories proposed in
efforts to frame and understand the issues, to date none have been
accepted as a universally accurate framework, nor been applicable
across varying cultures and ethnicities. Gender Inequality and the
Potential for Change in Technology Fields provides innovative
insights into diversity creation through potential solutions,
including the attraction of more women to study technology and to
enter technology careers, the navigation of suitable promotional
pathways, and the retention of women in these industries. This
publication examines women in IT professions, artificial
intelligence, and social media. It is designed for gender
theorists, government officials, policymakers, educators,
individual activists and advocates, recruiters, content developers,
managers, women and men in technology fields, academicians,
researchers, and students.
To understand masculine and feminine social and political history
in the second half of the 20th century, one must first understand
the lexical history of the term gender, which did not become an
attribute of human beings until 1955 when John Money introduced the
concept of gender role to refer to the masculine or feminine
presentation of individuals whose genital organs, by reason of
birth defect, were anatomically neither completely male or
completely female, but hermaphroditic. In this book, Money explores
the history of gender differentiation and its impact on
contemporary, postmodern social constructionist explanations of
male and female. He argues that the nature vs nurture dichotomy
should be abandoned in favour of a paradigm of nature/critical
period/nurture. The book further discusses how some gender
differences are phylogenetically shared by all people and others
are ontologically unique to an individual.
Women and Democracy in Cold War Japan offers a fresh perspective on
gender politics by focusing on the Japanese housewife of the 1950s
as a controversial representation of democracy, leisure, and
domesticity. Examining the shifting personae of the housewife,
especially in the appealing texts of women's magazines, reveals the
diverse possibilities of postwar democracy as they were embedded in
media directed toward Japanese women. Each chapter explores the
contours of a single controversy, including debate over the royal
wedding in 1959, the victory of Japan's first Miss Universe, and
the unruly desires of postwar women. Jan Bardsley also takes a
comparative look at the ways in which the Japanese housewife is
measured against equally stereotyped notions of the modern
housewife in the United States, asking how both function as
narratives of Japan-U.S. relations and gender/class containment
during the early Cold War.
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD SHORTLISTED FOR
THE JAMES TAIT BLACK PRIZE 2020 At the dawn of the twentieth
century, black women in the US were carving out new ways of living.
The first generations born after emancipation, their struggle was
to live as if they really were free. These women refused to labour
like slaves. Wrestling with the question of freedom, they invented
forms of love and solidarity outside convention and law. These were
the pioneers of free love, common-law and transient marriages,
queer identities, and single motherhood - all deemed scandalous,
even pathological, at the dawn of the twentieth century, though
they set the pattern for the world to come. In Wayward Lives,
Beautiful Experiments, Saidiya Hartman deploys both radical
scholarship and profound literary intelligence to examine the
transformation of intimate life that they instigated. With
visionary intensity, she conjures their worlds, their dilemmas,
their defiant brilliance.
Over the past 30 years, musicologists have produced a remarkable
new body of research literature focusing on the lives and careers
of women composers in their socio-historical contexts. But detailed
analysis and discussion of the works created by these composers are
still extremely rare. This is particularly true in the domain of
music theory, where scholarly work continues to focus almost
exclusively on male composers. Moreover, while the number of
performances, broadcasts, and recordings of women's compositions
has unquestionably grown, they remain significantly
underrepresented in comparison to music by male composers.
Addressing these deficits is not simply a matter of rectifying a
scholarly gender imbalance: the lack of knowledge surrounding the
music of women composers means that scholars, performers, and the
general public remain unfamiliar with a large body of exciting
repertoire. Analytical Essays on Music by Women Composers: Concert
Music from 1960-2000 is the first to appear in an exciting a four
volume series devoted to the work of women composers across Western
art music history. Each chapter, many by leading music theorists,
opens with a brief biographical sketch of the composer before
presenting an in-depth critical-analytic exploration of a single
representative composition, linking analytical observations with
questions of meaning and sociohistorical context. Chapters are
grouped thematically by analytical approach into three sections,
each of which places the analytical methods used in the essays that
follow into the context of late twentieth-century ideas and trends.
Featuring rich analyses and detailed study by the most reputed
music theorists in the field, along with brief biographical
sketches for each composer, this collection brings to the fore the
essential repertoire of a range of important composers, many of
whom otherwise stand outside the standard canon.
Priscilla: The Hidden Life of an Englishwoman in Wartime France
by Nicholas Shakespeare is a transcendent work of narrative
nonfiction in the vein of The Hare with Amber Eyes.
When Nicholas Shakespeare stumbled across a trunk full of his
late aunt's personal belongings, he was unaware of where this
discovery would take him and what he would learn about her hidden
past. The glamorous, mysterious figure he remembered from his
childhood was very different from the morally ambiguous young woman
who emerged from the trove of love letters, journals and
photographs, surrounded by suitors and living the precarious
existence of a British citizen in a country controlled by the enemy
during World War II.
As a young boy, Shakespeare had always believed that his aunt
was a member of the Resistance and had been tortured by the
Germans. The truth turned out to be far more complicated.
Piecing together fragments of his aunt's remarkable and tragic
story, Priscilla is at once a stunning story of detection, a loving
portrait of a flawed woman trying to survive in terrible times, and
a spellbinding slice of history.
We are all still here, so our garden of memories will continue to
grow. While we have lived very different lives for the past six or
seven decades and seldom have the occasion to visit, we need only
be together for a minute to know we are sisters who still love one
another and we are still Mary's girls.
George R.R. Martin's acclaimed seven-book fantasy series A Song of
Ice and Fire is unique for its strong and multi-faceted female
protagonists, from teen queen Daenerys, scheming Queen Cersei,
child avenger Arya, knight Brienne, Red Witch Melisandre, and many
more. The Game of Thrones universe challenges, exploits, yet also
changes how we think of women and gender, not only in fantasy, but
in Western culture in general. Divided into three sections
addressing questions of adaptation from novel to television, female
characters, and politics and female audience engagement within the
GoT universe, the interdisciplinary and international lineup of
contributors analyze gender in relation to female characters and
topics such as genre, sex, violence, adaptation, as well as fan
reviews. The genre of fantasy was once considered a primarily male
territory with male heroes. Women of Ice and Fire shows how the GoT
universe challenges, exploits, and reimagines gender and why it
holds strong appeal to female readers, audiences, and online
participants.
Feminist Theory After Deleuze addresses the encounter between one
of the 20th century's most important philosophers, Gilles Deleuze,
and one of its most significant political and intellectual
movements, feminism. Feminist theory is a broad, contradictory, and
still evolving school of thought. This book introduces the key
movements within feminist theory, engaging with both Anglo-American
and French feminism, as well as important strains of feminist
thought that have originated in Australia and other parts of
Europe. Mapping both the feminist critique of Deleuze's work and
the ways in which it has brought vitality to feminist theory, this
book brings Deleuze into dialogue with significant thinkers such as
Simone de Beauvoir, Rosi Braidotti, Judith Butler, Elizabeth Grosz
and Luce Irigaray. It takes key terms in feminist theory such as,
'difference', 'gender', 'bodies', 'desire' and 'politics' and
approaches them from a Deleuzian perspective.
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