Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame Winner of the American Book Award, Before Columbus Foundation Winner of the PEN Oakland-Josephine Miles Award Winner of the MAAH Stone Book Award A Pitchfork Best Music Book of the Year A Rolling Stone Best Music Book of the Year A Boston Globe Summer Read "Brooks traces all kinds of lines...inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening." -New York Times "A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyonce and Janelle Monae...Connecting the sonic worlds of Black female mythmakers and truth-tellers." -Rolling Stone "A gloriously polyphonic book." -Margo Jefferson, author of Negroland How is it possible that iconic artists like Aretha Franklin and Beyonce can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.

This comprehensive Handbook presents specially commissioned original essays on the societal roles and contexts facing women in business and management, the specific career and work-life issues of women in these fields, organizational processes affecting women, and the role of women as leaders in business and management. The essays shed light on the extant structures and practices of society and organizations that constrain or facilitate women's representation, treatment, quality of life, and success. Despite decades of ongoing inquiry and increasing interest, research on women in business and management remains a specialized field without mainstream acceptance within business and management disciplines. The Handbook presents the current state of knowledge about women in business and management and specifies the directions for future research likely to be most constructive for advancing the representation, treatment, quality of life, and success of women who work in these fields. It provides the foundations for improved societal and organizational structures, policies, and relational practices affecting all in business and management. Thus, by enhancing the knowledge base that improves the work and life situations of women, it suggests ways to elevate the societal and organizational systems for all. The Handbook will be an essential reference source for recent advances in research and theory, informing both scholars of organization studies, gender, diversity, and feminism; human resource specialists; and educators of and consultants to business organizations and management.

Surveys the key figures in the development and evolution of LGBTQ representation in contemporary US theatre. Aimed at the full breadth of theatre and performing arts students in the USA. No other book has the same breadth and depth of coverage in this subject area, or a comparable roster of leading scholars.

* An accessible text giving an overview of contemporary depictions of transgender men and women in film * Structured around film genres including the costume drama, the musical and the action film * films discussed are contemporary, popular, films from Anglophonic, Asian, European and Latin American cinema

In this highly original volume, Gunnar Karlsson offers new answers to the question concerning the relationship between belonging to a specific sex as a male and striving for a masculine identity. This book offers a uniquely psychoanalytic and phenomenological perspective on masculinity. Karlsson considers masculinity and traditional masculine ideals through a psychoanalytic lens before taking phenomenological concepts to chisel out the relationship between sex and gender. This perspective is developed throughout the volume to inspire readers to further their understanding of traditional gender assignment – female, male and intersex – in light of gendered characteristics such as femininity and masculinity. Chapters span topics such as the characteristics of typical, so-called ‘phallic masculinity’, its allure and psychogenetic explanation, as well as looking at what phallic masculinity disregards. Throughout, Karlsson maintains that phallic masculinity is unattainable, as it seeks to escape the existential conditions of helplessness, vulnerability, and dependence. He makes the case for the importance of considering the notion of ego-identity in the field of sex/gender studies, encouraging a liberation from gender stereotypes. Psychoanalytic and Phenomenological Reflections on Masculinity will be of great interest to researchers, clinical psychoanalysts, and psychotherapists, as well as anyone interested in masculinity, Gender Studies and the relationship between sex and gender.

Illustrated with examples from literature and the arts, including Virginia Woolf and Marguerite Duras. Explores female subjectivity and examines the complexities inherent to psychoanalytic work realized by women analysts with women. Includes a critical study on psychoanalytic theories on femininity but also a reflection on social aspects concerning gender.

'Hill's advice is straightforward and no-nonsense' - The Guardian 'A life-transforming book... fascinating - Daily Mail 'Maisie Hill has written a bloody brilliant book (pun intended). Everything you need to know about periods and how they affect you and your life is here. It's revolutionary' - Miranda Sawyer 'Thank GOODNESS for Maisie Hill! Flipping open the lid on a vital conversation. It's about time we claimed the power of our periods!' - Gemma Cairney, broadcaster & co-founder of Boom Shakalaka Productions 'This is such an important book. Maisie's insights and cycle strategy have changed my life and my cycle. Period Power is written with such intelligence, humour and a deep understanding of women's health. If you have a period you need to read this book.' - Anna Jones, author of The Modern Cook's Year A profound and practical blueprint for aligning daily life with your menstrual cycle. Period Power is the handbook to periods and hormones that will leave you wondering why the hell nobody told you this sooner. The hormones of the menstrual cycle profoundly influence our energy, mood and behaviour, but all too often we're taught that our hormones make us unreliable, moody bitches, or that it's our lot in life to put up with 'women's problems'. Maisie Hill, a women's health practitioner, knows the power of working with the menstrual cycle and refuses to accept this theory. Instead, Maisie believes that our hormones are there to serve us and, if utilized correctly, can be used to help you get what you want out of life. Yes, we are hormonal, and that's a very good thing. This revolutionary book reveals everything you need to know about taking control of your menstrual cycle and outlines The Cycle Strategy to help us perform at our best, throughout our cycle. In Period Power you will discover how to: - maximise your natural superpowers each month while making adjustments for the darker days, and use Maisie's favourite tips to improve them - identify your personal patterns, powers and pitfalls for each phase of the menstrual cycle - plan your month to perform at your best in all aspects of your life - figure out if you have a hormonal imbalance and what to do about it. Period Power is a no-nonsense guide with all the tools you need to improve your menstrual health.

The Maternal Experience explores the powerful and dynamic nature of maternal ambivalence and disrupts the conventional narrative of the mother's lived experience by arguing that encounters with feelings of hatred are both universal and have the capacity to stimulate and enrich her maternal love. The book draws on the author's personal mothering experiences, those of other women, and examples from film to inspire new introspection about the everyday maternal experience. Lowy takes a psychosocial approach to weave thinking from selected psychoanalytic and contemporary accounts together with personal stories to explore how maternal ambivalence operates, and how mothering is sourced in psychic struggles between loving and hating feelings in an atmosphere that is rife with social and personal expectations and prohibitions. By reworking the experience of maternal ambivalence, the book secures an understanding of the mother's feelings of hatred as a catalyst for her love and allows these maligned and taboo emotions to be named and reframed into acceptable and transformative feelings. Brought alive by examples from film and first-hand experience, this book is fascinating reading for academics and students of psychology, maternal and women's studies, and sociology, as well as practitioners in the fields of psychology, social work, medicine and counselling.

Medicine carries the burden of its own troubling history. Over centuries, women's bodies have been demonised and demeaned until we feared them, felt ashamed of them, were humiliated by them. But as doctors, researchers, campaigners and most of all as patients, women have continuously challenged medical orthodoxy. Medicine's history has always been, and is still being, rewritten by women's resistance, strength and incredible courage. In this ground-breaking history Elinor Cleghorn unpacks the roots of the perpetual misunderstanding, mystification and misdiagnosis of women's bodies, illness and pain. From the 'wandering womb' of ancient Greece to today's shifting understanding of hormones, menstruation and menopause, Unwell Women is the revolutionary story of women who have suffered, challenged and rewritten medical misogyny. Drawing on Elinor's own experience as an unwell woman, this is a powerful and timely expose of the medical world and woman's place within it.

This book engages with ageing masculinities in Irish literature and visual culture, including fiction, drama, poetry, painting, and documentary. Exploring the shifting representations of older men from the early twentieth century to the present, the contributors analyse how a broad range of literary and visual texts construct, reinscribe, or challenge perceptions of older age. In doing so, they trace a shift from depictions of authority figures - often symbolising patriarchal dominance and oppression - to more nuanced, complex, and heterogeneous explorations of older men's embodied subjectivities and vulnerabilities. Exploring artists and writers such as Sean Keating, J.M. Synge, Teresa Deevy, Marina Carr, Seamus Heaney, Paul Muldoon, Derek Mahon, Kate O'Brien, John Banville, Colm Toibin, Bernard MacLaverty, Mike McCormack, Anne Griffin, and Claire Keegan, the chapters in this book attend to the symbolic as well as social significance of older men in Irish cultural expression.

*THE NEW YORK TIMES BESTSELLER* - November 2021 A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate celebrity of our time. _______________ 'This is the book for every woman trying to place their body on the map of consumption vs control, and every woman who wants to better understand her impulses. It left me much changed' - Lena Dunham 'I read these pages, breathless with recognition, and the thrill of reading a new voice telling it like it is' - Dani Shapiro 'Emily Ratajkowski's first essay collection needs to be read by everyone [...] both page-turning and moving as hell' - Amy Schumer 'A slow, complicated indictment of a profession and the people who propel it [...] it will deliver a more nuanced and introspective rendering of her interior than those who come to it with those surface interests might expect' - Vogue 'Dazzling' - Observer 'Ratajkowski brings nuanced insight to questions about empowerment versus commodification of women's bodies and sexuality. Blending cultural criticism and personal stories, My Body is smart and powerful' - Time Magazine 'Raw, nuanced and beautifully written. A moving and enlightening experience to join a woman openly exploring such deep parts of her physical self via the written word. A truly impressive debut' - Emma Gannon 'Excellent [...] Ratajkowski writes with curiosity, intellect and acute awareness' - Harper's Bazaar 'Superb [...] it feels revolutionary' - Telegraph 'I admire and envy her artistry' - Guardian _______________ Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture's commodification of women is the subject of this book. My Body is a profoundly personal exploration of feminism, sexuality, and power, of men's treatment of women and women's rationalizations for accepting that treatment. These essays chronicle moments from Ratajkowski's life while investigating the culture's fetishization of girls and female beauty, its obsession with and contempt for women's sexuality, the perverse dynamics of the fashion and film industries, and the grey area between consent and abuse. Nuanced, unflinching, and incisive, My Body marks the debut of a fierce writer brimming with courage and intelligence.

This monograph uses the life and work of ground-breaking female classicist, Wilmer Cave Wright, to examine several questions about the rise of women in that discipline. First, what went into the creation of a classics scholar under circumstances that would seem to preclude that? Second, why was it arguably Wright's time in Chicago that was her formative experience and period? Third, why did Wright want so desperately to leave Bryn Mawr, and then stay and pour herself into her students? Fourth, through what lens did she approach the evidence of classical literature, and did it make a difference? Fifth, how did Wright survive the Thomas years at Bryn Mawr? Sixth, why did she abruptly abandon her long-term project on Libanius of Antioch? Seventh, what led her to suddenly switch from classical Greek literature to translating medieval Latin medical texts? Wright's journey from Mason College to Girton College, Cambridge, the University of Chicago, and Bryn Mawr College is placed into historical context. Throughout, the significance of Wright's work, particularly on the life of the Emperor Julian, is assessed. The author is a research fellow at the University of St Andrews, and the author of Julian and Christianity (Cornell) as well as numerous articles in Harvard Studies in Classical Philology, Classical Quarterly, and Classical Philology.

Glamorous, fun and packed with scandalous anecdotes, Never Shaken, Never Stirred tells the story of two extraordinary sisters, Ann and Laura Charteris, who made marrying well an art form. While Laura eventually became the Duchess of Marlborough, Ann became Mrs Ian Fleming, and the antics and attitudes of the two women inspired the writer to create the famous 'Bond Girl'. Along the way there were marriages, and affairs, with some of the biggest names of the twentieth century. Counting seven marriages between them, the sisters' collective husbands included a duke, four peers, Jackie Kennedy's brother-in-law and the alleged illegitimate son of the Queen's uncle. There were also passionate affairs with two Labour leaders, two press barons and a cluster of film stars. Indeed, the lives of the Charteris sisters are almost too extraordinary to believe, as they bagged husbands, bedded men, threw parties and travelled to some of the most glamorous destinations in the world, all at a time when such behaviour by aristocratic society women was unthinkable.

Each chapter is written in accessible language and will contain minimal tables, graphs, and figures – therefore, this volume should also be of interest to non-academic readers, the media, and to practitioners who are involved in various aspects of American politics. This edition includes chapters on salient topics such as reproductive justice, queer of color politics, and social movements. Features original authors as well as other notable and up and coming scholars in our field in order to represent the diverse and innovative scholarship being conducted in our field. The book is clearly well-written and easy for undergraduate and postgraduate students to read and follow. The incorporation of intersectionality stands out from other books on gender and politics because it doesn’t only focus on gender. Black feminism and intersectionality in particular are theoretical frameworks that other scholars across the globe use to study minoritized women’s politics in their localized context, we expect the theories and frameworks used in studies of international scholars will draw from this text.

The Handbook on Gender in World Politics serves as a compendium of cutting-edge scholarship on gender in world politics across a number of academic disciplines. It encompasses the key research areas in the field to provide readers with a gateway to further study. Featuring leading experts writing from diverse perspectives, this Handbook focuses on women as a category of analysis, masculinities, sexualities, LGBT rights and transgender identities. The topics discussed include statecraft, citizenship and the politics of belonging, international law and human rights, media and communications technologies, political economy, development, global governance and transnational visions of politics and solidarities. Students and scholars of gender and international relations and gender in world politics will find this Handbook to be an indispensible guide to the subject. It will also be of interest to practitioners in the field looking to pave the way for new policies and regulations. Contributors include: A.M. Agathangelou, N. Al-Ali, K. Alexander, D.K. Barker, A. Biricik, E. Boris, K.E. Brown, C. Brunner, D. Buss, G. Caglar, T. Carver, H. Charlesworth, C. Chinkin, A.K. Darkwah, A. den Boer, P. Drumond, A.C. Drury, R.C. Eichenberg, C. Eschle, E.A. Foster, J. Freedman, P. Griffin, C. Harrington, J. Hearn, P. Higate, C. Hoskyns, V.M. Hudson, T.A.M. Johnson, J. Joachim, R. Jacobson, J.S. Jaquette, J. Kantola, H.M. Kinsell, P. Kirby, E. Kofman, B. Maiguashca , C. Masters, L. McLeod, S. Parashar, D. Peksen, Z. Pflaeger Young, N. Pratt, E. Prugl, S.M. Rai, B.M. Read, A. Roberts, C. Rowley, J. Russel, A. Sisson Runyan, L.J. Shepherd, L. Sjoberg, N. Smith, J. Steans, M. Stern, D. Tepe-Belfrage, J. True, H.M. Turcotte, T.P. van der Weide, H. Weber, A.T. Wibben, G. Youngs, M. Zalewski, S. Zimmermann, S. Zwingel

A collection of personal stories, history, poetry, and art A Land With a People is a book of stories, photographs and poetry which elevates rarely heard Palestinian and Jewish voices and visions. Eloquently framed with a foreword by the dynamic Palestinian legal scholar and activist, Noura Erakat, this book began as a storytelling project of Jewish Voice for Peace-New York City and subsequently transformed into a theater project performed throughout the New York City area. Stories touch hearts, open minds, and transform our understanding of the "other"--as well as our comprehension of own roles and responsibilities-- and A Land With a People emerges from this reckoning. It brings us the narratives of secular, Muslim, Christian, and queer Palestinians who endure the particular brand of settler colonialism known as Zionism. It relays the transformational journeys of Ashkenazi, Mizrahi, queer, and Palestinian Jews who have come to reject the received Zionist narrative. Unflinching in their confrontation of the power dynamics that underlie their transformation process, these writers find the courage to face what has happened to historic Palestine, and to their own families as a result. Contextualized by a detailed historical introduction and timeline charting 150 years of Palestinian and Jewish resistance to Zionism, this collection will stir emotions, provoke fresh thinking, and point to a more hopeful, loving future--one in which Palestine/Israel is seen for what it is in its entirety, as well as for what it can be.

This book will appeal to scholars and general readers who are interested in Byzantine History, Society, and Culture, the History of Masculinity, and the History of Sexuality / This book challenges contemporaty views by placing at centre stage Byzantine men's desiring relations with one another / This book transforms our understanding of Byzantine elite men's culture and is an important addition to the history of sex and desire between men.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.