Read the fascinating story of one of the greatest unsung figures of the nature conservation movement, founder of the RSPB and icon of early animal rights activism, Etta Lemon. A heroine for our times, Etta Lemon campaigned for fifty years against the worldwide slaughter of birds for extravagantly feathered hats. Her legacy is the RSPB, grown from an all-female pressure group of 1889 with the splendidly simple pledge: Wear No Feathers. Etta's long battle against 'murderous millinery' triumphed with the Plumage Act of 1921 - but her legacy has been eclipsed by the more glamorous campaign for the vote, led by the elegantly plumed Emmeline Pankhurst. This gripping narrative explores two formidable heroines and their rival, overlapping campaigns. Moving from the feather workers' slums to high society, from the first female political rally to the rise of the eco-feminist, it restores Etta Lemon to her rightful place in history - the extraordinary woman who saved the birds. ETTA LEMON was originally published in hardback in 2018 under the title of MRS PANKHURST'S PURPLE FEATHER. 'A great story of pioneering conservation.' KATE HUMBLE 'Quite brilliant. Meticulous and perceptive. A triumph of a book.' CHARLIE ELDER 'Shocking and entertaining. The surprising story of the campaigning women who changed Britain." VIRGINIA NICHOLSON 'A fascinating and moving story, vividly told.' JOHN CAREY 'A fascinating clash of two causes: rights for women and rights for birds to fly free not adorn suffragettes' hats. An illuminating story, provocative, well-researched and brilliantly told.' DIANA SOUHAMI

In this comprehensive study of the role of women in the Italian mafia, Ombretta Ingrasci assesses the roles and spaces of women within traditionally male, patriarchal organized crime units. The study draws on an extensive range of research, legal reports and interviews with women involved with the mafia, public officials and police. Placed within a framework of political, social, cultural and religious history, post-1945, this book provides an excellent history of women and organized crime in modern Italy.

Each time she knelt to "catch" another wriggling baby -- nearly three thousand times during her remarkable career -- California midwife Peggy Vincent paid homage to the moment when pain bows to joy and the world makes way for one more. With every birth, she encounters another woman-turned-goddess: Catherine rides out her labor in a car careening down a mountain road. Sofia spends hers trying to keep her hyper doctor-father from burning down the house. Susannah gives birth so quietly that neither husband nor midwife notice until there's a baby in the room.

More than a collection of birth stories, however, Baby Catcher is a provocative account of the difficulties that midwives face in the United States. With vivid portraits of courage, perseverance, and love, this is an impassioned call to rethink technological hospital births in favor of more individualized and profound experiences in which mothers and fathers take center stage in the timeless drama of birth.

This book sheds new light on the ongoing fight to end prostitution through a historical study of its emotional communities. An issue that has long been the subject of much debate amongst feminists, governments and communities alike, the history of the fight to end prostitution has an important bearing on feminist politics today. This book identifies key abolitionist emotional communities, tracing their origins, interactions and evolutions with various historical and contemporary emotional styles. In doing do, Emotional Histories in the Fight to End Prostitution highlights a more nuanced view of the movement's history. From Moral Liberals in 19th century Britain to the American anti-pornography movement and Swedish 'Nordic Model', Emotional Histories in the Fight to End Prostitution shows how emotional styles and practices have influenced the evolution of the fight against prostitution in Britain, the United States and Western Europe. From the fear of sin, to maternal compassion and survivor shame and loss, Michele Greer historicizes emotions and studies them as dynamic forms of situated knowledge. In doing so, she sheds light on how women's lived experiences have been transformed and politicized, and raises important questions around how feminist emotions in social protest can not only challenge but unknowingly defend existing socio-political conventions and inequalities. Highlighting the links between past and present forms of abolitionism, it shows that this connection is more complex and far-reaching than currently assumed, and offers new perspectives on the history of emotions.

Niru is a young Bengali woman married to an English colonial bureaucrat - Tom. Tom loves Niru, exoticising her as a frivolous plaything to be admired and kept; but Niru has a long-kept secret, and just as she thinks she is almost free of it, it threatens to bring her life crashing down around her. Tanika Gupta reimagines Ibsen's classic play of gender politics through the lens of British colonialism, offering a bold, female perspective exploring themes of ownership and race.