This volume gathers brand new essays from some of the most respected scholars of ancient history, archaeology, and physical anthropology to create an engaging overview of the lives of women in antiquity. The book is divided into ten sections, nine focusing on a particular area, and also includes almost 200 images, maps, and charts. The sections cover Mesopotamia, Egypt, Anatolia, Cyprus, the Levant, the Aegean, Italy, and Western Europe, and include many lesser-known cultures such as the Celts, Iberia, Carthage, the Black Sea region, and Scandinavia. Women's experiences are explored, from ordinary daily life to religious ritual and practice, to motherhood, childbirth, sex, and building a career. Forensic evidence is also treated for the actual bodies of ancient women. Women in Antiquity is edited by two experts in the field, and is an invaluable resource to students of the ancient world, gender studies, and women's roles throughout history.

A special issue of Radical History Review In bringing together a geographically and temporally broad range of interdisciplinary historical scholarship, this issue of Radical History Review offers an expansive examination of gender, violence, and the state. Through analyses of New York penitentiaries, anarchists in early twentieth-century Japan, and militarism in the 1990s, contributors reconsider how historical conceptions of masculinity and femininity inform the persistence of and punishments for gendered violence. The contributors to a section on violence and activism challenge the efficacy of state solutions to gendered violence in a contemporary U.S. context, highlighting alternatives posited by radical feminist and queer activists. In five case studies drawn from South Africa, India, Ireland, East Asia, and Nigeria, contributors analyze the archive's role in shaping current attitudes toward gender, violence, and the state, as well as its lasting imprint on future quests for restitution or reconciliation. This issue also features a visual essay on the "false positives" killings in Colombia and an exploration of Zanale Muholi's postapartheid activist photography. Contributors: Lisa Arellano, Erica L. Ball, Josh Cerretti, Jonathan Culleton, Amanda Frisken, Raphael Ginsberg, Deana Heath, Efeoghene Igor, Catherine Jacquet, Jessie Kindig, Benjamin N. Lawrance, Jen Manion, Xhercis Mendez, Luis Moran, Claudia Salamanca, Tomoko Seto, Carla Tsampiras, Jennifer Yeager

This Byte offers readers insight into some of the central debates and questions about gender and the family, examined through the lens of moral panic. It begins with an overview of the part played by moral panics, together with an appraisal of the work of Stanley Cohen, one of the chief architects of moral panic ideas. Drawing on research and practice examples from different parts of the world, it explores interconnections between gender, class, 'race' and age, and interrogates the role of the state (and social work) in intervening in family life.

From popular humor writer and social media sensation Anna Lind Thomas comes the second book of charming and uproarious essays that capture our universal need for life to just slow down-we weren't ready for this! Anna Lind Thomas wants everyone to just calm down and give her a minute, okay? She's not ready for this! In fact, through her latest collection of laugh-out-loud essays, she'll prove she's never been ready for anything in her life. Adult decisions, marriage, parenting, crow's feet, large pores, skinny jeans--you name it, she ain't ready for it! Don't even get her started on that one time she appeared on national TV in a blazer two sizes too small because she thought she'd lose twenty pounds before the shoot. Good grief, she just wasn't ready! I'm Not Ready for This will give you the encouragement you need to: Embrace the unexpected aspects of life Appreciate the incredible power of vulnerability Let God push you forward, even if you feel like you're not ready Through her signature wit, charm, and painful relatability, Anna reminds us that no one's truly ready for anything--so we might as well go for it and see what happens. She bets it'll be real good--or at the very least, real funny.

A NEW YORK TIMES BESTSELLER "The fights against hunger, homelessness, poverty, health disparities, poor schools, homophobia, transphobia, and domestic violence are feminist fights. Kendall offers a feminism rooted in the livelihood of everyday women." -Ibram X. Kendi, #1 New York Times-bestselling author of How to Be an Antiracist, in The Atlantic "One of the most important books of the current moment."-Time "A rousing call to action... It should be required reading for everyone."-Gabrielle Union, author of We're Going to Need More Wine A potent and electrifying critique of today's feminist movement announcing a fresh new voice in black feminism Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others? In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.

Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.

Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.

New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.