This new edition of Ecofeminism: Feminist Intersections with Other Animals and the Earth begins with an historical, grounding overview that situates ecofeminist theory and activism within the larger field of ecocriticism and provides a timeline for important publications and events. Throughout the book, authors engage with intersections of gender, sexuality, gender expression, race, disability, and species to address the various ways that sexism, heteronormativity, racism, colonialism, and ableism are informed by and support animal oppression. This collection is broken down into three separate sections: -Affect includes contributions from leading theorists and activists on how our emotions and embodiment can and must inform our relationships with the more-than-human world -Context explores the complexities of appreciating difference and the possibilities of living less violently -Climate, new to the second edition, provides an overview of our climate crisis as well as the climate for critical discussion and debate about ecofeminist ideas and actions Drawing on animal studies, environmental studies, feminist/gender studies, and practical ethics, the ecofeminist contributors to this volume stress the need to move beyond binaries and attend to context over universal judgments; spotlight the importance of care as well as justice, emotion as well as reason; and work to undo the logic of domination and its material implications.

This volume critically examines gender inequality, its origins, and its social and economic implications in Latin America, with a particular focus on Ecuador. For that purpose, Pablo Quinonez and Claudia Maldonado-Erazo bring together a collection of articles that provide insights from different disciplines, including political economy, history, development studies, political science, microeconomics, and macroeconomics. In Ecuador, as in Latin America as a whole, women dedicate more time than men to unpaid activities while being discriminated against in multiple areas, including labor markets, politics, and access to high-ranking positions. Furthermore, these problems are even greater for women from rural areas and ethnic minorities. Contributors include: Rafael Alvarado, Maria Anchundia Places, Esteban Arevalo, Diana Cabrera Montece, Edwin Espinoza Piguave, Gabriela Gallardo, Danny Granda, Claudia Maldonado-Erazo, Wendy Mora, Diana Moran Chiquito, Sayonara Morejon, Carlos Moreno-Hurtado, Maria Moreno Zea, Ana Ona Macias, Pablo Ponce, Pablo Quinonez, Valeria Recalde, Josefina Rosales, Ximena Songor-Jaramillo, and Daniel Zea.

A field-defining collection of new voices on gender, feminism, and geography. Feminist Geography Unbound is a call to action-to expand imaginations and to read and travel more widely and carefully through terrains that have been cast as niche, including Indigenous and decolonial feminisms, Black geographies, and trans geographies. The original essays in this collection center three themes to unbind and enable different feminist futures: discomfort as a site where differences generate both productive and immobilizing frictions, gendered and racialized bodies as sites of political struggle, and the embodied work of building the future. Drawing on diverse theoretical backgrounds and a range of field sites, contributors consider how race, gender, citizenship, and class often determine who feels comfort and who is tasked with producing it. They work through bodies as terrains of struggle that make claims to space and enact political change, and they ask how these politics prefigure the futures that we fear or desire. The book also champions feminist geography as practice, through interviews with feminist scholars and interludes in which feminist collectives speak to their experience inhabiting and transforming academic spaces. Feminist Geography Unbound is grounded in a feminist geography that has long forced the discipline to grapple with the production of difference, the unequal politics of knowledge production, and gender's constitutive role in shaping social life.

The presence of women in the practice of medicine extends back to ancient times; however, up until the last few decades, women have comprised only a small percentage of medical students. The gradual acceptance of women in male-dominated specialties has increased, but a commitment to improving gender equity in the medical community within leadership positions and in the academic world is still being discussed. Gender Equity in the Medical Profession: Emerging Research and Opportunities delivers essential discourse on strategically handling discrimination within medical school, training programs, and consultancy positions in order to eradicate sexism from the workplace. Featuring research on topics such as gender diversity, leadership roles, and imposter syndrome, this book is ideally designed for health professionals, doctors, nurses, hospital staff, hospital directors, board members, activists, instructors, researchers, academicians, and students seeking coverage on strategies that tackle gender equity in medical education.

Be inspired by a woman who dared to follow God Amy Carmichael understood true discipleship and lived it out. At a very young age she felt called to the mission field, followed God's guidance, and eventually went to India, where she would spend fifty-three years without furlough. While there, Amy founded the Dohnavur Fellowship, a refuge for children in moral danger-children who were orphaned or unwanted and sold to the temple. Amy became a mother for these children, and so they called her "Amma." Even today, Amy's life of obedience and courage stands as a model for all Christians everywhere. We resonate with her desires and dreams, her faults and fears, her dedication and service. For former missionary and author Elisabeth Elliot, Amy became a role model. "She was my first spiritual mother," writes Elliot. "She showed me the shape of godliness." A Chance to Die is the life story of Amy Carmichael. In this reverent biography, Elisabeth Elliot brings "Amma" to life, providing a compelling, unforgettable narrative that will provoke you to examine the depths of your own faith and encourage you to reaffirm your life and commitment to Christ. Elisabeth Elliot, one of the outstanding women of present-day Christianity, is the author of more than twenty books, including Passion and Purity, The Journals of Jim Elliot, and These Strange Ashes. She and her husband, Lars Gren, live in Magnolia, Massachusetts.

An elegant, witty, frank, touching, and deeply personal account of the loves both great and fleeting in the life of one of America's most celebrated and fabled women.

Born to great wealth yet kept a virtual prisoner by the custody battle that raged between her proper aunt and her self-absorbed, beautiful mother, Gloria Vanderbilt grew up in a special world. Stunningly beautiful herself, yet insecure and with a touch of wildness, she set out at a very early age to find romance. And find it she did. There were love affairs with Howard Hughes, Bill Paley, and Frank Sinatra, to name a few, and one-night stands, which she writes about with delicacy and humor, including one with the young Marlon Brando. There were marriages to men as diverse as Pat De Cicco, who abused her; the legendary conductor Leopold Stokowski, who kept his innermost secrets from her; film director Sidney Lumet; and finally writer Wyatt Cooper, the love of her life.

Now, in an irresistible memoir that is at once ruthlessly forthright, supremely stylish, full of fascinating details, and deeply touching, Gloria Vanderbilt writes at last about the subject on which she has hitherto been silent: the men in her life, why she loved them, and what each affair or marriage meant to her. This is the candid and captivating account of a life that has kept gossip writers speculating for years, as well as Gloria's own intimate description of growing up, living, marrying, and loving in the glare of the limelight and becoming, despite a family as famous and wealthy as America has ever produced, not only her own person but an artist, a designer, a businesswoman, and a writer of rare distinction.

In this autobiography by Norma McCorvey, the "Jane Roe of Roe v. Wade," you have the opportunity to read the behind-the-scenes report of one of this century's most surprising and public confessions of faith.

This volume is the first attempt to reconsider the entire corpus of an ancient canonical author through the lens of queerness broadly conceived, taking as its subject Euripides, the latest of the three great Athenian tragedians. Although Euripides' plays have long been seen as a valuable source for understanding the construction of gender and sexuality in ancient Greece, scholars of Greek tragedy have only recently begun to engage with queer theory and its ongoing developments. Queer Euripides represents a vital step in exploring the productive perspectives on classical literature afforded by the critical study of orientations, identities, affects and experiences that unsettle not only prescriptive understandings of gender and sexuality, but also normative social structures and relations more broadly. Bringing together twenty-one chapters by experts in classical studies, English literature, performance and critical theory, this carefully curated collection of incisive and provocative readings of each surviving play draws upon queer models of temporality, subjectivity, feeling, relationality and poetic form to consider "queerness" both as and beyond sexuality. Rather than adhering to a single school of thought, these close readings showcase the multiple ways in which queer theory opens up new vantage points on the politics, aesthetics and performative force of Euripidean drama. They further demonstrate how the analytical frameworks developed by queer theorists in the last thirty years deeply resonate with the ways in which Euripides' plays twist poetic form in order to challenge well-established modes of the social. By establishing how Greek tragedy can itself be a resource for theorizing queerness, the book sets the stage for a new model of engaging with ancient literature, which challenges current interpretive methods, explores experimental paradigms, and reconceptualizes the practice of reading to place it firmly at the center of the interpretive act.

This is the first full-length book to provide an introduction to badhai performances throughout South Asia, examining their characteristics and relationships to differing contexts in Bangladesh, India, and Pakistan. Badhai's repertoires of songs, dances, prayers, and comic repartee are performed by socially marginalised hijra, khwaja sira, and trans communities. They commemorate weddings, births and other celebratory heteronormative events. The form is improvisational and responds to particular contexts, but also moves across borders, including those of nation, religion, genre, and identity. This collaboratively authored book draws from anthropology, theatre and performance studies, music and sound studies, ethnomusicology, queer and transgender studies, and sustained ethnographic fieldwork to examine badhai's place-based dynamics, transcultural features, and communications across the hijrascape. This vital study explores the form's changing status and analyses these performances' layered, scalar, and sensorial practices, to extend ways of understanding hijra-khwaja sira-trans performance.