Be inspired by a woman who dared to follow God Amy Carmichael understood true discipleship and lived it out. At a very young age she felt called to the mission field, followed God's guidance, and eventually went to India, where she would spend fifty-three years without furlough. While there, Amy founded the Dohnavur Fellowship, a refuge for children in moral danger-children who were orphaned or unwanted and sold to the temple. Amy became a mother for these children, and so they called her "Amma." Even today, Amy's life of obedience and courage stands as a model for all Christians everywhere. We resonate with her desires and dreams, her faults and fears, her dedication and service. For former missionary and author Elisabeth Elliot, Amy became a role model. "She was my first spiritual mother," writes Elliot. "She showed me the shape of godliness." A Chance to Die is the life story of Amy Carmichael. In this reverent biography, Elisabeth Elliot brings "Amma" to life, providing a compelling, unforgettable narrative that will provoke you to examine the depths of your own faith and encourage you to reaffirm your life and commitment to Christ. Elisabeth Elliot, one of the outstanding women of present-day Christianity, is the author of more than twenty books, including Passion and Purity, The Journals of Jim Elliot, and These Strange Ashes. She and her husband, Lars Gren, live in Magnolia, Massachusetts.

In this autobiography by Norma McCorvey, the "Jane Roe of Roe v. Wade," you have the opportunity to read the behind-the-scenes report of one of this century's most surprising and public confessions of faith.

An elegant, witty, frank, touching, and deeply personal account of the loves both great and fleeting in the life of one of America's most celebrated and fabled women.

Born to great wealth yet kept a virtual prisoner by the custody battle that raged between her proper aunt and her self-absorbed, beautiful mother, Gloria Vanderbilt grew up in a special world. Stunningly beautiful herself, yet insecure and with a touch of wildness, she set out at a very early age to find romance. And find it she did. There were love affairs with Howard Hughes, Bill Paley, and Frank Sinatra, to name a few, and one-night stands, which she writes about with delicacy and humor, including one with the young Marlon Brando. There were marriages to men as diverse as Pat De Cicco, who abused her; the legendary conductor Leopold Stokowski, who kept his innermost secrets from her; film director Sidney Lumet; and finally writer Wyatt Cooper, the love of her life.

Now, in an irresistible memoir that is at once ruthlessly forthright, supremely stylish, full of fascinating details, and deeply touching, Gloria Vanderbilt writes at last about the subject on which she has hitherto been silent: the men in her life, why she loved them, and what each affair or marriage meant to her. This is the candid and captivating account of a life that has kept gossip writers speculating for years, as well as Gloria's own intimate description of growing up, living, marrying, and loving in the glare of the limelight and becoming, despite a family as famous and wealthy as America has ever produced, not only her own person but an artist, a designer, a businesswoman, and a writer of rare distinction.

This volume is the first attempt to reconsider the entire corpus of an ancient canonical author through the lens of queerness broadly conceived, taking as its subject Euripides, the latest of the three great Athenian tragedians. Although Euripides' plays have long been seen as a valuable source for understanding the construction of gender and sexuality in ancient Greece, scholars of Greek tragedy have only recently begun to engage with queer theory and its ongoing developments. Queer Euripides represents a vital step in exploring the productive perspectives on classical literature afforded by the critical study of orientations, identities, affects and experiences that unsettle not only prescriptive understandings of gender and sexuality, but also normative social structures and relations more broadly. Bringing together twenty-one chapters by experts in classical studies, English literature, performance and critical theory, this carefully curated collection of incisive and provocative readings of each surviving play draws upon queer models of temporality, subjectivity, feeling, relationality and poetic form to consider "queerness" both as and beyond sexuality. Rather than adhering to a single school of thought, these close readings showcase the multiple ways in which queer theory opens up new vantage points on the politics, aesthetics and performative force of Euripidean drama. They further demonstrate how the analytical frameworks developed by queer theorists in the last thirty years deeply resonate with the ways in which Euripides' plays twist poetic form in order to challenge well-established modes of the social. By establishing how Greek tragedy can itself be a resource for theorizing queerness, the book sets the stage for a new model of engaging with ancient literature, which challenges current interpretive methods, explores experimental paradigms, and reconceptualizes the practice of reading to place it firmly at the center of the interpretive act.

This is the first full-length book to provide an introduction to badhai performances throughout South Asia, examining their characteristics and relationships to differing contexts in Bangladesh, India, and Pakistan. Badhai's repertoires of songs, dances, prayers, and comic repartee are performed by socially marginalised hijra, khwaja sira, and trans communities. They commemorate weddings, births and other celebratory heteronormative events. The form is improvisational and responds to particular contexts, but also moves across borders, including those of nation, religion, genre, and identity. This collaboratively authored book draws from anthropology, theatre and performance studies, music and sound studies, ethnomusicology, queer and transgender studies, and sustained ethnographic fieldwork to examine badhai's place-based dynamics, transcultural features, and communications across the hijrascape. This vital study explores the form's changing status and analyses these performances' layered, scalar, and sensorial practices, to extend ways of understanding hijra-khwaja sira-trans performance.

This issue of TSQ: Transgender Studies Quarterly, "Trans-Political Economy," edited by Dan Irving and Vek Lewis, addresses how capitalism differentially and unequally affects trans and sex/gender-diverse people across the globe. "We all, from our different social and political locations, become implicated in those architectures through our everyday interactions with a variety of coordinated and contradictory institutions and rationalities that order our lives across different local and global geopolitical spaces and scales," write Lewis and Irving. The editors of and contributors to this issue reveal how the narrowly constructed objects of trans studies and political economy (such as gender, labor, class, and economy) have been complicit in the necropolitical devaluation of trans lives and existing strategies crafted for trans survival. Topics include trans visibility and commodity culture; trans credit reporting; the growing population of T-girls, trans women truckers; trans street-based sex workers; the system of sex/gender identification for trans asylum seekers in South Africa; and waria affective labor in Indonesia. There is also a roundtable deconstructing trans* political economy. The Arts & Culture section of this issue features a review of season 7 of RuPaul's Drag Race in relation to certain political-economic elements of the drag industry as well as an in-depth look at the representation of transgender lives on film, specifically in Dallas Buyers Club.

This book provides an invaluable introduction to the social, economic, and legal status of women in ancient Rome. Daily Life of Women in Ancient Rome is an invaluable introduction to the lives of women in the late Roman Republic and first three centuries of the Roman Empire. Arranged chronologically and thematically, it examines how Roman women were born, educated, married, and active in economic, social, public, and religious life, as well as how they were commemorated and honored after death. Though they were excluded from formal public and military offices, wealthy Roman women participated in public life as benefactors and in religious life as priestesses. The book also acknowledges the status and occupations of women taking part in public life as textile producers, retail workers, and agricultural laborers, as well as enslaved women. The book provides a thorough introduction to the social history of women in the Roman world and gives students and aspiring scholars references to current scholarship and to primary literary and documentary sources, including collected sources in translation. Provides students of classical or women's history with a chronologically and thematically oriented introduction to the demography, legal and social status, life stages, social and public roles, occupations, and leisure activities of women in Roman society Emphasizes primary literary and documentary sources and provides accessible references to further reading and research Focuses on the diversity of Roman women's experiences across the social hierarchy Discusses both the limitations that women faced (e.g., in Roman law and custom) and how they negotiated or transcended these limitations Includes visually interesting images that enhance the text