"The best work by anyone on prostitution ever, Rachel Moran's Paid For fuses the memoirist's lived poignancy with the philosopher's conceptual sophistication. The result is riveting, compelling, incontestable. Impossible to put down. This book provides all anyone needs to know about the reality of prostitution in moving, insightful prose that engages and disposes of every argument ever raised in its favor." -Catharine A. MacKinnon, law professor, University of Michigan and Harvard University Born into a troubled family, Rachel Moran left home at the age of fourteen. Being homeless, she was driven into prostitution to survive. With intelligence and empathy, she describes the exploitation she and others endured on the streets and in the brothels. Moran also speaks to the psychological damage inherent to prostitution and the inevitable estrangement from one's body. At twenty-two, Moran escaped the sex trade. She has since become a writer and an abolitionist activist.

"The women of CourtWatch did what they were told couldn't be done. They drove a group of powerful and entrenched family court judges off the bench--someone called them 'the babes who slew the Goliath.' It was quite a victory."--Carole Bell Ford, from the Introduction

Houston was a terrible place to divorce or seek child custody in the 1980s and early 1990s. Family court judges routinely rendered verdicts that damaged the interests of women and children. In some especially shocking cases, they even granted custody to fathers who had been accused of molesting their own children. Yet despite persistent allegations of cronyism, incompetence, sexism, racism, bribery, and fraud, the judges wielded such political power and influence that removing them seemed all but impossible. The family court system was clearly broken, but there appeared to be no way to fix it.

This book recounts the inspiring and courageous story of women activists who came together to oppose Houston's family court judges and whose political action committee, CourtWatch, played a crucial role in defeating five of the judges in the 1994 judicial election. Carole Bell Ford draws on extensive interviews with Florence Kusnetz, the attorney who led the reform effort, and other CourtWatch veterans, as well as news accounts, to provide a full history of the formation, struggles, and successes of a women's grassroots organization that overcame powerful political interests to improve Houston's family courts. More than just a local story, however, this history of CourtWatch provides a model that can be used by activists in other communities in which legal and social institutions have gone astray. It also honors the heroism ofFlorence Kusnetz, whose commitment to the Jewish concept of tikkun olam ("repairing and improving the world") brought her out of a comfortable retirement to fight for justice for women and children.

'What a great book! Two eminent researchers on women's entrepreneurship, Patti Greene and Candy Brush, have assembled a wonderful group of well-known and upcoming scholars, each of them adding novel insights to the puzzle of ''female entrepreneurial identity''. The book covers a wide array of interesting identity-related themes and presents evidence from countries and contexts which are much less studied. This is a must-read for those of us who want to understand and study entrepreneurial identity from a gender perspective, and also for those supporting women entrepreneurs.' - Friederike Welter, Institut fur Mittelstandsforschung (IfM) Bonn and University of Siegen, Germany 'This book is a welcome addition to the cumulative body of research on women's entrepreneurship and a critical milestone in the research agenda on female entrepreneurial identity. The editors Greene and Brush, top scholars in the field, brilliantly join the dots in the literature to make clear the complexity of women's entrepreneurial identity and the connections to related concepts of confidence, behaviors and aspirations. The wealth of contributions in this highly recommended volume, successfully illuminate important aspects and signposts questions to continue this vital discourse.' - Anne de Bruin, Massey University, New Zealand Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. This book looks at long-studied questions of identity from the perspective of women entrepreneurs, exploring ideas related to entrepreneurial identity for women and their businesses. The editors map out a vision for research on women and entrepreneurship and discuss aspiration, behaviors and confidence as key concepts that shape and enhance a woman?s identity in the entrepreneurial process. A global collection of authors who are passionate about identity and women?s entrepreneurship bring a variety of theoretical perspectives and quantitative methodologies to the table. Through a common framework of on women business owners and their businesses, they delve into social identity, start-ups, crowdfunding and context to set the groundwork for future research on entrepreneurship and gender. Advanced graduate students and researchers in the field of entrepreneurship will appreciate this focused exploration of a compelling topic, as will doctoral students and scholars of women?s issues. Contributors: T.H. Allison, M. Brannback, C.G. Brush, A. Carsrud, E. Crosina, C. Cruz, J.O. De Castro, C. Elliott, P.G. Greene, R.T. Harrison, D. Hechavarria, R. Justo, K. Kuschel, J.-P. Labra, C.M. Leitch, M. Markowska, S. Nikou, P.P. Oo, B. Orser, A. Sahaym, S. Srivastava, S.K. Trivedi

Mari Ruti combines theoretical reflection, cultural critique, feminist politics, and personal experience to analyze the prevalence of bad feelings in contemporary everyday life. Proceeding from a playful engagement with Freud's idea of penis envy, Ruti's autotheoretical commentary fans out to a broader consideration of neoliberal pragmatism. She focuses on the emphasis on good performance, high productivity, constant self-improvement, and relentless cheerfulness that characterizes present-day Western society. Revealing the treacherousness of our fantasies of the good life, particularly the idea that our efforts will eventually be rewarded-that things will eventually get better-Ruti demystifies the false hope that often causes us to tolerate an unbearable present. Theoretically rigorous and lucidly written, Penis Envy and Other Bad Feelings is a trenchant critique of contemporary gender relations. Refuting the idea that we live in a postfeminist world where gender inequalities have been transcended, Ruti describes how neoliberal heteropatriarchy has transformed itself in subtle and stealthy, and therefore all the more insidious, ways. Mobilizing Michel Foucault's concept of biopolitics, Jacques Lacan's account of desire, and Lauren Berlant's notion of cruel optimism, she analyzes the rationalization of intimacy, the persistence of gender stereotypes, and the pornification of heterosexual culture. Ruti shines a spotlight on the depression, anxiety, frustration, and disenchantment that frequently lie beneath our society's sugarcoated mythologies of self-fulfillment, romantic satisfaction, and professional success, speaking to all who are concerned about the emotional costs of the pressure-cooker ethos of our age.

Do African men and women think about and act out their ethnicity in different ways? Most studies of ethnicity in Africa consider men's experiences, but rarely have scholars examined whether women have the same idea of what it means to be, for example, Igbo or Tswana or Kikuyu. Or, studies have invoked the adage "women have no tribe" to indicate a woman's loss of ethnicity as she marries into her husband's community. This volume engages directly the issue of women's ethnicity and makes stimulating contributions to debates about how and why women's movements have a unifying role in African political organization and peace movements. Drawing on extensive field research in many different regions of Africa, the contributors demonstrate in their essays that women do make choices about the forms of ethnicity they embrace, creating alternatives to male-centered definitions-in some cases rejecting a specific ethnic identity in favor of an interethnic alliance, in others reinterpreting the meaning of ethnicity within gendered domains, and in others performing ethnic power in gendered ways. Their analysis helps explain why African women may be more likely to champion interethnic political movements while men often promote an ethnicity based on martial masculinity. Bringing together anthropologists, historians, linguists, and political scientists, Gendering Ethnicity in African Women's Lives offers a diverse and timely look at a neglected but important topic.

Who were the women who fought back at Grunwick and Gate Gourmet? Striking Women gives a voice to the women involved as they discuss their lives, their work and their trade unions. Striking Women is centred on two industrial disputes, the famous Grunwick strike (1976-78) and the Gate Gourmet dispute that erupted in 2005. Focusing on these two events, the book explores the nature of South Asian women's contribution to the struggles for workers' rights in the UK labour market. The authors examine histories of migration and settlement of two different groups of women of South Asian origin, and how this history, their gendered, classed and racialised inclusion in the labour market, the context of industrial relations in the UK in the two periods and the nature of the trade union movement shaped the trajectories and the outcomes of the two disputes. This is the first account based on the voices of the women involved. Drawing on life/work history interviews with thirty-two women who participated in the two disputes, as well as interviews with trade union officials, archival material and employment tribunal proceedings, the authors explore the motivations, experiences and implications of these events for their political and social identities.

From 2013 to 2017, Linda Bostroem Knausgard was periodically confined to a psychiatric ward and subjected to electroconvulsive therapy, resulting in the loss of memories. This is the story of her struggle against mental illness and isolation "(Bostroem Knausgard's) first openly autobiographical book becomes an act of self-examination powerful enough to match if not surpass those of her ex-husband's."--The Guardian From 2013 to 2017, Linda Bostroem Knausgard was periodically interned in a psychiatric ward where she was subjected to electroconvulsive therapy. As the treatments at this "factory" progressed, the writer's memories began to disappear. What good is a writer without her memory? This book, based on the author's experiences, is an eloquent and profound attempt to hold on to the past, to create a story, to make sense, and to keep alive ties to family, friends, and even oneself. Moments from childhood, youth, marriage, parenting, and divorce flicker across the pages of October Child. This is the story of one woman's struggle against mental illness and isolation. It is a raw testimony of how writing can preserve and heal.

The bestselling classic that redefined our view od the relationship between beauty and female identity.

In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, however, writer and journalist Naomi Wolf is troubled by a different kind of social control, which, she argues, may prove just as restrictive as the traditional image of homemaker and wife. It's the beauty myth, an obsession with physical perfection that traps the modern woman in an endless spiral of hope, self-consciousness, and self-hatred as she tries to fulfill society's impossible definition of "the flawless beauty."

What should a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment. Through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities are built into our cities, homes, and neighbourhoods. She maps the city from new vantage points, laying out a feminist intersectional approach to urban histories and proposes that the city is perhaps also our best hope for shaping a new urban future. It is time to dismantle what we take for granted about cities and to ask how we can build more just, sustainable, and care-full cities together.

Prevention of Violence Against Women and Girls argues that women and girls are vulnerable across all areas of society, and that therefore a commitment to end violence against women and girls needs to be embedded into all development programmes, regardless of sectorial focus. This book presents an innovative framework for sensitisation and action across development programmes, based on emerging best practices and lessons learnt, and illustrated through a number of country contexts and a range of programmes. Overall, it argues that SDG 5 can only be achieved with a systematic model for mainstreaming an end to violence against women and girls, no matter what the priorities of the particular development programme might be. Demonstrating how the approach can be applied across contexts, the authors explore cases from the energy sector, health and humanitarian intervention, and from countries as varied as South Sudan, Myanmar, Rwanda, Nepal, and Kenya. Drawing on nearly three decades of experience working on gender, health, and violence against women programmes as both practitioners and academics, the authors present key lessons which can be used by students, researchers, and practitioners alike.

From the brilliant mind of the creator and star of I May Destroy You and Chewing Gum comes a passionate declaration against fitting in. Michaela Coel's MacTaggart Lecture touched a lot of people with her striking revelations about race, class and gender. But in the end, the person most impacted was Coel herself. Building on this speech, Misfits immerses readers in her deeply personal vision through powerful allegory and anecdotes - from her East London upbringing to her discovery of theatre and love for storytelling. With inspiring insight and wit, she tells of her reckoning with trauma and metamorphosis into a champion for herself, inclusivity and radical honesty, and in telling her journey invites us to reflect on our own. By embracing our differences, she says, we can transform our lives. An artist to her core, Coel holds up the path of the creative as an emblem of our need to regard one another with care and respect - and transparency. Misfits is a triumphant call for honesty, empathy and inclusion. This timely, necessary book is a rousing coming-to-power manifesto dedicated to anyone who has ever worried about fitting in.

With a foreword by Gillian Anderson and Jennifer Nadel 'A must-read for anyone with big ambitions' VIV GROSKOP FIND MEANING OWN YOUR POWER TRANSFORM YOUR WORLD Brita Fernandez Schmidt has spent 25 years championing women's rights across the world, nurturing her own fierce and inspiring others to do the same. Through a combination of guidance, storytelling and practical tools, her rallying call in Fears to Fierce will inspire you to realise your purpose and potential, ignite your fierce and create the life you have been dreaming of. 'Incredibly invigorating. Brita is a true visionary' AMIKA GEORGE 'Brita embodies what it is to live fiercely in life and work. This book inspires you to embrace your deepest fears and reframe them' EMMA GANNON

AS HEARD ON RADIO 4 WOMAN'S HOUR BEST NON-FICTION OF 2021, EVENING STANDARD 'Captivating ... a brilliant many-layered social history of women's ambition and a rapidly changing New York' Observer 'A fascinating look at a piece of forgotten female history' Sunday Times 'A treat, elegantly spinning a forgotten story of female liberation, ambition and self-invention' Guardian 'A deeply researched history, leavened with gossip ... offers a full sweep of the changing status of American women in the twentieth century' TLS WELCOME TO THE BARBIZON, NEW YORK'S PREMIER WOMEN-ONLY HOTEL Built in 1927 as a home for the 'Modern Woman' seeking a career in the arts, the Barbizon became the place to stay for ambitious, independent women, who were lured by the promise of fame and good fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and over the years, its 688 tiny floral 'highly feminine boudoirs' also housed Joan Crawford, Grace Kelly (notorious for sneaking in men), Joan Didion, Candice Bergen, Charlie's Angel Jaclyn Smith, Ali MacGraw, Cybil Shepherd, Elaine Stritch, Liza Minnelli, Eudora Welty, The Cosby Show's Phylicia Rashad, Grey Gardens's Edith Bouvier Beale, and writers Mona Simpson and Ann Beattie, among many others. Mademoiselle boarded its summer interns there - perfectly turned-out young women, who would never be spotted hatless - as did Katherine Gibbs Secretarial School its students - in their white-gloves and kitten heels - and the Ford Modelling Agency its young models. THE BARBIZON is a colourful, glamorous portrait of the lives of the young women, who -- from the Jazz Age New Women of the 1920s to the Liberated Women of the 1960s -- came to New York looking for something more. 'The story of the Barbizon is in many ways the story of American women in the twentieth century' Economist 'Illuminating . . . this vivid, well researched account is testament to its vibrant history and the women who made it such a powerhouse' Daily Express

Empire and Education in Africa brings together a rich body of scholarship on the history of education in colonial Africa. The book examines similarities and differences in approaches to education across a broad geographical and chronological framework, from the 1850s to the late 20th century. The chapters highlight some central concerns in writing histories of education that transcend geographic or imperial boundaries. The text addresses the relationship between voluntary societies' role in education provision and state education. The book also deals with 'adapted' education: what kind of education was appropriate to African people or African contexts, and how did this differ across and between colonial contexts? The contributors emphasise the impact of political, social and economic change on the nature and scale of educational provision. The rise of democracy, nationalism and radical politics, industrial revolution, urban society and the advent of social science all had an influence on the emergence of educational policy as a distinct field by the middle of the twentieth century. All these issues had an impact in the colonial context. Many of the chapters deal with issues of gender in colonial education, showing how issues of gender were central to education provision in Africa.

The mountains of the American West are the setting for healing and personal development in this collection of lyrical essays. From forest fires to mountain lions, an Ohio farm to a Colorado cabin, and from violation to silence to reclamation, Kathryn Winograd draws keen attention to the details that braid her own history with that of the land on which she dwells with her husband and daughters, and with that of anyone who has experienced loss and fought for renewal. The essays become a ring of concentric circles, where one builds upon the next to achieve deeper meaning and truth, revealing mercy at its center.

'A must read for all entrepreneurship scholars because it helps us to understand and appreciate the real and many roles of women entrepreneurs, their relevance and importance to societies across the World, as well as the challenges and issues women entrepreneurs can face. An exciting and interesting read which presents us with critical questions for the future - thank you.' - Sarah Jack, Lancaster University Management School, UK Taking a fresh look at how performance is defined by examining the institutional power structures and policies, eminent scholars herein explore ways to overcome constrained performance and encourage women?s entrepreneurial activities through a variety of methodological approaches and geographical contexts. Significantly, this book adds a critical perspective to defining ?success? and ?performance?, shattering misconceptions of underperformance in women-owned enterprises. The contributing authors raise questions on the limiting concept of the ?entrepreneur? and have valuable insights into policies to facilitate female entrepreneurs. Instead of taking a one-sided and narrow approach with regards to understanding the entrepreneurship performance phenomenon, this book argues that future researchers should take a fresh look at business performance, considering structural constraints, definitions of success and other socio-political factors. Scholars in the fields of entrepreneurship, gender studies, and institutional theory, as well as those who have a general interest in critical research, will benefit from this progressive step in entrepreneurship research. Contributors include: R. Aidis, A. Akdeniz, H. Baiya, M. Boddington, D. Brozik, J.O. De Castro, L. Delgado-Marquez, S. Dewitt, W. Farraj, A. Fayolle, A.T. Hailemariam, C. Henry, C. Hoyte, B. Irene, J. Johansson, N. Jurik, R. Justo, A. Kamau, P. Kamau, G. Khoury, B. Kroon, A. Lindgreen, J. Lockyer, M. Malmstroem, M. Milliance, D. Muia, R. Narendran, J. Ndung'u, S. Saeed, N. Sappleton, S. Sheikh, F. Sist, S. Sultan, A. Voitkane, J. Wincent, S. Yousafzai, A. Zapalska

An indispensable investigation into the American unemployment system and the ways gender and class affect the lives of those looking for work Through the intimate stories of those seeking work, The Tolls of Uncertainty offers a startling look at the nation's unemployment system-who it helps, who it hurts, and what, if anything, we can do to make it fair. Drawing on interviews with one hundred men and women who have lost jobs across Pennsylvania, Sarah Damaske examines the ways unemployment shapes families, finances, health, and the job hunt. Damaske demonstrates that commonly held views of unemployment are either incomplete or just plain wrong. Shaped by a person's gender and class, unemployment generates new inequalities that cast uncertainties on the search for work and on life chances beyond the world of work, threatening opportunity in America. Following in depth the lives of four individuals over the course of their unemployment experiences, Damaske offers insights into how the unemployed perceive their relationship to work. She reveals the high levels of blame that women who have lost jobs place on themselves, leading them to put their families' needs above their own, sacrifice their health, and take on more tasks inside the home. This "guilt gap" illustrates how unemployment all too often exacerbates existing differences between men and women. Class privilege, too, gives some an advantage, while leaving others at the mercy of an underfunded unemployment system. Middle-class men are generally able to create the time and space to search for good work, but many others are bogged down by the challenges of poverty-level unemployment benefits and family pressures and fall further behind. Timely and engaging, The Tolls of Uncertainty posits that a new path must be taken if the nation's unemployed are to find real relief.

A conversation-shifting book urging 21st-century women to understand their anger, embrace its power, and use it as a tool for positive change 'How many women cry when angry because we've held it in for so long? How many discover that anger turned inward is depression? Soraya Chemaly's Rage Becomes Her will be good for women. After all, women have a lot to be angry about.' GLORIA STEINEM Women are angry, and it isn't hard to figure out why. We are underpaid, overworked, thwarted and diminished. The assertive among us are labelled bitches, while the expressive among us are considered shrill. We are told to stand down when we have an opinion and to calm down when we are fired up. And when we somehow manage to put one high heel-battered foot in front of the other despite all of this, we're asked if it would kill us to smile. We are mad as hell, and that's completely okay. Because contrary to the endless barrage of self-help rhetoric about anger management and letting go, the reality is that our rage is the most important resource we have as women, a force for creation rather than destruction, our sharpest tool against both personal and political oppression. Anger is not what gets in our way, it is our way. All we need to do is own it. This is a pitch perfect, engaging, and accessible credo written by one of today's most influential feminists. Analysing female anger as it relates to topics like self-worth, objectification, pain, care, fear, silence, and denial, Soraya illuminates how and why we repress our anger, revealing the harm that this causes, and helping us recognise the liberating power of owning our anger and marshalling it as a vital tool for positive change. Just as Quiet brought about a new embrace of introversion, Rage Becomes Her will bring about an embrace of feminine anger that will leave women feeling liberated, inspired and connected to an entire universe of women who are no longer interested in making nice.

What would happen, I wondered, if I simply missed out the fifty per cent of the population whose voices have been credited with shaping this particular 'cultural form'. If I coppiced the woodland, so to speak, and allowed the light to shine down to the forest floor and illuminate countless saplings now that a gap has opened in the canopy. . . This landmark anthology brings together the work of over a hundred women, from the fourteenth century to the present day, who have written about the natural world in Britain, Ireland and the outlying islands of our archipelago. Alongside the traditional forms of the travelogue - the walking guide, observations of birds, plants and wildlife - Women on Nature embraces alternative modes of seeing and recording that turn the genre on its head. Katharine Norbury has sifted through the pages of women's fiction, poetry, gardening diaries and recipe books to show the multitude ways in which women have observed the natural world from the religious writing of the anchorite Julian of Norwich to the seventeenth-century travel journal of Celia Fiennes; from the exquisite poetry of Emily Bronte to the adventurous mountaineering journal of Dorothy Pilley. Featuring new writing by Nancy Campbell, Sara Evans, Sinead Gleeson, Amy Liptrot, Helen Mort and Anita Sethi, and classic extracts from the work of Kate Bradbury, Melissa Harrison, Kathleen Jamie, Jackie Kay, Helen Macdonald, Sara Maitland, Irenosen Okojie and Jini Reddy alongside new voices from across the archipelago, Women on Nature presents a ground-breaking vision of the natural world that is of unique importance in terms of women's history and the history of writing about nature.