Restores queer suffragists to their rightful place in the history of the struggle for women's right to vote The women's suffrage movement, much like many other civil rights movements, has an important and often unrecognized queer history. In Public Faces, Secret Lives Wendy L. Rouse reveals that, contrary to popular belief, the suffrage movement included a variety of individuals who represented a range of genders and sexualities. However, owing to the constant pressure to present a "respectable" public image, suffrage leaders publicly conformed to gendered views of ideal womanhood in order to make women's suffrage more palatable to the public. Rouse argues that queer suffragists did take meaningful action to assert their identities and legacies by challenging traditional concepts of domesticity, family, space, and death in both subtly subversive and radically transformative ways. Queer suffragists also built lasting alliances and developed innovative strategies in order to protect their most intimate relationships, ones that were ultimately crucial to the success of the suffrage movement. Public Faces, Secret Lives is the first work to truly recenter queer figures in the women's suffrage movement, highlighting their immense contributions as well as their numerous sacrifices.

Exploring gender as a fundamental factor in the way that lives of individuals, families and societies across Asia are organized, this timely Handbook studies the importance of modernization and globalization for understanding gender in Asia. It brings together a wide range of scholarly perspectives on five critical areas in the field: ageing and health; labour; migrations and mobilities; gender at the margins, and the theory and practice of researching in Asia. Identifying gaps in current research, and using both qualitative and quantitative methods to explore the topic, this volume demonstrates the difference a gendered perspective makes in providing a better understanding of these issues in Asia. Using empirical case studies, contributors highlight the challenges and changes to cultured traditions and practices that surround gendered norms surrounding the societal roles of men and women in Asia. The volume offers fresh, nuanced insights to socio-political currents in Asian countries. This far-reaching collection will be an essential read for scholars in the social sciences interested in gender issues in Asia, human geography, sociology, anthropology, development studies, gender politics; and for NGOs and policy-makers. Contributors include: A.L. Abeyasekera, A. Adenwala, A. Arslan, C. Caron, L.-H.N. Chiang, A. Datta, M. De Silva, E.L.-E. Ho, E.S. Ho, S. Huang, H. Igarashi, R. Ito, J. Knodel, K. Kusakabe, H. Lee, M. Morikawa, P. Raghuram, S. Ramnarain, K.N. Ruwanpura, S. Shroff, B.C. Somaiah, G. Sondhi, P. Statham, W.-m. Tang, B. Teerawichitchainan, M. Thompson, S. Turner, L. Wilks, Y. Yang, S. Yea, C. Zuberec

While contemporary Chinese art has arrived as a critical subject in art history and found market success, current art criticism has yet to fully engage with art made by Chinese women, especially from the perspective of gender politics. In "(En)gendering: Chinese Women's Art in the Making," contributors-including artists, art historians, critics, and curators-consider how the work of contemporary women artists has generated new approaches to and perspectives on the Chinese art canon. The issue begins by laying a historical framework for the potentials and problems regarding the interpretation of Chinese women's art, tracing its evolution throughout a century of Chinese history. Next, the issue considers the spatial notion of boundary crossing, addressing how travel across national and theoretical boundaries affects the perception of artworks, and explores the misgivings of Chinese women artists about participating in a global exhibition system in which their artwork stands for "China" and "Women." The issue concludes by looking at the idea of (en)gendering as a revision of women's art prompting artists and the viewers of women's artworks to challenge the conventional gaze that has dominated our ways of seeing. The issue considers the work of Chinese artists such as Lin Tianmiao, Lei Yan, Yin Xiuzhen, Cui Xiuwen, Yu Hong, and Liu Manwen. Contributors. Julia F. Andrews, Lara C. W. Blanchard, Meiling Cheng, Shuqin Cui, Elise David, Linda Chui-han Lai, Tao Yongbai, Peggy Wang, Sasha Su-Ling Welland

Against easy framings of hijras that render them marginalized, Saria shows how hijras makes the normative Indian family possible. The book also shows that particular practices of hijras, such as refusing to use condoms or comply with retroviral regimes, reflect not ignorance or irresponsibility but rather a specific idiom of erotic asceticism arising in both Hindu and Islamic traditions. This idiom suffuses the densely intertwined registers of erotics, economics, and kinship that inform the everyday lives of hijras and offer a repertoire of self-fashioning distinct from the secularized accounts within the horizon of public health programmes and queer theory. Engrossingly written and full of keen insights, the book moves from the small pleasures of the everyday laughter, flirting, and teasing to impossible longings, kinship networks, and economies of property and of substance in order to give a fuller account of trans lives and of Indian society today.

Susan Dobscha and the authors in this Handbook provide a primer and resource for scholars and practitioners keen to develop or enhance their understanding of how gender permeates marketing decisions, consumer experiences, public policy initiatives, and market practices. This Handbook's main objective is to provide a roadmap through the complicated terrain of gender as it pertains to marketing and consumer behavior. The author also highlights that the study of gender is not restricted to certain theories, methods, or approaches. The unifying conclusion is that the study of gender is an important topic that has not received the attention it deserves within the marketing discipline; and attention to gender is crucial now more than ever. This book will give marketing scholars the guidance they need to incorporate the topic of gender into their research by highlighting the current conversations that are taking place in the field of marketing, and more importantly by illuminating the gap in which more scholarship is necessary to increase our understanding of gender complexities. Contributors include: J. Brace-Govan, J. Coffin, C. Coleman, S. Dobscha, J. Drenten, S. Dunnett, C.A. Eichert, S. Ferguson, L. Gurrieri, R.L. Harrison, W. Hein, G.H. Knudsen, J. Littlefield, P. Maclaran, A.-I. Nolke, S. O'Donohoe, J. Ostberg, N.J. Pendarvis, A.S. Rome, M. Sanghvi, K.C. Sredl, L. Steinfield, L. Stevens, L. Walther, M. Zawisza, L.T. Zayer

In this groundbreaking book, based on in-depth ethnographic research spanning ten years, Antoinette Elizabeth DeNapoli brings to light the little known, and often marginalized, lives of female Hindu ascetics (sadhus) in the North Indian state of Rajasthan. Her book offers a new perspective on the practice of asceticism in India today, exploring a phenomenon she terms vernacular asceticism. Examining the everyday religious worlds and practices of primarily "unlettered" female sadhus who come from a variety of castes, Real Sadhus Sing to God illustrates that the female sadhus whom DeNapoli knew experience asceticism in relational and celebratory ways and construct their lives as paths of singing to God. While the sadhus have combined ritual initiation with institutionalized and orthodox orders of asceticism, they also draw on the non-orthodox traditions of the medieval devotional poet-saints of North India to create a form of asceticism that synthesizes multiple and competing world views. DeNapoli suggests that in the vernacular asceticism of the sadhus, singing to God serves as the female way of being an ascetic. As women who have escaped the dominant societal expectations of marriage and housework, female sadhus are unusual because they devote themselves to a way of life traditionally reserved for men in Indian society. Female sadhus are simultaneously respected and distrusted for transgressing normative gender roles in order to dedicate themselves to a life of singing to the divine. Real Sadhus Sing to God is the first book-length study to explore the ways in which female sadhus perform and, thus, create gendered views of asceticism through their singing, storytelling, and sacred text practices, which DeNapoli characterizes as the sadhus' "rhetoric of renunciation." The book also examines the relationship between asceticism (sannyas) and devotion (bhakti) in contemporary contexts. It brings together two disparate fields of study in religious scholarship-yoga/asceticism and bhakti-through use of the orienting metaphor of singing bhajans (devotional songs) to understand vernacular asceticism in contemporary India.

Given the range of possibilities open to women today, what futures do adolescent girls dream of and pursue? And how do social class and race play into their trajectories? In asking young women about their aspirations in three areas-school, work, and family-Best Laid Plans demonstrates how future plans are framed by notions of gendered responsibilities and abilities. Through her examination of the lives of poor, working-class, and middle-class Black and White young women as they navigate the transition to adulthood, sociologist Jessica Halliday Hardie defines anew what it means for young women to come of age. In particular, Hardie shows how social capital, either possessed or lacked, is not simply a resource for planning for the future but a structure whose form and function varies by social class and race. As these inequalities persist into adulthood, high aspirations, social capital, and careful planning bolster some young women while hindering others. Drawing on qualitative data from a five-year period, Best Laid Plans makes the case for why we need to move beyond the individual appeal to "dream bigger" and "plan better" and toward systematic changes that will put young people's aspirations within reach.

From rethinking feminist archives, to inserting postpornography in academia, to approaching sex toys from a transpositive perspective, to dismantling the foundations of techno-capitalism, the areas of inquiry in this book are lenses through which to explore the relationships between genders, bodies and technologies. All the various chapters work to reimagine the body as a hybrid, malleable and subversive source of potentiality. These essays offer readers road maps for unimagined and uncharted social scapes: the relationship between bodies-technologies-genders means working within a space of monstrosity. Through this embodied discomfort the book questions existing techno-social norms, and imagines tranfeminist futures. Contributors are: Carlotta Cossutta, Valentina Greco, Arianna Mainardi, Stefania Voli, Lucia Egana Rojas, Ludovico Virtu, Angela Balzano, Obiezione Respinta, Elisa Virgili, Rachele Borghi, and Diego Marchante "Genderhacker".