Winner of the 2022 British Academy Prize for Global Cultural Understanding. Novelist Alia Trabucco Zeran has long been fascinated not only with the root causes of violence against women, but by those women who have violently rejected the domestic and passive roles they were meant by their culture to inhabit. Choosing as her subject four iconic homicides perpetrated by Chilean women in the twentieth century, she spent years researching this brilliant work of narrative nonfiction detailing not only the troubling tales of the murders themselves, but the story of how society, the media and men in power reacted to these killings, painting their perpetrators as witches, hysterics, or femmes fatales . . . That is, either evil or out of control. Corina Rojas, Rosa Faundez, Carolina Geel and Teresa Alfaro all committed murder. Their crimes not only led to substantial court decisions, but gave rise to multiple novels, poems, short stories, paintings, plays, songs and films, produced and reproduced throughout the last century. In When Women Kill, we are provided with timelines of events leading up to and following their killings, their apprehension by the authorities, their trials and their representation in the media throughout and following the judicial process. Running in parallel with this often horrifying testimony are the diaries kept by Trabucco Zeran while she worked on her research, addressing the obstacles and dilemmas she encountered as she tackled this discomfiting yet necessary project.

Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making. In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist Punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new "Punk audio visual aesthetic". A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s.

The purpose of this book is to understand the lived experiences of Black women diversity practitioners at historically white higher education, healthcare, and corporate institutions before, during, and after the dual pandemics of COVID-19 and the racial reckoning of 2020. There is limited research on Black women's experiences in these positions outside of higher education. The stories and research provided in this book offers crucial information for institutions to look inward at the cultures and practices of their organizations that directly impact Black women diversity practitioners. In addition, implications for culture shifts and policy transformation would support Black women currently in these positions and women looking to break into the field of diversity, equity, and inclusion. This is a essential text for higher education staff and administration, CEOs, and leadership in corporate America and healthcare.

In this groundbreaking collection of essays, interviews, and artwork, contributors draw upon a rich treasure trove of Jewish women's comics to explore the representation of Jewish women's bodies and bodily experience in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume includes major figures such as Miriam Katin, Emil Ferris, Aline Kominsky-Crumb, and Rutu Modan alongside works by artists translated for the first time into English, such as the Georgian Nino Biniashvili and the Haredi artist Batsheva Havlin. Exploring topics such as family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, and the lingering impact of the Holocaust, the contributors present unique, at times deeply personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women's experiences.

Women are valued for their ability to bear children in many cultures. The birth process, though supposedly the most painful experience of a woman's life, is seen as a necessary evil to achieve the end goal of children and motherhood. And yet, in the face of a typically masculinized Christianity that nevertheless professes that women are equally created in the image of God, shouldn't childbirth--a uniquely feminine experience--itself shape Christian women's souls and teach them about the heart of the God they love and follow? Drawing on her own experience of giving birth and motherhood--and the conflicting assumptions attached to them, by Christians and the culture at large--Aubry G. Smith presents a richly scriptural exploration of common conceptions about pregnancy and childbirth that will not only help mothers and soon-to-be mothers understand how to think biblically about birth, but also walks them through how to put the ideas into practice in their own lives. Along the way, she shows all readers how to see God's own experience of the birth process--and how childbirth leads to a deeper understanding of the gospel overall.

For many women in their 20's and 30's, the greatest professional hurdle they'll need to overcome has little to do with their work life. The most focused, confident, and ambitious women can find themselves derailed by a tiny little thing: a new baby. While more workplaces are espousing family-friendly cultures, women are still subject to a "parenting penalty" and high-profile conflicts between parenting and the workplace are all over the news: from the controversy over companies covering the costs of egg-freezing to the debate over parental leave and childcare inspired by Marissa Mayer's policies at Yahoo. Here's the Plan offers an inventive and inspiring roadmap for working mothers steering their careers through the parenting years. Author Allyson Downey,founder of weeSpring, the Yelp for baby products," and mother of two young children,advises readers on all practical aspects of ladder-climbing while parenting, such as negotiating leave, flex time, and promotions. In the style of #GIRLBOSS or Nice Girls Don't Get the Corner Office, Here's the Plan is the definitive guide for ambitious mothers, written by one working mother to another.

Almost all economies have, or are at least starting to, understand the significance of examining and mainstreaming gender issues in the world of work. Sociocultural evolution and various other factors have helped these developments, but there is still so much more work to be done. Technology has played a substantial role in decreasing the gender divide as more households than ever before have access to technology, and the revolution of access to information across most societies has become gender neutral and empowering. While technology can hold the potential to significantly expand the job market and open opportunities for all job seekers, questions surrounding automation and availability of jobs and the accessibility to secure the necessary qualifications and education needed to fill paid jobs rage on, especially when examining those who are typically marginalized. Gender Perspectives on Industry 4.0 and the Impact of Technology on Mainstreaming Female Employment discusses gender perspective and its impact on the fourth industrial revolution, particularly in the realm of employment structure, and analyzes the impact of technology on mainstreaming women in paid employment. In the present environment, organizations are beginning to realize the importance of looking more critically at their workforce and structure and how to better cater to the diversity, equity, and inclusion movement while also productively managing the advancement of new technologies. Covering topics such as sustainable development and the future of work, it is ideal for policymakers, practitioners, professionals, consultants, managers, researchers, academicians, educators, and students.

43 BCE, the year after the assassination of Julius Caesar. While the Roman republic had seen many conflicts, it was this civil war, headed by the vengeful triumvirate of Mark Anthony, Marcus Lepidus, and Octavian, that irrevocably transformed Rome with its upheaval. What followed was years of fighting and the eventual ascendancy of Octavian, who from 27 BCE onwards would be best known as Caesar Augustus, founder of the Roman Principate. It was in this era of turmoil and transformation that Ovid, the Roman poet best known for Metamorphoses, was born. The Heroides, one of his earliest and most elusive works, is not written from the first-person perspective that so often characterizes the elegiac poetry of that time but from the personae of tragic heroines of classical mythology. Megan O. Drinkwater illustrates how Ovid used innovations of literary form to articulate an expression of the crisis of civic identity in Rome at a time of extreme and permanent political change. The letters are not divorced from the context of their composition but instead elucidate that context for their readers and expose how Ovid engaged in politics throughout his entire career. Their importance is as much historical as literary. Drinkwater makes a compelling case for understanding the Heroides as a testament from one of Rome's most eloquent writers to the impact that the dramatic shift from republic to empire had on its intellectual elites.

Until just a few years ago, gender dysphoria - severe discomfort in one's biological sex - was vanishingly rare. It was typically found in less than .01 percent of the population, emerged in early childhood, and afflicted males almost exclusively. But today whole groups of female friends in colleges and schools across the world are coming out as 'transgender'. These are girls who had never experienced any discomfort in their biological sex until they heard a coming-out story from a speaker at a school assembly or discovered the internet community of trans 'influencers'.

Unsuspecting parents now find their daughters in thrall to YouTube stars and 'gender-affirming' educators and therapists, who push life-changing interventions on young girls - including medically unnecessary double mastectomies, and hormone treatments that can cause permanent infertility. Abigail Shrier, a writer for the Wall Street Journal, has talked to the girls, their agonised parents, and the therapists and doctors who enable gender transitions, as well as to 'detransitioners' - young women who bitterly regret what they have done to themselves.

Coming out as transgender immediately boosts these girls' social status, Shrier finds, but once they take the first steps of transition, it is not easy to walk back.

A study of the impact of sexism on black women during slavery, the historic devaluation of black womanhood, sexism among black men, racism within the women's movement and the black woman's involvement with feminism. Hooks refutes the antifeminist claim that black women have no need for an autonomous women's movement. She pushes feminist dialogue to new limits by claiming that all progressive struggles are significant only when they take place within a broadly defined feminist movement which takes as its starting point the immutable facts of race, class and gender.

Driving on a dark, snowy road, 17-year-old Eva Whittington's car suddenly fishtailed on an icy patch, careened through the guardrail, and flipped over twice. Hurtled into the back of the car, Eva noticed her legs splayed awkwardly on the seat―legs, she would later learn, that would never again walk.

Coming to grips with life in a wheelchair was heartrending. Broken in body and spirit, Eva struggled to make sense of her life, to find hope for her future. "Why, God, why?" she screamed heavenward. "What did I do to deserve this?"

Though no answer came then, God had blessed Eva with a mother named May Bell, who loved the Lord, heart and soul. In the months following the accident, Eva began to seek the One who so richly dwelt in her mother. As she read her Bible and prayed, pouring out all of her despair, something changed. She began to hope.

Today, Eva's story of overcoming tragedy to find purpose and joy in life is an inspiration to all. An energetic wife, mother of two preschoolers, and nationwide speaker at events such as Focus on the Family's Renewing The Heart conferences, she shares how God's strength sustains in times of trouble. Read Eva's story and grab hold of her infectious joy and hope―and let the Lord begin a new work in you, whatever circumstances you may face.

The extremism nobody talks about And how it affects us all 'Laura Bates does so much of the dispiriting, heavy lifting in 21st century feminism. She trudges through it like a boss, and puts out books that perfectly describe growing problems, and possible solutions. She's a proper hero at the coal mouth.' Caitlin Moran 'Laura Bates has done it again. From bantz to outright brutality, she exposes the landscape of misogyny. Passionate and forensic, Bates produces a powerful feminist clarion call. The world needs to take notice. Things must change.' Anita Anand 'Fascinating, mind-blowing and deeply intelligent book that should be recommend reading for every person on our planet.' Scarlett Curtis 'In Men Who Hate Women, Laura Bates offers the alternative red pill to those who favour love, logic and humanity over debilitating hate.' Shami Chakrabarti 'A book of courage and tenacity.' Robin Ince 'This is how change is made: by looking at uncomfortable things directly in the eye and not turning away. This book is a rallying cry to end suffering, for both women AND men.' Emma Gannon 'Men Who Hate Women has the power to spark social change.' Sunday Times Imagine a world in which a vast network of incels and other misogynists are able to operate, virtually undetected. These extremists commit deliberate terrorist acts against women. Vulnerable teenage boys are groomed and radicalised. You don't have to imagine that world. You already live in it. Perhaps you didn't know, because we don't like to talk about it. But it's time we start. In this urgent and groundbreaking book, Laura Bates, bestselling author and founder of The Everyday Sexism Project, goes undercover to expose vast misogynist networks and communities. It's a deep dive into the worldwide extremism nobody talks about. Interviews with former members of these groups and the people fighting against them gives unique insights on how this movement operates. Ideas are spread from the darkest corners of the internet - via trolls, media and celebrities - to schools, workplaces and the corridors of power, becoming a part of our collective consciousness. Uncensored, and sometimes both shocking and terrifying - this is the uncomfortable truth about the world we live in. And what we must do to change it. Laura's next book, Isolated Incidents (And other lies that shape women's lives) will be published in spring 2022.