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Books > Social sciences > Sociology, social studies > Gender studies
This new study of Charlotte Bronte's life proves Hanaf Nisar to be a sincere devotee of the celebrated author. Her very personal portrayal will take you to the heart of Charlotte's sad and afflicted life, as well as to the greatness and inspiration of her work. Read the captivating history of the Brontes, then enter into the poetic realm with Hanaf Nisar's inspired verse as it captures the turmoil and emotion of Charlotte's world.
From Beatniks to Sputnik and from Princess Grace to Peyton Place, this book illuminates the female half of the U.S. population as they entered a "brave new world" that revolutionized women's lives. After World War II, the United States was the strongest, most powerful nation in the world. Life was safe and secure-but many women were unhappy with their lives. What was going on behind the closed doors of America's "picture-perfect" houses? This volume includes chapters on the domestic, economic, intellectual, material, political, recreational, and religious lives of the average American woman after World War II. Chapters examine topics such as the entertainment industry's evolving concept of womanhood; Supreme Court decisions; the shifting idea of women and careers; advertising; rural, urban, and suburban life; issues women of color faced; and child rearing and other domestic responsibilities. A timeline of important events and glossary help to round out the text, along with further readings and a bibliography to point readers to additional resources for their research. Ideal for students in high school and college, this volume provides an important look at the revolutionary transformation of women's lives in the decades following World War II. Spotlights individuals of diverse backgrounds throughout Includes a helpful introductory overview for each section that places it in historical context Presents cultural and historical highlights impacting women in an easy-to-follow timeline Underscores terms familiar to postwar American women nationwide in a glossary Leads readers toward other sources to broaden their understanding in bibliographical entries Contains academic references and suggestions for further reading
Carrie Kills A Man* is about growing up in a world that doesn't want you, and about how it feels to throw a hand grenade into a perfect life. It's the story of how a tattooed transgender rock singer killed a depressed suburban dad, and of the lessons you learn when you renounce all your privilege and power. When more people think they've seen a ghost than met a trans person, it's easy for bad actors to exploit that - and they do, as you can see from the headlines and online. But here's the reality, from someone who's living it. From coming out and navigating trans parenthood to the thrills of gender-bending pop stars, fashion disasters and looking like Velma Dinkley, this is a tale of ripping it up and starting again: Carrie's story in all its fearless, frank and funny glory. *"Spoiler: That man was me." - Carrie
In the classic Women Who Run With The Wolves, Clarissa Pinkola Estes tells us about the 'wild woman', the wise and ageless presence in the female psyche that gives women their creativity, energy and power. For centuries, the 'wild woman' has been repressed by a male-orientated value system which trivialises women's emotions. Using a combination of time-honoured stories and contemporary casework, Estes reveals that the 'wild woman' in us is innately healthy, passionate and wise. Thoughtfully written and compelling in its arguments, Women Who Run With The Wolves gives readers a new sense of direction, a self confidence and purpose in their lives.
Build learning environments that support Black girls' excellence and academic achievement. In this thought-provoking and illuminating book, former educator and social justice advocate Monique W. Morris addresses the harmful policies, practices, conditions, and assumptions that too often criminalize Black girls' behavior and steer them down "school-to-confinement pathways" in disproportionate numbers. The key to disrupting such punitive pushout is for educators to develop meaningful relationships with Black girls-connections that are grounded in cultural understanding and focused on helping Black girls develop their identities as valued individuals and contributors to the larger community. Such relationships, Morris argues, can shift Black girls' schooling from a punishment-oriented experience to one that is joyful, healing, and transformative. Along with her own research and experience, Morris explores the topic through in-depth conversations with three distinguished educators and clinical practitioners: Venus Evans-Winters, Janice Johnson Dias, and Kakenya Ntaiya, who provide insights about the challenges of educating Black girls and uplifting accounts of success in promoting their excellence and achievement. These conversations and takeaways for practice are essential guideposts for any teacher, school leader, and policymaker committed to creating learning environments that dispel damaging attitudes and practices and allow Black girls to flourish.
A collection of interviews that chronicles the work of a new network of female intellectuals and activists who have transformed African publishing across the twenty-first century. The rise of woman-led literary initiatives across the last two decades - from Blackbird Books in South Africa to Ake Arts and Book Festival in Nigeria - has led to major literary-publishing shifts. Bringing together voices from the African diaspora and the African continent; these conversations speak in vital ways to the successes and challenges of this ongoing and transformative literary moment.
From the New York Times, USA Today, and Wall Street Journal bestselling author of The Radium Girls comes another dark and dramatic but ultimately uplifting tale of a forgotten woman hero whose inspirational journey sparked lasting change for women's rights and exposed injustices that still resonate today. 1860: As the clash between the states rolls slowly to a boil, Elizabeth Packard, housewife and mother of six, is facing her own battle. The enemy sits across the table and sleeps in the next room. Her husband of twenty-one years is plotting against her because he feels increasingly threatened-by Elizabeth's intellect, independence, and unwillingness to stifle her own thoughts. So he makes a plan to put his wife back in her place. One summer morning, he has her committed to an insane asylum. The horrific conditions inside the Illinois State Hospital in Jacksonville, Illinois, are overseen by Dr. Andrew McFarland, a man who will prove to be even more dangerous to Elizabeth than her traitorous husband. But most disturbing is that Elizabeth is not the only sane woman confined to the institution. There are many rational women on her ward who tell the same story: they've been committed not because they need medical treatment, but to keep them in line-conveniently labeled "crazy" so their voices are ignored. No one is willing to fight for their freedom and, disenfranchised both by gender and the stigma of their supposed madness, they cannot possibly fight for themselves. But Elizabeth is about to discover that the merit of losing everything is that you then have nothing to lose... Bestselling author Kate Moore brings her sparkling narrative voice to The Woman They Could Not Silence, an unputdownable story of the forgotten woman who courageously fought for her own freedom-and in so doing freed millions more. Elizabeth's refusal to be silenced and her ceaseless quest for justice not only challenged the medical science of the day, and led to a giant leap forward in human rights, it also showcased the most salutary lesson: sometimes, the greatest heroes we have are those inside ourselves. Praise for The Woman They Could Not Silence: "Like Radium Girls, this volume is a page-turner."-Library Journal, STARRED review "A veritable tour de force about how far women's rights have come and how far we still have to go...Put this book in the hands of every young feminist."-Booklist, STARRED review "In Moore's expert hands, this beautifully-written tale unspools with drama and power, and puts Elizabeth Packard on the map at the most relevant moment imaginable. You will be riveted-and inspired. Bravo!"-Liza Mundy, New York Times bestselling author of Code Girls
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
"You think you know her . . ."
At the age of seventeen Teraina, then Terry, first discovered she was really a woman. For the next fifty years she lived in total denial until, in 2007, something stirred within her. In 2008 her wife of thirty-three years passed away, allowing Teraina the freedom to rediscover and explore her true self. This remarkable and sometimes amusing account tells of the difficulties and joys encountered on her incredibly short journey.
In a tradition extending from the medieval era to the early twentieth century, visually disabled Japanese women known as goze toured the Japanese countryside as professional singers and contributed to the vitality of rural musical culture. The goze sang unique narratives (many requiring several hours to perform) as well as a huge repertory of popular ballads and short songs, typically accompanied by a three-stringed lute known as the shamisen. During the Edo period (1600-1868) goze formed guild-like occupational associations and created an iconic musical repertory. They were remarkably successful in fighting discrimination accorded to women, people with physical disabilities, the poor, and itinerants, using their specialized art to connect directly to the commoner public. The best documented goze lived in Echigo province in the Japanese northwest. Although their activities peaked in the nineteenth century, some women continued to tour until the middle of the twentieth. The last active goze survived until 2005. In Goze: Blind Women and Musical Performance in Traditional Japan, author Gerald Groemer argues that goze activism was primarily a matter of the agency of performance itself. Groemer shows that the solidarity goze achieved with the rural public through narrative and music was based on the convergence of the goze's desire to achieve social autonomy and the wish of lower-class to mitigate the cultural deprivation to which they were otherwise so often subject. It was this correlation of emancipatory interests that allowed goze to flourish and attain a degree of social autonomy. Far from being pitied as helpless victims, goze were recognized as masterful artisans who had succeeded in transforming their disability into a powerful social tool and who could act as agents of widespread cultural development. As the first full-length scholarly work on goze in English, this book is sure to prove an invaluable resource to scholars and students of Japanese culture, Japanese music, ethnomusicology, and disability studies worldwide.
""But down these mean streets must go a man who is not himself
mean, who is neither tarnished or afraid."" When Raymond Chandler
wrote these words in his classic The Simple Art of Murder, he drew
a blueprint for the male private eyes who descend from Philip
Marlowe to populate the world of crime fiction.
A study in critical readership, this wide-ranging collection of essays challenges accepted theories on everything from classics such as Charlotte Bronte's Villette to more contemporary works like Margaret Atwood's Life Before Man. Explored are ideas of sexual subversion and queer politics. Literature's sacred cows are reevaluated, and new ways to explore both reading and writing are offered.
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