An updated edition of the Sunday Times Bestseller

Britain's best-known classicist Mary Beard, is also a committed and vocal feminist. With wry wit, she revisits the gender agenda and shows how history has treated powerful women. Her examples range from the classical world to the modern day, from Medusa and Athena to Theresa May and Hillary Clinton. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power, and how powerful women resist being packaged into a male template.

A year on since the advent of #metoo, Beard looks at how the discussions have moved on during this time, and how that intersects with issues of rape and consent, and the stories men tell themselves to support their actions. In trademark Beardian style, using examples ancient and modern, Beard argues, 'it's time for change - and now!'

From the author of international bestseller SPQR: A History of Ancient Rome.

If conventional business and marketing advice has not landed in your heart and soul very well and you are spending too much time online, then this book is for you!

Quiet Marketing is a book for highly sensitive solopreneurs who are seeking a calm, uncomplicated, minimal approach to business and online visibility.

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These pages will inspire you to approach business and marketing differently, contribute to positive change through your message, prioritise your well being, and give you confidence to create success on your own terms.

The definitive biography of Sally Ride, America's first woman in space, with exclusive insights from Ride's family and partner, by the ABC reporter who covered NASA during its transformation from a test-pilot boys' club to a more inclusive elite.
Sally Ride made history as the first American woman in space. A member of the first astronaut class to include women, she broke through a quarter-century of white male fighter jocks when NASA chose her for the seventh shuttle mission, cracking the celestial ceiling and inspiring several generations of women.
After a second flight, Ride served on the panels investigating the "Challenger "explosion and the "Columbia" disintegration that killed all aboard. In both instances she faulted NASA's rush to meet mission deadlines and its organizational failures. She cofounded a company promoting scienceand education for children, especially girls.
Sherr also writes about Ride's scrupulously guarded personal life--she kept her sexual orientation private--with exclusive access to Ride's partner, her former husband, her family, and countless friends and colleagues. Sherr draws from Ride's diaries, files, and letters. This is a rich biography of a fascinating woman whose life intersected with revolutionary social and scientific changes in America. Sherr's revealing portrait is warm and admiring but unsparing. It makes this extraordinarily talented and bold woman, an inspiration to millions, come alive.

The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America's student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman's career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women's filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women's directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women's directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.

You can know a lot about Jesus and not know him at all. We're not meant to simply know a lot of facts about Jesus. Truly knowing someone requires personal knowledge coming from being with someone over time and building trust. Knowing about someone is just the first step toward truly knowing them. It's the same with God: we come to know Him personally when we spend time with Him, when we build trust in Him, when we share our life with Him. Join Megan Fate Marshman in this eight-week invitation to respond to and really get to know Jesus in a personal and intimate way. This study through the Gospel of John will focus on dissecting His seven "I Am" statements, where we come to learn what Jesus wants us to know most about His character and love for us. This study guide includes: Individual access to eight streaming video talks from Megan Group discussion questions and an opening group activity for each session In-depth personal Bible study between sessions Reading plan through the entire Gospel of John Scripture memory cards and coloring pages The Beautiful Word Bible Study Series helps you connect God's Word to your daily life through vibrant video teaching, group discussion, and deep personal study that includes verse-by-verse reading, Scripture memory, coloring pages, and encouragement to receive your own beautiful Word from God. In each study, a central theme-a beautiful word-threads throughout the book, helping you connect and apply each book of the Bible to your daily life today, and forever. This study guide has everything you need for a full Bible study experience, including: The study guide itself-with discussion questions, group activities, personal Bible study, a Gospel of John reading plan, scripture memory cards, and coloring pages. An individual access code to stream all eight video sessions online. (You don't need to buy a DVD!) Streaming video access code included. Access code subject to expiration after 12/31/2027. Code may be redeemed only by the recipient of this package. Code may not be transferred or sold separately from this package. Internet connection required. Void where prohibited, taxed, or restricted by law. Additional offer details inside.

One of our country's premier cultural and social critics, the author of such powerful and influential books as Ain't I a Woman and Black Looks, Bell Hooks has always maintained that eradicating racism and eradicating sexism must be achieved hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race. Killing Rage speaks to this imbalance. These twenty-three essays, most of them new works, are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. Hooks defiantly creates positive plans for the future rather than dwell in theories of a crisis beyond repair. The essays here address a spectrum of topics to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; internalized racism in the movies and media. Hooks presents a challenge to the patriarchal family model, explaining how it perpetuates sexism and oppression in black life. She calls out the tendency of much of mainstream America to conflate "black rage" with murderous, pathological impulses, rather than seeing it as a positive state of being. And in the title essay she writes about the "killing rage" - the fierce anger of black people stung by repeated instances of everyday racism - finding in that rage a healing source of love and strength, and a catalyst for productive change. Her analysis is rigorous and her language unsparingly critical, but Hooks writes with a common touch that has made her a favorite of readers far from universities.Bell Hooks's work contains multitudes; she is a feminist who includes and celebrates men, a critic of racism who is not separatist or Afrocentric, an academic who cares about popular culture.