Finalist for the 2011 Gilder Lehrman Lincoln Prize "A seminal work. . . . One of the best examples of new, sophisticated scholarship on the social history of Civil War soldiers." -The Journal of Southern History "Will undoubtedly, and properly, be read as the latest word on the role of manhood in the internal dynamics of the Union army." -Journal of the Civil War Era During the Civil War, the Union army appeared cohesive enough to withstand four years of grueling war against the Confederates and to claim victory in 1865. But fractiousness bubbled below the surface of the North's presumably united front. Internal fissures were rife within the Union army: class divisions, regional antagonisms, ideological differences, and conflicting personalities all distracted the army from quelling the Southern rebellion. In this highly original contribution to Civil War and gender history, Lorien Foote reveals that these internal battles were fought against the backdrop of manhood. Clashing ideals of manliness produced myriad conflicts, as when educated, refined, and wealthy officers ("gentlemen") found themselves commanding a hard-drinking group of fighters ("roughs")-a dynamic that often resulted in violence and even death. Based on extensive research into heretofore ignored primary sources, The Gentlemen and the Roughs uncovers holes in our understanding of the men who fought the Civil War and the society that produced them.

A humorous yet poignant take on the issues and attitudes that encumber today's women. "Divalution" is full of quips and short stories based on the author's personal experiences and observations, some are funny, others sad, all will touch you. Deborah shares her insight on how women have failed themselves and each other. She offers "The Divalution" as a way to unite and grow. It is a must read if you have ever had a mother, raised a child, had a friend or been in a relationship.

It is July of 1925 when, on a whim, fifteen-year-old Doris Bailey decides to keep a diary-a place where she can openly confide her dreams, hopes, and ambitions. Doris is flirtatious, untamed, and romantic, imagining herself in and out of love with each passing day.

In this first volume of Th e Doris Diaries, her great-niece, Julia Park Tracey, shares Doris's journals capturing a year in the life of a precocious teenager in the rapidly changing world of the mid-1920s. Doris chats on the telephone and dances to records on the Victrola. Not only does she flirt, kiss, and ride in cars with boys, but she also sneaks out, cuts school, and chops off her hair. While Doris constantly pushes the boundaries of acceptable behavior for a young girl, she retells juicy gossip from St. Helen's Hall, a military academy dance, and an Oregon dude ranch-sharing an unforgettable glimpse into a treasure trove of authentic American life in the Northwest.

"I've Got Some Lovin' to Do," with commentary, footnotes, and photographs, presents an entertaining portrayal of an American girl brimming with curiosity, a zest for life, and a hunger to experience love for the first time.

In The Feminine Mystique, Jewish-raised Betty Friedan struck out against a postwar American culture that pressured women to play the role of subservient housewives. However, Friedan never acknowledged that many American women refused to retreat from public life during these years. Now, A Jewish Feminine Mystique? examines how Jewish women sought opportunities and created images that defied the stereotypes and prescriptive ideology of the "feminine mystique." As workers with or without pay, social justice activists, community builders, entertainers, and businesswomen, most Jewish women championed responsibilities outside their homes. Jewishness played a role in shaping their choices, shattering Friedan's assumptions about how middle-class women lived in the postwar years. Focusing on ordinary Jewish women as well as prominent figures such as Judy Holliday, Jennie Grossinger, and Herman Wouk's fictional Marjorie Morningstar, leading scholars from a variety of disciplines explore here the wide canvas upon which American Jewish women made their mark after the Second World War.

This is an open access title available under the terms of a CC BY-NC-ND 3.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. The relationship between men and the domestic in eighteenth-century Britain has been obscured by two well-established historiographical narratives. The first charts changes in domestic patriarchy, founded on political patriarchalism in the early modern period and transformed during the eighteenth century by new types of family relationship rooted in contract theory. The second describes the emergence of a new kind of domestic interior during the long eighteenth century, a 'home' infused with a new culture of 'domesticity' primarily associated with women and femininity. The Little Republic shifts the terms of these debates, rescuing the engagement of men with the house from obscurity, and better equipping historians to understand masculinity, the domestic environment, and domestic patriarchy. Karen Harvey explores how men represented and legitimized their domestic activities. She considers the relationship between discourses of masculinity and domesticity, and whether there was a particularly manly attitude to the domestic. In doing so, Harvey suggests that 'home' is too narrow a concept for an understanding of eighteenth-century domestic experience. Instead, focusing on the 'house' foregrounds a different domestic culture, one in which men and masculinity were central. Reconstructing men's experiences of the domestic as shaped by their own and others' beliefs, assumptions and expectations, Harvey argues for the continuation of a model of domestic patriarchy and also that effective domestic patriarchs remained important to late-eighteenth-century political theory. It was a discourse of 'oeconomy' - the practice of managing the economic and moral resources of the household for the maintenance of good order - that shaped men's attitudes towards and experiences in the house. Oeconomy combined day-to-day and global management of people and resources; it was a meaningful way of defining masculinity and established the house a key component of a manly identity that operated across the divide of 'inside' and 'outside' the house. Significantly for histories of the home which so often narrate a process of privatization and feminization, oeconomy brought together the home and the world, primarily through men's domestic management.

Seguramente, una nueva mama se siente preparada con guias, manuales, conferencias y cursos. Pero quiza aun asi, los cambios que llegaran a su vida la tomaran por sorpresa. Ha cambiado su papel en el mundo, y tambien lo que el mundo espera de ella y eso es lo que no te dicen en los otros libros sobre la maternidad: al convertirse en madre, la mujer pasa de ser hija, hermana, esposa, amiga o companera para volverse la cuidadora del bienestar no solo de un bebe, sino de toda la familia. Que ocurre entonces con la persona que eras antes? Este es un libro de compania, con los testimonios de muchas mujeres que nos cuentan sus experiencias, en un momento en el que probablemente vas a necesitar compania, comprension y por supuesto, reirte un poco.

Marian Alexander Spencer was born in 1920 in the Ohio River town of Gallipolis, Ohio, one year after the "Red Summer" of 1919 that saw an upsurge in race riots and lynchings. Following the example of her grandfather, an ex-slave and community leader, Marian joined the NAACP at thirteen and grew up to achieve not only a number of civic leadership firsts in her adopted home city of Cincinnati, but a legacy of lasting civil rights victories. Of these, the best known is the desegregation of Cincinnati's Coney Island amusement park. She also fought to desegregate Cincinnati schools and to stop the introduction of observers in black voting precincts in Ohio. Her campaign to raise awareness of industrial toxic-waste practices in minority neighborhoods was later adapted into national Superfund legislation. In 2012, Marian's friend and colleague Dot Christenson sat down with her to record her memories. The resulting biography not only gives us the life story of remarkable leader but encapsulates many of the twentieth century's greatest struggles and advances. Spencer's story will prove inspirational and instructive to citizens and students alike.

This reference volume serves as a companion to Third World women's literatures in English and in English translation by presenting entries on works, writers, and themes. Entries are chosen to present a balance of well-known writers and emerging ones, contemporary as well as historical writers, and representative selections of genres, literary styles, and themes.

What plays have been written by women in the developing world? What books have been written by Sri Lankan or Brazilian women? Which works address themes of feminism or exile or politics in the Third World? These are the types of questions that can now be answered through Fister's companion to Third World women's literatures in English and English translation. Organized alphabetically, this reference volume presents entries on works, writers, and themes. Entries are chosen to present a balance of well-known writers and emerging ones, contemporary as well as historical writers, and representative selections of genres, literary styles, and themes.

By providing information about and leads to works by and about Third World women, an important and largely marginalized literature, Fister has created a unique reference tool that will help teachers, scholars, and librarians, both public and academic, expand their definitions of the literary, making the voices of Third World women available in the same format in which many companions to Western literature do. An important book for all public and college-level libraries.

Roxane Head Dinkin, PhD, a clinical psychologist practicing in Bradenton, Florida, who has long dealt with the problems of infertile women, and history professor Robert J. Dinkin have created an informative book showcasing seven prominent women who struggled with infertility and became creative powerhouses in a variety of fields. Unable to have children themselves, the Dinkins utilized their combined expertise and discovered how these seven women had worked through their infertility issues and honed their creativity to more fully utilize their talents: Juliette Low, founder of the Girl Scouts of the USA Joy Adamson, wildlife conservationist and author of "Born Free" Josephine Baker, entertainer and adoptive mother of twelve Frida Kahlo, innovative artist Emma Goldman, anarchist and birth-control advocate Ruth Benedict, leading anthropologist Marilyn Monroe, film star and sexual icon

Infertility produces a profound loss for women who hold the expectation that they will reproduce. "Infertility and the Creative Spirit" clearly illustrates the connection between the desire and inability to have children and lasting accomplishments in other areas of life, showing how infertile women contribute to the next generation.

This book offers an overview of the contributions of author Nora Roberts to the popular literary market. Nora Roberts's captivating biography and extensive canon are explored in this comprehensive reader's guide, including coverage on her early works, critical successes, trilogies and quartets, short stories and novellas, futuristic mysteries written as J.D. Robb, and titles under other pseudonyms. Reading Nora Roberts shows how this remarkable author expands the limits of the genres in which she writes, exploring feminist ideas, Celtic and Western settings, psychological and religious themes, and Gothic and supernatural elements. The book also highlights Roberts's willingness to have her characters face serious real-world issues, including sexism and racism, gun violence, abortion, suicide, corporate greed, and career burnout. Details models of dialogue, slang, and humor, illustrating Nora Roberts's intuitive replication of human quandaries and compromises Includes a timeline of Nora Roberts's life and career, which began in 1979 with a novel and magazine story and advanced to story anthologies, novellas, romances, sagas, trilogies and quartets, Gothic romance, and futuristic thrillers

In the Middle East, and in Egypt in particular, there has always been a tendency to accord complete supremacy to the authority and might of the state, and to see "society" as a separate, powerless entity. However, after the uprising of 2011, this assumption was turned on its head. And it is the wide range of political activity beyond the remit of the official state where Wanda Krause locates a dynamic potential for political change from the bottom up. She looks in particular at the influential role of women's private voluntary organizations in Egypt in shaping concepts of civil society and democracy. Exploring both secular and "Islamist" organizations, she offers a steadfast critique of the view that Islamic women activists are insignificant,"'backward," or "uncivil." Krause's examination of women activists in Egypt today is vital for those interested in Middle East and Gender Studies, as well as those researching the wider issues of civil society and democratization.

In the early 1900s, Sarah, a single mother of six children, is trapped in the bloody upheaval marking the death of Czarist Russia and the birth of the Soviet Union. Facing bigotry, poverty, and bloody revolution, Sarah determines to escape the catastrophe engulfing her and her family. She vows to bring them to America.

In this memoir, author Isabelle Stamler traces her family's roots back to the small Belarussian hamlet of Vashisht, telling their story of the journey from Russia to a new life in New York City. From the Great Depression through World War II and beyond, "Sarah's Ten Fingers" narrates the trials and tribulations faced by this determined mother seeking a better existence for her family.

"Sarah's Ten Fingers" recalls Sarah's tenacity, strength, and intelligence-traits that have been replicated in her progeny, who are now teachers, lawyers, doctors, accountants, business owners, and writers. It portrays fifty years in the lives of a family that was brought out of hell by a pious Jewish woman seeking to attain the Golden Land.

El libro Las mujeres-espera de la migracion indigena en Nayarit rescata nuevas situaciones e intersecciones de los movimientos de personas en la busqueda por abrir horizontes entre sujetos olvidados en las sociedades actuales: mujeres indigenas de comunidades de la montana, mujeres que paciente o impacientemente esperan a quienes se fueron: padres, esposos, hermanos o hijos. Mujeres que sostienen en vilo la esperanza mientras sus hombres intentan empujar el mundo. En este libro, Lourdes C. Pacheco Ladron de Guevara documenta la vida de quienes habitan la Sierra Madre Occidental en el Pacifico mexicano en la espera: espera de quienes se fueron pero tambien espera del transcurrir del tiempo en las condiciones instaladas en la costumbre. Hoy, los pueblos indios pertenecen a dimensiones trasnacionales ya sea porque directamente se trasladen a lugares mas alla de las fronteras geograficas o porque los hogares cuenten con migrantes. Los pobladores de la Sierra de Alica, la montana indigena, una de las regiones de mayor aislamiento geografico y cultural de Mexico, han iniciado su incorporacion al flujo de migrantes internacionales en la nueva fisonomia del mundo en el incesante ir y venir de pobladores. Ahi en la montana, estan las mujeres-espera.

Women in Uzbekistan have been labeled as victims of patriarchy and submissive, voiceless bodies who lack agency and decision-making power. They are also often symbolized as preservers of rituals and culture and also the victims of socio-economic transformations. During the years of land tenure changes from collectivization to de-collectivization, World War II and the five-year plan economy, women played a vital role in pursuing a diverse range of livelihood opportunities to sustain their families and communities. But what kind of livelihood activities do women pursue in rural areas in Uzbekistan? What do they think about themselves? Do they exercise agency? What are their values, desires, dreams, and inspirations in the post-Soviet period in Uzbekistan? Women's Lives and Livelihoods in Post-Soviet Uzbekistan presents women's voices and their experiences of carrying out livelihood activities such as farming, trading, baking, sewing, building greenhouses, and establishing furniture workshops. In a major contribution to the study of post-Soviet transformations, Zulfiya Tursunova demonstrates how women exercise multi-dimensional empowerment by joining social and economic saving networks such as gap and chernaya kassa. These networks represent a collective movement and action against economic dependency of women on men and the state micro-loan bank system. The networks that do not require external donor interventions have been able to empower women for social justice, knowledge, redistribution of resources, and conflict resolution in ways that are vital to community development. Tursunova provides accounts of such ceremonies as mavlud, ihson, Bibi Seshanba, and Mushkul Kushod. These ceremonies show the ways the conflict resolution practices of women are woven into their everyday life, and function autonomously from the hierarchical elite-driven Women's Committees and state court systems established in the Soviet times. Many local healers and otins (religious teachers) use their discursive knowledge, based on Islam, Sufism, shamanism, and animism to challenge and transform women's subordination, abuse, and other practices that impinge on women's needs and rights. These female religious leaders, through different ceremonial practices, create space for raising the critical consciousness of women and transform the social order for maintaining peace in the communities.

In Authenticating Whiteness: Karens, Selfies, and Pop Stars, Rachel E. Dubrofsky explores the idea that popular media implicitly portrays whiteness as credible, trustworthy, familiar, and honest, and that this portrayal is normalized and ubiquitous. Whether on television, film, social media, or in the news, white people are constructed as believable and unrehearsed, from the way they talk to how they look and act. Dubrofsky argues that this way of making white people appear authentic is a strategy of whiteness, requiring attentiveness to the context of white supremacy in which the presentations unfold. The volume details how ideas about what is natural, good, and wholesome are reified in media, showing how these values are implicitly racialized. Additionally, the project details how white women are presented as particularly authentic when they seem to lose agency by expressing affect through emotional and bodily displays. The chapters examine a range of popular media-newspaper articles about Donald J. Trump, a selfie taken at Auschwitz, music videos by Miley Cyrus, the television series UnREAL, the infamous video of Amy Cooper calling the police on an innocent Black man, and the documentary Miss Americana-pinpointing patterns that cut across media to explore the implications for the larger culture in which they exist. At its heart, the book asks: Who gets to be authentic? And what are the implications?