From the first book printed in Ireland in the sixteenth century, to the globalised digital media culture of today, Christopher Morash traces the history of forms of communication in Ireland over the past four centuries: the vigorous newspaper and pamphlet culture of the eighteenth century, the spread of popular literacy in the nineteenth century, and the impact of the telegraph, telephone, phonograph, cinema and radio, which arrived in Ireland just as the Irish Free State came into being. Morash picks out specific events for detailed analysis, such as the first radio broadcast, during the 1916 Rising, or the Live Aid concert in 1985. This 2009 book breaks ground within Irish studies. Its accessible narrative explains how Ireland developed into the modern, globally interconnected, economy of today. This is an essential and hugely informative read for anyone interested in Irish cultural history.

Masterfully crafted, Treasure Island is a stunning yarn of piracy on the fiery tropic seas -- an unforgettable tale of treachery that embroils a host of legendary swashbucklers, from honest young Jim Hawkins to sinister, two-timing Israel Hands, to evil incarnate, blind Pew. But above all, Treasure Island is a complex study of good and evil, as embodied by that hero-villain, Long John Silver: the merry unscrupulous buccaneer-rogue whose greedy quest for gold cannot help but win the heart of every soul who ever longed for romance, treasure, and adventure. Since its publication in 1883, Treasure Island has provided an enduring literary model for such eminent writers as Anthony Hope, Graham Greene, and Jorge Luis Borges. As David Daiches wrote: "Robert Louis Stevenson transformed the Victorian boys' adventure into a classic of its kind."

While film genres go in and out of style, the romantic comedy endures-from year to year and generation to generation. Endlessly adaptable, the romantic comedy form has thrived since the invention of film as a medium of entertainment, touching on universal predicaments: meeting for the first time, the battle of the sexes, and the bumpy course of true love. These films celebrate lovers who play and improvise together, no matter how nutty or at what great odds they may appear. As Eugene Pallette mutters in My Man Godfrey (1936), "All you need to start an asylum is an empty room and the right kind of people." Daniel Kimmel's book about romantic comedy is like watching a truly funny movie with a knowledgeable friend.

Goethe's masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world.  Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience or knowledge can lead him to a moment he would wish to last forever.  Here, in Faust, Part 1, the tremendous versatility of Goethe's genius creates some of the most beautiful passages in literature.  Here too we experience Goethe's characteristic humor, the excitement and eroticism of the witches' Walpurgis Night, and the moving emotion of Gretchen's tragic fate.



This newly revised edition, which offers Peter Salm's wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe's words.

Explores the tension between the abstract intellect and material bodies in May Sinclair's writing May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In terms of her contribution to dominant modernist paradigms she was, until recently, best remembered for recasting the psychological novel as 'stream of consciousness' narrative in a 1918 review of Dorothy Richardson's Pilgrimage. This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction. Key Features Brings together the most recent research undertaken by foremost Sinclair scholars and early-career researchers Considers Sinclair's contribution to contemporary aesthetic and philosophical debates about the nature and representation of human identity Explores a wide range of Sinclair's work, including fiction, psychology, philosophy and short stories

For all readers of literature, a fascinating reference book on how writing from all over the world, and from the earliest times to the present, has crossed into the English language, to enrich and influence English-speaking cultures. The opening section gives an overview of the history of translation into English and looks at theoretical issues, followed by a language-by-language history, including critical discussion and bibliographies, of what authors and literary works were translated when, by whom, and with what success.