Michael Young is one of the key figures in British twentieth century history. Focusing on family, community and social change, he has cascaded ideas, in the process coining new words, like 'meritocracy'. He has also initiated or played a major role in creating new and well-known organisations. These include the Consumers' Association, the Open University, and the National and International Extension Colleges. In 1945 he drafted the Labour Party's successful election manifesto Let Us Face the Future : in 1965 he was the first Chairman of the new Social Science Research Council.

This is the first full length exploration of the relationship between Gothic fiction and Modernism in fiction and film. The Gothic's fascination with images of the fragmented self is echoed in the Modernist concern with the psyche and the paranoia of the everyday. The contributors explore how the Gothic influences a range of writers including James Joyce, D.H. Lawrence, Virginia Woolf, May Sinclair, Elizabeth Bowen and Djuna Barnes.

On Whit Monday 1828 a strange youth, barely able to speak and hardly able to walk appeared in Nuremberg. This new case of a 'wild man' excited widespread curiosity, and many prominent figures wanted to test their pedagogical and medical theories on such a promising subject. Who was he? Was he, as many claimed, the rightful heir to the Grand Duchy of Baden, or was he simply an ingenious fraud? This book examines the many ramifications of this fascinating case, and offers many insights into the social, political and intellectual life of Biedermeier Germany.

These essays cover topics as radically diverse as Charles Rennie Mackintosh, Vaclav Havel, The Magic Flute and Viz magazine. All have been published before, and many have already proved controversial. The author, a leading Oakeshott scholar, contributes frequently to the TLS . Witty, moving and erudite, his prose is also conspicuously graceful and clear. This collection is addressed as much to the educated general reader as to the academic specialist. It includes an otherwise almost unobtainable exchange with Sir Isaiah Berlin.

Outlining the four fundamental concerns of the study of theology--representation, history, ethics and transcendence--this book examines each of these concerns in light of contemporary critical theory. Graham Ward explores the theological themes of the most prominent theorists, outlining their implications for the future of theology and proposing new directions for the future of theological study within a cosmos re-enchanted by postmodernism.

These essays discuss various ontological and epistemological questions in moral philosophy, drawing on ideas from Platonic-Aristotelian ethics, the later Wittgenstein, and Iris Murdoch, though without seeking to weave these into any unified system. The general approach is realist or objectivist, paying some attention to the role of imaginative literature (especially the novel) in ethical formation. A common theme is the lived experience of the socially situated subject, including our capacity for engagement with the values present in an inherited tradition or 'form of life'. Such engagement, once raised to consciousness, may contain elements both of affirmation and of cultural critique. In the book as a whole, the critical theme predominates, with a certain emphasis on discourses of social disruption. But it is always assumed that the right place to stand as an observer of the domain of value is within that domain, and that moral critique will be immanent with respect to the culture addressed-that is, it will make do with just the conceptual and linguistic resources available to ordinary participants in moral, political, or aesthetic conversation.

This revision of a widely adopted critical edition presents the 1847 text of Emily Bronte's British Victorian novel along with critical essays that read "Wuthering Heights" from four contemporary perspectives: psychoanalytic, Marxist, feminist, and cultural studies. An additional essay demonstrates how several critical perspectives can be combined. In the second edition, two of the five essays are new. The text and essays are complemented by contextual documents and illustrations (new), introductions with bibliographies, and a glossary of critical and theoretrical terms.

This is a dual-language book with the French text on the left side, and the English text on the right side of each spread. The texts are precisely synchronized. See more details about this and other books on French Classics in French and English page on Facebook.

This is a dual-language book with the French text on the left side, and the English text on the right side of each spread. The texts are precisely synchronized. Translated by Charles Kenneth Scott Moncrieff. See more details about this and other books on French Classics in French and English page on Facebook.

Somshuklla has a pure and undefeated poetic heart. Her poems resonate with this quality. Her poems are not constrained due to any so called perspective. As a river flows its own course. Somshuklla's creativity, particularly her language, is spontaneous and original. The most interesting thing about her which touches the readers' mind is her poetic eye---how she observes and interprets her world! What Somshuklla sees in the myriad moments of daily existence, she literally transcreates those visuals. As a reader when we read her poems, she coaxes us to share her journey into her world. We identify ourselves with the contours she etches through her deft interplay of words, and simultaneously we feel that she has compelled

Imitating the habits, chores, beliefs of the Indian culture, it is the dominant form in texts like the Pancatantra, the Jatakas, and the Hitopadesha. It is included at different places in the long narratives of the Mahabharata and the Yogavasishtha, and is disseminated in the form of the various folktales of India. This volume explores the unique tradition of Indian fables to present a theoretical understanding and critical analysis of the various aspects of the Indian fable. The work studies the Indian fables spread across various compositions in the context of the dominant discourses of the narratives, their form and structure and their continuing relevance. It develops an overall understanding of the Indian fables, their philosophy, mutual relationships, proliferation and textual scholarship. It also establishes the chronological development of the fables, right from the earliest utterances found in the Vedas to the epics, the PaA catantra and Buddhist texts. It emphasises the significance of the Indian fable as a discourse, often the narrative becoming subservient to the fable's discursive function. This interesting study will prove useful to scholars and students of Indology, particularly those concerned with Indian culture and literary tradition, as well as general readers interested in fables and stories of the Indian tradition.

Written from a cultural studies point of view, thirteen original essays analyse literary accounts of historically famous sites of conversion. Beginning with the Renaissance and extending to the present, authors under discussion include: Beaumont and Fletcher, Lope de Vega, Guamam Poma, Thomas Nashe, Daniel Defoe, Chateaubriand, Salvation Army pamphleteers, Chinese missionaries, Stephen Riggs, Samson Occom, Shusaku Endo, Mongo Beti, and Rigoberta Menchu. What were the missionaries' intentions, and how were they perceived?

Set against the backdrop of the collapsing Cold War world, this monograph draws on entirely new documentary evidence to chronicle almost two years worth of UN-led peace talks to end the civil war in El Salvador. Presented in 'moment-to-moment' fashion, hitherto private notes and interviews with the chief UN, American and Salvadoran negotiators demonstrate that the key to enduring peace was to restructure relations between the country's powerful entrepreneurs and the armed forces.

Walter Hallstein was among the great European visionaries. This is the first book length study of one of the key shapers of the European Community in its early years. The range of contributors include those who worked with Hallstein and have personal recollections of him, and younger historians drawing upon documents only recently available. The book contains sections on his contribution as State Secretary to post-war German foreign policy, his seminal role as the first President of the Commission of the EEC and the legacy of his work and ideas and later years as President of the European Movement.

The essays collected here all take issue with the claim that the Victorian period is the antithesis of our own. They show how characteristic postmodern anxieties and celebrations concerning truth, certainty and identity informed Victorian culture at all levels. Covering everything from attitudes to drink to the poetry of Browning, from the Great Exhibition to the Elephant Man, this volume shows not only how the Victorians coped with these challenges but also what lessons they have for us today.

What kind of connotation does the word 'father' have in everyday language? How have states and governments defined and manipulated the paternal role? What is a 'father-figure'? What can literature tell us about absent or overbearing fathers? How far is the cultural construct of fatherhood linked to biological paternity, and what is biological paternity? These are some of the questions explored through the chapters in this book, which together offer a fascinatingly complex view of fatherhood across the centuries.

Twelve essays responding to the proposed title, 'Dissent and Marginality', each with a specific perspective and solid research, are brought together here. The collection incorporates the historical and contemporary dimensions, tracing back religious, philosophical or social dissent in our history and addressing the issue of race, gender, sexuality and other forms of marginalization of our postmodern times. It offers a train of fine reading to theologians, literary, cultural or social critics and historians.

The first comprehensive study of the life and works of John Maurice Clark (1884-1963), who continued the work of his father, John Bates Clark (1847-1938) by developing a new dynamic economic theory, often referred to as 'Social Economics'. Although J.M. Clark's contributions anticipated much of Keynes', he went much further: exploring ethics, overhead costs, business cycles, methodology, and social control. Clark argued that costs were not precise terms and new forms of social control were needed in addition to the market.