In den letzten Jahren beginnt die Debatte um ein 'New Nature Writing' auch im deutschsprachigen Literaturbetrieb Fuss zu fassen. Lasst sich die aus einer langen angelsachsischen Literaturtradition (White; Thoreau) stammende Kategorie 'Nature Writing' im deutschsprachigen Raum uber die Gegenwartsliteratur hinaus auch fur die Literaturgeschichte produktiv machen? Welche transnationalen Verbindungen gibt es, in welchem Verhaltnis steht das Nature Writing zur Tradition der Naturlyrik und weiteren literarischen Gattungen? Warum hat sich in der Germanistik das Nature Writing als Kategorie bislang kaum etablieren koennen? Ware eine neue, eigene Benennung nicht sinnvoller? Mit diesen und weiteren Fragen setzen sich international anerkannte Literaturwissenschaftler*innen in Beitragen u.a. zu Brockes, Goethe, Novalis, Hoelderlin, A. v. Humboldt, Stifter, Fontane, Lehmann, Kolmar, Kafka, Sebald, Handke und Kinsky kritisch auseinander und zeigen Kontroversen und neue Perspektiven auf.

Hailed by Henry James as "the finest piece  of imaginative writing yet put forth in the  country," Nathaniel Hawthorne's The Scarlet  Letter reaches to our nation's  historical and moral roots for the material of great  tragedy. Set in an early New England colony, the novel  shows the terrible impact a single, passionate act  has on the lives of three members of the  community: the defiant Hester Prynne; the fiery, tortured  Reverend Dimmesdale; and the obsessed, vengeful  Chillingworth.

With The Scarlet  Letter, Hawthorne became the first American  novelist to forge from our Puritan heritage a  universal classic, a masterful exploration of  humanity's unending struggle with sin, guilt and pride.

Als interdisziplinares und praxisorientiertes Forschungsfeld pragt die Medical Humanities das Bestreben, den negativen Auswirkungen einer technisierten und rein evidenzbasierten Medizin entgegenzuwirken. Hierzu das Erkenntnispotenzial von Literatur zu nutzen, macht aus AErzt*innen eine spezifische Gruppe von Leser*innen, die sich von jenen Rezeptionsinstanzen unterscheidet, welche die Literaturwissenschaft routinemassig untersucht - denn das Ziel ihres Leseaktes ist die Erweiterung medizinprofessioneller, also ausserliterarischer, Kompetenzen. Das probabilistische Lesermodell MPL bringt diese angestrebte Verbesserung arztlicher Kompetenzen systematisch mit der Lekture literarischer Texte in der Ausbildung zusammen und versteht sich ausserdem als ein Beitrag zur Erschliessung dieses aufstrebenden, aber schwer zu uberblickenden Feldes.

Vom Einsatz literarischer Texte im Englischunterricht verspricht sich die Fachdidaktik viel: Spracherwerb, Kulturelle Bildung, Selbst- und Weltreflexion - doch kommen die theoretischen Modelle in der Praxis der weiterfuhrenden Schulen an? In der Mixed-Methods-Studie LITES 1 geben fast 400 Englischlehrer*innen Auskunft uber ihre Literaturnutzung, die von ihnen verfolgten Ziele und die eingesetzten Methoden. In ausgewahlten Fallstudien lasst sich im Anschluss zeigen, welches professionelle Verstandnis von Englischunterricht und der eigenen Lehrerrolle zu einer bestimmten Art der Nutzung von Literatur fuhrt. Dabei wird deutlich, wie unterschiedlich sich die berufserfahrenen Lehrer*innen in den Spannungsverhaltnissen von eigenen UEberzeugungen und behoerdlichen Vorgaben sowie fremdsprachendidaktischen und literaturdidaktischen Lehr- und Lernzielen bewegen und wie sie die Antinomien des Lehrerhandelns in diesem Bereich ihres Unterrichts aushandeln. Die Studie bietet so einen zugleich breiten wie vertieften Blick auf den Englischunterricht der Sekundarstufe I aus literaturdidaktischer und professionstheoretischer Perspektive.

Blood is life, its complex composition is finely attuned to our vital needs and functions. Blood can also signify death, while 'bloody' is a curse. Arising from the 2021 Darwin College Lectures, this volume invites leading thinkers on the subject to explore the many meanings of blood across a diverse range of disciplines. Through the eyes of artist Marc Quinn, the paradoxical nature of blood plays with the notion of self. Through those of geneticist Walter Bodmer, it becomes a scientific reality: bloodlines and diaspora capture our notions of community. The transfer of blood between bodies, as Rose George relates, can save lives, or as we learn from Claire Roddie can cure cancer. Tim Pedley and Stuart Egginton explore the extraordinary complexity of blood as a critical biological fluid. Sarah Read examines the intimate connection between blood and womanhood, as Carol Senf does in her consideration of Bram Stoker's novel Dracula.

This Element looks at adaptations of bestselling works of popular fiction to cinema, television, stage, radio, video games and other media platforms. It focuses on 'transmedia storytelling', building its case studies around the genre of modern fantasy: because the elaborate storyworlds produced by writers like J. R. R. Tolkien, J. K. Rowling and George R. R. Martin have readily lent themselves to adaptations across various media platforms. This has also made it possible for media entertainment corporations to invest in them over the long term, enabling the development of franchises through which their storyworlds are presented and marketed in new ways to new audiences.

Goethe's masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world.  Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience or knowledge can lead him to a moment he would wish to last forever.  Here, in Faust, Part 1, the tremendous versatility of Goethe's genius creates some of the most beautiful passages in literature.  Here too we experience Goethe's characteristic humor, the excitement and eroticism of the witches' Walpurgis Night, and the moving emotion of Gretchen's tragic fate.



This newly revised edition, which offers Peter Salm's wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe's words.

In seventh-century Arabia, Prophet Muhammad's grandson, Imam Hussain, sacrificed his life and his family members and companions in the desert of Karbala, Iraq, to resist the debauched ruler Yazid. In twentieth-century India, when the communal conflict was at its peak, Premchand wrote a play about this pivotal event of Islamic history and transformed it into a nationalist narrative. This first-ever English translation of Premchand's outstanding play Karbala (1924) is an illuminating blend of historical facts and imagination. It reveals Premchand's profound understanding of the communal conflict in early twentieth-century India and his unique way of imagining the nation, in tune with Gandhian principles of communal harmony and co-existence of religions.

Octavio Paz has long been acknowledged as Mexico's foremost writer and critic. In this international classic, Paz has written one of the most enduring and powerful works ever created on Mexico and its people, character, and culture. Compared to Ortega y Gasset's The Revolt of the Masses for its trenchant analysis, this collection contains his most famous work, "The Labyrinth of Solitude," a beautifully written and deeply felt discourse on Mexico's quest for identity that gives us an unequalled look at the country hidden behind "the mask." Also included are "The Other Mexico," "Return to the Labyrinth of Solitude," "Mexico and the United States," and "The Philanthropic Ogre," all of which develop the themes of the title essay and extend his penetrating commentary to the United States and Latin America.

Published in 1811, Sense and Sensibility has delighted generations of readers with its masterfully crafted portrait of two sisters, Elinor and Marianne Dashwood. Forced to leave their home after their father's death, Elinor and Marianne must rely on making good marriages as their means of support. But unscrupulous cads, meddlesome matriarchs, and various guileless and artful women impinge on their chances for love and happiness. The novelist Elizabeth Bowen wrote, "The technique of [Jane Austen's novels] is beyond praise....Her mastery of the art she chose, or that chose her, is complete."

This Modern Library Paperback Classics edition contains a new Introduction by Pulitzer Prize finalist David Gates, in addition to new explanatory notes.


From the Trade Paperback edition.

James Joyce was educated almost exclusively by the Jesuits; this education and these priests make their appearance across Joyce's oeuvre. This dynamic has never been properly explicated or rigorously explored. Using Joyce's religious education and psychoanalytic theories of depression and paranoia, this book opens radical new possibilities for reading Joyce's fiction. It takes readers through some of the canon's most well-read texts and produces bold, fresh new readings. By placing these readings in light of Jesuit religious practice - in particular, the Spiritual Exercises all Jesuit priests and many students undergo - the book shows how Joyce's deepest concerns about truth, literature, and love were shaped by these religious practices and texts. Joyce worked out his answers to these questions in his own texts, largely by forcing his readers to encounter, and perhaps answer, those questions themselves. Reading Joyce is a challenge not only in terms of interpretation but of experience - the confusion, boredom, and even paranoia readers feel when making their way through these texts.

The collected volume presents an overview of the most significant dialogues between Romanian literature and European as well as world literature with respect to translation. Deploying various research methods, ranging from distant reading and macro-analysis to close reading and translation analysis, this book aims to provide a toolbox for the integration of the Romanian literary system in a regional and global frame. The articles either give a panorama of translation in Romania during the 19th, 20th, and 21st centuries or are close readings of relevant phenomena for the current state of affairs in the Romanian literary world.

This volume constitutes the first critical edition and translation into any modern language of a dananibandha, a classical Hindu legal digest devoted to the culturally and religiously important topic of gifting. Specifically, it is a critical edition-based upon all identifiable manuscripts-and complete, annotated translation of the Danakanda ("Book on Gifting"), the fifth section of the encyclopedic Krtyakalpataru (c. 1114-1154) of Laksmidhara and the earliest extant dananibandha. David Brick has included an extensive historical introduction to the text and its subject matter.

Against the backdrop of the polarized debate on the ethical significance of storytelling, Hanna Meretoja's The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible develops a nuanced framework for exploring the ethical complexity of the roles narratives play in our lives. Focusing on how narratives enlarge and diminish the spaces of possibilities in which we act, think, and re-imagine the world together with others, this book proposes a theoretical-analytical framework for engaging with both the ethical potential and risks of storytelling. Further, it elaborates a narrative hermeneutics that treats narratives as culturally mediated practices of (re)interpreting experiences and articulates how narratives can be oppressive, empowering, or both. It also argues that the relationship between narrative unconscious and narrative imagination shapes our sense of the possible. In her book, Meretoja develops a hermeneutic narrative ethics that differentiates between six dimensions of the ethical potential of storytelling: the power of narratives to cultivate our sense of the possible; to contribute to individual and cultural self-understanding; to enable understanding other lives non-subsumptively in their singularity; to transform the narrative in-betweens that bind people together; to develop our perspective-awareness and capacity for perspective-taking; and to function as a form of ethical inquiry. This book addresses our implication in violent histories and argues that it is as dialogic storytellers, fundamentally vulnerable and dependent on one another, that we become who we are: both as individuals and communities. The Ethics of Storytelling seamlessly incorporates narrative ethics, literary narrative studies, narrative psychology, narrative philosophy, and cultural memory studies. It contributes to contemporary interdisciplinary narrative studies by developing narrative hermeneutics as a philosophically rigorous, historically sensitive, and analytically subtle approach to the ethical stakes of the debate on the narrative dimension of human existence.

Most of the major black literary and cultural movements of the twentieth century have been understood and interpreted as secular, secularizing and, at times, profane. In this book, Josef Sorett demonstrates that religion was actually a formidable force within these movements, animating and organizing African American literary visions throughout the years between the New Negro Renaissance of the 1920s and the Black Arts movement of the 1960s. Sorett unveils the contours of a literary history that remained preoccupied with religion even as it was typically understood by authors, readers, and critics alike to be modern and, therefore, secular. Spirit in the Dark offers an account of the ways in which religion, especially Afro-Protestantism, remained pivotal to the ideas and aspirations of African American literature across much of the twentieth century. From the dawn of the New Negro Renaissance until the ascendance of the Black Arts movement, black writers developed a spiritual grammar for discussing race and art by drawing on terms such as "church" and "spirit" that were part of the landscape and lexicon of American religious history. Sorett demonstrates that religion and spirituality have been key categories for identifying and interpreting what was (or was not) perceived to constitute or contribute to black literature and culture. By examining figures and movements that have typically been cast as "secular," he offers theoretical insights that trouble the boundaries of what counts as "sacred" in scholarship on African American religion and culture. Ultimately, Spirit in the Dark reveals religion to be an essential ingredient, albeit one that was always questioned and contested, in the forging of an African American literary tradition.

Das Kleist-Jahrbuch 2022 dokumentiert die Verleihung des Kleist-Preises 2020 im November 2021 mit den Reden des Preistragers Clemens J. Setz, der Vertrauensperson der Jury Daniela Strigl und des Prasidenten der Heinrich-von-Kleist-Gesellschaft Gunter Blamberger. Den Schwerpunkt bilden die von Andrea Allerkamp und Martin Roussel betreuten Beitrage der internationalen Jahrestagung der Heinrich-von-Kleist-Gesellschaft 2021 >Um einen Kleist von aussen bittend< (u.a. von Laszlo F. Foeldenyi, Rudiger Goerner, Andrea Pagni, Paul Michael Lutzeler und Carlotta von Maltzan). Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist sowie zu seinen historischen und systematischen Kontexten beschliessen den Band.

The Digital Humanities is a comprehensive introduction and practical guide to how humanists use the digital to conduct research, organize materials, analyze, and publish findings. It summarizes the turn toward the digital that is reinventing every aspect of the humanities among scholars, libraries, publishers, administrators, and the public. Beginning with some definitions and a brief historical survey of the humanities, the book examines how humanists work, what they study, and how humanists and their research have been impacted by the digital and how, in turn, they shape it. It surveys digital humanities tools and their functions, the digital humanists' environments, and the outcomes and reception of their work. The book pays particular attention to both theoretical underpinnings and practical considerations for embarking on digital humanities projects. It places the digital humanities firmly within the historical traditions of the humanities and in the contexts of current academic and scholarly life.

The Digital Humanities is a comprehensive introduction and practical guide to how humanists use the digital to conduct research, organize materials, analyze, and publish findings. It summarizes the turn toward the digital that is reinventing every aspect of the humanities among scholars, libraries, publishers, administrators, and the public. Beginning with some definitions and a brief historical survey of the humanities, the book examines how humanists work, what they study, and how humanists and their research have been impacted by the digital and how, in turn, they shape it. It surveys digital humanities tools and their functions, the digital humanists' environments, and the outcomes and reception of their work. The book pays particular attention to both theoretical underpinnings and practical considerations for embarking on digital humanities projects. It places the digital humanities firmly within the historical traditions of the humanities and in the contexts of current academic and scholarly life.

This Element looks at contemporary authorship via three key authorial roles: indie publisher, hybrid author, and fanfiction writer. The twenty-first century's digital and networked media allows writers to disintermediate the established structures of royalty publishing, and to distribute their work directly to - and often in collaboration with - their readers. This demotic author, one who is 'of the people', often works in genres considered 'popular' or 'derivative'. The demotic author eschews the top-down communication flow of author > text > reader, in favor of publishing platforms that generate attention capital, such as blogs, fanfiction communities, and social media.