This book focuses on the role of the city, and its processes of mutual transformation, in poetry by experimental women writers. Readings of their work are placed in the context of theories of urban space, while new visions of the contemporary city and its global relationships are drawn from their innovations in language and form.

Focusing on the sexualized violence of Stieg Larsson's bestselling Millennium trilogy - including the novels, Swedish film adaptations, and Hollywood blockbusters - this collection of essays puts Larsson's work into dialogue with Scandinavian and Anglophone crime novels by writers including Jo Nesbo, Hakan Nesser, Mo Hayder and Val McDermid.

Virginia Woolf, Jeanette Winterson, and Ali Smith share an ecological philosophy of the world as one highly interconnected entity comprised of multiple and equal, human and non-human participants. This study argues that these writers' texts have an ecological significance in fostering respect for and understanding of difference, human and nonhuman.

A comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror. Amidst the sharp teeth and horrific appetite of the cannibal, this book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world.

This volume charts the most significant changes for a literary history of women in a period that saw the beginnings of a discourse of 'enlightened feminism'. It reveals that women engaged in forms old and new, seeking to shape and transform the culture of letters rather than simply reflect or respond to the work of their male contemporaries.

Charles de Gaulle of France, Juan Peron of Argentina, and Pierre Elliott Trudeau of Canada all achieved the pinnacle of political power, fell from or relinquished power, and then, after a period in the political wilderness, regained their power. By placing greater emphasis than that customarily accorded by biographers on the interment that followed their fall and preceded their resurrection, Derfler describes what they did, the lessons they learned, and the mistakes made by their successors that facilitated their reentry.

Combining work by critics from Latin America, the USA, and Europe, Latin American Science Fiction: Theory and Practice is the first anthology of articles in English to examine science fiction in all of Latin America, from Mexico and the Caribbean to Brazil and the Southern Cone. Using a variety of sophisticated theoretical approaches, the book explores not merely the development of a science fiction tradition in the region, but more importantly, the intricate ways in which this tradition has engaged with the most important cultural and literary debates of recent year.

This volume brings together experts with diverse disciplinary backgrounds in the China field, from cultural studies to history to musicology, to make a timely intervention-from the historical demise of enuchism to male cross-dressing shows in contemporary Taiwan-to inaugurate a subfield in Chinese transgender studies.

Study abroad is now both an international industry and an experience that can have a deep impact on students' attitudes and approaches to second language learning. Narratives of Second Language Identity in Study Abroad brings together three important research areas by exploring the impact of study abroad on second language identities through narrative research. It outlines a new model of second language identity that incorporates a range of language and personal competencies. The three main dimensions of this model are explored in chapters that begin with students' study abroad narratives, followed by the authors' in-depth analysis. Further chapters use narratives to assess the impact of programme type and individual difference. Arguing that second language identity development is one of the more important outcomes of study abroad, the book concludes with recommendations on how study abroad programmes can best achieve this outcome.

This new study of one of Britain's greatest modern playwrights represents the first major, extended discussion of Edward Bond's work in over twenty years. The book combines rigorous and stimulating analysis and discussion of Bond's plays and ideas about drama and society. For the first time, there is also discussion of selected plays from his later, post-2000 period, including Innocence and Have I None, alongside explorations of widely studied plays such as Saved.

Fascination with the dark and death threats are now accepted features of contemporary fantasy and fantastic fictions for young readers. These go back to the early gothic genre in which child characters were extensively used by authors. The aim of this book is to rediscover the children in their work.

This book brings a variety of voices into conversation about the issues of identity, community, tension and violence, and peace in the West: from Sophocles to Alice Walker, from Lincoln to Martin Luther King, Jr. and from Euripides to Edward Said.

This book analyzes the interaction between gender and species in Chaucer's poetry and strives to understand his adaptation of medieval discourse through an ecofeminist lens. Works that either speak of animals, or those with animals speaking, give new insights into the medieval textual handling of the 'others' of society.

This book explores the memory of the Romanian Holocaust in Romanian, German, Israeli, and French cultural representations. The essays in this volume discuss first-hand testimonial accounts, letters, journals, drawings, literary texts and films by Elie Wiesel, Paul Celan, Aharon Appelfeld Norman Manea, Radu Mihaileanu, among others.

Since the 1980's, Marilena Chaui's writing has had a profound impact in Brazil, contributing to the academic conversation and resonating in popular culture. Here, in English for the first time, are ten of Chaui's most important essays, with an introduction by Maite Conde which situates the scholarship in the global context.

A close description of Amal El'Sana-Alh'jooj's experiences as a Palestinian Bedouin female activist, this book explores Amal's activism and demonstrates that activists' biographies provide a means of understanding the complexities of political situations they are involved in.

This interdisciplinary anthology highlights exiled/alienated women in literature, history, and cinema. Contributors investigate when and how women from diverse backgrounds have been relegated to the margins in order to shed light on the state of alienhood that stems from gendered otherness.

In this unique study, Michael Y. Bennett re-reads four influential modern plays alongside their contemporary debates between rationalism and empiricism to show how these monumental achievements were thoroughly a product of their time, but also universal in their epistemological quest to understand the world through a rational and/or empirical model. Bennett contends that these plays directly engage in their contemporary epistemological debates rather than through the lens of a specific philosophy. Besides producing new, insightful readings of heavily-studied plays, the interdisciplinary (historical, philosophical, dramatic, theatrical, and literary) frame Bennett constructs allows him to investigate one of the most fundamental questions of the theatre - how does meaning get made? Bennett suggests that the key to unlocking theatrical meaning is exploring the tension between empirical and rational modes of understanding. The book concludes with an interview with performance artist Coco Fusco.

Many refer to Pope Benedict XVI as "the Mozart of Theology." Who are the thinkers who have informed his theology? What events, and which religious devotions, have shaped his personality? This study attempts to shed light on the unifying melody of the policies and positions of a pontificate charged with spiritual and theological depth.

Catastrophe and Exile in the Modern Palestinian Imagination explores the cultural memory of al-Nakba (1948 Israeli independence, or The Catastrophe as it is known in Palestine) and its significance to the modern Palestinian imagination. Ihab Saloul addresses central concepts to debates over identity such as nostalgia and trauma, notions of home and forced travel, and geopolitical continuity of loss of place. Through an integrated method of close narrative and discursive analysis of diverse literary texts, films, and personal narratives, this study offers an analytical account of the preservation of cultural optimism in the face of the ongoing catastrophe, as well as the ways in which aesthetics and politics intersect in contemporary Palestinian culture.