THE AWARD-WINNING INTERNATIONAL BESTSELLER WINNER OF A WINDHAM-CAMPBELL PRIZE 2014 'Absolutely spellbinding' New York Times 'Will change how many people think about nature' Sebastian Junger ______________________________________ JOURNEY INTO THE HEART OF NORTH AMERICA'S LAST GREAT FOREST. On a bleak winter night in 1997, a British Columbia timber scout named Grant Hadwin committed an act of shocking violence: he destroyed the legendary Golden Spruce of the Queen Charlotte Islands. With its rich colours, towering height and luminous needles, the tree was a scientific marvel, beloved by the local Haida people who believed it sacred. The Golden Spruce tells the story of the sadness which pushed Hadwin to such a desperate act of destruction - a bizarre environmental protest which acts as a metaphor for the challenge the world faces today. But it also raises the question of what then happened to Hadwin, who disappeared under suspicious circumstances and remains missing to this day. Part thrilling mystery, part haunting depiction of the ancient beauty of the coastal wilderness, and part dramatic chronicle of the historical collision of Europeans and the native Haida, The Golden Spruce is a timely portrait of man's troubled relationship with a vanishing world. _______________________ 'Worthy of comparison to Jon Krakauer's Into the Wild . . . A story of the heartbreakingly complex relationship between man and nature.' ENTERTAINMENT WEEKLY 'His story is about one man and one tree, but it is much more than that. John Vaillant has written a work that will change how many people think about nature.' SEBASTIAN JUNGER 'A haunting tale of a good man driven mad by environmental devastation' LOS ANGELES TIMES 'Absolutely spellbinding . . . descriptions of the Queen Charlotte Islands, with their misty, murky light and hushed, cathedral-like forests, are haunting, and Vaillant does full justice to the noble, towering trees.' NEW YORK TIMES 'A haunting portrait of man's vexed relationship with nature.' PUBLISHERS WEEKLY

Servitude and Salvation in the Heartland

As journalist Sam Quinones convincingly demonstrates, much of Mexico was already changing before the July 2000 presidential elections which ousted the PRI and presented the world with President-elect Vincente Fox. Fox's victory marked the triumph of another Mexico, a vital, energetic, and creative Mexico tracked by Quinones for over six years.

"This side of Mexico gets very little press. . . . yet it is the best of the country. . . . people who have the spunk to imagine something else and instinctively flee the enfeebling embrace of PRI paternalism. . . . newly realistic telenovellas show the gray government censor that the country is too lively to abide his boss's dictates. . . . Some twelve million Mexicans reside year-round in the United States. . . . [so] the United States is now part of the Mexican reality and is where this other side of Mexico is often found, reinventing itself."--from the introduction.

Quinones merges keen observation with astute interviews and storytelling in his search for an authentic modern Mexico. He finds it in part in emigrants, people who use wits and imagination to strike out on their own. In poignant stories from north of the border--about Oaxacan basketball leagues in southern California and the late singing legend Chalino SAAA1/2nchez whose songs of drug smugglers spurred the popularity of the narcocorrido--Quinones shows how another Mexico is reinventing itself in America today. But most of his stories are from deep inside Mexico itself. There a dynamic sector exists. It is made up of those who instinctively shunned the enfeebling embrace of the PRI's paternalism, including scrappy entrepreneurs such as the Popsicle Kings of Tocumbo and Indianmigrant farmworkers who found a future in the desert of Baja California. Here, too, are true tales from ignored margins of society, including accounts of drag queens and lynchings. From the fringes of the country, Quinones suggests, emerge some of the most telling and central truths about modern Mexico and how it is changing.

"This book expands our knowledge of modern Mexico many times over. Quinones unearths a wealth of material that has in fact gone unnoticed or been hidden."--Professor Francisco Lomeli, University of California, Santa Barbara

Kintsugi is die Japanese kunstegniek om ’n gebroke keramiekvoorwerp met goud te herstel. Die tegniek maak ’n voorwerp mooier en meer kosbaar as wat dit in ’n ongebroke toestand was. Met die regte ingrype kan gebrokenheid waarde en skoonheid ontsluit. Hierdie idee is die draad wat deur dié boek loop.

In hierdie boek maak tientalle mense van verskillende agtergronde hul harte oop ter bemoediging en om insigte te deel.

In Suid-Afrika ly een uit ses mense aan depressie, angs en middelafhanklikheid en tot ses miljoen aan post-traumatiese stres. Agt duisend mense per jaar staan hul lewens aan selfdood af. Die Covid-epidemie dryf dit verder op die spits. Lees hier vir advies. Daar is hoop.

Tomochic is a controversial and celebrated example of Mexican fiction. Tomochic is the fictional narration of the 1892 military campaign that resulted in the massacre of the small village of Tomochic, located in the Tarahumara mountains and ordered by the dictatorial regime of Porfirio Diaz. The work is narrated by an eyewitness, the then second lieutenant, Heriberto Frias, and written by him in collaboration with Joaquin Clausell, editor of the newspaper which published it in serial form between March and April of 1893. For a period after the series' publication, the author chose to maintain anonymity. It was expressly this stance which excited more public interest than any other Mexican writer of the 19th century and which eventually led to a drawn out trial to uncover the identity of the author and to implicate him. For, although it is a work of fiction, the general plot of the work, involving a confrontation between a professional army and a handful of citizens, was too similar to the actual massacre as to not be seen by Porfirio Diaz as a reprovement of himself and his regime. As a piece of literature, the novel is also admired for its incorporation of two important trends of the nineteenth century-history as literature and the war novel.

The march of science has never proceeded smoothly. It has been marked through the years by episodes of drama and comedy, of failure as well as triumph, by outrageous strokes of luck, deserved and undeserved, and sometimes by human tragedy. It has seen deep intellectual friendships, as well as ferocious animosities, and once in a while acts of theft and malice, deceit, and even a hoax or two. Scientists come in all shapes: the obsessive and the dilettantish, the genial, the envious, the preternaturally brilliant and the slow-witted who sometimes see further in the end, the open-minded and the intolerant, recluses and arrivistes. From the death of Archimedes at the hands of an irritated Roman soldier to the concoction of a superconducting witches' brew at the very close of the twentieth century, the stories in Eurekas and Euphorias pour out, told with wit and relish by Walter Gratzer. Open this book at random and you may chance on the clumsy chemist who breaks a thermometer in a reaction vat and finds mercury to be the catalyst that starts the modern dyestuff industry; or a famous physicist dissolving his gold Nobel Prize medal in acid to prevent it from falling into the hands of the Nazis, recovering it when the war ends; mathematicians and physicists diverting themselves in prison cells, and even in a madhouse, by creating startling advances in their subject. We witness the careers, sometimes tragic, sometimes carefree, of the great women mathematicians, from Hypatia of Alexandria to Sophie Germain in France and Sonia Kovalevskaya in Russia and Sweden, and then Marie Curie's relentless battle with the French Academy. Here, then, a glorious parade unfolds to delight the reader, with stories to astonish, to instruct, and most especially, to entertain.

With endearing humor and unabashed compassion, Willie Morris--a self-declared dog man and author of the classic paean to canine kind, My Dog Skip--reveals the irresistible story of his unlikely friendship with a cat. Forced to confront a lifetime of kitty-phobia when he marries a cat woman, Willie discovers that Spit McGee, a feisty kitten with one blue and one gold eye, is nothing like the foul felines that lurk in his nightmares.

For when Spit is just three weeks old he nearly dies, but is saved by Willie with a little help from Clinic Cat, which provides a blood transfusion. Spit is tied to Willie thereafter, and Willie grows devoted to a companion who won't fetch a stick, but whose wily charm and occasional crankiness conceal a fount of affection, loyalty, and a "rare and incredible intelligence." My Cat Spit McGee is one of the finest books ever written about a cat, and a moving and entertaining tribute to an enduring friendship.

Ian Shipley has now been traditionally hand-digging graves for 40 years. He was taught to dig the old-fashioned way and four decades on, averaging 114 graves per year, Ian can still be found habitually toiling away in one of any number of locations across Nottinghamshire and Lincolnshire. In Tales of a Gravedigger, the author's first book, he recalls true tales from his early years whilst working at Newark's London Road Cemetery in Nottinghamshire. It is a light-hearted and occasionally amusing look into the life of a gravedigger. From coffins getting stuck to stomach-churning exhumations. From unexpected cave-ins to practical jokes and various other ghostly goings-on. It's an interesting glimpse into a profession that most of us know very little about. Ian has always believed that a grave should be hand-dug. It's more personal that way. For years he has declined to use mechanical digging, preferring instead to keep alive the old ways. In Newark-on-Trent and throughout the surrounding villages of Nottinghamshire and Lincolnshire, Ian will possibly be the last of the traditional gravediggers.