This study analyzes late medieval paintings of personified death in Bohemia, arguing that Bohemian iconography was distinct from the body of macabre painting found in other Central European regions during the same period. The author focuses on a variety of images from late medieval Bohemia, examining how they express the imagination, devotion, and anxieties surrounding death in the Middle Ages.

Emerging Iconographies of Medieval Rome examines the development of Christian iconographies that had not yet established themselves as canonical images, but which were being tried out in various ways in early Christian Rome. This book focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries: the Anastasis, the Transfiguration, the Maria Regina, and the Sickness of Hezekiah-all of which were labeled "Byzantine" by major mid-twentieth century scholars. The trend has been to readily accede to the pronouncements of those prominent authors, subjugating these rich images to a grand narrative that privileges the East and turns Rome into an artistic backwater. In this study, Annie Montgomery Labatt reacts against traditional scholarship which presents Rome as merely an adjunct of the East. It studies medieval images with formal and stylistic analyses in combination with use of the writings of the patristics and early medieval thinkers. The experimentation and innovation in the Christian iconographies of Rome in the eighth and ninth centuries provides an affirmation of the artistic vibrancy of Rome in the period before a divided East and West. Labatt revisits and revives a lost and forgotten Rome-not as a peripheral adjunct of the East, but as a center of creativity and artistic innovation.

In colorful detail, Calvin Lane explores the dynamic intersection between reform movements and everyday Christian practice from ca. 1000 to ca. 1800. Lowering the artificial boundaries between “the Middle Ages,” “the Reformation,” and “the Enlightenment,” Lane brings to life a series of reform programs each of which developed new sensibilities about what it meant to live the Christian life. Along this tour, Lane discusses music, art, pilgrimage, relics, architecture, heresy, martyrdom, patterns of personal prayer, changes in marriage and family life, connections between church bodies and governing authorities, and certainly worship. The thread that he finds running from the Benedictine revival in the eleventh century to the pietistic movements of the eighteenth is a passionate desire to return to a primitive era of Christianity, a time of imagined apostolic authenticity, even purity. In accessible language, he introduces readers to Cistercians and Calvinists, Franciscans and Jesuits, Lutherans and Jansenists, Moravians and Methodists to name but a few of the many reform movements studied in this book. Although Lane highlights their diversity, he argues that each movement rooted its characteristic practice – their spirituality – in an imaginative recovery of the apostolic life.

Nira Stone (1938-2013) was a scholar of Armenian and Byzantine Art. Her broad and close acquaintance with the field of Armenian art history covered many fields of Armenian artistic creativity. Nira Stone made notable contributions to the study of Armenian manuscript painting, mosaics, and other forms of artistic expression. Of particular interests are her researches on this art in its historical and religious contexts, such as the study of apocryphal elements in Armenian Gospel iconography, the place of the mosaics of Jerusalem in the context of mosaics in Byzantine Palestine, and of the interplay between religious movements, such as hesychasm, and Armenian manuscript painting.