Minimalist artist Dan Flavin (1933-96) is best known for his brightly colored fluorescent light installations, which have captivated art lovers for decades. But he was also an accomplished draftsman, and this is the first book to fully explore the central role that drawing played in Flavin's art.
Not only did Flavin produce numerous sketches for each of his light installations, he also regularly drew outdoors, primarily riverscapes and beach scenes. A number of those drawings are included in this volume, as are a group of remarkable pastels of sails, a subject he turned to when he was in his fifties. This book also draws on Flavin's journals, in which he wrote about his passion for drawing, which he called "an intensely concentrated personal form of artistic relief." Yet despite the importance of drawing in Flavin's life, his drawings are little known, in part because he almost never sold--or even gave away--his drawings. Most of the works reproduced here were never shown publicly and are being published here for the first time.
Offering a surprising new angle on a major artist, "Dan Flavin: Drawing" will surprise--and delight--his many fans.

Innovative method of drawing by tonal masses. Step-by-step demonstrations, over 200 illustrations, cover foreshortening, drawing the face, other aspects.

Latin inscriptions found on buildings, tombstones, altars and votive monuments form a rich source of information for historians about classical Rome. By the early seventeenth century, ancient epigraphy had become a highly developed branch of learning, and the drawings of inscriptions preserved in the Paper Museum offer a fascinating insight into this earlier world of scholarship - in some cases providing our only record of the piece being illustrated. The drawings in this volume cover a wide chronological range and provide details about Roman law, the Roman army and officials of the Roman Empire as well as aspects of Roman life overlooked in literary sources.