A prominent artist ventured behind locked doors to portray three "forgotten" social classes: the elderly, people in mental institutions, and the prison population. Alan E. Cober began his career in the 1960s, when illustration took a turn toward a new expressionism. Influenced by the works of Ben Shahn, George Grosz, and Albrecht Durer, he believed that narrative art could inform public attitudes toward political and social issues. Cober's aim as a "visual journalist" was to effect change by graphically exposing the realities of our times.
"The Forgotten Society" presents ninety-two of Cober's most compelling and emotionally charged "visual essays." The distinctive pen-and-ink portraits reveal the hidden worlds of people removed from the public eye, including residents of retirement homes, of Staten Island's Willowbrook State School, and of Sing Sing Correctional Facility. The artist, who frequently befriended his subjects, offers compassionate views of the isolation of lives lived on the margins of society. Cober received many awards in his lifetime and was recently inducted into the Society of Illustrators' Hall of Fame. This edition features an insightful introduction by his daughter, Leslie Cober-Gentry, who notes, "Cober's art was about communication. The world was his audience."

A clear and informative pocket-sized guide to understanding and drawing the human figure First published in 1918, Practical Art Anatomy offers concise yet thorough explanations of the structure of the skeleton, the arrangement of muscles and how they work together to define the human form. Detailed line drawings throughout the book aid identification and depiction of each anatomical feature, making Practical Art Anatomy indispensable both as a tutorial for the student and a reference guide for the more experienced artist.

One of the most imaginative and fascinating artists of eighteenth-century France,Edme Bouchardon (1698-1762) was instrumental in the transition from Rococo to Neoclassicism and in the artistic rediscovery of classical antiquity. Much celebrated in his time, Bouchardon created some of the most iconic images of the age of Louis XV. His oeuvre demonstrates a remarkable variety of themes (from copies after the antique to subjects of history and mythology, portraiture, anatomical studies, ornament, fountains and tombs), media (drawings, sculptures, medals, prints), and techniques (chalk, plaster, wax, terracotta, marble, bronze).With five essays by experts on Bouchardon's sculpture and graphic arts, more than 140 catalogue entries, and a detailed chronology, this book aims to demonstrate the originality of Bouchardon's art within the cultural and social context of the period, while suggesting the subtle relationship between, as well as the relative autonomy of, the artist's two careers as a sculptor and a draftsman.This lavishly illustrated publication represents anunprecedented and thorough survey on this major andunique artist from the Age of Enlightenment, offering in-depth scholarship based on unpublished material detailingthe subtle relationship between, as well as the relative autonomy of, the artist's two careers as a sculptor and a draftsman.

Timeless work by one of the greatest art critics of all time begins with bare fundamentals and offers brilliant philosophical advise. "...the truth behind Ruskin's statements is always clear..."-American Artist.

This study provides the first book-length critical history of storyboarding, from the birth of cinema to the present day and beyond. It discusses the role of storyboarding in key films including Gone with the Wind , Psycho and The Empire Strikes Back , and is illustrated with a wide range of images.

With bestselling author Christopher Hart as your guide, learning to draw cartoons has never been easier! Thanks to Christopher Hart's simplified process, anyone can start creating dynamic cartoon characters right away. He has developed the easiest-ever approach to drawing the basics like heads, bodies, and those super-important cartoon expressions. Hart then helps beginners apply these fundamentals to a variety of fun types and settings such as animals, under-the-sea locales, famous stock characters, and popular backgrounds. Each lesson is laid out in accessible steps and accompanied by Chris's personable, quick instruction.

The Exile of George Grosz examines the life and work of George Grosz after he fled Nazi Germany in 1933 and sought to re-establish his artistic career under changed circumstances in New York. It situates Grosz's American production specifically within the cultural politics of German exile in the United States during World War II and the Cold War. Basing her study on extensive archival research and using theories of exile, migrancy, and cosmopolitanism, McCloskey explores how Grosz's art illuminates the changing cultural politics of exile. She also foregrounds the terms on which German exile helped to define both the limits and possibilities of American visions of a one world order under U.S. leadership that emerged during this period. This book presents Grosz's work in relation to that of other prominent figures of the German emigration, including Thomas Mann and Bertolt Brecht, as the exile community agonized over its measure of responsibility for the Nazi atrocity German culture had become and debated what Germany's postwar future should be. Important too at this time were Grosz's interactions with the American art world. His historical allegories, self-portraits, and other works are analyzed as confrontational responses to the New York art world's consolidating consensus around Surrealism and Abstract Expressionism during and after World War II. This nuanced study recounts the controversial repatriation of Grosz's work, and the exile culture of which it was a part, to a German nation perilously divided between East and West in the Cold War.

Concise, direct and practical, The How-To of Sketching is an invaluable guide to developing or improving your ability to sketch expressive and lively line drawings. The biggest hurdle for many beginning and improving artists is knowing where to begin and what to do on a regular basis to keep developing. Many books on drawing technique stress academic rote exercises, but don't talk much about the process of drawing itself. In his unique conversational style, Hollerbach sets the artist on the path to sharpening basic skills with specfic recommendations on which subjects to focus. He highlights practical tips with which to tackle recurring problems, such as judging proportions, establishing angles, distribution of weight, folds in clothing, hair, eyeglasses, and much more. The book is copiously illustrated with dozens of original sketches by the author, each demonstrating a particular concept or technique. This is the book you will want to carry with you all the time, along with your own sketchbook.

Veteran artist, illustrator, and teacher shows how simple and rewarding it can be to draw two of the most challenging of artistic subjects. 160 pages of figures; 25 halftones; 4 charts.

The Princeton University Art Museum' s collection of American drawings and watercolors is impressive in both scope and quality, providing a comprehensive overview of the nation' s artistic traditions. This lavishly illustrated book highlights seventy-seven master drawings and watercolors chosen from the museum' s extensive collection. The selections, which range from the eighteenth century to the present, are by such eminent American artists as Benjamin West, Winslow Homer, Thomas Eakins, Mary Cassatt, Andrew Wyeth, Georgia O' Keeffe, Lee Bontecou, and Tom Wesselmann. A group of outstanding works by Hudson River School and Ash Can artists also distinguishes the collection.

Each of the selected drawings and watercolors is reproduced in full color and is accompanied by an in-depth catalogue entry. The book also features an introduction by John Wilmerding describing Princeton' s history of collecting American art, as well as an essay by Kathleen A. Foster on the historiography of American drawings and watercolors. A useful checklist of the Museum' s entire collection of over 1,300 American drawings and watercolors, selectively illustrated in color, concludes the book.

This beautiful and informative volume clearly demonstrates that the holdings of the Princeton University Art Museum represent an extraordinary resource for students, scholars, and those with a love of American art and art history.

A visually rich guide that can help aspiring and experienced artists master the stunning yet often complex techniques used to create dazzling watercolor backgrounds in only a few simple steps. Watercolor paintings are highly regarded for their delicate strokes, incandescent washes, and ethereal pigments. But the very beauty of this medium also makes it challenging for painters. Unlike oil and acrylic paints which can be easily applied and maintain their appearance after drying, the primary water base of watercolors alters the shape of the paper as well as the appearance of the paint as it dries. A leading expert in watercolor painting and highly regarded teacher, Yuko Nagayama has developed a unique and fool-proof twelve-step system to help you become proficient in creating exquisite landscapes as well as detailed objects and backgrounds using this popular medium. You Can Paint Dazzling Watercolors in Twelve Easy Lessons includes a list of necessary tools for watercolor painting, tutorials on different paints, instructions on mixing colors on a palette, and initial sketching techniques. Powered by Yuko's unique method and filled with helpful illustrations, You Can Paint Dazzling Watercolors in Twelve Easy Lessons will inspire you to diversify your skills and create beautiful works of art.

More than 500 drawings and text teach you to abstract the body into its major masses. Also specific areas of anatomy.

From achieving those first professional strokes to mastering composition, lighting, and colour to finishing beautiful still lifes, portraits, and landscapes, here, in one volume, is a course that covers every basic skill as well as more challenging lessons for the developing artist. Inspiring and instructive images fill the pages, vividly revealing the intricacles of each technique. The artist's journey begins with the tools of the trade, and here is complete coverage on using graphite, charcoal, chalks, coloured pencils, and pastels, as well as information on papers and liquid techniques.

Pierre Rosenberg, the distinguished art historian and director of the Musee du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honore Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas.

How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques.

Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C., "From Drawing to Painting" gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library."

Created by one of Japan's most popular artists, this book provides detailed and complete instruction for illustrating fun and appealing characters and elements that celebrate life. The author's special and distinct style is simple, appealing, happy, and cute and offers artists, crafters, and art enthusiasts--with and without experience--the instruction and inspiration to draw in the Japanese character style. This book is for artists and crafters of all skill levels that want to bring their own illustration to their work. It offers both entertaining and fun drawing instruction and techniques along with inspiring and sweet unique-style characters and elements.

The Princeton University Art Museum's collection of Spanish drawings includes masterworks by artists such as Jusepe de Ribera (1591–1652), Bartolomé Esteban Murillo (1617–1682), Francisco Goya (1746–1828), Pablo Picasso (1881–1973), and Salvador Dalí (1904–1989). Although many of the drawings in the collection relate to celebrated paintings, commissions, and other works by these artists, they remain largely unknown. Most have not been published previously and many are attributed here for the first time. In Spanish Drawings in the Princeton University Art Museum, preeminent scholars enrich the growing corpus of work on Spanish drawings with original research. Each of the 95 drawings is reproduced in color, often accompanied by comparative illustrations. Watermarks have been documented with beta radiography and are included in an appendix. Provenances and artist biographies round out this detailed record of one of the most important collections of its kind. Distributed for the Princeton University Art Museum

The Art of Drawing is the first book in sixty years to cover the wider history of drawing in Britain exploring the crucial role drawing has played in British art. Featuring works by foremost British artists from the early seventeenth century right up to the present day, this book offers fresh insights into the wide range of ways in which these artists have used drawing to think on paper, build up ideas and make finished exhibition pieces. Taking examples from the greatest masters, including Isaac Oliver, Peter Lely, WIlliam Blake, Thomas Rowlandson, John Constable, Edwin Landseer, Dante Gabriel Rossetti, Edward Burne-Jones, Wyndham Lewis, Paul Nash, Lucian Freud, David Hockney, John Piper, Sian Bowen and Grayson Perry, Susan Owens discusses the art and craft of drawing, materials and techniques and why artists chose them.ory of drawing in Britain exploring the crucial role drawing has played in British art. Featuring works by foremost British artists from the early seventeenth century right up to the present day, this book offers fresh insights into the wide range of ways in which these artists have used drawing to think on paper, build up ideas and make finished exhibition pieces. Taking examples from the greatest masters, including Isaac Oliver, Peter Lely, WIlliam Blake, Thomas Rowlandson, John Constable, Edwin Landseer, Dante Gabriel Rossetti, Edward Burne-Jones, Wyndham Lewis, Paul Nash, Lucian Freud, David Hockney, John Piper, Sian Bowen and Grayson Perry, Susan Owens discusses the art and craft of drawing, materials and techniques and why artists chose them.

Created by one of Japan's most popular artists, this book provides detailed and complete instruction for illustrating fun and appealing characters and elements that celebrate life. The author's special and distinct style is simple, appealing, happy, and cute and offers artists, crafters, and art enthusiasts--with and without experience--the instruction and inspiration to draw in the Japanese character style. This book is for artists and crafters of all skill levels that want to bring their own illustration to their work. It offers both entertaining and fun drawing instruction and techniques along with inspiring and sweet unique-style characters and elements.

Illustration is applied imagination. But this book is not only about illustration, though it does contain illustrations-lots of them. But there's more. This book examines the profession of illustrator, from the vexing subject of money to the question of the right workplace. How do you get commissions? How do you negotiate successfully? What's a fair price? How do you handle the everyday routines involved in illustration work? And, of course, it presents a wide variety of illustra- tion techniques. In short, it makes an effort to enlighten, be useful and answer as many questions as possible. Its author does so, on the one hand, by offering more than twenty really useful tips for budding illustrators-for example, how to stop the fear that a blank page often inspires-and, on the other, by presenting the twenty-five most important illustration techniques in a practical way that awakens the reader's desire to learn more. As a parallel narrative accompanying the humorous texts, there are images by very different illustrators who work with a wide variety of techniques and styles. These pictures are diverse yet easy to compare, because they all show the same thing: a bird.