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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings > General
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David Hominal
(Hardcover)
David Hominal; Laurence Schmidlin, Stephanie Moisdon
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R885
Discovery Miles 8 850
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Ships in 18 - 22 working days
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As Picasso said: 'It took me a lifetime to Paint Like a Child'. Raw
Drawing is not an art class - it is a unique philosophy and a
practical resource that teaches you how to draw spontaneously and
creatively without any inhibition. Learn how to use signs, lines
and shapes to create a new visual language. It's a non-judgmental
technique to help you visualize your thoughts, express your
emotions, develop your ideas and, why not, relax with a pen or
pencil. Since he launched the Raw Drawing initiative in 2017,
Italian artist Alessandro Bonaccorsi has given dozens of courses
across Italy, helping people expand their creativity. This book
brings together all of Alessandro's core teachings, making the
power and creativity of raw drawing accessible to everyone. The
book is recommended for those over 14 years of age, who are open to
let themselves become children again and draw with a carefree mind.
Use Raw Drawing to get closer to the heart of things, and learn to
appreciate the beauty of the spontaneous.
Both serious artists and casual doodlers can use the handsome sketchbooks, now offered in seven colors, four sizes, and with the options of lizard finish or Kivar covers and a sewn or spiral wire-o binding. Many choose the popular large format for sketching outdoors or for toting to art class. Others like to toss the smaller sizes into a purse or backpack. The archival-quality, vellum-finish paper is especially appealing to artists. It will not yellow with time, ensuring the preservation of their drawings, and its smooth surface readily accepts any drawing medium. The spiral-bound version opens flat. All the covers have a leatherlike finish but are actually tough and waterproof.
Both serious artists and casual doodlers can use the handsome sketchbooks, now offered in seven colors, four sizes, and with the options of lizard finish or Kivar covers and a sewn or spiral wire-o binding. Many choose the popular large format for sketching outdoors or for toting to art class. Others like to toss the smaller sizes into a purse or backpack. The archival-quality, vellum-finish paper is especially appealing to artists. It will not yellow with time, ensuring the preservation of their drawings, and its smooth surface readily accepts any drawing medium. The spiral-bound version opens flat. All the covers have a leatherlike finish but are actually tough and waterproof.
Ways of Drawing brings together a sophisticated, exciting range of
reflections on markmaking by practising artists, teachers and
writers. From explorations of how it feels to draw and personal
accounts of artistic development, to short, imaginative
propositions for looking, understanding and experiencing afresh,
this collection repositions drawing as a vital creative and
intellectual endeavour. The book is divided into three sections:
'Studio Space', which focuses on drawing within four walls; 'Open
Space', which ventures out into the cityscapes and landscapes
around us; and 'Inner Space', which returns to the living, feeling,
drawing person. Each section is comprehensively illustrated with a
wealth of drawings, prints and paintings by faculty and alumni of
the Royal Drawing School, works by established artists past and
present, and photographs of artists at work.
Silverpoint, and metalpoint more generally, is the practice of
marking with soft metal on a specifically prepared drawing surface.
Practiced for centuries, the artform is experiencing a resurgence
in recent years, with contemporary work exploring abstract as well
as realist, conceptual as well as traditional. Silverpoint and
Metalpoint Drawing is the essential manual of metalpoint technique,
written by Susan Schwalb and Tom Mazzullo, contemporary masters of
the medium. This book is the first treatise on the subject for
artists and art teachers with chapters on early history, materials
including grounds, supports, metals, and tools, techniques for
working in metalpoint as well as mixed media, and finally, the care
of metalpoint works. Not only beautifully illustrated, this book
also demonstrates how to photograph and exhibit metalpoint art.
Featuring a gallery of drawings by contemporary artists, along with
their tips and insight, Silverpoint and Metalpoint Drawing is a
perfect introduction for students of the medium and an inspiration
for those already more familiar with it.
Crack out the crayons, Gromit lad, and get colouring with this
inventive new colouring book! Wallace, inventor extraordinaire, and
his canine companion, Gromit, invite you to spend a grand day in,
colouring in iconic scenes and classic characters from four of
their hit films: A Grand Day Out, The Wrong Trousers, A Close Shave
and A Matter of Loaf and Death. The Wrong Trousers
celebrates its thirty-year anniversary in 2023 so make sure you use
the Right Pencils – and watch out for silent penguins
masquerading as house guests... The perfect opportunity for fans of
the films first time round to enjoy them anew.
Announcing the new revised edition of the classic industry
reference! "Landscape Graphic"s is the architect's ultimate guide
to all the basic graphics techniques used in landscape design and
landscape architecture. Progressing from the basics into more
sophisticated techniques, this guide offers clear instruction on
graphic language and the design process, the basics of drafting,
lettering, freehand drawing and conceptual diagramming, perspective
drawing, section elevations, and more. It also features carefully
sequenced exercises, a complete file of graphic symbols for
sections and perspectives, and a handy appendix of conversions and
equivalents.
If you have always wanted to learn to draw but lack the confidence
to start, Drawing for the Absolute Beginner is the book for you.
The author, Carole Massey, is an accomplished artist with many
years' experience of teaching and demonstrating, and even the most
hesitant of beginners will soon pick up the skills and techniques
needed to start drawing. The book is a complete drawing course,
designed to help you progress from simple techniques such as lines,
circles, squares and ellipses through to capturing landscapes,
figures and buildings. There are numerous simple step-by-step
demonstrations as well as larger projects, and outline tracings are
provided of the more complex drawings that you can transfer
straight onto your paper, if you wish to use them. Most of the
artworks in the book are created using pencil, but the author also
uses ink, ballpoint pen, pastel pencil and watersoluble pencils to
encourage you to experiment with other media too. By the end of the
book, you will have learnt all you need to know to take your
drawing skills further and become an accomplished artist in your
own right.
In Facets of Eros, David Sobelman, an award-winning writer of
documentaries, explores the early drawings of Canadian artist
Claire Wilks, their presciently feminist visual vocabulary. He does
so by looking at the drawings-so open in their sexuality, so
puzzling in their vision of motherhood, so sensually affirming in
their engagement with death in the Shoah camps-through the lens of
that ancient figure Eros, as first discussed by Plato. This is a
startling, original approach to a startling, original artist, the
meta-portrait of a singular woman who expressed the world she saw
around her with her hands.
The Mandala Sketchbook is a new and exciting sketchbook, which will
appeal to both adults and children, for the creation of beautiful
Mandalas in 8 easy steps. A Mandala is a Sanskrit word meaning
circle or discoid object and creating a Mandala involves using a
variety of own unique shapes and patterns. Designing, drawing and
colouring a Mandala can be a highly enriching and calming personal
experience. With 48 pages to complete or share with others, the
Mandala Sketchbook guides you through the design process before
setting you free to enjoy creating your own unique designs, which
can be coloured in or painted once completed. The perforated pages
allow the illustrations to easily be removed for framing or
card-making
This volume investigates the artistic development during the Qing
Dynasty, the last of imperial Chinese dynasties, and shows the
importance of opera and playwriting during this time period.
Further analysis is dedicated to the development of scroll painting
and the revival of calligraphy and seal carving. A General History
of Chinese Art comprises six volumes with a total of nine parts
spanning from the Prehistoric Era until the 3rd year of Xuantong
during the Qing Dynasty (1911). The work provides a comprehensive
compilation of in-depth studies of the development of art
throughout the subsequent reign of Chinese dynasties and explores
the emergence of a wide range of artistic categories such as but
not limited to music, dance, acrobatics, singing, story telling,
painting, calligraphy, sculpture, architecture, and crafts. Unlike
previous reference books, A General History of Chinese Art offers a
broader overview of the notion of Chinese art by asserting a more
diverse and less material understanding of arts, as has often been
the case in Western scholarship.
This volume covers Chinese art during the reign of the Sui and Tang
Dynasties during which the various disciplines of plastic and
performing arts all entered a stage of unprecedented prosperity and
development. It also traces new explorations in calligraphy,
painting, and mural art and highlights architectural achievements
during the historic period. A General History of Chinese Art
comprises six volumes with a total of nine parts spanning from the
Prehistoric Era until the 3rd year of Xuantong during the Qing
Dynasty (1911). The work provides a comprehensive compilation of
in-depth studies of the development of art throughout the
subsequent reign of Chinese dynasties and explores the emergence of
a wide range of artistic categories such as but not limited to
music, dance, acrobatics, singing, story telling, painting,
calligraphy, sculpture, architecture, and crafts. Unlike previous
reference books, A General History of Chinese Art offers a broader
overview of the notion of Chinese art by asserting a more diverse
and less material understanding of arts, as has often been the case
in Western scholarship.
This publication has been developed from ideas first presented at
the international symposium Late Hokusai: thought, technique,
society, held at the British Museum in May 2017. The symposium was
organised to enable specialists in a range of disciplines relating
to early modern Japan to view and consider the critically acclaimed
exhibition Hokusai: beyond the Great Wave, then being presented at
the British Museum. The exhibition brought together representative
works by the artist Katsushika Hokusai (1760−1849) in the various
media in which he worked – colour woodblock printed,
woodblock-printed illustrated books, brush paintings on paper or
silk, and brush drawings − that were produced between the age of
61 and his death aged 90. Building on the themes of the exhibition,
authors from the UK, Europe, Japan and USA have engaged with late
Hokusai from a variety of perspectives, both intrinsic and
extrinsic to his life and works. Essays have been grouped within
the broad categories of ‘thought’ -- Hokusai’s intellectual
concerns and the ways his art brought these to life;
‘technique’ – how the artist pursued excellence in a wide
range of media, within a commercialised art market; and
‘society’ – dimensions of cultural interaction and patronage.
A fourth section on ‘legacy’ looks at how stories of Hokusai
have been as much generated by 130 years of scholarship, as they
have by his works themselves. Challengingly, faked paintings and
printed works have both contaminated and supported those stories.
This innovative approach provides new insights into the work of one
of the world’s most celebrated artists and suggests many new
avenues for Hokusai research.
Develop your drawing skills and rediscover the world around you
with this innovative and beautifully illustrated book. In Drawing
for the Artist, acclaimed artist and teacher Sarah Simblet teaches
you how to draw by combining practical lessons with examples of
both her own work and some of the world's greatest drawings. She
introduces all the key drawing materials, then shows you how to
master the basic elements of drawing in a series of step-by-step
drawing classes, covering topics ranging from simple mark-making to
establishing form, creating tone, and conveying perspective. You
will learn how to explore a wide variety of subjects, from still
life, plants, and animals to portraits, the human body, landscapes,
and buildings, all introduced with outstanding drawings by famous
artists. The bestselling author of Anatomy for the Artist and
Botany for the Artist, Sarah demonstrates how she works - from
quick pencil sketches to pen and ink studies - with expertise and
plenty of encouraging tips, and complements them with plentiful
examples from her own sketchbooks. Drawing for the Artist is for
anyone who wants to draw, whether you are a complete beginner or
would like to refresh your existing skills. Whatever your ability,
it will inspire you to reach for a pencil and paper and start
drawing.
Explore exciting new ways of using graphite, charcoal and mixed
media to create dramatic landscape drawings, under the expert
tutelage of Robert Dutton. The Innovative Artist series provides a
unique insight into the methods and materials used by leading
contemporary artists who are pushing the boundaries of their art.
Through numerous examples of the author's work alongside practical
demonstrations, each book provides a fascinating exploration of the
artist's creative process that will inspire the reader to move
forward on their own artistic journey. This book is aimed at
artists who wish to explore new ways of using a variety of drawing
media to create striking, dramatic landscapes. Author-artist Robert
Dutton uses his expressive, loose style of drawing and painting to
capture, with great emotion, the power and drama of the landscape.
Robert combines media such as liquid graphite, inks, metallic inks,
charcoal and water-soluble painting and drawing pastels, and also
experiments with collage work. Predominantly focusing on working in
black and white, Drawing Dramatic Landscapes explores basic drawing
techniques using a limited range of media, then introduces new
techniques and products as the reader progresses. This is a
highly-instructive guide to the techniques Robert himself uses,
with numerous exercises and larger step-by-step projects throughout
the book showing how he works. Alongside these are numerous
examples of the author's finished artworks accompanied by
informative captions explaining the methods used to create them,
thereby providing both instruction and inspiration. Robert works
outdoors from life much of the time, later finishing his artworks
in the studio. His work is both achievable and aspirational, making
this a highly-attractive book for established artists who wish to
gain insight into the work of their contemporaries who are
experimenting with new and innovative techniques.
This is the first volume from a new series of illustrated books,
tracing the life and times of a modern gentleman. Edward is a man
about town. He is educated, cultured with an eye for beauty and he
has a fascination with history and people. These books are a
collection of whimsical illustrations of Edward's adventures as
imagined by the illustrator Robin Lucas. The first book of the
series sees Edward's adventures in London. We will start with
Edward's adventures in London. Later in the series we will explore
further afield, such as the rolling Tuscan countryside with its
mediaeval hill towns, or the delights of India with its rich layers
of history and magnificent wildlife. The aim of this project is to
produce a series of small sketchbooks that give a real flavor of
iconic places around the world through the eyes of Edward - our
modern gentleman. 1- The book will be a beautiful object with an
eye-catching cover and illustrations that will give a different
perspective on London. 2- The first book written by a new
up-and-coming illustrator to the market. The author has a growing
social media presence and following for his work. 3- Introducing a
new character of the modern Englishman to the market, he will
appeal to a wide audience and make the perfect gift to a brother,
sister, father, mother , son, partner. The intention is that the
character will reappear in subsequent volumes and will become
collectable.
Amazing results can be achieved surprisingly quickly using the
author's step-by-step techniques to create a wonderful selection of
23 wild animals in various poses--including head shots and full
body illustrations. Aspiring artists will discover how easy it is
to learn how to draw with this simple and inspirational guide, and
more experienced artists will develop specific skills for drawing
animals. Each animal starts as basic geometric shapes and lines and
becomes a completed drawing within four or five steps. Despite the
simplicity of the construction methods, these images are realistic
representations of the animals portrayed. Once mastered, the
traditional approach used in this book can be used for any subject.
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