In this long-awaited follow-up to the best-selling first edition of "How to Draw Cars Like a Pro," renowned car designer Thom Taylor goes back to the drawing board to update his classic with all-new illustrations and to expand on such topics as the use of computers in design today. Taylor begins with advice on selecting the proper tools and equipment, then moves on to perspective and proportion, sketching and cartooning, various media, and light, shadow, reflection, color, and even interiors. Written to help enthusiasts at all artistic levels, his book also features more than 200 examples from many of today's top artists in the automotive field. Updated to include computerized illustration techniques.

Cajal's Neuronal Forest: Science and Art continues the tradition set forth by its sister volume Cajal's Butterflies of the Soul (OUP, 2009). This new collection contains hundreds of beautiful rarely-seen-before figures produced throughout the nineteenth century and the beginning of the twentieth century by famed father-of-modern-neuroscience Santiago Ramon y Cajal (1852-1934) and his contemporaries. Cajal was captivated by the beautiful shapes of the cells of the nervous system. He and his fellow scientists saw neurons as trees and glial cells as bushes. Given their high density and arrangement, neurons and glial resembled a thick forest, a seemingly impenetrable terrain of interacting cells mediating cognition and behavior. In unraveling the mysteries of the brain, these researchers encountered an almost infinite number of cellular forms with an extraordinary beauty, which they could not help but put pen to paper, allowing them to discover a new artistic world- the neuronal forest- that gave free rein not only to their imagination, but to a new way of viewing the brain as well. This book has been divided into two parts. The first focuses on the scientific atmosphere in Cajal's times, on the history of the neuron, and the anatomical challenge posed in studying neuronal connections. It also delves into the artistic skills of Cajal and other important pioneers in neuroscience and how the neuronal forests have served as an unlimited source of artistic inspiration. The second consists of 275 original drawings by Cajal. All were published over the course of his scientific career and cover virtually all of his research fields of interest, including the spinal cord, the optic lobe and retina, cerebral cortex, and many other regions of the brain. Cajal's Neuronal Forest: Science and Art is a testament to the natural beauty found in science. Despite the common misconception that the drawings of Cajal and other scientists of the time are pieces of art, these drawings are in fact copies of histological preparations and contributed greatly to the discoveries made in the field of neuroscience. This book is a gem in any library, whether serving as a medical history or a gallery of stunning sketches.

The Cleghorn Collection reproduces more than 200 of the drawings from the Cleghorn Collection in colour, for the first time. These include drawings from nature, copies based on European prints, and Nature Prints made from herbarium specimens. They are the work of several South Indian artists and of pupils of the pioneering Madras School of Art.

The humble sketch is the foundation of great art, where thoughts and concepts first come to life as an image-but rarely are sketches celebrated like they deserve to be for their power to explore, inspire, and entertain. In Sketching from the Imagination: Sci-fi, a selection of fifty talented traditional and digital artists, ranging from industry legends to talented up-and-comers, have been chosen to share their sketches and reveal the ideas, inspirations, and techniques behind their creative processes. Continuing the high-quality format of 3dtotal Publishing's previous successes, Sketching from the Imagination: An Insight into Creative Drawing and Sketching from the Imagination: Fantasy, this new title is dedicated to fantasy's sibling genre, sci-fi, in all its forms. From doodles of robots and aliens to concept designs for spaceships and speculative life-forms, including rendered drawings of invented worlds, Sketching from the Imagination: Sci-fi presents a handpicked collection of the best sketches and drawings by sci-fi artists from across the globe-each with their own unique style and approach to the genre. Each artist presents an impressive showcase of images from their sketchbooks, accompanied by their own enlightening commentary, and page upon page of useful tips, techniques, creative insights, and invaluable advice for getting your ideas out of your brain and onto the page. Sketching from the Imagination: Sci-fi is not only a must-have resource for any concept designer's shelf, but a stunning compilation of drawings that will delight sci-fi fans and any admirer of beautiful artwork.

"...by far the best primer [on perspective] I've ever seen. If you have other books, throw them away and buy this. You won't regret it." - Artbookreview.net Learn how to master perspective and create convincing drawings of the three-dimensional world with the help of artist and teacher, Tim Fisher. Every aspect of perspective, from zero- to multi-point, is explored and explained in simple terms that everyone can understand. In addition to landscapes and buildings, you will learn how to apply perspective to people, animals, boats, reflections and more. There is also expert advice on drawing curved objects and inclined planes, a run-down of common mistakes, and an inspirational chapter on moving beyond a rigid application of the rules to draw freely and instinctively. Clear diagrams and finished drawings are included throughout, along with numerous exercises so that you can put your new skills into practice. This is a revitalized edition of Drawing Masterclass: Perspective (ISBN: 9781782211112).

From Canada's most beloved painter comes a deluxe, over-sized art book showcasing Robert Bateman's vision of the Canadian landscape, coast to coast, for the 150th anniversary of Confederation. Join internationally acclaimed artist Robert Bateman on a journey across the seven regions of Canada and see through his eyes the beauty of our country. With a desire to truly know the place he calls home, Bateman has spent his life painting the Canadian landscape. From the historic eastern shores to the cold endless north and the luscious west coast, he shows us the land that has captivated artists and nature lovers for decades. Full of paintings from every region in Canada, Robert Bateman's Canada celebrates the history, diversity, and natural wonder of our country. This is Robert Bateman's vision of Canada as you've never seen it before.

'This is botanical illustration at the highest level.' - The Artist Christabel King is the foremost botanical artist at the Royal Botanical Gardens at Kew, world leaders in the study and preservation of plant species. Here she shares her passion for depicting plants, both in scientific illustrations and in looser botanical art. This inspiring guide covers everything you need to know: choose a subject and create a vibrant composition; accurately sketch, shade and colour leaves, flowers, cacti and more; finally, press and preserve your own treasured specimens. A chapter on travel drawing gives a flavour of the author's worldwide experience, and there are many of her beautiful plates from the prestigious Curtis's Botanical Magazine. There is a helpful section on suitable subjects for beginners and a glossary of terms, to get you started in the beautiful art of botanical illustration.

This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation. The drawings and watercolours catalogued and illustrated here are all in the Royal Collection, Windsor Castle, and are mostly by the artist Antonio Eclissi. The reproductions are generally in full colour, and frequently accompanied by illustrations showing the actual decoration in situ. The introductory essays outline the important phases of Cassiano dal Pozzo's career, discuss the history and significance of the 'Paper Museum', and explore the Christian tradition in seventeeth-century Rome. The Catalogue Raisonnee analyses each drawing in the greatest detail. This volume, the first to appear in the series, will be of special interest to archaeologists and medievalists engaged in the study of Rome's Early Christian churches, since many of the buildings, mosaics and paintings are now no longer extant. This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the Paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation.

Sarah Raphael (1960-2001) died young: preparing a show for New York, she contracted pneumonia and never recovered. Her work, large- and small-scale, is now represented in all the leading British collections. A major retrospective at Marlborough Fine Arts, London, in 2003, bringing together work from her last seven years, was as amazing as her earlier exhibitions in its brilliance, its formal variety and inventiveness. One breathtaking area of her work which has so far been inadequately displayed is her drawing. There are few modern artists who equal her in assurance and firmness of line. Michael Ayrton said to her when she was fourteen, 'Draw your own hands. If you can draw your own hands you can do anything.' She did, and she could. Her informal portraits of friends, some well-known, some unknown, never flatter except in telling the truth. She did justice to every model, and her sense of setting, the economy of her perspectives, her ability to create presence, continue to amaze the viewer. Even the most seemingly casual sketch, closely observed, reconstitutes an original, sculptural space about it. The lessons Michael Ayrton taught ensured that she is always at least a three-dimensional artist. Most of the drawings are from her notebooks and sketchbooks, and Frederic Raphael draws from over twenty-five years of work, primarily pencil sketches. As William Boyd has written, 'you can tell how good they are, yourself'. She has her own, unarguable authority.

'The beginnings of a bitter-sweet commission: a mistle thrust's egg, heralding a brief but very welcome return to spring... This year has been in such a hurry, at times almost tripping over itself in its keenness to reach autumn, and now she's here.' Highly respected illustrator Anna Koska is best known for her drawings of fish and fruit and is widely celebrated by food journalists and restaurateurs. In this mindful, artistic journal, Anna celebrates the natural world; the changing of the seasons, the blossoming of flowers and the ripening of fruit. Working in watercolour, pen and ink, oils and luscious egg tempera, Anna's illustrations are reproduced in beautiful detail and they are accompanied by her musings and observations of objects, engaging us in the everyday realities of her artistic practice. Anna sources inspiration from the flora and fauna in the fields and forests surrounding her home in East Sussex. Her illustrations root us in nature, allowing us to pause to admire and appreciate the beauty and significance of everyday occurrences - whether she is drawing wasps feasting on apples fallen in the orchard, or trying to capture the cerulean blue of a winter sky. In this book, image and narrative text are wedded to create a beautiful journey through the seasons, taking time to appreciate our surroundings. 'It started with my favourite fish, a red mullet, all bronze, copper, gills and scales. Then mackerel, coloured like a Scandi sky. Soon enough, I was seduced by a sketch of figs and Anna's alluring tones.' Allan Jenkins, Observer Food Magazine.

This beautiful book combines the author's extensive ecological knowledge with art, and her passion for drawing with ink. It is packed with clear instruction and inspirational illustrations, and will be treasured by artists, illustrators, scientists and ecologists alike. Practical advice is given on using a range of materials and equipment for illustrating in pen and ink, as well as the collection and preservation of subject matter and reference material. Detailed instruction is given on how to create essential mark-making techniques that will enhance your illustrations through accurate depiction of shape, form, texture and pattern, and in the principles and elements of design. Subject-themed chapters include plants, strandline and marine specimens, fossils, invertebrates, and mammals. There are step-by-step exercises suitable for all skill levels, and case studies describing working practice as a professional illustrator.

Illustrate your own storybooks with cute and playful characters, animals, and more, using the enjoyable techniques in Illustration School: Let's Draw a Story. Sachiko Umoto, one of Japan's most popular artists, teaches you how to create a fantasy world filled with animals, characters, castles, rainbows, and much more, all in the popular Japanese character style. No drawing experience is necessary to sketch playful elements and designs that make up these whimsical stories. Start with basic tools and supplies, then get tips for how to start and build a drawing. Learn how to create your own heartfelt stories featuring children and adults, animals, buildings, objects, and landscapes, all infused with your style. Be inspired by Sachiko's stories of a journey into the desert, a king and queen in a castle, and a monster island filled with cute creates. Trace or copy the drawings to invent your own tales and infuse them with color and details to make them unique. What better way to creatively express yourself? Make connections with friends and family by showing them your creations. As Sachiko says, "It's bound to make everyone happy." With this book you'll discover fun ways to: Add weather elements such as rain, wind, and dramatic skies Draw villages and towns with detailed doors, windows, balconies, and roofs Sketch facial expressions that give characters depth Become an imaginative storyteller Use your imagination to create vibrant fantasy worlds with no limits Illustration School: Let's Draw a Story will help you bring to life the stories you want to tell! Discover how the Illustration School series of books makes drawing enjoyable and stress-free. Using Sachiko Umoto's fun, easy techniques for sketching quirky animals, plants, landscapes, and people in the Japanese character style, you'll fill pages with charming illustrations that are uniquely you.

This book provides a thorough and expert guide to the subject of botanical drawing, through detailed text, examples of the author's own studies, short exercises and larger projects. Penny Brown produces traditional botanical drawings primarily rendered in pencil. The book touches on the history of botanical drawing, the rules and practicalities, and includes an accessible, basic study of botany for the absolute beginner. From creating an initial line drawing to adding tone and then creating more complex compositions, Botanical Drawing is a detailed study of the practice for anyone wishing to explore the subject in great depth, led by an expert artist.

Attention all creative fashionistas! The ultimate guide to drawing today's most stylish fashion designs is here created by the world's most popular author of art-instruction books. Set your inner designer free with this on-trend sequel to Christopher Hart's bestselling 'Fashion Design Studio', featuring easy templates to help aspiring fashionistas draw the garments of their dreams. Hart not only covers perennially popular styles and the basics of drawing dresses, tops, trousers and accessories, he provides the fun details all fashion-forward artists love. Here are irresistibly hip touches like hi-low hemlines, cutout shoulders, patchwork denim, high-cut waistlines, floral-print ankle boots, and carefully clashed patterns. Every page will spark your creativity and give you all you need to draw your most fabulous creations!

One of the difficulties about how our minds work is that we often cannot quite clearly see or know what is inside us. Art therapists have a longstanding tradition of prescribing image-making to prompt expression of feelings, often by asking people to draw, paint, or sculpt "how you feel." It is one of the fundamental approaches in the field that distinguishes art therapy from verbal techniques that ask people to simply talk about their emotions. Author Erica Jong once wrote that imagery is a form of emotional shorthand. This could be interpreted to mean that while we may use paragraphs of prose to describe an emotional experience, images allow us to communicate simply and directly. At its core, art therapy embraces the paradigm that creating images cuts to the chase when it comes to expressing feelings. The point is not to draw well. But to draw with authenticity. This is specifically a book for people who can't draw.

Using scientific methods in his investigations of the human body -- the first ever by an artist -- da Vinci was able to produce remarkably accurate depictions of the "ideal" human figure. This exceptional collection reprints 59 of his sketches of the skeleton, skull, upper and lower extremities, human embryos, and other subjects.

Do something amazing and learn a new skill thanks to the Little Ways to Live a Big Life books! As children, when we learn to write, we gain an important life skill: a practical means of communicating that we end up using almost every day of our lives, if only to jot down a shopping list or dash out an email. As children, we also know instinctively that drawing is a great way to communicate, but later in life it isn't universally valued and nurtured in the way that writing is. It's not seen as a necessity, it's seen as a specialism. As a result, most of us stop drawing completely, apart from the odd doodling. More than that, we lose all confidence in our ability to draw. Yet drawing is an incredibly prac tical way of turning what's inside your head into something tangible and useful. It can equip you with new means of solving problems, sharing ideas and telling stories. How to Draw Anything sets out to repair our broken relationship with drawing. It will inspire you to pick up that pencil from where you left it all those years ago and start making pictures again. It will give you back the confidence and joy in drawing you never should have lost. And it will take drawing out of the art world and put it into your world, introducing you to drawing as a practical tool for everyday life that will change the way you work, think and communicate.

Creative Flow is a mindful workbook to treasure, encouraging the use of focused creativity to cultivate beautiful awareness every day. Exploring meaningful ways we can appreciate each of life’s precious moments, this enchanting guide helps us to notice and note, embrace play, and focus again on breathing and simply being.

Author Jocelyn de Kwant invites us all to embrace a beginners’ mind, to add time back into our busy lives using the art of creative mindfulness. Practical prompts entwine with lengthier meditative notes on the joys of doodling and scribbling, and the joy of sensory play and reconnecting with the natural world. This lovingly-illustrated workbook is a timely reminder of the ways in which creative flow can enhance and enrich our lives.

This Handbook illustrates a selection of drawings of flowers from the collection at the Fitzwilliam Museum. The book is arranged chronologically and ranges from the fifteenth century to the present day. Beginning with illustrations from the borders and backgrounds of illuminated manuscripts, the selection traces the form through attempts at accurate delineation of form during the Renaissance to the more scientific approach of the later seventeenth and early eighteenth centuries. It concludes with several contemporary examples of flower drawings to show that the tradition continues. The illustrations bring out the stunning detail and colour characteristic of the art-form.

This hands-on practical guide provides dyslexic young people with techniques to improve their observational drawing skills, showing them how they can work around the issues commonly reported by students with SLDs. Many creative and talented individuals with neurological differences report difficulties with short-term memory, co-ordination and planning ahead within a project, and a lack of specialised teaching may even dissuade them from pursuing art at school. This book addresses those challenges. The authors, who have many years' experience of teaching art to dyslexic and dyspraxic students, also include examples not just of the techniques described, but also of the creative ideas other neurodiverse students have come up with. Fully illustrated, with clear explanations, and space to draw and sketch, this much needed book will provide dyslexic art students with the tools and confidence to achieve their goals and become the creative professionals of the future.