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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings > General
These illustrations of historic Alaska by Byron Birdsall, one of the state’s most renowned artists, portray the territory from the beginning of the twentieth century through the first decades after Alaska achieved statehood in 1959. Accompanied by informative captions, the black-and-white drawings are organized by region: Southcentral Alaska including Anchorage, the Arctic, the Interior, the western/Bering Sea coast, and Southeast. Birdsall’s masterful illustrations depict a myriad of scenes, from tents on Ship Creek in 1915 to a train unloading tourists at McKinley Park Station in 1935, from the Governor’s Mansion in 1939 in the capital city of Juneau to the Good Friday earthquake in 1964 and the Trans-Alaska Pipeline near the Koyukuk River in 1975.
Sarah Raphael (1960-2001) died young: preparing a show for New York, she contracted pneumonia and never recovered. Her work, large- and small-scale, is now represented in all the leading British collections. A major retrospective at Marlborough Fine Arts, London, in 2003, bringing together work from her last seven years, was as amazing as her earlier exhibitions in its brilliance, its formal variety and inventiveness. One breathtaking area of her work which has so far been inadequately displayed is her drawing. There are few modern artists who equal her in assurance and firmness of line. Michael Ayrton said to her when she was fourteen, 'Draw your own hands. If you can draw your own hands you can do anything.' She did, and she could. Her informal portraits of friends, some well-known, some unknown, never flatter except in telling the truth. She did justice to every model, and her sense of setting, the economy of her perspectives, her ability to create presence, continue to amaze the viewer. Even the most seemingly casual sketch, closely observed, reconstitutes an original, sculptural space about it. The lessons Michael Ayrton taught ensured that she is always at least a three-dimensional artist. Most of the drawings are from her notebooks and sketchbooks, and Frederic Raphael draws from over twenty-five years of work, primarily pencil sketches. As William Boyd has written, 'you can tell how good they are, yourself'. She has her own, unarguable authority.
There are few more complete examples of an artist's record of their own life than the intimately detailed and beautifully produced handmade books that Derek Jarman created throughout his career. Seen together they reveal the story of how he gathered, shaped and made concrete his ideas. Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, the sketchbooks are part autobiography and part social history, layered and bursting with the energy and creativity not only of this groundbreaking film-maker and artist, but also of London in the 1970s and 80s. Wholly private during his lifetime, these precious books are an intimate pictorial record of the relationship between Jarman's personal and professional life, revealing the detailed planning and research, and creative and emotional engagement, behind each of his films.
The Lindley Library of the RHS has a collection of some 18,000 drawings and paintings by eminent botanical artists of all periods up to the present day. This book contains a selection of the rarest and most beautiful: flowers, fruit, fungi and other plants from all over the world, by artists such as G.D. Ehret, John and William Curtis, Ferdinand Bauer, William Hooker, W.H. Fitch, Augusta Withers, Margaret Stones and Mary Grierson. All the illustrations are reproduced from the artists' originals.;The book includes a history of the collection and each plate is accompanied by a description of its origin and artistic accomplishment, and a botanical and horticultural account of the plant itself.
Best-selling artist and art instructor Mark Crilley, whose YouTube manga instruction videos have received more than 10 million views and counting, presents the most complete look yet at the variety of creative options available in the world of manga. Crilley fills each chapter with gorgeous, original artwork created with a variety of tools and in a variety of manga-inspired styles. He pairs each piece with information on the materials used and the inspiration that led to its creation. Manga Art provides readers the chance to hear from one of the leading artists in the field of manga instruction, as he reveals the creative secrets behind over 100 pieces of original, never-before-seen artwork.
Creative Flow is a mindful workbook to treasure, encouraging the use of focused creativity to cultivate beautiful awareness every day. Exploring meaningful ways we can appreciate each of life’s precious moments, this enchanting guide helps us to notice and note, embrace play, and focus again on breathing and simply being. Author Jocelyn de Kwant invites us all to embrace a beginners’ mind, to add time back into our busy lives using the art of creative mindfulness. Practical prompts entwine with lengthier meditative notes on the joys of doodling and scribbling, and the joy of sensory play and reconnecting with the natural world. This lovingly-illustrated workbook is a timely reminder of the ways in which creative flow can enhance and enrich our lives.
Perspective is easy; yet surprisingly few artists know the simple rules that make it so. Now they can remedy that situation with this step-by-step book, the first devoted entirely to clarifying the laws of perspective. Using over 250 simple line drawings, the author leads the reader through every important concept, from horizon to vanishing point to the crucial relationship of eye level to perspective drawing. 256 illus.
This book is for anybody who wants to draw more, whether you are learning from scratch or developing existing skills. When you're learning to draw, the most important thing you'll own is a sketchbook, and this is a sketchbook with training wheels. Let go of your fear and unlock drawing skills that you never believed you could have with this expertly guided sketchbook. Not your ordinary art book, You Will be Able to Draw by the End of This Book is a combined tutorial and sketchbook that not only teaches you the fundamental steps required for you to be able to draw, but also allows you the space to practise on the page. The book lays flat to allow you to draw comfortably and has an elastic band to keep your artwork safe. Each exercise has an estimated completion time, so it doesn't matter whether you are at home, on your lunch break or even on the bus, you'll always find time to practise. Jake is like an ever-present companion who will guide you on your creative journey, with his friendly and practical tone. His lessons build in complexity as you work through the book, starting with the basics of line making and progressing to portraits and landscapes. His clever exercises will help you gain confidence and break you out of old habits as well as encouraging you to see things in a different way and relax. So pick up a pencil and discover the joy of drawing!
Urban sketching has become one of the biggest art trends of the last decade, with artists preferring to capture a scene on location rather than relying on a photograph. Featuring 20 step-by-step exercises, Sketch Club: Urban Drawing is your essential guide to putting your drawing skills into practice on location. You'll learn how to start, when to stop and how to fix common mistakes. Packed with all the energy and inspiration of a drawing group, this is the ideal book for anyone looking to take their urban drawing further. Perfect your urban drawing skills and develop your own unique style with professional urban sketcher, Phil Dean. Chapters include: - Loosening Up - Building a Scene - Adding Contrast - Taking it Further - Finishing Touches
A personal message from the author: Lots of individuals in society today are feeble-minded. They don't know what the HELL is going on. Unfortunately many of these people are responsible for running THE COUNTRY. They don't know the difference between a PRECIOUS JEWEL and a piece of animal turd. Their ideas are MEANINGLESS, illustrated using RUBBISH imagery (often made by a computer). The stupid words they write are always in BAD FONTS. Yet still people HEED this nonsense. Maybe YOU are one of these people? It's alright. I am here to HELP you. I have a FULLY-COMPOSED WORLD VIEW. I have STRONG opinions about EVERYTHING. And my ideas are HAND-ILLUSTRATED and use REAL HANDWRITING that you can trust. I know exactly what's going on and am WILLING to share my thoughts with you. If you LISTEN to what I say then things will quickly improve. No more weak messages. No more bad situations. Shall we proceed?
George Saumarez Smith, a director of ADAM Architecture, is celebrated for the elegance of his work as one of Britain's foremost classical architects. As a student at Edinburgh University, he belonged to the last year group to be taught the skill of measured drawing as part of the core syllabus and it would become a passion for him. Sketchbooks: Collected Measured Drawings and Architectural Sketches presents a selection of the drawings that he has made in the last twenty-five years in a series of sketchbooks each of which is named after one of the Roman emperors. The drawings display a supreme mastery that goes beyond technique and assumes the status of art. They constitute a series of concentrated observations on buildings from different parts of the world which unlock the secrets of their design and give insight into the minds of their creators. Simply by applying pencil to paper, aided only by a tape measure and ruler to measure the building in front of him, George pursues an adventure in the world of built form whose aesthetic beauty will both amaze and delight.
An anthology of cartoons from the syndicated comic strip, Bloom County encompasses highlights from the five-year span of the strip.
Create your own floral and plant illustrations, with no previous artistic experience necessary! Each project in this beautiful book is broken into easy-to-follow, step-by-step instructions, making how to draw leaves and flowers (including poppies, pansies, and cherry blossoms!) as easy as 1-2-3. You'll also learn the process of creating patterns and digitising your illustrations!
Green (True Colour) is a short course in unlocking your creative self - perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey. Many people crave a creative outlet, but more often than not, don't know where to start. In Green (True Colour), Valentina Zucchi and Angela Leon invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate green - the colour of fertility, abundance and life. Green (True Colour) imparts energy, relaxes, refreshes, cleanses and heals. It is ultimately a colour that belongs to nature and has always been loved by artists. Throughout the book, Valentina and Angela provide creative and fun prompts - many based on famous works of art - which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Claude Monet, Paul Cezanne, Georges Seurat and more, you will discover the many meanings of green and just some of the ways it can be used to express your creative passion.
Learn to draw figures and faces with this clear and easy to follow guide, the latest in the bestselling 'Read This' series. Revealing the techniques and ideas behind inspirational works, the book will set you on the path to making your own great drawings. From traditional life drawing to unconventional character studies, works by masters such as Henri Matisse, Auguste Rodin and Vincent van Gogh, as well as contemporary artists including Marlene Dumas, Zin Lim and Catherine Kehoe, all serve to illustrate a range of approaches and encourage readers to try out new ideas. Read This if You Want to Be Great at Drawing People is part of the internationally-bestselling 'Read This' series, which has sold over half-a-million books worldwide and has been translated into over 20 languages. More titles in the 'Read This' series: Read This if You Want to Take Great Photographs by Henry Carroll (9781780673356) Read This if You Want to Take Great Photographs of People by Henry Carroll (9781780676241) Read This if You Want to Take Great Photographs of Places by Henry Carroll (9781780679051) Use This if You Want to Take Great Photographs: A Photo Journal by Henry Carroll (9781780678887) Read This if You Want to Be Great at Drawing by Selwyn Leamy (9781786270542) Use This if You Want to Be Great at Drawing by Selwyn Leamy (9781786274052) Read This if You Want to Be a Great Writer by Ross Raisin (9781786271976) Read This if You Want to Be Instagram Famous edited by Henry Carroll (9781780679679)
IN Stars and Wars, Oscar-nominated art director Alan Tomkins reveals his fascinating unpublished film artwork and behind-the-scenes photographs from an acclaimed career that spanned over fifty years in both British and Hollywood cinema. Tomkins' art appeared in such celebrated films as Saving Private Ryan; JFK; Robin Hood: Prince of Thieves; The Empire Strikes Back (which would earn him his Oscar nomination); Lawrence of Arabia; Casino Royale; Battle of Britain; and Batman Begins. He shares his own unique experiences alongside these wonderful illustrations and photographs, charting his early work as a draughtsman through to becoming a celebrated and sought-after art director on some of the biggest blockbusters ever made. Having worked alongside such eminent directors as David Lean, Oliver Stone, Stanley Kubrick, Franco Zeffirelli and Clint Eastwood, Tomkins has produced a book that is a must-have for all lovers of classic cinema.
"Did Rudolf Steiner dream these things? Did he dream them as they once occurred, at the beginning of all time? They are, for sure, far more astonishing than the demiurges and serpents and bulls found in other cosmogonies.' -- Jorge Luis BorgesRudolf Steiner recorded his view of the world in numerous books. He also gave more than 5,000 lectures, in which he explained his ideas, using only minimal notes. When describing especially difficult subjects, Steiner frequently resorted to illustrating what he was saying with colored chalk on a large blackboard. After his earlier lectures, the drawings were erased and irretrievably lost. After the autumn of 1919, however, thick black paper was used to cover the blackboards so that the drawings could be rolled up and saved.The Trustees of Rudolf Steiner's Estate in Dornach, Switzerland, possess more than a thousand such drawings. A selection of these drawings was first shown to the general public in 1992, and since then, exhibitions in Europe, America, and Japan have generated much interest in Steiner's works. |
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