This is an essential book for anyone learning to draw, or wishing to improve their drawing. Starting with the basics of drawing techniques, Civardi gives expert advice on drawing portraits, the clothed figure, hands and feet and scenery, finishing with a section on the importance of light and shade. Civardi's technical advice and practical tips, accompanied by his own outstanding drawings, make this an invaluable resource for any artist. Previously published as Giovanni Civardi's Complete Guide to Drawing (9781844482061) and now includes The Nude (9781844482443).

Learn to draw authentic anime and manga faces and expressions from a manga master. In this follow-up to Manga Drawing Deluxe, renowned Japanese manga artist and international instructor Nao Yazawa guides you step by step through all phases of drawing and painting anime and manga faces, from the basics of creating essential anime and manga characters to creating dynamic and authentic expressions to coloring and adding special touches. Manga Faces 101. Learn about must-have supplies, basic drawing techniques, and a summary of the process from rough sketches to finished drawings. Essential Guide to Expressive Characters. Explore how to draw key anime and manga characters as well as how to depict a range of emotions for each, from delight to sadness to terror. Inking, Coloring, and Special Effects. Take your drawings to the next level by adding striking definition, stunning color, and special finishing touches that will give your characters just the right note of authenticity. Drawing and Painting Anime and Manga Faces gives you the tools you need to create expressive characters that will make your anime and manga stories come alive.

Capture the mystery and magic of the ocean by drawing this collection of 28 aquatic creatures. Award-winning artist Jonathan Newey teaches you to transform simple shapes into characterful creatures including dolphins, clownfish, crabs, jellyfish, whales, sharks, turtles and more. There are 28 different sea creatures to create, in a variety of poses and styles. Each project starts with a few basic outlines and progresses into a finished tonal drawing; a final coloured version shows you how to develop your drawing even further. Perfect for beginners, as well as budding artists, you'll be amazed how easily you too can bring the ocean to life with this inspiring guide.

This indispensable sketchbook features instructions, storyboard layouts, and drawing frames in non-repro blue.   For aspiring and experienced artists, this dual-purpose, lie-flat sketchbook is ideal for honing skills and storylines. Along with instructions, it provides 112 pages of storyboard layout grids with cells for working out page ideas and plot details as well as space for notes and captions. The second half of the book contains 60 single-sided pages that feature drawing frames in non-repro blue for finished art, with outer rules that help organize space and scale. The high-quality, acid-free, medium-weight paper erases cleanly and has a smooth vellum finish ideal for all dry media. All pages are perforated for easy removal.

"With an artistic mindset, we don't always draw what we can't see. And because we don't draw it, we can't fully understand it." - Kurt Ofer To challenge this restricted outlook, architect Kurt Ofer has formulated an utterly unique way of drawing, which gives a superior understanding of form. By following the method of "transparent drawing," you ignore an object's opacity and see beyond its surface, allowing you to draw it in a very distinct and holistic way. This enables us to fully see and understand the object, and brings unimaginable results. Transparent Drawing will appeal to anyone who has ever picked up a pencil and made marks on a piece of paper. The book questions why we draw, but it is not a book on how to draw. It is clear that through Ofer's detailed exploration of various drawing movements through history, taking into account prominent thinkers and philosophers, the purpose of the book is not only to advance a new mode of drawing, but to enrich readers with a knowledge, which gives a previously inconceivable outcome when put into practice.

The Cleghorn Collection reproduces more than 200 of the drawings from the Cleghorn Collection in colour, for the first time. These include drawings from nature, copies based on European prints, and Nature Prints made from herbarium specimens. They are the work of several South Indian artists and of pupils of the pioneering Madras School of Art.

The best of Klimt's drawings and watercolors, beautifully reproduced in full color.
There is no doubt about Gustav Klimt's greatness as a draftsman. Remarkable above all is the intensely sensual mood that he establishes in his limpid, fluid drawings and watercolors: the pencil or crayon line with which his subjects are described explores and caresses as though the act of drawing was itself a seduction. Klimt's drawings are often highly erotic and explicit, many to such an extent that they have rarely been reproduced. This has made for an unbalanced representation of his work as a draftsman, and a comprehensive survey of his graphic output is long overdue.
Rainer Metzger, a noted art historian, has brought together hundreds of Klimt's drawings and watercolors in a way that enriches our knowledge of the artist and enhances the visual impact of his oeuvre. Klimt's drawings and studies, and his elegantly direct and dangerously intoxicating preparatory sketches, reveal the underlying impetus for and structure of his elaborate canvases. 307 color illustrations.

Both serious artists and casual doodlers can use the handsome sketchbooks, now offered in seven colors, four sizes, and with the options of lizard finish or Kivar covers and a sewn or spiral wire-o binding. Many choose the popular large format for sketching outdoors or for toting to art class. Others like to toss the smaller sizes into a purse or backpack. The archival-quality, vellum-finish paper is especially appealing to artists. It will not yellow with time, ensuring the preservation of their drawings, and its smooth surface readily accepts any drawing medium. The spiral-bound version opens flat. All the covers have a leatherlike finish but are actually tough and waterproof.

Both serious artists and casual doodlers can use the handsome sketchbooks, now offered in seven colors, four sizes, and with the options of lizard finish or Kivar covers and a sewn or spiral wire-o binding. Many choose the popular large format for sketching outdoors or for toting to art class. Others like to toss the smaller sizes into a purse or backpack. The archival-quality, vellum-finish paper is especially appealing to artists. It will not yellow with time, ensuring the preservation of their drawings, and its smooth surface readily accepts any drawing medium. The spiral-bound version opens flat. All the covers have a leatherlike finish but are actually tough and waterproof.

Cajal's Neuronal Forest: Science and Art continues the tradition set forth by its sister volume Cajal's Butterflies of the Soul (OUP, 2009). This new collection contains hundreds of beautiful rarely-seen-before figures produced throughout the nineteenth century and the beginning of the twentieth century by famed father-of-modern-neuroscience Santiago Ramon y Cajal (1852-1934) and his contemporaries. Cajal was captivated by the beautiful shapes of the cells of the nervous system. He and his fellow scientists saw neurons as trees and glial cells as bushes. Given their high density and arrangement, neurons and glial resembled a thick forest, a seemingly impenetrable terrain of interacting cells mediating cognition and behavior. In unraveling the mysteries of the brain, these researchers encountered an almost infinite number of cellular forms with an extraordinary beauty, which they could not help but put pen to paper, allowing them to discover a new artistic world- the neuronal forest- that gave free rein not only to their imagination, but to a new way of viewing the brain as well. This book has been divided into two parts. The first focuses on the scientific atmosphere in Cajal's times, on the history of the neuron, and the anatomical challenge posed in studying neuronal connections. It also delves into the artistic skills of Cajal and other important pioneers in neuroscience and how the neuronal forests have served as an unlimited source of artistic inspiration. The second consists of 275 original drawings by Cajal. All were published over the course of his scientific career and cover virtually all of his research fields of interest, including the spinal cord, the optic lobe and retina, cerebral cortex, and many other regions of the brain. Cajal's Neuronal Forest: Science and Art is a testament to the natural beauty found in science. Despite the common misconception that the drawings of Cajal and other scientists of the time are pieces of art, these drawings are in fact copies of histological preparations and contributed greatly to the discoveries made in the field of neuroscience. This book is a gem in any library, whether serving as a medical history or a gallery of stunning sketches.

Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic sense. If drawing is not reducible to any form of closure, it never resolves a tension specific to drawing but allows the pleasure of drawing to come into appearance, which is also the pleasure in drawing, the gesture of a desire that remains in excess of all knowledge. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around the same questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of sketchbooks on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers.

Capture the bustle and beauty of life in your town. Experience life as only an artist can! Join the rapidly growing, international movement of artists united by a passion for drawing on location in the cities, towns and villages where they live and travel. Packed with art and advice from Marc Taro Holmes, artist and co-founder of Urbansketchers.org, this self-directed workshop shows you how to draw inspiration from real life and bring that same excitement into your sketchbook. Inside you'll fi nd everything you need to tackle subjects ranging from still lifes and architecture to people and busy street scenes. * 15 step-by-step demonstrations cover techniques for creating expressive drawings using pencil, pen and ink, and watercolor. * Expert tips for achieving a balance of accuracy, spontaneity and speed. * Practical advice for working in the field, choosing subjects, coping with onlookers, capturing people in motion and more. * Daily exercises and creative prompts for everything from improving essential skills to diverse approaches, such as montages, storytelling portraits and one-page graphic novels. Whether you are a habitual doodler or a seasoned artist, The Urban Sketcher will have you out in the world sketching from the very first page. By completing drawings on the spot, in one session, you achieve a fresh impression of not just what you see, but also what it feels like to be there . . . visual life stories as only you can experience them.

With Draw 62 Animals and Make Them Happy, illustrator Terry Runyan shows you how to draw 62 amusing animals-and animals in silly situations-by following her easy step-by-step instructions. On the left-hand page, follow the steps for drawing each subject, from simple shapes to identifying marks. On the right-hand page, you'll find several other cleveroptions for varying animals by changing the view, the posture, accessories, or expression. Grab your pen and use the open spaces throughout the book to create your own versions and variations. Whether you're drawing a sidesplitting pooch, a comical cat, or a facetious fox, with Draw 62 Animals and Make Them Happy you're sure to enjoy learning how to bring them to life! Fresh, modern, and with a dash of clever humor, the Draw 62 series from Quarry Books is the most entertaining way to practice your illustration and expand your imagination.

From Canada's most beloved painter comes a deluxe, over-sized art book showcasing Robert Bateman's vision of the Canadian landscape, coast to coast, for the 150th anniversary of Confederation. Join internationally acclaimed artist Robert Bateman on a journey across the seven regions of Canada and see through his eyes the beauty of our country. With a desire to truly know the place he calls home, Bateman has spent his life painting the Canadian landscape. From the historic eastern shores to the cold endless north and the luscious west coast, he shows us the land that has captivated artists and nature lovers for decades. Full of paintings from every region in Canada, Robert Bateman's Canada celebrates the history, diversity, and natural wonder of our country. This is Robert Bateman's vision of Canada as you've never seen it before.

In his graphic biography Nick Cave: Mercy on Me, Reinhard Kleist paints an expressive and enthralling portrait of the musician, novelist, poet, and actor. It is, according to Nick Cave himself, "a complex, chilling and completely bizarre journey into Cave World." Nick Cave & The Bad Seeds: An Art Book collects Kleist's moody and expressive portraits of the musician and his band, spanning 30 years of writing, recording, and live performance. Kleist also returns readers to Cave's imaginative world with comic book reimaginings of "Deanna," "The Good Son," and "Stagger Lee." Filled with visual delights, this record-size art book is a kaleidoscopic portrait of Nick Cave's wide-ranging career as a storyteller, musician, and cultural icon.

Now available in a brand-new edition, this popular and widely praised instructional textbook has become a standard for classroom use in fashion design courses. Twenty-four step-by-step exercises tutor students in methods for finding inspiration, developing techniques to sharpen their observational skills, and in creating fashion drawings in color and black-and-white media. Separate sections coach students in getting started, and on understanding figure proportions, planning and designing garments, and creating and assessing flat specification drawings. New in this expanded and updated edition is a section that provides detailed instruction in digital art techniques. This beautifully illustrated guide is organized into units that reflect curricula at leading international design colleges. Added features include a designer's glossary and an index. The book's more than 300 color illustrations are as instructive as they are handsome.

Many of us want to learn "how to draw." But as artist Anthony Ryder explains, it's much more important to learn what to draw. In other words, to observe and draw what we actually see, rather than what we think we see. When it comes to drawing the human figure, this means letting go of learned ideas and expectation of what the figure should look like. It means carefully observing the interplay of form and light, shape and line, that combine to create the actual appearance of human form. In "The Artist's Complete Guide to Figure Drawing," amateur and experienced artists alike are guided toward this new way of seeing and drawing the figure with a three-step drawing method.
The book's progressive course starts with the block-in, an exercise in seeing and establishing the figure's shape. It then build to the contour, a refined line drawing that represents the figure's silhouette. The last step is tonal work on the inside of the contour, when light and shadow are shaped to create the illusion of form. Separate chapters explore topics critical to the method: gesture, which expresses a sense of living energy to the figure; light, which largely determines how we see the model; and form, which conveys the figure's volume and mass. Examples, step-by-steps, and special "tips" offer helpful hints and practical guidance throughout.
Lavishly illustrated with the author's stunning artwork, "The Artist's Complete Guide to Figure Drawing" combines solid instruction with thoughtful meditations on the art of drawing, to both instruct and inspire artists of all levels.

These illustrations of historic Alaska by Byron Birdsall, one of the state’s most renowned artists, portray the territory from the beginning of the twentieth century through the first decades after Alaska achieved statehood in 1959. Accompanied by informative captions, the black-and-white drawings are organized by region: Southcentral Alaska including Anchorage, the Arctic, the Interior, the western/Bering Sea coast, and Southeast. Birdsall’s masterful illustrations depict a myriad of scenes, from tents on Ship Creek in 1915 to a train unloading tourists at McKinley Park Station in 1935, from the Governor’s Mansion in 1939 in the capital city of Juneau to the Good Friday earthquake in 1964 and the Trans-Alaska Pipeline near the Koyukuk River in 1975.

Sarah Raphael (1960-2001) died young: preparing a show for New York, she contracted pneumonia and never recovered. Her work, large- and small-scale, is now represented in all the leading British collections. A major retrospective at Marlborough Fine Arts, London, in 2003, bringing together work from her last seven years, was as amazing as her earlier exhibitions in its brilliance, its formal variety and inventiveness. One breathtaking area of her work which has so far been inadequately displayed is her drawing. There are few modern artists who equal her in assurance and firmness of line. Michael Ayrton said to her when she was fourteen, 'Draw your own hands. If you can draw your own hands you can do anything.' She did, and she could. Her informal portraits of friends, some well-known, some unknown, never flatter except in telling the truth. She did justice to every model, and her sense of setting, the economy of her perspectives, her ability to create presence, continue to amaze the viewer. Even the most seemingly casual sketch, closely observed, reconstitutes an original, sculptural space about it. The lessons Michael Ayrton taught ensured that she is always at least a three-dimensional artist. Most of the drawings are from her notebooks and sketchbooks, and Frederic Raphael draws from over twenty-five years of work, primarily pencil sketches. As William Boyd has written, 'you can tell how good they are, yourself'. She has her own, unarguable authority.

There are few more complete examples of an artist's record of their own life than the intimately detailed and beautifully produced handmade books that Derek Jarman created throughout his career. Seen together they reveal the story of how he gathered, shaped and made concrete his ideas. Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, the sketchbooks are part autobiography and part social history, layered and bursting with the energy and creativity not only of this groundbreaking film-maker and artist, but also of London in the 1970s and 80s. Wholly private during his lifetime, these precious books are an intimate pictorial record of the relationship between Jarman's personal and professional life, revealing the detailed planning and research, and creative and emotional engagement, behind each of his films.

Discover how to draw true-to-life human figures and poses with detailed step-by-step instructions and tips and tricks on the best drawing techniques.

Grab your sketchbook, pens, and pencils and follow along as this instructional drawing guide teaches you everything you need to know about creating the most realistic human figures.

With more than 150 easy-to-follow illustrations, Drawing People is the perfect guide for aspiring artists looking to develop their people-drawing skills. Start off simple with learning how to draw basic body shapes. By the end, you will have gained the anatomical knowledge you need to make your human figures as realistic as possible including learning to draw:

• Specific muscle groups
• Artistic body poses
• Lifelike portraits and much more!

Whether you’re a beginner or a drawing pro, Drawing People is the perfect book for anyone looking to hone their technical drawing skills and take their illustrations to the next level.

The Lindley Library of the RHS has a collection of some 18,000 drawings and paintings by eminent botanical artists of all periods up to the present day. This book contains a selection of the rarest and most beautiful: flowers, fruit, fungi and other plants from all over the world, by artists such as G.D. Ehret, John and William Curtis, Ferdinand Bauer, William Hooker, W.H. Fitch, Augusta Withers, Margaret Stones and Mary Grierson. All the illustrations are reproduced from the artists' originals.;The book includes a history of the collection and each plate is accompanied by a description of its origin and artistic accomplishment, and a botanical and horticultural account of the plant itself.