Capture the bustle and beauty of life in your town. Experience life as only an artist can! Join the rapidly growing, international movement of artists united by a passion for drawing on location in the cities, towns and villages where they live and travel. Packed with art and advice from Marc Taro Holmes, artist and co-founder of Urbansketchers.org, this self-directed workshop shows you how to draw inspiration from real life and bring that same excitement into your sketchbook. Inside you'll fi nd everything you need to tackle subjects ranging from still lifes and architecture to people and busy street scenes. * 15 step-by-step demonstrations cover techniques for creating expressive drawings using pencil, pen and ink, and watercolor. * Expert tips for achieving a balance of accuracy, spontaneity and speed. * Practical advice for working in the field, choosing subjects, coping with onlookers, capturing people in motion and more. * Daily exercises and creative prompts for everything from improving essential skills to diverse approaches, such as montages, storytelling portraits and one-page graphic novels. Whether you are a habitual doodler or a seasoned artist, The Urban Sketcher will have you out in the world sketching from the very first page. By completing drawings on the spot, in one session, you achieve a fresh impression of not just what you see, but also what it feels like to be there . . . visual life stories as only you can experience them.

A comprehensive practice-based guide to the art of drawing, Drawing: A Complete Guide provides a chapter-by-chapter overview of key elements of drawing (such as line, shape, tone and value) before addressing the different genres (such as still life and portraiture). Written in an accessible and encouraging manner, Drawing: A Complete Guide seeks to build the learner's confidence in artistic exploration as well as developing his or her practical abilities. An introductory chapter makes the case that anyone can draw, while the concluding chapter, `Looking at Drawings: Critical Thinking and Critiques', equips learners with the necessary critical tools to develop their craft independently. Richly illustrated with examples of artists' drawings and the author's own works, Drawing: A Complete Guide also includes student work to make the practice of drawing more accessible and achievable.

Featuring 600+ sketches depicting a vast array of beautiful animal forms, detailed faces, and more, Draw Like an Artist: 100 Realistic Animals is a must-have visual reference book for student artists, scientific illustrators, urban sketchers, and anyone seeking to improve their realistic drawing skills. This contemporary, step-by-step guidebook demonstrates fundamental art concepts like proportion, anatomy, and spatial relationships as you learn to draw a full range of creatures, all shown from a variety of perspectives. Each set of illustrations takes you from beginning sketch lines to a finished drawing. Author Melissa Washburn is a skilled illustrator whose clear and elegant drawing style will make this a go-to sourcebook for years to come. Draw Like an Artist: 100 Realistic Animals is the third book in the Draw Like an Artist series following Faces and Figures and Flowers and Plants. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.

Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.

Found in our archives, the Black's Sketchbooks are a series of books produced in the early 20th century by a group of well-known artists. Each book contains pen sketches of iconic English and Scottish cities and counties. There are also some books on Continental cities such as Paris and Venice. The result is a charming series of books that present a fascinating look at British and European locations as they were almost a century ago. This title is a delightful look at Cambridge as it was in 1913.

This book explains the basic sketching techniques and decisions more in depth and provides much more step-by-step example drawings, which makes it even more suitable for students and professionals who want to become better sketchers. Sketching the Basics can be seen as the prequel to Sketching as it is more targeted at the novice designer. The Basics explains the essential techniques and effects more in detail, taking the reader by the hand and guiding him step by step through all the various aspects of drawing that novice designers come up against.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

More than 70 works of Hogarth include musical references, and Jeremy Barlow's book is the first full-length work devoted to this aspect of his imagery. The first two chapters examine the evidence for Hogarth's interest in music and the problems of assessing accuracy, realism and symbolic meaning in his musical representations. Subsequent chapters show how musical details in his works may often be interpreted as part of his satirical weaponry; the starting point seems to have been his illustrations of the clamorous 'rough music' protest in Samuel Butler's immensely popular poem Hudibras. Hogarth's use of music for satirical purposes also has connections with a particular type of burlesque music in 18th-century England. It may be seen too in the roles played by his humiliated fiddlers or abject ballad singers. Each of the final two chapters focuses on a particular Hogarth subject: his paintings of a scene from a theatrical satire of music and society, The Beggar's Opera, and the print The Enraged Musician itself. The latter work draws together uses of musical imagery discussed previously and the book concludes with an analysis of its internal relations from a musical perspective. The book is lavishly illustrated with Hogarth's drawings, prints and paintings. Many other images are reproduced to provide contextual background. Several indices and appendices enhance the book's value as a reference tool: these include an annotated index of Hogarth's instruments, with photographs or other representations of the instruments he depicts; a detailed index of Hogarth's works with musical imagery; the texts and music for broadside ballads and single-sheet songs related to Hogarth's titles; 18th-century texts and street cries related to Hogarth's The Enraged Musician, and other musical examples indicated in the text. Also included is a facsimile of Bonnell Thornton's burlesque Ode on St CA|cilia's Day.

The Princeton University Art Museum' s collection of American drawings and watercolors is impressive in both scope and quality, providing a comprehensive overview of the nation' s artistic traditions. This lavishly illustrated book highlights seventy-seven master drawings and watercolors chosen from the museum' s extensive collection. The selections, which range from the eighteenth century to the present, are by such eminent American artists as Benjamin West, Winslow Homer, Thomas Eakins, Mary Cassatt, Andrew Wyeth, Georgia O' Keeffe, Lee Bontecou, and Tom Wesselmann. A group of outstanding works by Hudson River School and Ash Can artists also distinguishes the collection.

Each of the selected drawings and watercolors is reproduced in full color and is accompanied by an in-depth catalogue entry. The book also features an introduction by John Wilmerding describing Princeton' s history of collecting American art, as well as an essay by Kathleen A. Foster on the historiography of American drawings and watercolors. A useful checklist of the Museum' s entire collection of over 1,300 American drawings and watercolors, selectively illustrated in color, concludes the book.

This beautiful and informative volume clearly demonstrates that the holdings of the Princeton University Art Museum represent an extraordinary resource for students, scholars, and those with a love of American art and art history.

This book tells the story of Somerset's archaeology and history, from the earliest times up to the twentieth century. Generously illustrated with drawings by the internationally renowned artist Victor Ambrus, best known for his appearances on Channel 4's Time Team, this graphic recreation of places and events offers a visually exciting history of Somerset sure to be enjoyed by all who know and love the county. The illustrations, many of which were done on site and have never been published before, are accompanied by photographs of locations and archaeological objects, bringing Somerset's past to life.

Discover 100 wonderful and majestic creatures to draw! Whether you have your favourites already, or are looking for inspiration from a range of diverse habitats including rainforests, mountains, polar regions or the African savannah, you're bound to discover an animal in this book that you will find irresistible - and you will just want to pick up your pencil and start drawing! Each animal is broken down into three or four simple stages that lead you effortlessly through to the finished drawing. There are no written instructions to follow - just basic shapes and pencil strokes. Even if you've never drawn anything before, you will be amazed at how quickly you will achieve incredibly impressive drawings. Every project also shows two finished examples of the animal - one shaded with pencil and the other with colour. This is the perfect book for budding artists yearning to draw their favourite animals. The material in this book is taken from the following books in Search Press's successful How to Draw series: Mountain Animals, Polar Animals, Rainforest Animals, African Animals.

Master drawing human eyes, hands, faces, and every aspect of the human figure! Best-selling author, Christopher Hart, teaches budding artists how to create proportional, realistic people in this essential how-to-draw volume.

Late Georgian England was a period of great social and political change, yet whether this was for good or for ill was by no means clear to many Britons. In such an era of innovation and revolution, Britons faced the task of deciding which ideals, goals and attitudes most closely fitted their own conception of the nation for which they struggled and fought; the controversies of the era thus forced ordinary people to define an identity that they believed embodied the ideal of 'Britishness' to which they could adhere in this period of uncertainty. Defining John Bull demonstrates that caricature played a vital role in this redefinition of what it meant to be British. During the reign of George III, the public's increasing interest in political controversies meant that satirists turned their attention to the individuals and issues involved. Since this long reign was marked by political crises, both foreign and domestic, caricaturists responded with an outpouring of work that led the era to be called the 'golden age' of caricature. Thus, many and varied prints, produced in response to public demands and sensitive to public attitudes, provide more than simply a record of what interested Britons during the late Georgian era. In the face of domestic and foreign challenges that threatened to shake the very foundations of existing social and political structures, the public struggled to identify those ideals, qualities and characteristics that seemed to form the basis of British society and culture, and that were the bedrock upon which the British polity rested. During the course of this debate, the iconography used to depict it in graphic satire changed to reflect shifts in or the redefinition of existing ideals. Thus, caricature produced during the reign of George III came to visually express new concepts of Britishness.

Kawaii is a Japanese word meaning 'super-cute', and it's a trend that's sweeping the globe. Anything can be drawn in the kawaii style, from animals, people, vegetables and flowers to food, vehicles and household items. Here, expert comic book and manga artist Yishan Li shows you how to achieve amazingly adorable drawings in just a few simple steps. Draw the cutest rabbit you've ever seen, or turn a car into a cute and cuddly character complete with eyes and a smiley mouth. Even a vacuum cleaner and a television set are brought to life in kawaii style. There are 28 different drawings to choose from, all full of personality and bubbling over with charm. Each one is developed in 8 easy stages from a rough sketch of the basic shapes through to the finished, coloured drawing, making this book suitable for adults and children of all ages and abilities.

Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.

A fully revised and updated edition of the essential companion to "Drawing on the Right Side of the Brain"--over half of the exercises are new

This comprehensive book offers a guide to all the materials, techniques and approaches an artist needs to start painting and drawing with confidence. As well as step-by-step instruction for beginners, it offers expert tips, advice and ideas to offer inspiration to more advanced practitioners. Throughout, lively and original works by contemporary artists illustrate the skills in action. Special 'focus' features are included on painting and drawing popular subjects such as portraits and figures, landscapes, buildings and flowers. With tried-and tested techniques and expert guidance, this book provides an invaluable practical reference for every amateur artist looking to hone their skills in oils, pastels, acrylics, watercolours, charcoals, pen and ink or coloured pencils.

" "This fascinating book is a gold mine for aviation trivia junkies." "
--Airforce

"Graphic War" is a superb collection of top-secret drawings, including training manuals and colorful wartime posters, from World War II. They were brilliantly created from a few downed aircraft, but mainly from pilots' views of the enemy in the air, during missions.

Almost all of the material was originally listed as "restricted -- official use only" and previously unpublished in any form. The cutaway drawings of the aircraft and airborne weaponry were critical to the war efforts of Allied and Axis forces alike. As there was little intelligence available to pilots about the design, power and armament on opposing aircraft, these "graphic transcriptions" were essential.

Many of the graphic artists and technical illustrators employed by the Allies, and most employed by the Axis powers, remain anonymous. Their work survives on these pages, however, to provide rare and unique insight into war room strategy and the air- and ground-crew trainee classroom.

Aviation enthusiasts, modelers, illustrators, artists and anyone with an interest in World War II history will find "Graphic War" a compelling inside look at the war fought in the sky.

In Sketching Men, veteran art instructor Koichi Hagawa, PhD explains how to quickly capture the dynamic male form through two distinct styles of sketching: Very rapid (1-3 minute) line drawings that capture the essence of the subject's posture and movement--perfect for recording athletic action poses in the moment More finished tonal drawings, which take a bit longer to render (7-10 minutes), but fill in lots of interesting texture and wonderfully realistic details and nuances, including the play of light and shadow, three-dimensional form and a sense of mass and balance Learn to sketch the following: Individual body parts and their bones and muscles Objects held in the hands and with both arms Standing and sitting poses Transitions from prone and sitting poses to a standing pose Bending, reaching and leaning poses Pushing, throwing and dancing poses Folds, gathers and drape of clothing This book contains hundreds of detailed studies and helpful examples. Your sketches will improve rapidly as you learn all about how human anatomy--the skeleton, muscles and posture--all come together to express the uniquely male form. When you hone your line and tonal drawing skills with this book, all of your artwork will improve as a result, no matter the application: storyboarding, cartooning and graphic novels, illustration, formal drawings, painting and more!

Bestselling how-to-draw author Christopher Hart here taps into his vast experience to prove that anyone can depict the human body. Chris has carefully designed his step-by-step instructions so that they're accessible to absolute beginners, especially kids 12 and up. His simplified, yet detailed, guidance covers drawing the head and body of men, women and children in a wide variety of facial features, expressions, styles and poses. Learn to capture the many personalities and activities of people in everyday life, from firefighters, doctors, soldiers and students to swimmers, skateboarders, gymnasts and even daydreamers. A quick look through this book will make it clear to any aspiring artist that you can learn to draw, quickly and easily - and love every step along the way!

First full-length investigation of Elizabethan and Jacobean genealogy, showing how it could be manipulated to legitimise - and oppose. Shakespeare lived in an age when royal genealogy mattered. Queen Elizabeth succeeded her father despite accusations of illegitimacy after Anne Boleyn's beheading. As she defied suitors and potential spouses, and refused not only to produce but even to nominate an heir, factions arose siding with the numerous candidates, particularly Mary Queen of Scots. When, upon Elizabeth's death, James VI, the king of Scotland, prepared to ascend for the first time in history to the English throne, it became paramount that he should fashion himself as an English monarch as well. In this game of thrones, royal genealogy was the instrument that could best represent, distort, create, favour orundermine the ancestral right of the current ruler and their potential successors. In the form of scrolls, charts, books, paper rags and even maps, the genealogies of Elizabeth I, James I, and the main pretenders were circulatedin Britain and Europe in manuscript and print, officially or surreptitiously. This book - the first systematic study of this subject - explores the most fascinating examples of royal genealogy in this era, from the rooms of Whitehall to the pockets of Jesuits in London prisons. Most of these texts are here reproduced in print for the first time, with lavish illustrations; they reveal the political divisions, concerns, treasons and celebrations that lurked behind their splendour.

This compelling book is the result of a project intended to visually communicate the hardships endured by Iraqi communities. Utilizing art materials donated to camps by the Ruya Foundation for Contemporary Culture in Iraq, these 350 drawings were created by some of the country's 1.8 million refugees, providing a necessary outlet for their immense suffering and struggles associated with being temporarily displaced from their vocations as lawyers, teachers, farmers, and mothers. Originally presented as an exhibition at the 2015 Venice Biennale, this publication features a large group of these drawings exclusively selected by the artist and activist Ai Weiwei. Harnessing the power of visual art as a means for both personal expression and socio-political awareness, this innovative book represents the humanistic effort to provide a voice for the underrepresented and their unimaginable strife. Mercatorfonds is donating all profits from the sale of this book to the refugee camps in Iraq. Distributed for Mercatorfonds