Acclaimed artist and educator Lisa Bardot gives you all the tools you need to approach creating art and illustration on your iPad, using Procreate and other popular drawing apps. - Explore the core technical aspects of your chosen app, including layers, masks, alpha lock, and brushes. - Learn how to draw plants, flowers, and animals, then move on to drawing people and more complicated scenes. - Step-by-step exercises lead you through each new topic, with plenty of tips, tricks and techniques. - An ideal starting point for newcomers to digital art, but with plenty of original inspiration and advice for more advanced artists.

If you want to draw cats but don't know where to start, this is the book for you! 10 Step Drawing: Cats will help you turn simple shapes into beautiful cat drawings in just ten steps. Each drawing starts with easy, geometric shapes and simple guide lines, and the cats are drawn in a variety of poses that typify the particular breed. Each drawing includes a helpful colour palette so readers can easily find the right colours to finish their drawing. There are even instructions for adding simple details to give each creature its own personality.

Perspective drawing is the foundation for creating art that pops off the page. This is the ultimate guide to helping aspiring artists understand and develop techniques to draw confidently using the power of perspective. While mastering perspective can take years, this book will provide understanding of why things look the way they do and how to draw them accurately and confidently. In The Perspective Drawing Guide: Simple Techniques for Mastering Every Angle, designer and teacher Spencer Nugent takes a fundamental approach and gives tips, tricks, and techniques that enable readers to draw more confidently by breaking down objects into easier to draw shapes, showing the mechanics of perspective, and demonstrating how to make drawings presentation ready. This guide is perfect for beginning artists looking to develop their perspective drawing abilities or even seasoned artists wanting to sharpen their skills.

Rediscover the pleasure you got from childhood drawing, before you became too self-conscious and self-critical to enjoy it. Most children draw. Before we can write, even, we scribble and sketch and create. But somehow that gets lost as we get older. We learn that Being An Artist is hard and complicated, and that there are technical rules to choosing colour and perfecting your perspective. This book is here to remind you of the joy you once found in creating, scribbling, getting something down on paper - and that it's really about the process and nothing to do with how technically brilliant the finished 'artwork' is. In this accessible guide, largely self-taught artist Jen Russell-Smith takes beginners by the hand and breaks down the barriers we face around sketching, and shows you how to begin with quick, loose sketches building your confidence and skills to draw spontaneously, with nothing more than the things around you for inspiration. With simple exercises that anyone can follow, Jen shows you how to sketch the things and the places around you from life, using simple watercolour techniques to add vibrancy to your work.

The illustrator Andrew Loomis (1892-1959) is revered amongst artists - including the great American painter Norman Rockwell and comics superstar Alex Ross - for his mastery of figure drawing and clean, Realist style.
His hugely influential series of art instruction books have never been bettered.
"Drawing the Head and Hands" is the second in Titan's programme of facsimile editions, returning these classic titles to print for the first time in decades.

Watson-Guptill's all-time best-selling drawing book. A best-seller for 35 years! This is a timeless classic that has taught generations of artists - and will teach generations more. When it was originally published in 1970, "How to Draw What You See" zoomed to the top of Watson-Guptill's best-seller list - and it has remained there ever since. "I believe that you must be able to draw things as you see them - realistically," wrote Rudy de Reyna in his introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna's methods. "How to Draw What You See" shows artists how to recognize the basic shape of an object - cube, cylinder, cone, or sphere - and use that shape to draw the object, no matter how much detail it contains.

This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical condition of the portfolio, including reassigning "hands" to text found on the leaves. The author analyses the tools and inks used, Villard's drawing technique and style, and evaluates Villard as an artist-draftsman. Chapter II, the body of the book, is devoted to detailed analyses of the leaves, one by one, and their drawings and inscriptions. These analyses are of interest to those concerned with medieval technology and theology as well as to those interested in medieval art and architecture. Chapter III is a new biography of Villard that challenges the many wild speculations of the last century and a half about Villard, separating obvious fiction from possible fact. Barnes analyzes in detail Villard's drawings of different Gothic buildings and makes a case for Villard having been a lay representative of the cathedral chapter at Cambrai, one of the buildings Villard drew. An extensive bibliography of Villard studies and a glossary of Villard's technical and artistic terms complete this important new study.

'Drawing on the Right Side of the Brain' is the world's most widely used drawing instruction book. Whether you feel you have little talent and you doubt you could ever learn, or you enjoy drawing but have not been able to get much beyond a childlike level, this book will show you how to gain the skill that you have always wanted. If you are already drawing as a professional artist or are an artist-in-training, it will give you greater confidence in your ability and deepen your artistic perception.

This new edition of 'Drawing on the Right Side of the Brain' has been dramatically revised, with more than fifty per cent new material, including:
• Recent developments in brain research that relate to drawing
• New insights on the use of drawing techniques in the corporate world and education
• Instruction on self-expression through drawing
• Ways to step beyond black-and-white drawing into colour
• Detailed advice on how to apply the five basic skills of drawing to solve problems

See how the astonishing success of 'Drawing on the Right Side of the Brain' – responsible for teaching millions to draw – can work for you, too.

Having trouble drawing a nose that looks like a nose? In this step-by-step guide, Lee Hammond will teach you how to draw realistic-looking portraits of your favorite people-more easily than you ever thought possible. Really! The secret is in the blending: With pencil and paper, Lee shows you how to create gradual, smooth shadings of light and dark to replicate the subtle contours of skin...and how to use these simple shading techniques to make any shape look three-dimensional. After you've got the basics down, you'll see how to draw every part of the face. It's made easy by looking at each feature as simple, interlocking shapes, then adding the right highlights and shadows. In no time, you'll be drawing realistic noses, mouths, eyes, ears...even facial expressions. Then you'll see how to put all those features together to create an expressive portrait that actually looks like your subject! Step-by-step demonstrations guide you all the way.

How to Keep a Sketch Journal is the essential travel-sized guide to keeping a visual diary of your surroundings. Whether you're a habitual sketcher or just starting out, this book will teach you how to improve your observational sketching, indoors or outdoors, whether you're drawing still lifes, environments, or scenes. It covers sketching with different media, from a simple pen or pencil to using watercolors or pastels on the go. The book stands perfectly on its own as a guidebook, or can be used as a complement to 3dtotal's Sketch Journal travel portfolio, fitting neatly alongside your favorite sketching tools.

The Cleghorn Collection reproduces more than 200 of the drawings from the Cleghorn Collection in colour, for the first time. These include drawings from nature, copies based on European prints, and Nature Prints made from herbarium specimens. They are the work of several South Indian artists and of pupils of the pioneering Madras School of Art.

Zwei Werkserien von Jeremias Altmann In seiner künstlerischen Arbeit beschäftigt sich Jeremias Altmann mit den Themen Maschine, Mensch und Entwicklung. Die aufwendig gestaltete Künstlermonografie präsentiert die beiden Werkserien YOUNG PROPHECIES und MACHINES. In der Serie YOUNG PROPHECIES rekonstruiert Altmann seine eigenen Kinderzeichnungen. Die Auseinandersetzung mit dem Innenleben technischer Apparaturen im zeitlichen Wandel ist Ausgangspunkt für die Serie MACHINES. Die Präsentation der Serien wird ergänzt durch einen essayistischen Text des Künstlers, von Fragen kindlicher Entwicklungspsychologie bis zu Reflexionen zum Spannungsfeld Mensch/Maschine. Die ungewöhnliche Gestaltung des Buches mit zwei Leserichtungen erlaubt das spielerische Erforschen der Serien: Leseroutinen werden aufgebrochen; Texte und Bilder sind zu einer besonderen Einheit verwoben. Präsentation zweier außergewöhnlicher Werkserien des Künstlers Jeremias Altmann Unkonventionell gestaltetes Buchobjekt mit zwei Leserichtungen Mit Beiträgen von Barbara Herbst, Antonia Hoerschelmann, Esther Mlenek, Günther Oberhollenzer und Nina Schedlmayer

Brand-new, updated edition of the bestselling book, Drawing Masterclass: Animals by popular artist, Lucy Swinburne. Whether you want to capture a beloved pet cat or a magnificent wolf on paper, this book provides a complete course in how to draw them. All the essential drawing techniques and materials you need are explained clearly and simply by Lucy, and two brand new sections show you how to sketch the key features of a wide variety of animals such as eyes, ears and fur, and how to capture movement. The 20 step-by-step exercises inside draw on a diverse range of subjects from various continents, including meerkats, lizards and horses. This inspiring book is a must-have for any artist seeking to capture the spirit and character of animals in their drawings.

Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.

Colour your way to better focus! Colouring books ... for grown-ups. Remember the long hours spent colouring in the lines of your most-cherished colouring books, full box of crayons within reach, the demanding adult world tuned out? Secretly long for an excuse to retreat back into that world? Now you can. Find your inner artist and colour your way to better focus! Mindfulness helps us to appreciate the world around us - to feel centred, less stressed and more fully alive. Art for Mindfulness offers the perfect aid - 60 intricate blank vintage fabric patterns to help focus your mind, unlock your creativity and calm your conscious as you pour colour into them. With an introduction from art therapist and mindfulness practitioner Imi Lo, plus accompanying quotes with each illustration to inspire meditation as you go through, Art for Mindfulness is the beautiful colouring book for grown-ups you can mindfully complete. So pick up your pencil, unleash your creativity and watch your well-being thrive!

In The Urban Sketching Handbook: Drawing Expressive People, urban sketcher and workshop instructor Roisin Cure shows how to make your figures more than just anonymous bystanders by sharing the basics of drawing people on the go as well as how to successfully render poses, faces, and expressions. Following an essential section on proportion, you'll find tips, tricks, and examples for surmounting the intimidating prospect of capturing ever-shifting subjects, plus techniques for portraying poses accurately and distilling details that convey personality and emotion, whether individually, in small groups, or in crowds. Bring figures and people to life on the page and tell an authentic visual story with The Urban Sketching Handbook: Drawing Expressive People. The Urban Sketching Handbook series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format-perfect to toss in your backpack or artist's tote.

More than 70 works of Hogarth include musical references, and Jeremy Barlow's book is the first full-length work devoted to this aspect of his imagery. The first two chapters examine the evidence for Hogarth's interest in music and the problems of assessing accuracy, realism and symbolic meaning in his musical representations. Subsequent chapters show how musical details in his works may often be interpreted as part of his satirical weaponry; the starting point seems to have been his illustrations of the clamorous 'rough music' protest in Samuel Butler's immensely popular poem Hudibras. Hogarth's use of music for satirical purposes also has connections with a particular type of burlesque music in 18th-century England. It may be seen too in the roles played by his humiliated fiddlers or abject ballad singers. Each of the final two chapters focuses on a particular Hogarth subject: his paintings of a scene from a theatrical satire of music and society, The Beggar's Opera, and the print The Enraged Musician itself. The latter work draws together uses of musical imagery discussed previously and the book concludes with an analysis of its internal relations from a musical perspective. The book is lavishly illustrated with Hogarth's drawings, prints and paintings. Many other images are reproduced to provide contextual background. Several indices and appendices enhance the book's value as a reference tool: these include an annotated index of Hogarth's instruments, with photographs or other representations of the instruments he depicts; a detailed index of Hogarth's works with musical imagery; the texts and music for broadside ballads and single-sheet songs related to Hogarth's titles; 18th-century texts and street cries related to Hogarth's The Enraged Musician, and other musical examples indicated in the text. Also included is a facsimile of Bonnell Thornton's burlesque Ode on St CA|cilia's Day.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Following the success of the bestselling colouring book Secret Garden by Johanna Basford, this set of 20 detachable postcards contain stunningly intricate and inspirational drawings of flowers, plants, insects, birds and small animals for you to colour in and either keep for yourself or send to friends. The 20 postcards are presented in a beautifully decorative package and the intricately realised world of the secret garden will appeal to all ages. 'Colouring in isn't just for kids. These intricate, magical drawings from Secret Garden by Johanna Basford are just waiting to be brought to life.' The Guardian 'Joanna Basford's Secret Garden is an 'inky treasure hunt and colouring book' filled with intricate drawings waiting to be brought to life. It's the colouring-in book you wish you had the hand-eye coordination to do, aged two.' The Independent 'Prepare yourself to get lost in a magical world with this interactive activity book that takes you through a secret garden of incredible drawings by Johanna Basford.' Buzzfeed 'Coloring books for adults have been around for decades, but Basford's success...has helped to create a massive new industry category.' The New Yorker Also available by Johanna Basford from Laurence King Publishing: Secret Garden: An Inky Treasure Hunt and Colouring Book (9781780671062) Enchanted Forest: An Inky Quest and Colouring Book (9781780674872) Secret Garden: Journal (9781856699853) Enchanted Forest: Artist's Edition (9781780677842) Enchanted Forest: Journal (9781780679181) Enchanted Forest: 12 Notecards (9781780677835)

This elegant & accessible primer from master contemporary artist Juliette Aristides distils the drawing process into its essential elements. In "Lessons in Classical Drawing", award-winning author, artist and teacher, Juliette Aristides breaks down the drawing process and shows what all great drawing has in common. The book conveys a start-to-finish overview of the drawing experience and shows what to tackle when first starting a drawing and then how to lay the groundwork for each subsequent step in creating a well-crafted drawing. Packaged with a companion DVD, which aims to eliminate any gaps in the learning process, the reader becomes a virtual participant in a drawing workshop filmed at the Santa Repararta School in Florence, Italy.

"Drawing - The Process" is a collection of papers, theories and interviews based on the conference and exhibition of the same name held at Kingston University in 2003.

Much debate and research is currently undertaken in this area and it is the intention of the book to galvanize this, while providing a vehicle for deep enquiry. The publication will firstly comprise a collection of refereed papers representing a breadth of activity and research around the issues of drawing within the broad context of art and design activity. The second dimension of the book will be an examination of the drawing processes of high profile practitioners.
The publication will encompass the best contemporary investigation of a subject pivotal to art and design activity, and should be recognized as a fundamental text for students at both undergraduate and postgraduate levels.