With Draw 62 Animals and Make Them Happy, illustrator Terry Runyan shows you how to draw 62 amusing animals-and animals in silly situations-by following her easy step-by-step instructions. On the left-hand page, follow the steps for drawing each subject, from simple shapes to identifying marks. On the right-hand page, you'll find several other cleveroptions for varying animals by changing the view, the posture, accessories, or expression. Grab your pen and use the open spaces throughout the book to create your own versions and variations. Whether you're drawing a sidesplitting pooch, a comical cat, or a facetious fox, with Draw 62 Animals and Make Them Happy you're sure to enjoy learning how to bring them to life! Fresh, modern, and with a dash of clever humor, the Draw 62 series from Quarry Books is the most entertaining way to practice your illustration and expand your imagination.

This work introduces not only the techniques of oil painting but also the underlying principles of figure drawing. The book features 32 full-colour pages and an introduction by James Gurney.

As a response to the ubiquity of drawing in contemporary consciousness and a corresponding dearth of critical engagement with the medium, these collected essays provide original interpretations of artists' drawing today. Questions of process, politics, scale, and community raised in the work of the diverse group of artists are situated within the historic discourse on drawing and demonstrate the extent to which contemporary practice challenges previous definitions of the medium. From the room-encompassing drawings of Monika Grzymala and Barbara Bernstein or Sophie Calle's expansive exploration of the Jerusalem eruv to Andrea Bowers's graphite renditions of protest to Ellsworth Kelly's proposal for a memorial to September 11, the essays explore the implications of drawings' departure from the confines of a sheet of paper. Essential reading for both the academic and general audience, this book provides in-depth discussions of artists and projects that have never been treated in a sustained, analytical way; each essay will interest the wider contemporary art audience, as well as students of drawing. Taken as a whole, the volume represents a pertinent and stimulating engagement with issues of paramount importance to our understanding of contemporary art and its place in museums, galleries, and the public sphere.

Learn to draw the natural world with this inspiring and accessible guide by master-artist Giovanni Civardi. Beginning with the key drawing methods and essential materials you'll need to start your artistic journey, along with advice on drawing perspective as well as light and shade, learn to sketch country scenes, fruit, vegetables, animals and more. Throughout you'll find hundreds of helpful and practical illustrations, along with stunning examples of Civardi's work that exemplify his favourite techniques for capturing the natural world. This is the perfect book for both beginner and experienced artists looking for an inspirational, no-nonsense introduction to drawing natural subjects. This comprehensive guide brings together seven books from Search Press's successful Art of Drawing series: Drawing Techniques; Understanding Perspective; Drawing Scenery; Drawing Light & Shade; Flowers, Fruit & Vegetables; Drawing Pets; and Wild Animals.

Learn everything you need to become a manga artist, with step-by-step instructions, exercises to develop your skills, and tips and tricks. With the interest in manga-style art now stronger than ever - its influence can be seen in films such as Spirited Away and My Neighbour Totoro by Studio Ghibli, amongst other movies - this is the perfect book to slipstream into manga drawing. Packed full of step-by-step sequences for face, body, and poses, you too can draw in the manga-art style. Learn how to draw figures in the characteristic style of your favourite characters by building a portfolio of drawings. At the end of each chapter is a series of practice exercises where you're encouraged to trace or freehand draw subjects from earlier on. You'll end up with a portfolio of sketches charting your artistic development. There is also an inspirational artists-in-residence section, where various artists share their manga-art secrets and showcase their own art.

This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical condition of the portfolio, including reassigning "hands" to text found on the leaves. The author analyses the tools and inks used, Villard's drawing technique and style, and evaluates Villard as an artist-draftsman. Chapter II, the body of the book, is devoted to detailed analyses of the leaves, one by one, and their drawings and inscriptions. These analyses are of interest to those concerned with medieval technology and theology as well as to those interested in medieval art and architecture. Chapter III is a new biography of Villard that challenges the many wild speculations of the last century and a half about Villard, separating obvious fiction from possible fact. Barnes analyzes in detail Villard's drawings of different Gothic buildings and makes a case for Villard having been a lay representative of the cathedral chapter at Cambrai, one of the buildings Villard drew. An extensive bibliography of Villard studies and a glossary of Villard's technical and artistic terms complete this important new study.

Learn to make your characters unique, compelling and lifelike with these 75 exercises for all skill levels, including beginners. Topics include tools and materials; shapes; personalities; facial expressions; body language; character interaction; and costuming. Character types featured include more than just humans; learn how to draw animals, plants, creatures and more. Author Bev Johnson guides you through a variety of questions to explore not only the kinds of characters you want to create, but also the relationships between them, such as who their friends and enemies are, what their personality distinctions are, etc. so you can you can create truly interesting characters.

A Victorian club house in a castle in the West End of London, complete with battlements and turrets. A design for the post-war reconstruction of the capital in 1945. A fantasy landscape featuring Le Corbusier's Capriccio of Notre-Dame du Haut in ruins. This is a treasury of architectural drawing from the 16th century to the present day. Exploring both how and why architects draw, it offers a rich visual history from Palladio, Inigo Jones and Augustus Pugin to Richard Rogers, Norman Foster and Zaha Hadid, via Sir Christopher Wren, George Gilbert Scott and Erno Goldfinger, and everything else in between. From back-of-envelope concept sketches to painstaking pen-and-ink perspectives, exploded axonometrics and born-digital drawings, this book celebrates the full gamut of architectural representation. With over 200 lush, full-colour reproductions, this is a window into the soul of architectural drawing over the past five hundred years. Includes newly digitised, never-seen-before material from the RIBA Collections, one of the largest architectural archives in the world. Explores rare drawings and designs from John Nash, Sir Edwin Lutyens, Frank Lloyd Wright and many more. Insightful commentary alongside each drawing ensures that each image is as accessible and engaging as possible. Wide-ranging in scope, this book will both inspire and inform.

In 1956 Sylvia Plath wrote to her mother, Aurelia Plath: 'I feel I'm developing a kind of primitive style of my own which I am very fond of. Wait til you see. The Cambridge sketch was nothing compared to these.' Sylvia Plath cited art as her deepest source of inspiration but, while her poetry is celebrated around the world, her drawings are little known. This volume brings together drawings from 1955 to 1957, the period she spent on a Fulbright scholarship from the US at Newnham College, Cambridge. During this time she married Ted Hughes and travelled with him to Paris and Spain. First published as a catalogue for an exhibition at the Mayor Gallery, the tiny drawings in pen and ink are exquisitely observed. They include Parisian rooftops, trees and churches.

Featuring 600+ sketches depicting a vast array of human expressions, movements, and more, Draw Like an Artist: 100 Faces and Figures is a must-have visual reference book for student artists, illustrators, cartoonists, urban sketchers, and anyone seeking to improve their realistic drawing skills. Designed as a contemporary, step-by-stepguidebook for artists who are learning to draw the human form, Draw Like An Artist: 100 Faces and Figures features an inclusive array of faces, figures, and poses, all shown from a variety of perspectives. Each set of illustrations takes you from beginning sketch lines to a finished drawing. Author Chris Legaspi is a leading figure illustrator and popular workshop instructor whose clear and elegant drawing style will make this a go-to sourcebook for years to come. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.

When watching a masterful sketcher, it seems that they create elaborate sketches with ease, tracing their pencils on the page and bringing to life rich and detailed drawings. After sweating away hours trying to create a simple sketch, you may find that yours pales in comparison, looking amateurish and unprofessional. Why is it that you can't do what these 'masters' can? While many assume the difference comes down to accurate strokes and natural talent, you couldn't be further from the truth. Accuracy is not everything - confidence is. And, in this book, Hlavacs helps you to build up your confidence, moving through each layer of drawing and helping you understand exactly why one drawing looks more professional than another. This book breaks down the fear around sketching, walking you through how to create intricate sketches without difficulty. No other book teaches sketching in such a natural way, allowing anyone - no matter levels of talent or their past in drawing - to learn how to make this beautiful skill an intuitive process. Hlavacs demonstrates sketching as a pathway of logical steps, starting with the most basic elements and then adding further layers to the sketches as the book progresses. With a range of exercises to move through and pages filled with the psychology of why humans are drawn to certain sketches over others, this book will turn you into the master you've always admired. Instead of aiming for perfection, Hlavacs teaches you how to draw emotionally, using confidence in place of skill and understanding in place of talent. No matter who you are, The Exceptionally Simple Theory of Sketching will give you rules and demonstrations that will turn every sketch you create into a masterpiece.

Found in our archives, the Black's Sketchbooks are a series of books produced in the early 20th century by a group of well-known artists. Each book contains pen sketches of iconic English and Scottish cities and counties. There are also some books on Continental cities such as Paris and Venice. The result is a charming series of books that present a fascinating look at British and European locations as they were almost a century ago. This title is a delightful look at Cambridge as it was in 1913.

In February 1972 Henry Moore's sculpture studios in the English countryside at Much Hadham were filled with the preparations for his retrospective exhibition at Florence. In search of peace and quiet, he went into a smaller room overlooking the fields where a local farmer grazed his sheep. The sheep came very close to the window, attracting his attention, and he began to draw them. Initially he saw them as nothing more than four-legged balls of wool, but his vision changed as he explored what they were really like - the way they moved, the shape of their bodies under the fleece. They also developed strong human and biblical associations, and the sight of a ewe with her lamb evoked the mother-and-child theme - a large form sheltering a small one - which has been important to Henry Moore in all his work. He drew the sheep again that summer after they were shorn, when he could see the shapes of the bodies which had been covered by wool. Solid in form, sudden and vigorous in movement, Henry Moore's sheep are created through a network of swirling and zigzagging lines in the rapid and (in Moore's hands) sensitive medium of ballpoint pen. The effect is both familiar and monumental; as Lor

The first comprehensive account of how and why architects learned to communicate through color Architectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers' natural signs, military engineers' conventions, and, finally, painters' affective goals in an attempt to communicate with a broad public. Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice. Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.

Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.

Be inspired by this fun compilation sketchbook of four favorite volumes from Quarry Books' 20 Ways series! Designed to offer artists, designers, and doodlers a fun and sophisticated collection of illustration fun, each spread features 20 inspiring illustrated examples of 135 themes, over 3600 drawings total! From trees and flowers to animals and sea creatures and everything in between. Don't worry, there's tons of room for you to draw your own versions of these amazing doodles right on the pages. This is not a step-by-step technique book - within the pages you'll find drawings simplified, modernized, and reduced to the most basic elements, showing you how simple abstract shapes and forms create the building blocks of any item that you want to draw. Each of the 20 interpretations provides a different, interesting approach to drawing a single item, providing loads of inspiration for your own drawing. These four artists each have a uniquely creative style, resulting in an engaging and motivational practice book that provides a new take on the world of sketching, doodling, and designing.

In Sketching Women, three professional studio artists (Kozo Ueda, PhD, Takahiro Okada, PhD and Minoru Hirota, PhD) join forces to show you how to sketch the female figure through 55 step-by-step drawing lessons. Each instructor walks you through their philosophy for croquis sketching. Croquis sketches are quickly-rendered drawings that capture the essentials of a subject's form and pose with relatively few expressive lines. There are four levels of sketching described in the book: 1-minute croquis: very rapid gesture drawings that capture only the artist's impressions of the form, and where the pencil stays in contact with the paper for practically the entire session 2-minute croquis: another quick sketch, but with more attention paid to the character and rhythm of the lines and how they help to express the essence of the form 5-minute croquis: a more finished drawing where added tonal variations suggest volume and anatomical details 10-minute croquis: more of a finished drawing than true croquis, the longer session allows the luxury of adding fine details such as the facial expression, the character of the hands and clothing texture Learn to sketch the following: Individual body parts (including faces) and their bone structure and muscles Standing and sitting poses Nudes and clothed figures Light and dark tonal variations Dynamic poses Color drawings You'll quickly hone your sketching skills with this life-drawing classroom-in-a-book. The expert advice and observations, dozens of poses to study, as well as easy-to-understand notes and tips make it easy to understand how the skeleton, muscles and posture all come together to express the uniquely female form.

More than 70 works of Hogarth include musical references, and Jeremy Barlow's book is the first full-length work devoted to this aspect of his imagery. The first two chapters examine the evidence for Hogarth's interest in music and the problems of assessing accuracy, realism and symbolic meaning in his musical representations. Subsequent chapters show how musical details in his works may often be interpreted as part of his satirical weaponry; the starting point seems to have been his illustrations of the clamorous 'rough music' protest in Samuel Butler's immensely popular poem Hudibras. Hogarth's use of music for satirical purposes also has connections with a particular type of burlesque music in 18th-century England. It may be seen too in the roles played by his humiliated fiddlers or abject ballad singers. Each of the final two chapters focuses on a particular Hogarth subject: his paintings of a scene from a theatrical satire of music and society, The Beggar's Opera, and the print The Enraged Musician itself. The latter work draws together uses of musical imagery discussed previously and the book concludes with an analysis of its internal relations from a musical perspective. The book is lavishly illustrated with Hogarth's drawings, prints and paintings. Many other images are reproduced to provide contextual background. Several indices and appendices enhance the book's value as a reference tool: these include an annotated index of Hogarth's instruments, with photographs or other representations of the instruments he depicts; a detailed index of Hogarth's works with musical imagery; the texts and music for broadside ballads and single-sheet songs related to Hogarth's titles; 18th-century texts and street cries related to Hogarth's The Enraged Musician, and other musical examples indicated in the text. Also included is a facsimile of Bonnell Thornton's burlesque Ode on St CA|cilia's Day.

The first authoritative collection of drawings by legendary modern architect Lina Bo Bardi Lina Bo Bardi (1914-1992) was one of the most prolific and visionary architects of the twentieth century. Raised in Italy under Mussolini's Fascist regime and emigrating to Brazil after World War II, she championed the power of architecture and design to embrace everyday life. Her boldly modernist designs range from concrete-and-glass structures like the Sao Paulo Museum of Art and the culture and leisure center SESC Pompeia to furniture and jewelry. This is the first book to examine one of the most intimate and expressive features of her life and work, but one she rarely shared with the public-drawing. Bo Bardi produced thousands of drawings in her lifetime, from picturesque landscapes drawn when she was a child, to sketches made as part of her daily routine as an architect, to fanciful drawings that show different aspects of her private life. In this beautifully illustrated book, Zeuler Lima, the world's leading authority on Bo Bardi, brings together a careful selection of these and other drawings, many of them never published until now. Bo Bardi drew on card stock, tracing paper, regular paper, and newsprint. She used pencils, watercolor, gouache, ballpoint pens, and felt-tips, producing drawings that combined surrealist elements with an eye for color and joyful forms. Lina Bo Bardi, Drawings sheds critical light on the creative sensibility behind some of the twentieth century's most striking modernist designs, and provides a rare window into the design practice of an architect like no other. Published in association with the Fundacio Joan Miro

First full-length investigation of Elizabethan and Jacobean genealogy, showing how it could be manipulated to legitimise - and oppose. Shakespeare lived in an age when royal genealogy mattered. Queen Elizabeth succeeded her father despite accusations of illegitimacy after Anne Boleyn's beheading. As she defied suitors and potential spouses, and refused not only to produce but even to nominate an heir, factions arose siding with the numerous candidates, particularly Mary Queen of Scots. When, upon Elizabeth's death, James VI, the king of Scotland, prepared to ascend for the first time in history to the English throne, it became paramount that he should fashion himself as an English monarch as well. In this game of thrones, royal genealogy was the instrument that could best represent, distort, create, favour orundermine the ancestral right of the current ruler and their potential successors. In the form of scrolls, charts, books, paper rags and even maps, the genealogies of Elizabeth I, James I, and the main pretenders were circulatedin Britain and Europe in manuscript and print, officially or surreptitiously. This book - the first systematic study of this subject - explores the most fascinating examples of royal genealogy in this era, from the rooms of Whitehall to the pockets of Jesuits in London prisons. Most of these texts are here reproduced in print for the first time, with lavish illustrations; they reveal the political divisions, concerns, treasons and celebrations that lurked behind their splendour.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.