This beautiful publication presents for the first time the Eveillard Gift of drawings to The Frick Collection, the most important gift of drawings and pastels in its history. It accompanies an exhibition at the Frick and includes a catalogue of the works and commentaries by noted scholars. Twenty-six works of art promised to The Frick Collection by Elizabeth and Jean-Marie Eveillard dramatically advance the museum's commitment to the research and display of European drawings. Included in this transformative gift from two longtime supporters of the Frick are exquisite drawings, pastels, prints, and one oil sketch by Francois Boucher, Gustave Caillebotte, Edgar Degas, Eugene Delacroix, Jean-Honore Fragonard, Thomas Lawrence, Francisco de Goya y Lucientes, John Singer Sargent, Elisabeth Vigee Le Brun, and Jean-Antoine Watteau, among others. The works include figurative sketches, independent studies, portraits, and landscape scenes, each either deepening the museum's celebrated holdings or bringing the work of an artist who is not face=Calibri>- but should be - represented in the collection. This lavishly illustrated publication, which accompanies an exhibition at the Frick, includes a catalogue of the works, as well as comprehensive commentaries on each of promised gifts written by noted scholars in their field.

This handy guide to perspective drawing provides important information on such subjects as diminution, foreshortening, convergence, shade and shadow, and other visual principles of perspective drawing. Accompanying a concise and thoughtfully written text are more than 150 simply drawn illustrations that depict a sense of space and depth, demonstrate vanishing points and eye level, and explain such concepts as appearance versus reality, perspective distortion, and determining heights and widths. Unabridged republication of the edition published by Tudor Publishing Company, New York, 1964.

This third book in the popular Do More Art series exposes how the simplest of writing tools is in fact the key to an entire universe of artistic expression. From simple doodling and mark-making to meticulously built-up tour de forces - a piece of graphite is all that is needed to create whole new worlds. Selwyn Leamy and Eve Blackwood explore the many different ways the pencil can be used: from hatching and smudging to frottage and even collage. Each technique is clearly explained and illustrated with works by some of the greatest contemporary pencil practitioners - demonstrating once and for all that the pencil really is mightier than the pen.

This fourth book in the 'Kawaii' series is packed with adorable creatures from a range of cultures and mythologies. In the hands of author-teacher Angela Nguyen, even a three-headed dog is drawn in a style that will have any young artist cooing! This book teaches young readers what kawaii is all about and how to draw any mythical animal in an adorable style. There are clear step-by-step diagrams that are great for visual learners and make it super-easy to follow the instructions. The wonderful beasts are organized by the terrain in which they are found: air, water and land. There is also a section devoted to how young readers can create their own creatures: elephants with tiny wings, bunnies with unfeasibly large ears, and 'mash-ups' like giant bats. Angela has created 'feature spreads' showing imagined landscapes where some of these creatures might safely graze. Taking cuteness to the next level, this wonderful resource makes drawing instantly achievable and great fun!

THE SEQUEL TO THE MULTI-MILLION BESTSELLER DRAWING ON THE RIGHT SIDE OF THE BRAIN From the author of the world's most popular drawing instruction manual Drawing on the Right Side of the Brain, this new book helps you discover a new way of drawing and problem solving. Betty Edwards reveals the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain - either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see. Generously illustrated throughout, Drawing on the Dominant Eye offers a remarkable guided tour through art history, psychology, and the creative process; a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves. Praise for Betty Edwards' Drawing on the Right Side of the Brain: 'Hands down the best and most life-enhancing thing I've done in lockdown' India Knight 'A guide to enhancing creativity and artistic confidence' Independent

Charcoal is a versatile and dramatic medium with incredible potential for expression. This stunning book shows you how to create a drawing using its subtle, complex and bold qualities to best effect. Through step-by-step demonstrations and tasks, it explores the process, explaining how to capture a scene or the feeling of a scene, and, essentially, how best to fix an image to the page. With over 200 illustrations, this beautiful book is a compelling guide for everyone who wants to work with this elusive and powerful medium. Topics covered include: The basics of charcoal - explains the material, its qualities and ways of using it; Charcoal lenses - advises on how to choose interesting subjects with the use of photography and sketchbooks, and how to build a library of visual references; Mark making - includes techniques for complete beginners, as well as more advanced ideas for those hoping to develop and refine their work; Demonstrations - shows how to use the techniques and build a body of work; Soft pastel - suggests ways of combining charcoal with pastel to add colour to your work; Tasks and extensions - gives tips for trying and exploring ideas further to develop your own skills and to create a unique style to your work and finally: Protecting your work - advises on the key techniques used for fixing, photographing, storing and framing your work.

Plains Indian ledger art grew out of the Native tradition of recording and chronicling through art important exploits by warriors and chiefs, among them images of war and hunting, that would adorn tipis and animal hides. These were seen as historical markers. But Native life on the Great Plains underwent tremendous change following the American Civil War, when the American conquest of the West was in full gear. In just a few decades, access to the hides of diminishing herds of bison, deer, antelope, and elk became more difficult and eventually impossible with reservation life. Native people creatively turned to the easily available ledger books of settlers, traders, and military men as their new canvases. The ledger art drawings of the late nineteenth and early twentieth centuries are revered today for their depiction of Native life during the difficult transition to life on the reservation. The ledger drawings thus became a singularly important way for Native artists to preserve tribal history and to serve as a new kind of personal socio-political expression. Dwayne Wilcox, who grew up on the Pine Ridge Reservation and is a member of the Oglala Lakota Nation, became interested in ledger art at an early age. He was influenced by the work of Lakota ledger artists such as Amos Bad Heart Bull (1869-1913), but he always sought to defy stereotypical notions of Native life and history and create his own artistic vision. Dwayne eventually focused on humor as his way to comment on the objectification of Native Americans. Skilled as an artist beyond measure, Dwayne's ledger art drawings win major prizes and are sought by museums and collectors who see in him a true artist. Visual/Language is Dwayne's first book, and it was created as a collaborative effort with curator Karen Miller Nearburg, who provides an enlightening introduction to his work. This book will surely penetrate the heart and soul and mind of all who read it.

The Botanical Illustrator's Handbook takes a closer look at how to accurately portray the riches of the botanical world. It tackles and explains many of the difficulties that artists encounter so they can extend and expand their choice of subject matter. Written by a respected artist and drawing on her wealth of experience, it offers new insights and a fresh approach to the wonders of botanical illustration. Topics covered include: advice on the labelling and quality of paper, and choice of pencils, paints and brushes; techniques for the mixing and handling of greens; chapters on magnification, managing detail and using scale bars; and finally, instructions for using perspective techniques, and painting complex structures such as pine cones and umbellifers, and tricky details such as hairs.

From the self-made illustrator and creator Kitty Willow (@wobblywillows) comes a collection of creepy and cute sketches that are perfect coloring activities for children and adults. Experience cozy, magical, and witchy drawings for a delightful, creative, and indulgent me time. Sweet & Creepy Coloring contains over 60 adorable and slightly spooky black-and-white sketches that you can color, perfect for Halloween and suitable for all ages. Illustrations include mushrooms, bats, ghosts, ancient forests, cats, birds, potions bottles, crystals, and much more. Soon you'll be hanging up your finished artwork, or mimicking the sketches into your own doodles. Who doesn't love a little sweet and creepy mixed together?

At the beginning of 2020, just as global Covid-19 restrictions were coming into force, the artist David Hockney was at his house, studio and garden in Normandy. From there, he witnessed the arrival of spring, and recorded the blossoming of the surrounding landscape on his iPad, a medium he has been using for over a decade. Working outdoors was an antidote to the anxiety of the moment for Hockney – 'We need art, and I do think it can relieve stress,' he says. This uplifting publication – produced to accompany a major exhibition at the Royal Academy of Arts – includes 116 of his new iPad paintings and shows to full effect Hockney's singular skill in capturing the exuberance of nature.

As readers complete each section of dots in this fun activity book, beautiful animal portraits are revealed -- so intricate they're ready for display The 20 puzzles in this book are much more sophisticated than the one-dimensional images created in childhood connect-the-dots books. Tonal shading and expressive line work build as each numbered section is finished. Dot-to-dot puzzles have also been proven to increase short-term cognitive acuity, hand-eye coordination, and concentration skills. Whether readers are filling time on a rainy day, using the puzzles for a party game, or learning the principles of drawing, "1000 Dot-to-Dot: Animals" is fun for all ages.

Dinosaur skeletons, eggs, bones, and fossils have become increasingly coveted objects for collectors. Dinosaurs are Collectible explores the reasons for their popularity and tells the stories behind the many illustrious finds from the past. This beautifully illustrated and printed publication by the author of Wonders are Collectible and Wunderkammer includes a chapter devoted to dinosaurs in both high and popular culture, and features an exceptional collection of prints, photos, drawings, and micrograph scans.

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books.

Presents paintings and drawings of Jewish Lithuania with introductory articles. The artist's subjects are the poor people that live where Jews once lived, synagogues and churches. The captions explain the story of a lost community.