The top-selling Sterling Sketchbook series now features the popular new Kraft-cover format! With their quality paper and sturdy binding, this is the sketchbook of choice for both amateur and professional artists.   This beautiful sketchbook, with a ribbon marker, contains acid-free, medium-weight drawing paper with a vellum finish that’s perfect for everything from charcoal and pencil to light washes with ink and watercolor. Perforated pages make it easy to tear out “masterpieces� for framing or gift giving. All the copy (title, paper description, size, page count) appears on an attractively designed removable sticker that you can either leave on or remove for a clean, blank front cover.

Capture the essence of the forest with Drawing Trees and Leaves. Trees are a perennially inspiring subject for artists. Think of their beautiful multicolored leaves in the fall, or the way the snow settles on their branches in the winter. Start by learning how to identify trees and leaves, their benefit and life stages, the oldest trees, famous forests, and other fascinating aspects and phases of growth. Then, use this inspiration paired with charming prompts to draw the diverse beauty of these endlessly captivating and beautiful subjects. Flip this book open vertically; these are drawings of tall trees!

After the Reformation the successful painter Paul Lautensack (1477/78-1558) dedicated himself to spreading revelations on the nature of God. Lautensack was besides Durer the only German artist who wrote against the iconoclasts, and he believed that he as a painter could explain the images of Revelation better than theologians like Luther. He presented his insights in hundreds of highly sophisticated diagrams that display a wide range of material accessible to an urban craftsman, from the vernacular Bible to calendar illustrations. This study is the first monograph on this extraordinary man, it presents a corpus of his surviving works, analyzes his peculiar theology of the image and locates the elements of his diagrams in the visual world of the Reformation period.

The perfect primer for anyone - no matter their age or artistic abilities - to learn how to draw flowers! Featuring easy-to-follow tutorials on doodling and drawing 100 flowers, 30 leaves and vines, and 20 more doodle art, all in five simple steps, this beginner-friendly instructional guide will also show you how to combine what you've learned to create gorgeous works of art for larger drawing projects. With its easy step-building approach, hundreds of motifs to draw and combine, and a helpful overview on tools and supplies, Drawing Florals in 5 Easy Steps is a must-have guide for aspiring artists of all ages to learn the basics of floral drawing! Artist, doodler, and coloring book author Marty Woods was voted the 2016 Top Doodler in Malaysia. An official Faber-Castell art workshop instructor, Marty has also collaborated with Disney Malaysia, Faber-Castell, Nespresso, and several other international companies.

Gateways to the Book investigates the complex image-text relationships between frontispieces and illustrated title pages on the one hand and texts on the other, in European books published between 1500 and 1800. Although interest in this broad field of research has increased in the past decades, many varieties of title pages and a great deal of printers and books remain as yet unstudied. The fifteen essays collected in this volume tackle this field with a great variety of academic approaches, asking how the images can be interpreted, how the texts and contexts shape their interpretation, and how they in turn shape the understanding of the text.

Originally published in 1923. The author was a well known early cartoonist and book illustrator.Contents Include: Originality In Pen Drawing And Design - To My Fellow Students - Various Methods and Various Means - A Few Hints To Special Artists - A Few Hints To Lady Students - A Little Captious Criticism of The Lady Art Student - The Illustrating of Books. The book is well illustrated with examples of the authors work and hints for the student. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Dink mens aan Wes-Afrika, dink jy aan woestyn en kamele, Bedoeiene en swaar tekstielweefstof, silwer juweliersware en stomende speserye. Tog is daar naas die bykans mistieke idille-beeld mediaflitse van honger en armoede, politieke onstabiliteit en diktatorskap, vrees en verskrikking. As vryskutjoernalis in Dakar kry Louw die geleentheid om lande soos Senegal, Togo, Ghana, die Ivoorkus en Burkina Faso nie net as “toubab” (Westerling) en toeris te besoek nie, maar kry sy ook glimpse van die streek se hartklop: onreg, ongelykheid en onmag wat dekades na die val van kolonialisme nog die vinger wys na Europese hebsug ... maar ook die kuns, die kleur en die ritme van ’n leefstyl so diep verweef met die waai van die wind, die skakerings van sandduine en die val van die Afrika-son dat dit byna anderkant Westerse woordeskat le. Anderkant ’n eerste kyk. Anderkant Timboektoe.

Francis Bacon is considered one of the most important painters of the twentieth century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work – not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: ‘Bullfighting is like boxing,’ Bacon once said. ‘A marvellous aperitif to sex.’ Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication – a significant addition to the literature on Bacon – expert authors discuss Bacon’s approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition. Images below, left to right: Francis Bacon (1909-1992), Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo Maertens Francis Bacon (1909-1992), Study for Portrait (with Two Owls), 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates Ltd Francis Bacon (1909-1992), Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates Ltd All images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.