Francis Bacon is considered one of the most important painters of the twentieth century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work – not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: ‘Bullfighting is like boxing,’ Bacon once said. ‘A marvellous aperitif to sex.’ Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication – a significant addition to the literature on Bacon – expert authors discuss Bacon’s approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition. Images below, left to right: Francis Bacon (1909-1992), Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo Maertens Francis Bacon (1909-1992), Study for Portrait (with Two Owls), 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates Ltd Francis Bacon (1909-1992), Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates Ltd All images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.

Gateways to the Book investigates the complex image-text relationships between frontispieces and illustrated title pages on the one hand and texts on the other, in European books published between 1500 and 1800. Although interest in this broad field of research has increased in the past decades, many varieties of title pages and a great deal of printers and books remain as yet unstudied. The fifteen essays collected in this volume tackle this field with a great variety of academic approaches, asking how the images can be interpreted, how the texts and contexts shape their interpretation, and how they in turn shape the understanding of the text.

Originally published in 1923. The author was a well known early cartoonist and book illustrator.Contents Include: Originality In Pen Drawing And Design - To My Fellow Students - Various Methods and Various Means - A Few Hints To Special Artists - A Few Hints To Lady Students - A Little Captious Criticism of The Lady Art Student - The Illustrating of Books. The book is well illustrated with examples of the authors work and hints for the student. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

In Cute Chibi Animals, popular Instagram artist Phoebe Im (@bobblejot) teaches you the art of chibi, step by adorable step. Learn how to master this popular anime and manga drawing style with this book that focuses on drawing 75 animals, including an anteater, chinchilla, manatee, dolphin, sloth, axolotl, pangolin, owl, narwhal, and much more. Chibi is Japanese slang for "short," and the characters in Cute Chibi Animals live up to this description with their cute roly-poly bodies that make them extremely lovable and huggable. Learn how to draw adorable: Mammals Birds Fish Reptiles Amphibians Along with the step-by-step tutorials, Phoebe shares her tips and tricks for drawing the animals with either pen and pencil or digitally; coloring, shading, and highlighting your characters; and giving them accessories for added cuteness. There are also coloring pages in the back of the book for some extra fun. So, get out your drawing supplies and start creating your animal kingdom!

Dink mens aan Wes-Afrika, dink jy aan woestyn en kamele, Bedoeiene en swaar tekstielweefstof, silwer juweliersware en stomende speserye. Tog is daar naas die bykans mistieke idille-beeld mediaflitse van honger en armoede, politieke onstabiliteit en diktatorskap, vrees en verskrikking. As vryskutjoernalis in Dakar kry Louw die geleentheid om lande soos Senegal, Togo, Ghana, die Ivoorkus en Burkina Faso nie net as “toubab” (Westerling) en toeris te besoek nie, maar kry sy ook glimpse van die streek se hartklop: onreg, ongelykheid en onmag wat dekades na die val van kolonialisme nog die vinger wys na Europese hebsug ... maar ook die kuns, die kleur en die ritme van ’n leefstyl so diep verweef met die waai van die wind, die skakerings van sandduine en die val van die Afrika-son dat dit byna anderkant Westerse woordeskat le. Anderkant ’n eerste kyk. Anderkant Timboektoe.

Whether painted by artist-warriors depicting their feats in battle or by other Native American artists, 19th and 20th century ledger drawings--drawn on blank sheets of ledger books obtained from U.S. soldiers, traders, missionaries, and reservation employees--provide an excellent visual source of information on the Great Plains Native Americans. An art form representing a transition from drawing on buffalo hide to a paper medium, ledger drawings range in style, content, and quality from primitive and artistically poor to bold and sharp with lavish use of color. Although interest in ledger drawings has increased in the last 20 years, there has never been a guide to holdings of these drawings. By bringing together the diverse and scattered institutions that hold them, this book will make finding the drawings quicker and easier. Illustrated with examples of ledger drawings, the guide identifies the libraries, archives, historical societies, and museums that hold ledger drawings. The institutions listed range from those with large collections, such as the Smithsonian, Yale, and Oklahoma museums, to institutions with only a few drawings. The book also includes a bibliography of books and articles about Indian pictographic art. The index will enable researchers to locate art by individual artists and tribes.

Sketching and carving both visualize and memorize a given image, but within Nowau culture the manner in which this is achieved in a canoe prowboard is entirely different than in a conventional drawing. When studying the impressive ceremonial canoes of Kitawa, in the Milne Bay Province of Papua New Guinea, G.M.G. Scoditti became struck by the absolute predominance of the artist's mind in the process of creating images: all its stages, its uncertainties and experimentation, must unfold within its silent, rarefied space. Only once fully formed can the image be revealed to the village in material form. Reflecting on the absence of orthographic writing within Nowau culture, and finding parallels with poetic and musical composition, Scoditti gained further insight into the Nowau processes of creation through the critiques the Kitawan carvers made of his own fieldwork sketchbooks. Spurred on by their curiosity, the anthropologist handed over his art materials to the master carvers to make their own drawings on paper or cardboard. Traditional pigments used on the polychrome canoe prowboards were added to the unfamiliar media of watercolour, acrylic, coloured pencils and ballpoint pen. Three-dimensional ornamentation became two-dimensional as images of self-decoration and huts were added to those of prowboards. This exercise was all the more fascinating given the prohibition of drawing on the surface of the wood before carving. On return to Italy, further graphic dialogues unfolded when an architect and an artist from the tradition of Italian Abstraction responded with their own intriguingly different interpretations of the canoe prowboard and its relationship to the Nautilus shell. All these drawings are brought together in this book, along with Scoditti's own sketches from fieldwork and ethnographic collections in Newcastle upon Tyne and Rome. 'The fieldworker's or museum ethnographer's sketches are never going to be quite the same. Through the double filter of Kitawan philosophy and Scoditti's ruminations, the apparently simple triad of sketch - drawing - carving opens out into a discourse on the creative mind. The Kitawan creator - here primarily the male carver - does not have to demonstrate how he creates, and what springs from these pages have a fascination of their own. Several distinctive hands, Kitawan and Italian, reflect from different interpretive and professional vantage points on the very process of drawing through doing exactly that, drawing. The result are images that delight and challenge, sensitively assembled, beautifully reproduced. An extraordinary record of creativity, and a rare corpus of visual memorials.' - Professor Dame Marilyn Strathern, University of Cambridge

Dive into this treasure trove of offbeat, clever, and endlessly absorbing drawing prompts. The perfect inspirational guided art journal: A rolling pin, a robot, a pickle, a water tower, a hammock, a wasp, a safety pin, a kiss. Some are deceptively simple (just try drawing a bicycle!), some are conceptually mind-bending (sketching the sound of girlish laughter?), and some are refreshingly basic (the only hard thing about drawing an egg is deciding how you want it to be cooked). Hip and helpful, 642 Things to Draw is the perfect inspirational sketchbook, sure to entertain and provoke the imagination of anyone ready to pick up a pencil. * Includes 642 random drawing prompts to spark casual doodling while entertaining the mind. * With a collection of silly, thought-provoking, simple, and complex prompts, this drawing ideas book will push your mind - and pencil - to think outside the box. * While there are no step-by-step, how-to-draw instructions included, you don't have to be a skilled artist to enjoy the relaxing, stimulating, and entertaining drawing ideas. Budding artists and experienced sketchers alike will find themselves invigorated by this collection of unique and wonderful drawing prompts. 642 Things to Draw is a guided journal that will inspire creativity, energize the mind and stimulate artistry in any aspiring or skilled creator. * Makes a unique gift for artists of any age to expand knowledge and boost creative awareness. * A must-have for anyone who could benefit from an occasional creative brain break that is pure enjoyment.

Although written in 1913, this brilliant and authoritative guideto drawing is still highly relevant today. Speed, a highly regardedpainter in his time, takes the student comprehensively throughapproaches, techniques and materials and illustrates them allwith diagrams and paintings from both his contemporaries andthe Masters. He also discusses various aspects of the science andphilosophy of art, such as the use of proportion, the nature of talentand the definition of beauty.This handsome new edition from Benediction Classics containsall the original plates and diagrams and would be a great addition tothe resources of any budding artist.