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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings > General
At the beginning of 2020, just as global Covid-19 restrictions were coming into force, the artist David Hockney was at his house, studio and garden in Normandy. From there, he witnessed the arrival of spring, and recorded the blossoming of the surrounding landscape on his iPad, a medium he has been using for over a decade. Working outdoors was an antidote to the anxiety of the moment for Hockney – 'We need art, and I do think it can relieve stress,' he says. This uplifting publication – produced to accompany a major exhibition at the Royal Academy of Arts – includes 116 of his new iPad paintings and shows to full effect Hockney's singular skill in capturing the exuberance of nature.
"Charming book for creative types who find a blank page a little too overwhelming." - The Guardian "In her charming journal-cum sketchbook, Matilda Tristram inspires us to look at the everyday things in life in a new way. As well as encouraging us to explore the extraordinary in the ordinary, she also provides guidance, insights, tips and inspiration." - Flow Magazine "Whether you're on the train to work, in the park on your lunch break or people watching at your local coffee shop, Matilda's book will help you see the world through fresh eyes!" - The Big Draw. Explore the extraordinary in the simple and ordinary with with My Year in Small Drawings: a charming visual diary like no other! Learn to see everyday things in a new way by creating and collecting the small details around you. Build up dozens of dinky drawings, from tangles of cables, to window frames and tree buds, and notice the simple - and sometimes surprising - beauty of every day scenes and objects by drawing them. With 365 daily prompts and space to explore each, expert advice on how to simplify what you see; which pens and pencils to use; colour; and using perspective, plus suggestions for drawing every day of the year, this beautiful little book will help you embrace your creativity, and build up a unique and delightful collection of personal sketches for you to cherish, forever. Whether you're an experienced artist, someone looking to get back into sketching, or you can't draw at all, this book is for you! If you like this book, you might also be interested in I Can't Draw. . .
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
From a renowned illustrator of DC and Marvel comic books, an engaging full-color instruction book for teens and adults alike. This is an art instruction book filled with original, full-color art and step-by-step instructional texts, teaching burgeoning artists of all ages how to conceptualize, design, and draw their own science-fiction characters, good and evil, from fantastical realms of their imagination – including how to colorize characters, draw anatomical poses, and create inventive costumes. The book will also feature supplementary inspirational images culled from movies, TV, history, and pop culture. From the same author as the bestselling How to Draw Sci-Fi Utopias and Dystopias, Prentis Rollins, veteran illustrator of DC and Marvel Comics, teaches artists of all ages the fundamentals of drawing imaginative ‘good’ and ‘evil’ science-fiction characters.
For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe: from their native Italy to cites as far afi eld as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. Architecture, Theater, and Fantasy marks the promised gift to the Morgan Library& Museum of a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award-winning lighting designer, and commemorates an exhibition of these works, the first in the United States in over thirty years to celebrate these talented draftsmen. These drawings demonstrate the range of the Bibienas' output, from energetic sketches to highly finished watercolors. With representations of imagined palace interiors and lavish illusionistic architecture, this group of drawings highlights the visual splendor of the Baroque stage. The catalogue opens with Diane Kelder's introductory essay about the Bibiena family. Laurel Peterson then discusses the Bibienas as draftsmen, underscoring the drawings from the Fisher collection. Arnold Aronson, in turn, explores the family's contribution to the theater, setting them within a history of European stage design and explaining the significance of the dynamic angled perspective of their scena per angolo sets. John Marciari's essay considers the Fisher gift among the many Bibiena drawings already at the Morgan, mainly from the Oenslager collection, and looks at the collecting of Bibiena drawings more generally. Finally, Diane Kelder's checklist off ers information regarding the attribution and provenance of the works in the exhibition.
Hey, kids! If you liked learning the basics of three-dimensional drawing from Mark Kistler in his books Draw Squad and Imagination Station, you'll love his new book, Drawing in 3-D with Mark Kistler. Featuring a fun, action-filled tale about a family of lovable characters struggling through a series of breathtaking discoveries and hilarious adventures, Drawing in 3-D with Mark Kistler is all you need -- along with a sharpened pencil, a ready imagination, and Mark Kistler's Drawing in 3-D Wacky Workbook -- to draw cool creatures and awesome objects such as:
...as well as your own favorite fantasies and imagined adventures!
Host of public television's Mark Kistler's Imagination Station, shows young artists the cool and fun way to draw in 3-D! Hey, you! Open this book and learn how to draw in three dimensions! Mark Kistler's Imagination Station has thirty-six exciting drawing adventures. Mark teaches you the different skills you need in order to create such masterpieces as: * Dinosaurs in the Sky There's also a special guide for parents and teachers at the end of the book.
Needle Work: Stitched Illustrations is a lavishly illustrated volume that explores the growing trend in textile-based art and illustration. The works of each featured artist are showcased with full-page illustrations, alongside a brief biography that examines their work, inspiration, and artistic vision.
A Million Baby Animals is a colouring book designed for animal lovers of all ages. Inside, there are over 30 spreads packed with all kinds of adorable baby animals, from cuddly bunnies and dinky ducklings to cute kittens and fluffy chicks. Each page is decorated with stunning patterns, motifs and quirky details in Lulu’s instantly recognizable style. With a gentle humour and sense of fun throughout, kids and animals will love bringing the illustrations to life with colour. The latest title in Lulu Mayo’s bestselling A Million series, with a fully foiled cover, this book will be perfect for springtime and Easter.
Venetian Disegno: New Frontiers circa 1420 to 1620 offers a fresh perspective on the art of Venice and the Veneto. The volume brings together the contributions of scholars and curators specialist on a wide variety of artists and art forms including drawing, painting, printmaking, sculpture and architecture. Venetian Disegno: New Frontiers circa 1420 to 1620 takes disegno as its central theme, that in its plurality of meaning allows for a consideration of the conceptual role of design and the act of drawing. The relationship between disegno and Renaissance Venetian art has historically been a problematic one, with emphasis instead being placed on the Venetian predilection for colore. This volume is reflective of an ongoing challenge to this perspective and draws attention to the importance of Venetian disegno and the study of drawings for understanding various art forms. The book commences with a critical study of what constitutes disegno in Venetian art. It does so through questioning the historiography of Venetian artistic scholarship and the restrictive framework and preconceptions that have emerged before setting out the merits of a broader, more inclusive approach. Disegno is applied in its multifaceted nature to address the physical act of drawing, the tangible drawn object and the role of design in artistic practice. The term ‘Venetian’ is taken to encompass both Venice and its mainland territories not least because of the mobility of artists across and beyond the region. Contributions are divided into five thematic sections. The first, entitled ‘Peripheries’, frames the art of Venice within a wider discourse on the movement of ideas across and beyond the Veneto in locations including Padua, Verona and Rome. A section on Media considers the origins and innovations that took place in the use of materials such as blue paper, oil and coloured chalks. In another, the theories that have developed on Venetian notions of disegno are brought under scrutiny, addressing topics such as the long upheld perspective that Venetian artists did not draw, the role of sculpture in Tintoretto’s drawing practice and the interrelation between the written and drawn line in Palma Giovane’s draftsmanship. The section on Invention reflects on the technical innovations that were facilitated through the uptake of printmaking and the intellectual freedom granted by humanist patrons. Finally, Function gets to the heart of the practical purpose of disegno. Contributions focus on the workshops of the Bellini family and Titian to consider the diverse ways they used drawing within their artistic practices with an emphasis on technical analysis. These sections are all preceded by introductions that provide an overview on each theme while the volume is bookended by two reflections on the state of research into Venetian disegno and the potential for further progress. Sumptuously illustrated with over 100 images with a comprehensive bibliography, Venetian Disegno: New Frontiers circa 1420 to 1620 represents a significant contribution to scholarship on the art of Venice, Renaissance workshops and drawing studies.
The glittering gem that is the City of Gold is brilliantly captured in artists’ graphite. The greyscale carbon does not mute the dazzling sparkle of the city founded on gold but, rather, sets it ablaze in a myriad of stark contrasts; black and white, masculine and feminine, positive and negative. It speaks to the observer and reader in a delightful style that is, at once, light-hearted, informative and compelling. Gold in Graphite – Jozi Sketchbook is a beautiful collection of sketches of some of Johannesburg’s celebrated as well as forgotten masterpieces. Done by a single artist, it is accompanied by well-crafted prose and poetry. The artist beckons the reader to emerge from the ideologies that prevent us from engaging with the city, her people and her buildings. Each sketch takes us on a journey through time and transformation, where we discover our city and fall in love with her. Through this voyage we exult in an affair that is oblivious to the perceived crime and violence that deter ordinary people from developing a relationship with the city. While our rainbow nation rejoices in the common ground that binds us, our most celebrated city reflects division and class. Breaking through these barriers starts with an exploration of the city and an appreciation of her past with an optimistic look to her future.
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