This is an accessibly written, illustrated biography of Venetian painter Rosalba Carriera (1673-1757), one of the most famous women artists in 18th-century Europe. It presents an overview of her life and work, considering Carriera's miniatures alongside her better-known, larger-scale works. Focusing on interpretation of her paintings in the historical context of her life as a single woman in Venice, the book offers an easy guide through Carrieras life, the people she met, her clients and her artistic approach. The author's new iconographic analysis of some of Carriera's works reveals that she was an erudite painter, drawing on antiquity as well as the work of Renaissance virtuosos such as Leonardo da Vinci and Paolo Veronese.

Learn to draw thepopular Japanese style of anime and manga like a pro with renowned Instagram artist Yoai in this follow-up to her best-selling Chibi Art Class. In Anime Art Class, you will learn how to draw Yoai's signature cute characters, from their bodies and facial features, including their dreamy eyes, to trendy clothes and accessories and fun hair. The 20 tutorials, with simple step-by-step illustrations and instructions, guide you from drawing characters in pencil and pen to coloring and shading them in with colored pencils, markers, and watercolor paints. Also find: An overview of the tools and materials you can use to create anime art Anime basics, including demonstrations for drawing every part of the body and article of clothing Techniques for refining your pencil sketches, inking your drawings, and adding color Tips and troubleshooting advice for perfecting your drawings An inspiration gallery of different eyes, hairstyles, clothing, accessories, and poses that you can also use as coloring pages Soon you will be enhancing your notebooks, stationery, artwork, and more with your own unique anime world. Anime Art Class is now in session! Create even more supercute artwork with these other books from the Cute and Cuddly Art series:Chibi Art Class, Mini Chibi Art Class, Cute Chibi Animals, Anime Art Class, and Cute Chibi Mythical Beasts & Magical Monsters.

How to Draw Almost Everything Volume 2-a follow-up to the popular book How to Draw Almost Everything, part of the Almost Everything series from Quarry Books-shows how easy it is to draw even more cute illustrations. Learn to draw each illustration in easy-to-follow steps. Just follow the arrows to complete each step. You'll also find helpful tips and ideas for drawing variations. Start with basic shapes, such as circles, triangles, and squares, then add special details to personalize your illustrations. Draw animals, people, everyday objects, patterns and borders, and holiday and seasonal themes, along with warm-ups and special lessons. An inspiration gallery offers fun ideas for adding illustrations to everyday objects or creating one-of-a-kind notes, cards, and gifts. Each book in the Almost Everything series offers readers a fun, comprehensive, and charmingly illustrated visual directory of ideas to inspire skill building in their creative endeavors.

This book collects together about sixty drawings of fishing boats at Arbroath Harbour, completed between 1989 to 1995. There are also fifteen drawings of the harbour at Montrose, and of other Scottish harbours relevant to Arbroath, in the same period. The author's viewpoint is that of an interested spectator who likes fishing boats. While drawing, he gained valuable background information from the local people, including some fishermen, that he met as he worked. His notes on the harbours he draws, and on the boats and people within them, are written in the hope that everyone reading the book will 'feel close to the sea'. The main story unfolds gradually, starting in 1989 and running through to 1995. It begins with a bird's eye view of Arbroath Harbour, 'so that even if you have never been to Arbroath, you will soon know your way around'. At the end of the book there is a map that show the positions of all the Scottish harbour towns mentioned in the text. 'I have written not just for Arbroath people, or just for Scottish people, or even just for British people. I have written the book for people everywhere. The call of the sea is universal.'

This charmingly illustrated book is an ideal guide to the art of botanical drawing and painting. You should never hesitate to pull a flower apart to understand how it fits together, to turn the subject round until you are satisfied with its position, or to do pencil sketches of it in various positions. From sketching basic shapes and making volumes to creating textures and visualising the colour spectrum, this book is here to teach you how to look and observe, since you can only properly transcribe what you understand. Through step-by-step demonstrations and with colourful illustrations, Agathe Ravet-Haevermans teaches you how to recognise and draw a wide variety of flowers and leaves, and covers the textures and structural elements of a range of different plants including succulents, vegetables, trees and grasses. Practical as well as beautiful, The Art of Botanical Drawing is a necessary addition to the bookshelves of anyone interested in botanical art.

In The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something 'topsy-turvy' in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors.

Master drawing human eyes, hands, faces, and every aspect of the human figure! Best-selling author, Christopher Hart, teaches budding artists how to create proportional, realistic people in this essential how-to-draw volume.

Plains Indian ledger art grew out of the Native tradition of recording and chronicling through art important exploits by warriors and chiefs, among them images of war and hunting, that would adorn tipis and animal hides. These were seen as historical markers. But Native life on the Great Plains underwent tremendous change following the American Civil War, when the American conquest of the West was in full gear. In just a few decades, access to the hides of diminishing herds of bison, deer, antelope, and elk became more difficult and eventually impossible with reservation life. Native people creatively turned to the easily available ledger books of settlers, traders, and military men as their new canvases. The ledger art drawings of the late nineteenth and early twentieth centuries are revered today for their depiction of Native life during the difficult transition to life on the reservation. The ledger drawings thus became a singularly important way for Native artists to preserve tribal history and to serve as a new kind of personal socio-political expression. Dwayne Wilcox, who grew up on the Pine Ridge Reservation and is a member of the Oglala Lakota Nation, became interested in ledger art at an early age. He was influenced by the work of Lakota ledger artists such as Amos Bad Heart Bull (1869-1913), but he always sought to defy stereotypical notions of Native life and history and create his own artistic vision. Dwayne eventually focused on humor as his way to comment on the objectification of Native Americans. Skilled as an artist beyond measure, Dwayne's ledger art drawings win major prizes and are sought by museums and collectors who see in him a true artist. Visual/Language is Dwayne's first book, and it was created as a collaborative effort with curator Karen Miller Nearburg, who provides an enlightening introduction to his work. This book will surely penetrate the heart and soul and mind of all who read it.

In the first three decades of the 20th century Augustus John (1878-1961) was widely considered one of the greatest living British artists, famous almost as much for his extraordinary Bohemian lifestyle as for his outstanding portraits, etchings and drawings. John was born in Wales in 1878 and educated at the Slade School of Art in London in the 1890s, where the onus of teaching was on the daily life class and a close study of the Old Masters. He soon emerged as a wonderfully gifted draughtsman - indeed, the American painter John Singer Sargent would declare that John's youthful drawings were amongst the fi nest seen since the Renaissance. Dividing his life between England, Wales and France, and reaching his prime in the years immediately before the outbreak of the Great War, by 1910 John would be likened to a British Gauguin, a Welsh Post-Impressionist using bold colours and a willfully naive and primitive style to explore the complex combination of romanticism, escapism and alienation engendered by 20th-century life. The great American collector John Quinn considered John and his sister Gwen key European artists, and his work would be included in the infl uential Armory Show in New York in 1913. After the War he would become Britain's leading society portraitist, earning a fortune in commissions - though it was his more personal paintings of friends, lovers, family and fellow artists and writers such as W.B. Yeats, T.E. Lawrence, Dylan Thomas, Ottoline Morrell and his muse/ mistress Dorelia McNeill that best revealed his great talents. Published to coincide with exhibitions at Poole Museum in Dorset in the summer of 2018 and at Salisbury Museum in Wiltshire in the summer of 2019, Augustus John: Drawn from Life re-examines the life and work of this signifi cant but increasingly overlooked British artist. Focusing on around sixty works drawn from private and public collections, including the Tate, the National Portrait Gallery and the National Museum of Wales, the book will off er new insights into John's life and development as an artist from the late 1890s to the outbreak of the Second World War.