A true celebration of the talent of Kerby Rosanes and his fans, this book features the most striking images from Kerby's bestselling World series. A 16-page full-colour section showcases spectacular artworks that have been coloured by Kerby's fans. Stylistic comments as well as tips and tricks from Kerby accompany each piece, so readers can create their own colouring masterpieces. The same artworks appear again in the black-and-white section, along with a selection of Kerby's favourite illustrations from across the series, giving readers the opportunity to recreate the stunning effects. Please note: this book contains material previously published in Fragile World, Worlds Within Worlds and Mythic World.

In The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something 'topsy-turvy' in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors.

Capture the essence of the forest with Drawing Trees and Leaves. Trees are a perennially inspiring subject for artists. Think of their beautiful multicolored leaves in the fall, or the way the snow settles on their branches in the winter. Start by learning how to identify trees and leaves, their benefit and life stages, the oldest trees, famous forests, and other fascinating aspects and phases of growth. Then, use this inspiration paired with charming prompts to draw the diverse beauty of these endlessly captivating and beautiful subjects. Flip this book open vertically; these are drawings of tall trees!

Plains Indian ledger art grew out of the Native tradition of recording and chronicling through art important exploits by warriors and chiefs, among them images of war and hunting, that would adorn tipis and animal hides. These were seen as historical markers. But Native life on the Great Plains underwent tremendous change following the American Civil War, when the American conquest of the West was in full gear. In just a few decades, access to the hides of diminishing herds of bison, deer, antelope, and elk became more difficult and eventually impossible with reservation life. Native people creatively turned to the easily available ledger books of settlers, traders, and military men as their new canvases. The ledger art drawings of the late nineteenth and early twentieth centuries are revered today for their depiction of Native life during the difficult transition to life on the reservation. The ledger drawings thus became a singularly important way for Native artists to preserve tribal history and to serve as a new kind of personal socio-political expression. Dwayne Wilcox, who grew up on the Pine Ridge Reservation and is a member of the Oglala Lakota Nation, became interested in ledger art at an early age. He was influenced by the work of Lakota ledger artists such as Amos Bad Heart Bull (1869-1913), but he always sought to defy stereotypical notions of Native life and history and create his own artistic vision. Dwayne eventually focused on humor as his way to comment on the objectification of Native Americans. Skilled as an artist beyond measure, Dwayne's ledger art drawings win major prizes and are sought by museums and collectors who see in him a true artist. Visual/Language is Dwayne's first book, and it was created as a collaborative effort with curator Karen Miller Nearburg, who provides an enlightening introduction to his work. This book will surely penetrate the heart and soul and mind of all who read it.

Charcoal is a versatile and dramatic medium with incredible potential for expression. This stunning book shows you how to create a drawing using its subtle, complex and bold qualities to best effect. Through step-by-step demonstrations and tasks, it explores the process, explaining how to capture a scene or the feeling of a scene, and, essentially, how best to fix an image to the page. With over 200 illustrations, this beautiful book is a compelling guide for everyone who wants to work with this elusive and powerful medium. Topics covered include: The basics of charcoal - explains the material, its qualities and ways of using it; Charcoal lenses - advises on how to choose interesting subjects with the use of photography and sketchbooks, and how to build a library of visual references; Mark making - includes techniques for complete beginners, as well as more advanced ideas for those hoping to develop and refine their work; Demonstrations - shows how to use the techniques and build a body of work; Soft pastel - suggests ways of combining charcoal with pastel to add colour to your work; Tasks and extensions - gives tips for trying and exploring ideas further to develop your own skills and to create a unique style to your work and finally: Protecting your work - advises on the key techniques used for fixing, photographing, storing and framing your work.

This comprehensive drawing manual is an invaluable guide for beginners, improvers, and established draftsmen. It contains hundreds of examples as well as step-by-step examples for artists to follow in order to build up their confidence and skills. All the major subject areas are covered, from simple object drawing and still life, to landscape drawing, portraiture, and figures. The book also explores the wider challenges of drawing facing all aspiring artists, such as how to break down visual information, recognize form, and apply perspective. Author Barrington Barber is a renowned authority on teaching drawing and a practicing artist.