Create authentic-looking maps of fantasy cities, hamlets, fortifications and more in a popular tabletop, RPG style. 30+ step-by-step demonstrations show you how to create your own unique RPG maps Learn how to draw fantasy cities, medieval settlements and more from a professional gaming illustrator Tips and techniques for drawing fences, stone walls, forests, fields, bridges, footpaths, mountains, harbors, shields, coats of arms and other cartography elements Put your design and drawing skills on the map!

This book explores the nature of one of the most ancient tools for nonverbal communication: drawings. They are naturally adaptable enough to meet an incredibly wide range of communication needs. But how exactly do they do their job so well?
Avoiding the kinds of aesthetic rankings of different graphic domains so often made by art historians and critics, Manfredo Massironi considers an extensive and representative sample of graphic applications with an open mind. He finds a deep mutuality between the material components of images and the activation of the perceptual and cognitive processes that create and decipher them.
Massironi first examines the material components themselves: the mark or line, the plane of representation (the angle formed by the actual drawing surface and the depicted objects), and the position of the viewpoint relative to the depicted objects. The roles played by these three components are independent of the content of the drawing; they function in the same way in concrete and abstract representations. He then closely scrutinizes the choices made by the person planning and executing the drawings. Given that any object can be depicted in an infinite number of different ways, the drawer performs continuous work emphasizing and excluding different features. The choices are typically unconscious and guided by his or her communicative goals. A successful graph, be it simple or complex, is always successful precisely because the emphasized features are far fewer in number than the excluded ones. Finally, he analyzes the perceptual and cognitive integrations made by the viewer.
Drawings are not simply tools for communication but important instruments for investigating reality and its structure. Richly illustrated, the book includes a series of graphic exercises that enable readers to get a sense of their own perceptual and cognitive activity when inspecting images. Massironi's pathbreaking taxonomy of graphic productions will illuminate all the processes involved in producing and understanding graphic images for a wide audience, in fields ranging from perceptual and cognitive psychology through human factors and graphic design to architecture and art history.

This book explores the nature of one of the most ancient tools for nonverbal communication: drawings. They are naturally adaptable enough to meet an incredibly wide range of communication needs. But how exactly do they do their job so well?
Avoiding the kinds of aesthetic rankings of different graphic domains so often made by art historians and critics, Manfredo Massironi considers an extensive and representative sample of graphic applications with an open mind. He finds a deep mutuality between the material components of images and the activation of the perceptual and cognitive processes that create and decipher them.
Massironi first examines the material components themselves: the mark or line, the plane of representation (the angle formed by the actual drawing surface and the depicted objects), and the position of the viewpoint relative to the depicted objects. The roles played by these three components are independent of the content of the drawing; they function in the same way in concrete and abstract representations. He then closely scrutinizes the choices made by the person planning and executing the drawings. Given that any object can be depicted in an infinite number of different ways, the drawer performs continuous work emphasizing and excluding different features. The choices are typically unconscious and guided by his or her communicative goals. A successful graph, be it simple or complex, is always successful precisely because the emphasized features are far fewer in number than the excluded ones. Finally, he analyzes the perceptual and cognitive integrations made by the viewer.
Drawings are not simply tools for communication but important instruments for investigating reality and its structure. Richly illustrated, the book includes a series of graphic exercises that enable readers to get a sense of their own perceptual and cognitive activity when inspecting images. Massironi's pathbreaking taxonomy of graphic productions will illuminate all the processes involved in producing and understanding graphic images for a wide audience, in fields ranging from perceptual and cognitive psychology through human factors and graphic design to architecture and art history.

If you love horses and ponies but don't know where to start when drawing them, this is the book for you! 10 Step Drawing: Horses & Ponies will help you turn simple shapes into the perfect equine companion in just ten easy steps. Create over 50 different breeds in a variety of poses, from a rearing Hanoverian to a grazing Fell pony by following the step-by-step instructions.  Learning to draw has never been so simple! 

Have a blast while you learn to draw tons of sweet and whimsical objects with this all-in-one guide. Meet your doodle coach, Amy Latta - a bestselling lettering author and workshop instructor who is beloved for her practical, encouraging, "anyone can do it" approach to teaching art. With this workbook, learn how to personalize handmade cards, amp up your favorite notebook or simply unwind with some mindful drawing, either on your own paper or right onto the book's sketch-friendly pages. Blank practice spaces are provided throughout so you can doodle as you go! The best part of these charming designs is that they are within reach of beginner artists, including kids. Amy's friendly encouragement and straightforward instructions break down each drawing into simple shapes, so doodlers of all ages and talents can let their creativity flow! Ink and colour hundreds of everyday objects, covering a wide range of popular topics: * All kinds of cute animals from the woods, park, sea, farm and zoo * Beautiful botanicals including leafy vines, rosebuds, tulips and lavender * Seasonal fun from springtime gardening tools and summer beach trips to cozy autumn vibes and wintry snow days * Every holiday doodle you could dream of from Halloween ghosts and birthday banners to Christmas trees and New Year's confetti poppers Inspiration awaits you on every page - all you need is a pencil and eraser, and you can join the fun of doodling everything!

Stevenson introduces this book of a collection of the famous painter and drawer 'Rubens' artwork. This book is brought together with reproductions, notes and origins of the photographs.

Drawing and painting realistic flowers is achievable! Create a wide variety of blooms and greenery using an easy step-by-step method, then add watercolor for gorgeous effects. In Drawing and Painting Beautiful Flowers, discover how to draw flowers such as cosmos, hibiscus, canola, lily of the valley, hydrangea, foxglove, and more from various angles, and learn about perspective and shading. Once you have the skills to draw a single flower, learn how to draw groupings and wreaths. Mix in leaves and smaller flowers to create a variety of looks. Then, learn simple techniques to add luscious watercolor, using shading, blending, and gradient techniques for eye-catching results. Popular Instagram artist Kyehyun Park shares her secrets for capturing realistic flower, leaf, and plant shapes. Artists of all levels love drawing and painting nature, and with these techniques they'll confidently render lifelike botanicals in an array of lovely palettes. The book also includes: Ideas and techniques for drawing and painting charming potted plants Instructions for drawing and painting smaller flowers, buds, and branches Watercolor techniques showing how to expertly blend colors, use brush strokes and brush pressure to create various shapes, and how to use color to shade and highlight Warm-up exercises that help develop skills Simple methods for understanding perspective and composition, making it effortless to draw flowers from different angles Add these striking florals to sketchbooks, stationery, journals, and more. With Drawing and Painting Beautiful Flowers, creating true-to-life florals and plants is within your reach!

Silverpoint, and metalpoint more generally, is the practice of marking with soft metal on a specifically prepared drawing surface. Practiced for centuries, the artform is experiencing a resurgence in recent years, with contemporary work exploring abstract as well as realist, conceptual as well as traditional. Silverpoint and Metalpoint Drawing is the essential manual of metalpoint technique, written by Susan Schwalb and Tom Mazzullo, contemporary masters of the medium. This book is the first treatise on the subject for artists and art teachers with chapters on early history, materials including grounds, supports, metals, and tools, techniques for working in metalpoint as well as mixed media, and finally, the care of metalpoint works. Not only beautifully illustrated, this book also demonstrates how to photograph and exhibit metalpoint art. Featuring a gallery of drawings by contemporary artists, along with their tips and insight, Silverpoint and Metalpoint Drawing is a perfect introduction for students of the medium and an inspiration for those already more familiar with it.

When watching a masterful sketcher, it seems that they create elaborate sketches with ease, tracing their pencils on the page and bringing to life rich and detailed drawings. After sweating away hours trying to create a simple sketch, you may find that yours pales in comparison, looking amateurish and unprofessional. Why is it that you can't do what these 'masters' can? While many assume the difference comes down to accurate strokes and natural talent, you couldn't be further from the truth. Accuracy is not everything - confidence is. And, in this book, Hlavacs helps you to build up your confidence, moving through each layer of drawing and helping you understand exactly why one drawing looks more professional than another. This book breaks down the fear around sketching, walking you through how to create intricate sketches without difficulty. No other book teaches sketching in such a natural way, allowing anyone - no matter levels of talent or their past in drawing - to learn how to make this beautiful skill an intuitive process. Hlavacs demonstrates sketching as a pathway of logical steps, starting with the most basic elements and then adding further layers to the sketches as the book progresses. With a range of exercises to move through and pages filled with the psychology of why humans are drawn to certain sketches over others, this book will turn you into the master you've always admired. Instead of aiming for perfection, Hlavacs teaches you how to draw emotionally, using confidence in place of skill and understanding in place of talent. No matter who you are, The Exceptionally Simple Theory of Sketching will give you rules and demonstrations that will turn every sketch you create into a masterpiece.

In 1912-1913, James Ensor produced a series of 32 drawings in coloured pencil titled Scenes de la vie du Christ [Scenes from the life of Christ]. Each drawing on paper measures about 15 by 21 cm. The series depicts different episodes from the lives of Jesus and the Virgin Mary. In it, Ensor managed to combine the sublime and the grotesque in an unsurpassed manner. Some compositions are quite conventional, others typically 'Ensorian', and some even humorous. Among the works in the series is a drawing in which Ensor portrays himself as Christ, confronted with a dozen Belgian art critics who have gathered before him. In 1929 the drawings were made into lithographs and published in the form of an album by Galerie Georges Giroux in Brussels. These drawings can be considered as a link between the Ostend master's early and later oeuvre. The series combines various motifs which Ensor also executed in oil paint. The author of the work, Xavier Tricot, also pays close attention to the figure of Christ in James Ensor's work. From 1885 onward, the figure of Christ occupied a central position in Ensor's oeuvre. In some of his works, the artist identified with the Messiah.

Classification and qualification seem almost to be the enemy of artistic endeavour. Yet in The Natural History of Vedovamazzei, the curator Mirta D'Argenzio has produced an elliptical collation of the artists' ideas and hopes that offers a remarkable insight into a rarely defined world, that of Vedovamazzei's creative process. Simeone and Stella were lovers, from Naples. They were, and are, artists, painters, sculptors. As a matter of course they sketched out ideas in drawings and watercolors, produced cartoons for future projects, dallied with line and colour for experimental concepts. Some of them didn't work or were put away for another day. These sketches, sometimes no more than doodles or jokes, were also their means of communication when one was away, so that at any moment, on their return, they would find a scrap with an illustration to muse over pinned to the wall. Mirta D'Argenzio, the art historian and curator, came across these fleeting memoranda and resolved to make sense of them, like an Egyptologist deciphering hieroglyphs or an entomologist ordering the development of the Wing-tailed Cabbage White. She set about classifying them into an almost scientific order, from their larval forms through the pupae to the first spread of wings. She has produced a collection of the sketches in eight sections that makes up a visual record of the nascent ideas of Vedova and Mazzei, even in the 21st century cognisant of the traditions of Leonardo. The result of her work is as if one were treading the hallowed halls of the Natural History Museum, with its polished cases of botanical and insect collections, minutely marked and classified by the scientist's copperplate hand. It is a dazzlingdisplay.

Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.

The must-have guide for all artists who draw the human figure!This book provides a simplified and practical vision of the human skeleton to help all artists in their drawing studies. Here you will find the most common and useful approaches to the body's underlying skeleton and bone structure, which will fuel your imagination and enrich your observational skills as you draw the living form. In this small, portable guide, artist and teacher Michel Lauricella focuses on the essentials you need to know.Geared toward artists of all levels--from beginners through professionals--this handy, pocket-sized book will help spark your imagination and creativity. Whether your interest is in figure drawing, fine arts, fashion design, game design, or creating comic book or manga art, you will find this helpful book filled with actionable insights.(Publisher's Note: This book features an "exposed" binding style. This is intentional, as it is designed to help the book lay flat as you draw.) TABLE OF CONTENTSForewordIntroductionHead and NeckTorsoUpper LimbsLower LimbsResources

The Urban Sketching Handbook: Understanding Light is an informative guide to heightening the impact of your artwork by capturing the look and subtleties of light in any scene. In settings ranging from fields and mountains at daybreak to neon cityscapes at midnight, learn how to express light effects through color and value to improve and refine your drawings and paintings. Artist and urban sketcher Katie Woodward offers strategies for: Selectively translating values for maximum effect Using your sketchbook to experiment with the effects of natural as well as artificial light Considering many options for visual solutions through work contributed by experienced urban sketchers Master the art of rendering light with The Urban Sketching Handbook: Understanding Light as your guide. The Urban Sketching Handbook series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format-perfect to toss in your backpack or artist's tote.

Express your own creativity and develop a life-changing mindfulness practice in this guide to mindful sketching for all levels by bestselling author and artist Peggy Dean. * Combine the mental health benefits of mindfulness with the joy of sketching with this how-to guidebook by beloved art teacher Peggy Dean that walks you through the basics of staying present while you draw-and teaches you how to enjoy your work without self-criticism. * Peggy leads readers through the basics of why and how to begin mindful sketching with instruction on materials, techniques, and working with different subject matter and locations; plus offers step-by-step exercises to guide you through the learning process, and fun sketching prompts. * Learn how to stay in the moment while you're working, draw what you see around you, and embrace the results. Enjoy the mental state of calmness, flow, and non-judgmental self-expression that is mindfulness. * Great for fans of Samantha Dion Baker, James Richards, Jen Russell-Smith, Mark Kistler, Flora Waycott, Danny Gregory, and Marc Taro Holmes. Grab your sketchbook and get started-yes, you can draw!

Phaidon's 'Vitamin' series has long proved an extraordinarily accurate predictor of tomorrow's stars. This paperback edition of the latest volume is a cutting-edge and indispensable survey of the very best of contemporary drawing, as chosen by a panel of the world's leading art experts Over the past 50 years, drawing has been elevated from a supporting role to a primary medium, ranking alongside painting as a central art form. Since Phaidon's publication of the first such surveys (Vitamin D in 2005 and D2 in 2013), contemporary artists have continued to explore drawing's possibilities - from intimate to large-scale works, in a diversity of mark-making processes and materials. Vitamin D3 showcases more than 100 such artists, as nominated by a global panel of more than 70 international art experts. The more than 70 nominators include such iconic figures as: Iwona Blazwick, Louisa Buck, Mark Coetzee, Thelma Golden, Laura Hoptman, Geeta Kapur, Pablo Leon de la Barra, Christine Macel, Kate Macfarlane, Hans Ulrich Obrist, and Zoe Whitley. The more than 100 selected artists include: Miriam Cahn, Robert Crumb, Tom Friedman, Tania Kovats, Claudette Johnson, Rashid Johnson, Otobong Nkanga, Toyin Ojih Odutola, Deanna Petherbridge, Christina Quarles, Qiu Zhijie, Nathaniel Mary Quinn, Wael Shawky, Emma Talbot, and Johanna Unzueta.

This study provides the first book-length critical history of storyboarding, from the birth of cinema to the present day and beyond. It discusses the role of storyboarding in key films including Gone with the Wind , Psycho and The Empire Strikes Back , and is illustrated with a wide range of images.

""Anyone who can hold a pencil can learn to draw with some degree of proficiency," Bert Dodson proclaims."

In this book he shares a complete drawing system that you can use for any subject or type of drawing-even if you doubt your ability to draw. It's based on fifty-five "keys to drawing," which are introduced at a comfortable pace. The keys are interspersed with dozens of practice exercises that help you learn by doing.

You'll learn how to: Restate, focus, map and intensify.Free your hand action, and then learn to control it.Convey the illusions of light, depth and texture.Stimulate your imagination through "creative play"

This title was first published in 2003. Peter Lanyon stood at the forefront of landscape painting in Europe during the late 1950s and early 60s. A prominent St Ives artist, he was associated with Barbara Hepworth, Ben Nicholson and Naum Gabo; his work also has affinities with abstract expressionism. Lanyon's career started just as the study of drawing was being liberated from 19th-century academic constrictions. His many drawings range from records of trips to the Netherlands and Italy to portrait sketches and abstract studies. Lanyon also used drawings extensively in the development of some of his most important paintings. In this study, Margaret Garlake explores Lanyon's theory and practice of drawing; the contribution of drawings to the evocation of place in paintings; his use of models and the metamorphosis of the human body into landscape images, as well as his use of three-dimensional constructions as equivalents to drawing.

Needle Work: Stitched Illustrations is a lavishly illustrated volume that explores the growing trend in textile-based art and illustration. The works of each featured artist are showcased with full-page illustrations, alongside a brief biography that examines their work, inspiration, and artistic vision.

The exhibited works of Kurt Jackson (b.1961) do not necessarily reveal his day-to-day working practice. Behind his finished canvases are hundreds of sketchbooks borne out of his continual routine of making drawings, marks, notes, poems and scribbles. This book, newly available in paperback, examines the importance of the sketchbook to Jackson. For Jackson, sketchbooks are vital to the development and completion of his paintings. Often sketching while a painting evolves, the artist values each medium equally - the pages of his sketchbooks reveal how the hastily executed images can help him to work out what he wants to achieve on canvas, or simply capture a spontaneous image when there is not enough time to paint or draw properly. Illustrating mundane daily events and happenings as well as key moments, journeys and the overlapping ongoing project work, Jackson's sketchbooks are key to understanding his inspirations as an artist. Drawing on a selection of 20 sketchbooks, of differing sizes and a variety of media, this fascinating publication provides a rare insight in to the mind of a highly creative and original artist.

Learn how to draw all kinds of woodland animals using this fun and easy step-by-step method. Starting with simple shapes, Susie Hodge shows you how easy it is to develop circles, rectangles, squares and ovals into an exciting selection of animals and birds including rabbits, badgers, woodpeckers, wolves, squirrels and chipmunks. If you have never drawn before this is definitely the book for you, and there is a lot here to inspire more experienced artists too.