Take your creativity to the next level with the ultimate artist's bible! Covering everything from how to draw and paint to ceramics, sculptures and printmaking, you'll get the most out of your passion for art with this beautifully illustrated artist's handbook. It also includes newer areas such as digital art and animation - perfect for modern artists! Discover everything you need to help you release the artist within! This essential art book includes: - All areas of visual art; including drawing, painting, 3D art, printmaking, textiles, and digital arts including photography - Each section is written by an acknowledged expert in that field - both practising professionals and university-level teachers - Comprehensive coverage of equipment and tools, including step-by-step sequences, where appropriate on how to use - Techniques are illustrated in step-by-step sequences by professional artists, with basic skills leading on to more advanced techniques Whether you're dipping in to find a specific painting technique or browsing for artistic inspiration, this artist's reference book covers all the elements of painting and drawing. Brush up on the art basics like choosing the right tool, mixing watercolours, and preparing a canvas. Take your skills further and learn how to glaze a pot, try out 3D printing and mosaic, or create a digital collage. The Artist's Manual will help you become a more confident, creative artist. Equipment, materials, and methods are fully explained and beautifully illustrated. Perfect for artists of every skill level, you'll be creating your own masterpieces in no time with this guide to art. It's a must-have for every artist's studio!

This original work introduces readers to the hyperrealist movement, a style applied to painting whose techniques aspire to photographic exactitude in drawing. From the first action before viewing the piece - the search for information and reference images - to different drawing and sculpture techniques, the book offers a step-by-step explanation of the creative process and shows readers how to illustrate in black and white and with colored pencils, how to work with watercolors and oil, how to create a trompe l'oeil and how to create a realistic looking 3D model. Readers will find all the techniques and suggestions they need to make their own hyperrealist creations, all explained in a pleasant and fun way. It is an original and creative way to introduce different drawing techniques that will awaken the artist inside of us all and whose results will strike most readers as surprising given the degree of realism achieved, as if they were photographs. The book includes references to contemporary artists who have used each of the techniques described, curiosities in the world of art and other tricks of the trade.

Found in our archives, the Black's Sketchbooks are a series of books produced in the early 20th century by a group of well-known artists. Each book contains pen sketches of iconic English and Scottish cities and counties. There are also some books on Continental cities such as Paris and Venice. The result is a charming series of books that present a fascinating look at British and European locations as they were almost a century ago. This title is a delightful look at Durham as it was in 1920.

This beautifully illustrated catalogue presents a selection of exceptional seventeenth-century Dutch drawings from the Peck Collection in the Ackland Art Museum at the University of North Carolina at Chapel Hill. Featuring many previously unpublished and rarely exhibited works, the catalogue brings together examples by some of the best-known artists of the era such as Rembrandt, Jacques de Gheyn II, Samuel van Hoogstraten, and Frans van Mieris. The collection was donated to the museum in 2017 by the late Drs. Sheldon and Leena Peck. The transformative gift is comprised of over 130 largely seventeenth- and eighteenth-century Dutch and Flemish drawings, establishing the Ackland as one of a handful of university art museums in the United States where northern European drawings can be studied in depth. Drawn to Life presents around 70 works from this exceptional and diverse group of drawings amassed by the Pecks over four decades. Featuring new research and fresh insights into seventeenth-century drawing practice, the catalogue and accompanying exhibition celebrates the creativity and technical skills of Dutch artists who explored the beauty of the natural world and the multifaceted aspects of humanity. The catalogue features a broad selection of scenes of everyday life, landscapes, biblical and historical scenes, portraits, and preparatory studies, forming a dynamic and representative group of Dutch drawings made by some of the most outstanding artists of the period, including Abraham Bloemaert, Jacob van Ruisdael, Esaias van de Velde, Bartholomeus Breenbergh, Pieter Molijn, Aelbert Cuyp, Adriaen van Ostade, Ferdinand Bol, Nicolaes Maes, Jan Lievens, Gerard ter Borch, Adriaen van de Velde, Nicolaes Berchem, and Cornelis Dusart. Key sheets of remarkable quality by lesserknown artists such as Guillam Dubois, Herman Naiwincx, Willem Romeyn, and Jacob van der Ulft, also comprise a core strength of the collection, and serve as a testament to the visual acuity of the Pecks as collectors. At the heart of the Peck Collection are several sheets by Rembrandt, including the sublime Noli me Tangere; a beautifully rendered late landscape, Canal and Boats with a Distant View of Amsterdam; and the superbly charming Studies of Women and Children, which was the last of Rembrandt's seventeen known drawings with an inscription in his own hand to reach a public collection. Meticulously researched and written by Robert Fucci, Ph.D., Drawn to Life introduces both scholars and drawings enthusiasts to the depth and beauty of the Peck Collection at the Ackland Art Museum.

Start with a heart shape . . . and end with a beautiful finished piece of art!You'll love Jane Davenport's fabulous, fun, and amazingly easy technique for drawing figures. For aspiring artists, drawing people can be intimidating--but it doesn't have to be. Over years working as a fashion illustrator, Jane Davenport devised her own method of creating in-proportion figures. Her clever core technique involves using equal-size hearts to build the body's structure. And Jane's results have been astounding: her students go from "I can't draw a stick figure" to producing gorgeous, well-proportioned illustrations. After laying out the basics, her imaginative guide walks you through working with different mediums; drawing the head, face, clothing, hair, and features; and constructing figures inspired by fashion, fantasy, life drawing, and more.

It's a bird! It's a plane! It's a superhero drawing book! Professional comic book artist and YouTube guru Robert Marzullo teaches you the building blocks of creating your own action heroes and explosive comic book scenes. Easy to follow step-by-step demonstrations break down advanced drawings into basic shapes and shading for you to replicate and master before applying your newfound knowledge to create your own dynamic comic book characters and settings. INCLUDES 50+ step-by-step demonstrations Chapters on drawing faces, bodies, character details and scenes Instruction on depicting both superhuman men and women using different perspectives, expressions, proportions and poses Ideas for costumes, such as basic cuffs, capes, helmets, armor and weaponry Tips for rendering power effects, from flying and wall smashing to magic-orb wielding and energy blasting Lessons on blocking in a scene to create powerful comic panels that tell a story

Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic sense. If drawing is not reducible to any form of closure, it never resolves a tension specific to drawing but allows the pleasure of drawing to come into appearance, which is also the pleasure in drawing, the gesture of a desire that remains in excess of all knowledge. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around the same questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of sketchbooks on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers.

It contains over 200 sketches and shows a magical Corfu, its town and villages, as seen through the eyes of an artist who has lived on the island since 1961.

Features access to video tutorials Designed to help architects, planners, and landscape architects use freehand sketching to quickly and creatively generate design concepts, "Freehand Drawing and Discovery" uses an array of cross-disciplinary examples to help readers develop their drawing skills. Taking a "both/and" approach, this book provides step-by-step guidance on drawing tools and techniques and offers practical suggestions on how to use these skills in conjunction with digital tools on real-world projects. Illustrated with nearly 300 full color drawings, the book includes a series of video demonstrations that reinforces the sketching techniques.

Intended for creative professionals, this book offers 100 tips, resources and techniques for those who want to take their drawing skills to the next level. Through the work of contemporary artists, amateurs and even children, the author gives the basic concepts of this art form: colour, line and style. With his characteristical sense of humor, clarity and direct style, his lessons and tips will engage the reader.

The list of subjects that Giorgio Agamben has tackled in his career is dizzying--from the dangers of our current political moment to the traces of the distant past that inflect the culture around us today. With Pulcinella, Agamben is back with yet another surprising--and surprisingly relevant--subject: the commedia dell'arte character. At the heart of Pulcinella is Agamben's exploration of an album of 104 drawings, created by Giovanni Domenico Tiepolo (1727-1804) near the end of his life, that cover the life, adventures, death, and resurrection of the title character. Who is Pulcinella under his black mask? Is he a man, a demon, or a god? Mixing stories of the enigmatic Pulcinella with his own character in a sort of imaginary philosophical biography, Agamben attempts to locate the line connection between philosophy and comedy. Perhaps, contrary to what we've been told, comedy is not only more ancient and profound than tragedy, but also closer to philosophy--close enough, in fact, that, as happens in this book, at times the line between the two can blur.

Accompanying a major exhibition, this book brings together around 120 of the most significant examples of Victor Hugo's works on paper. It features previously unpublished drawings and insightful texts that reveal Hugo's extraordinary talents as a draftsman. Remarkably spontaneous and receptive to the myriad possibilities of medium and materials, Hugo produced experimental and enigmatic compositions, from haunting renditions of castles and ruins to ethereal and abstract forms and stains. This volume includes essays which place Hugo's drawings within the context of artistic movements in 19th-century France, closely examine his cosmic landscapes and visions of the night, delve into Hugo's processing of ideas and imagination, and analyze a central pair of opposing forces in his work-stones and stains. This lavishly illustrated book presents the full breadth of Hugo's talent. Hugo's drawings afford a greater insight into the creative brilliance that brought forth some of the most indelible stories of all time.

Watson-Guptill's all-time best-selling drawing book. A best-seller for 35 years! This is a timeless classic that has taught generations of artists - and will teach generations more. When it was originally published in 1970, "How to Draw What You See" zoomed to the top of Watson-Guptill's best-seller list - and it has remained there ever since. "I believe that you must be able to draw things as you see them - realistically," wrote Rudy de Reyna in his introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna's methods. "How to Draw What You See" shows artists how to recognize the basic shape of an object - cube, cylinder, cone, or sphere - and use that shape to draw the object, no matter how much detail it contains.

In an era which has seen many forms of artistic creation becoming digitized, the practice of drawing, in the traditional sense, has remained constant. However, many publications about the relationship between drawing and thinking rely on discipline-dependent distinctions to discuss the activity's function. Drawing: The Enactive Evolution of the Practitioner redefines drawing more holistically as an enactive phenomenon, and makes connections between a variety of disciplines in order to find out how drawing helps us understand the world. Instead of the finite event of producing an artefact, drawing is a process and an end in itself, through which the practitioner might gain self-awareness.By synthesizing enactive thinking and the practice of drawing, this volume provides valuable insights into the creative mind, and will appeal to scholars and practitioners alike.

Qu'est-ce qu'un visage ? Qu'une tete ? C'est a ces questions que Marwan (1934-2016) s'est confronte dans sa demarche artistique en commencant par la figure humaine pour explorer inlassablement le visage. Si ce dernier, traite horizontalement, est reconnaissable dans ses traits, la tete, effigie verticale, s'efface. Le present livre s'appuie sur la biographie du peintre dont le langage artistique s'est elabore entre Damas et Berlin, et sur une etude transculturelle qui questionne le theme du visage dans son oeuvre. L'acces a sa problematique picturale a ete rendu possible grace aux sources premieres: dessins preparatoires, ecrits et entretiens entre l'auteure et l'artiste durant les dix dernieres annees de sa vie. Nourri de la double culture orientale et occidentale, Marwan participe au questionnement du visage humain dans ses metamorphoses par rapport a l'absence, a l'inanime, au voilement-devoilement, au meme et a l'autre, au singulier et a l'universel.

This yearlong workshop guides you through 52 weekly lessons that not only improve your technical skills but refine your personal style, preferences, and expression. The first half of the year focuses on learning and polishing the building blocks-such as line, perspective, and shading-while the second empowers you to make choices and question "methods." Each week includes an introductory quote from art history, what (and how) to practice for the specific lesson, and further "if you have time" suggestions to build on. Going beyond simple step by step, each lesson also includes works by artists in other mediums to look up, rooting the theme in its broader artistic context. By the final assessment lesson of week 52, you'll be more skillful and knowledgeable about drawing, and about yourself as an artist.

Praise for the previous edition: "The book brings together the work of Margaret Evans, Paul Hardy and Peter Coombs to help you to master the pastel medium. The three artists bring a good balance of work to the book, with Peter Coombs and Paul Hardy covering landscapes and townscapes, while Margaret Evans concentrates on flowers. Sections on using a limited palette, composition, colour mixing and colours for painting flowers, are interspersed with 13 demonstrations accompanied by good, clear step-by-step photographs." - Leisure Painter This is a practical and comprehensive guide for all soft pastel painting enthusiasts, from the beginner to the experienced artist. It uses material from the following titles in the Step-by-Step Leisure Arts series: Painting with Pastels by Peter Coombs, Landscapes in Pastel by Paul Hardy, Flowers in Pastel by Margaret Evans and Light in Pastel by Paul Hardy. Starting with advice on materials, it moves on to pastel basics such as blending, adding tone and using a limited palette. There are sections on landscape painting featuring advice on composition and painting trees and water, capturing light in pastels with tips on colour mixing, and finally flower painting, with additional information on adding water to pastels. Throughout the book, the art of painting in pastels is taught through 13 beautiful, easy to follow step-by-step projects, and each section is accompanied by a selection of inspirational paintings by the three featured artists, in a rich variety of styles. Previously published as 9781844488612.