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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings > General
Sarah Raphael (1960-2001) died young: preparing a show for New
York, she contracted pneumonia and never recovered. Her work,
large- and small-scale, is now represented in all the leading
British collections. A major retrospective at Marlborough Fine
Arts, London, in 2003, bringing together work from her last seven
years, was as amazing as her earlier exhibitions in its brilliance,
its formal variety and inventiveness. One breathtaking area of her
work which has so far been inadequately displayed is her drawing.
There are few modern artists who equal her in assurance and
firmness of line. Michael Ayrton said to her when she was fourteen,
'Draw your own hands. If you can draw your own hands you can do
anything.' She did, and she could. Her informal portraits of
friends, some well-known, some unknown, never flatter except in
telling the truth. She did justice to every model, and her sense of
setting, the economy of her perspectives, her ability to create
presence, continue to amaze the viewer. Even the most seemingly
casual sketch, closely observed, reconstitutes an original,
sculptural space about it. The lessons Michael Ayrton taught
ensured that she is always at least a three-dimensional artist.
Most of the drawings are from her notebooks and sketchbooks, and
Frederic Raphael draws from over twenty-five years of work,
primarily pencil sketches. As William Boyd has written, 'you can
tell how good they are, yourself'. She has her own, unarguable
authority.
Definitive source on intricate tattoos of Polynesia's Marquesas
Islands offers a rare glimpse of a vanished art. Its 38 plates of
black-and-white drawings and photographs provide an unusually
complete and intimate record.
In the tradition of Persepolis, In the Shadow of No Towers, and Our
Cancer Year, an illustrated memoir of remarkable depth, power, and
beauty Danny Gregory and his wife, Patti, hadn't been married long.
Their baby, Jack, was ten months old; life was pretty swell. And
then Patti fell under a subway train and was paralyzed from the
waist down. In a world where nothing seemed to have much meaning,
Danny decided to teach himself to draw, and what he learned stunned
him. Suddenly things had color again, and value. The result is
Everyday Matters, his journal of discovery, recovery, and daily
life in New York City. It is as funny, insightful, and surprising
as life itself.
Boston-based urban artist Mike Daikubara gives beginners a crash
course in location sketching that you can use in any city in Sketch
Now, Think Later. Everyone wishes they could sketch stylish scenes,
but busy lives leave almost no room for sitting down with a pad and
pen to practicing. Many people give up on their potential hobby
(and artistic outlet) because they feel they just don't have the
time to lay the groundwork. Here's a secret though: you do! All you
is a strategy for incorporate sketching into your daily life.
Sketch Now, Think Later covers the tools, techniques and tips that
author and Urban Sketching Correspondent of Boston Mike Daikubara
has developed in his more than 15 years as a practicing artist, and
will show you how to fully dive into any sketching situation with
limited time and tools, and still be able to produce memorable,
great looking, fun sketches!
Illustrated with 200 barn sketches, diagrams, and maps, this book
takes you on a journey through the St Croix River Valley. It
grounds you in the geography, geology and biology of the region and
introduces you to its original inhabitants, the Dakota and Ojibwe
peoples, European explorers, fur traders and loggers and the
settlers that followed them. It is a celebration of regional
diversity and architectural expression through a single type of
building - the barn.
The Botanical Illustrator's Handbook takes a closer look at how to
accurately portray the riches of the botanical world. It tackles
and explains many of the difficulties that artists encounter so
they can extend and expand their choice of subject matter. Written
by a respected artist and drawing on her wealth of experience, it
offers new insights and a fresh approach to the wonders of
botanical illustration. Topics covered include: advice on the
labelling and quality of paper, and choice of pencils, paints and
brushes; techniques for the mixing and handling of greens; chapters
on magnification, managing detail and using scale bars; and
finally, instructions for using perspective techniques, and
painting complex structures such as pine cones and umbellifers, and
tricky details such as hairs.
With instructions and step-by-step projects for creating an
array of portaits, this all-inclusive book covers everything about
portraiture in the most popular drawing and painting media. Ideal
for beginning artists who would like to experiment with different
media, The Art of Drawing & Painting Portraits teaches the
artist how to create beautiful and realistic portraits in pencil,
pastel, watercolor, oil, and acrylic.
Jack Hamm makes drawing easier, offering simplified techniques
accompanied by hundreds of illustrations and many hints, in this
step by step manual.
This original work introduces readers to the hyperrealist movement,
a style applied to painting whose techniques aspire to photographic
exactitude in drawing. From the first action before viewing the
piece - the search for information and reference images - to
different drawing and sculpture techniques, the book offers a
step-by-step explanation of the creative process and shows readers
how to illustrate in black and white and with colored pencils, how
to work with watercolors and oil, how to create a trompe l'oeil and
how to create a realistic looking 3D model. Readers will find all
the techniques and suggestions they need to make their own
hyperrealist creations, all explained in a pleasant and fun way. It
is an original and creative way to introduce different drawing
techniques that will awaken the artist inside of us all and whose
results will strike most readers as surprising given the degree of
realism achieved, as if they were photographs. The book includes
references to contemporary artists who have used each of the
techniques described, curiosities in the world of art and other
tricks of the trade.
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Durham
(Hardcover)
Robert J.S. Bertram
1
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R559
R95
Discovery Miles 950
Save R464 (83%)
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Found in our archives, the Black's Sketchbooks are a series of
books produced in the early 20th century by a group of well-known
artists. Each book contains pen sketches of iconic English and
Scottish cities and counties. There are also some books on
Continental cities such as Paris and Venice. The result is a
charming series of books that present a fascinating look at British
and European locations as they were almost a century ago. This
title is a delightful look at Durham as it was in 1920.
This beautifully illustrated catalogue presents a selection of
exceptional seventeenth-century Dutch drawings from the Peck
Collection in the Ackland Art Museum at the University of North
Carolina at Chapel Hill. Featuring many previously unpublished and
rarely exhibited works, the catalogue brings together examples by
some of the best-known artists of the era such as Rembrandt,
Jacques de Gheyn II, Samuel van Hoogstraten, and Frans van Mieris.
The collection was donated to the museum in 2017 by the late Drs.
Sheldon and Leena Peck. The transformative gift is comprised of
over 130 largely seventeenth- and eighteenth-century Dutch and
Flemish drawings, establishing the Ackland as one of a handful of
university art museums in the United States where northern European
drawings can be studied in depth. Drawn to Life presents around 70
works from this exceptional and diverse group of drawings amassed
by the Pecks over four decades. Featuring new research and fresh
insights into seventeenth-century drawing practice, the catalogue
and accompanying exhibition celebrates the creativity and technical
skills of Dutch artists who explored the beauty of the natural
world and the multifaceted aspects of humanity. The catalogue
features a broad selection of scenes of everyday life, landscapes,
biblical and historical scenes, portraits, and preparatory studies,
forming a dynamic and representative group of Dutch drawings made
by some of the most outstanding artists of the period, including
Abraham Bloemaert, Jacob van Ruisdael, Esaias van de Velde,
Bartholomeus Breenbergh, Pieter Molijn, Aelbert Cuyp, Adriaen van
Ostade, Ferdinand Bol, Nicolaes Maes, Jan Lievens, Gerard ter
Borch, Adriaen van de Velde, Nicolaes Berchem, and Cornelis Dusart.
Key sheets of remarkable quality by lesserknown artists such as
Guillam Dubois, Herman Naiwincx, Willem Romeyn, and Jacob van der
Ulft, also comprise a core strength of the collection, and serve as
a testament to the visual acuity of the Pecks as collectors. At the
heart of the Peck Collection are several sheets by Rembrandt,
including the sublime Noli me Tangere; a beautifully rendered late
landscape, Canal and Boats with a Distant View of Amsterdam; and
the superbly charming Studies of Women and Children, which was the
last of Rembrandt's seventeen known drawings with an inscription in
his own hand to reach a public collection. Meticulously researched
and written by Robert Fucci, Ph.D., Drawn to Life introduces both
scholars and drawings enthusiasts to the depth and beauty of the
Peck Collection at the Ackland Art Museum.
Watson-Guptill's all-time best-selling drawing book. A best-seller
for 35 years! This is a timeless classic that has taught
generations of artists - and will teach generations more. When it
was originally published in 1970, "How to Draw What You See" zoomed
to the top of Watson-Guptill's best-seller list - and it has
remained there ever since. "I believe that you must be able to draw
things as you see them - realistically," wrote Rudy de Reyna in his
introduction. Today, generations of artists have learned to draw
what they see, to truly capture the world around them, using de
Reyna's methods. "How to Draw What You See" shows artists how to
recognize the basic shape of an object - cube, cylinder, cone, or
sphere - and use that shape to draw the object, no matter how much
detail it contains.
Start with a heart shape . . . and end with a beautiful finished
piece of art!You'll love Jane Davenport's fabulous, fun, and
amazingly easy technique for drawing figures. For aspiring artists,
drawing people can be intimidating--but it doesn't have to be. Over
years working as a fashion illustrator, Jane Davenport devised her
own method of creating in-proportion figures. Her clever core
technique involves using equal-size hearts to build the body's
structure. And Jane's results have been astounding: her students go
from "I can't draw a stick figure" to producing gorgeous,
well-proportioned illustrations. After laying out the basics, her
imaginative guide walks you through working with different mediums;
drawing the head, face, clothing, hair, and features; and
constructing figures inspired by fashion, fantasy, life drawing,
and more.
It's a bird! It's a plane! It's a superhero drawing book!
Professional comic book artist and YouTube guru Robert Marzullo
teaches you the building blocks of creating your own action heroes
and explosive comic book scenes. Easy to follow step-by-step
demonstrations break down advanced drawings into basic shapes and
shading for you to replicate and master before applying your
newfound knowledge to create your own dynamic comic book characters
and settings. INCLUDES 50+ step-by-step demonstrations Chapters on
drawing faces, bodies, character details and scenes Instruction on
depicting both superhuman men and women using different
perspectives, expressions, proportions and poses Ideas for
costumes, such as basic cuffs, capes, helmets, armor and weaponry
Tips for rendering power effects, from flying and wall smashing to
magic-orb wielding and energy blasting Lessons on blocking in a
scene to create powerful comic panels that tell a story
Originally written for an exhibition Jean-Luc Nancy curated at the
Museum of Fine Arts in Lyon in 2007, this book addresses the medium
of drawing in light of the question of form--of form in its
formation, as a formative force, as a birth to form. In this sense,
drawing opens less toward its achievement, intention, and
accomplishment than toward a finality without end and the infinite
renewal of ends, toward lines of sense marked by tracings,
suspensions, and permanent interruptions. Recalling that drawing
and design were once used interchangeably, Nancy notes that drawing
designates a design that remains without project, plan, or
intention. His argument offers a way of rethinking a number of
historical terms (sketch, draft, outline, plan, mark, notation),
which includes rethinking drawing in its graphic, filmic,
choreographic, poetic, melodic, and rhythmic sense. If drawing is
not reducible to any form of closure, it never resolves a tension
specific to drawing but allows the pleasure of drawing to come into
appearance, which is also the pleasure in drawing, the gesture of a
desire that remains in excess of all knowledge. Situating drawing
in these terms, Nancy engages a number of texts in which Freud
addresses the force of desire in the rapport between aesthetic and
sexual pleasure, texts that also turn around the same questions
concerning form in its formation, form as a formative force.
Between the sections of the text, Nancy has placed a series of
sketchbooks on drawing, composed of a broad range of quotations on
art from different writers, artists, or philosophers.
It contains over 200 sketches and shows a magical Corfu, its town
and villages, as seen through the eyes of an artist who has lived
on the island since 1961.
Features access to video tutorials Designed to help architects,
planners, and landscape architects use freehand sketching to
quickly and creatively generate design concepts, "Freehand Drawing
and Discovery" uses an array of cross-disciplinary examples to help
readers develop their drawing skills. Taking a "both/and" approach,
this book provides step-by-step guidance on drawing tools and
techniques and offers practical suggestions on how to use these
skills in conjunction with digital tools on real-world projects.
Illustrated with nearly 300 full color drawings, the book includes
a series of video demonstrations that reinforces the sketching
techniques.
Intended for creative professionals, this book offers 100 tips,
resources and techniques for those who want to take their drawing
skills to the next level. Through the work of contemporary artists,
amateurs and even children, the author gives the basic concepts of
this art form: colour, line and style. With his characteristical
sense of humor, clarity and direct style, his lessons and tips will
engage the reader.
Kawaii is a Japanese word meaning 'super-cute', and it's a trend
that's sweeping the globe. Anything can be drawn in the kawaii
style, from animals, people, vegetables and flowers to food,
vehicles and household items. Expert comic book and manga artist
Yishan Li shows you how to achieve amazingly cute characters in a
few simple steps. Do you want to draw a singing cactus, a cheeky
camera, a crying onion, or a playful panda? The choice is yours!
How to Draw: Cute Kawaii uses material from the best-selling How to
Draw series, plus 32 brand new projects! There are over 100
projects to choose from, each full of character and charm. Each one
is developed in eight easy stages from a rough sketch of the basic
shapes through to the finished, coloured drawing, making this book
appealing to adults and children of all ages and abilities.
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