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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings > General
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Notebooks
(Paperback, New)
Leonardo Da Vinci; Selected by Irma A. Richter; Edited by Thereza Wells; Preface by Martin Kemp
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R297
R240
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'Study me reader, if you find delight in me...Come, O men, to see
the miracles that such studies will disclose in nature.' Most of
what we know about Leonardo da Vinci, we know because of his
notebooks. Some 6,000 sheets of notes and drawings survive, which
represent perhaps one-fifth of what he actually produced. In them
he recorded everything that interested him in the world around him,
and his study of how things work. With an artist's eye and a
scientist's curiosity he studied the movement of water and the
formation of rocks, the nature of flight and optics, anatomy,
architecture, sculpture, and painting. He jotted down fables and
letters and developed his belief in the sublime unity of nature and
man. Through his notebooks we can get an insight into Leonardo's
thoughts, and his approach to work and life. This selection offers
a cross-section of his writings, organized around coherent themes.
Fully updated, this new edition includes some 70 line drawings and
a Preface by Martin Kemp, one of the world's leading authorities on
Leonardo. ABOUT THE SERIES: For over 100 years Oxford World's
Classics has made available the widest range of literature from
around the globe. Each affordable volume reflects Oxford's
commitment to scholarship, providing the most accurate text plus a
wealth of other valuable features, including expert introductions
by leading authorities, helpful notes to clarify the text,
up-to-date bibliographies for further study, and much more.
Lose the fear of drawing and discover just how much fun it is! This
book provides hours of doodling activity for anyone with a pen.
Look at the world differently by making crazy and inventive
drawings around simple household objects. For The Drawing Game,
Nunes has gathered numerous photos of everyday things accompanied
by suggestions for the doodles you can make out of them. And there
are examples of doodles by some of Laurence King's favourite
illustrators. The rest is up to you.
Sarah Raphael (1960-2001) died young: preparing a show for New
York, she contracted pneumonia and never recovered. Her work,
large- and small-scale, is now represented in all the leading
British collections. A major retrospective at Marlborough Fine
Arts, London, in 2003, bringing together work from her last seven
years, was as amazing as her earlier exhibitions in its brilliance,
its formal variety and inventiveness. One breathtaking area of her
work which has so far been inadequately displayed is her drawing.
There are few modern artists who equal her in assurance and
firmness of line. Michael Ayrton said to her when she was fourteen,
'Draw your own hands. If you can draw your own hands you can do
anything.' She did, and she could. Her informal portraits of
friends, some well-known, some unknown, never flatter except in
telling the truth. She did justice to every model, and her sense of
setting, the economy of her perspectives, her ability to create
presence, continue to amaze the viewer. Even the most seemingly
casual sketch, closely observed, reconstitutes an original,
sculptural space about it. The lessons Michael Ayrton taught
ensured that she is always at least a three-dimensional artist.
Most of the drawings are from her notebooks and sketchbooks, and
Frederic Raphael draws from over twenty-five years of work,
primarily pencil sketches. As William Boyd has written, 'you can
tell how good they are, yourself'. She has her own, unarguable
authority.
One of the few books on the subject, Young's completely illustrated
manual gives expert guidance on how to draw shirts, pants, skirts,
gloves, hats, coats, and undergarments on the human figure. He
covers folds in relation to the body, the figure's supporting
surfaces, effects of pull and crush, action folds, and more. Over
200 drawings.
Winner of the 2019 CHOICE Award "The authoritative book on the
origins, history, and influence of illustration. Bravo!" David
Brinley, University of Delaware, USA History of Illustration covers
image-making and print history from around the world, spanning from
the ancient to the modern. Hundreds of color images show
illustrations within their social, cultural, and technical context,
while they are ordered from the past to the present. Readers will
be able to analyze images for their displayed techniques, cultural
standards, and ideas to appreciate the art form. This essential
guide is the first history of illustration written by an
international team of illustration historians, practitioners, and
educators.
Renowned manga artist and comics creator Camilla D'Errico's
beginner's guide to drawing her signature Japanese-style
characters.
From comics to video games to contemporary fine art, the beautiful,
wide-eyed-girl look of shoujo manga has infiltrated pop culture,
and no artist's work today better exemplifies this trend than
Camilla D'Errico's. In her first instructional guide, D'Errico
reveals techniques for creating her emotive yet playful manga
characters, with lessons on drawing basic body construction,
capturing action, and creating animals, chibis, and mascots.
Plus, she gives readers a behind-the-scenes look at her character
design process, pointers on creating their own comics, and prompts
for finishing her drawings. Pop Manga is both a celebration of
creativity and an indespensible guide that is sure to appeal to
manga diehards and aspiring artists alike.
Illustrated with 200 barn sketches, diagrams, and maps, this book
takes you on a journey through the St Croix River Valley. It
grounds you in the geography, geology and biology of the region and
introduces you to its original inhabitants, the Dakota and Ojibwe
peoples, European explorers, fur traders and loggers and the
settlers that followed them. It is a celebration of regional
diversity and architectural expression through a single type of
building - the barn.
After more than thirty years of research and teaching, artist
Valerie Winslow has compiled her unique methods of drawing human
anatomy into one groundbreaking volume: Classic Human Anatomy. This
long-awaited book provides simple, insightful approaches to the
complex subject of human anatomy, using drawings, diagrams, and
reader-friendly text. Three major sections-the skeletal form, the
muscular form and action of the muscles, and movement-break the
material down into easy-to-understand pieces. More than 800
distinctive illustrations detail the movement and actions of the
bones and muscles, and unique charts reveal the origins and
insertions of the muscles. Packed with an extraordinary wealth of
information, Classic Human Anatomy is sure to become a new classic
of art instruction.
This book taps into the dragon craze ignited by the successful
"Eragon" series and includes all types of dragons, from scaly
brutes of medieval Europe to graceful Asian fantasy figures. Clear,
illustrated and step-by-step enough that a child can follow it, but
detailed, imaginative and insightful enough that an adult can learn
from it as well, this book offers anyone and everyone a simple way
to learn how to draw dragons.T-Rex may be king of the dinosaurs and
the lion may be king of the jungle, but the undisputed, hands-down
ruler of mythical creatures is the dragon. Now, anyone with an
interest in drawing these amazing creatures can follow the program
in this book and learn to do it. Avoiding the 'copy-it-yourself'
approach found in other books, Sandra Staple teaches readers all
the skills they need to create their own dragon menagerie. Every
step is presented with ease and clarity, taking the bewilderment
out of the drawing process and showing that great complexity begins
with utmost simplicity. For beginners, there's a special primer
section, while more experienced artists can dive right in to
drawing the mythical creatures that fill their imaginations.
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Uduit
(Paperback)
H W Dinlocker
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R451
Discovery Miles 4 510
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Ships in 18 - 22 working days
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This beautifully illustrated catalogue presents a selection of
exceptional seventeenth-century Dutch drawings from the Peck
Collection in the Ackland Art Museum at the University of North
Carolina at Chapel Hill. Featuring many previously unpublished and
rarely exhibited works, the catalogue brings together examples by
some of the best-known artists of the era such as Rembrandt,
Jacques de Gheyn II, Samuel van Hoogstraten, and Frans van Mieris.
The collection was donated to the museum in 2017 by the late Drs.
Sheldon and Leena Peck. The transformative gift is comprised of
over 130 largely seventeenth- and eighteenth-century Dutch and
Flemish drawings, establishing the Ackland as one of a handful of
university art museums in the United States where northern European
drawings can be studied in depth. Drawn to Life presents around 70
works from this exceptional and diverse group of drawings amassed
by the Pecks over four decades. Featuring new research and fresh
insights into seventeenth-century drawing practice, the catalogue
and accompanying exhibition celebrates the creativity and technical
skills of Dutch artists who explored the beauty of the natural
world and the multifaceted aspects of humanity. The catalogue
features a broad selection of scenes of everyday life, landscapes,
biblical and historical scenes, portraits, and preparatory studies,
forming a dynamic and representative group of Dutch drawings made
by some of the most outstanding artists of the period, including
Abraham Bloemaert, Jacob van Ruisdael, Esaias van de Velde,
Bartholomeus Breenbergh, Pieter Molijn, Aelbert Cuyp, Adriaen van
Ostade, Ferdinand Bol, Nicolaes Maes, Jan Lievens, Gerard ter
Borch, Adriaen van de Velde, Nicolaes Berchem, and Cornelis Dusart.
Key sheets of remarkable quality by lesserknown artists such as
Guillam Dubois, Herman Naiwincx, Willem Romeyn, and Jacob van der
Ulft, also comprise a core strength of the collection, and serve as
a testament to the visual acuity of the Pecks as collectors. At the
heart of the Peck Collection are several sheets by Rembrandt,
including the sublime Noli me Tangere; a beautifully rendered late
landscape, Canal and Boats with a Distant View of Amsterdam; and
the superbly charming Studies of Women and Children, which was the
last of Rembrandt's seventeen known drawings with an inscription in
his own hand to reach a public collection. Meticulously researched
and written by Robert Fucci, Ph.D., Drawn to Life introduces both
scholars and drawings enthusiasts to the depth and beauty of the
Peck Collection at the Ackland Art Museum.
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Durham
(Hardcover)
Robert J.S. Bertram
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R559
R95
Discovery Miles 950
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Found in our archives, the Black's Sketchbooks are a series of
books produced in the early 20th century by a group of well-known
artists. Each book contains pen sketches of iconic English and
Scottish cities and counties. There are also some books on
Continental cities such as Paris and Venice. The result is a
charming series of books that present a fascinating look at British
and European locations as they were almost a century ago. This
title is a delightful look at Durham as it was in 1920.
Praised by critics and teachers alike for more than 40 years, Burne
Hogarth's Dynamic Anatomy is recognized worldwide as the classic,
indispensable text on artistic anatomy. Now revised, expanded, and
completely redesigned with 75 never-before-published drawings from
the Hogarth archives and 24 pages of new material, this
award-winning reference explores the expressive structure of the
human form from the artist's point of view. The 400 remarkable
illustrations explain the anatomical details of male and female
figures in motion and at rest, always stressing the human form in
space. Meticulous diagrams and fascinating action studies examine
the rhythmic relationship of muscles and their effect upon surface
forms. The captivating text is further enhanced by the magnificent
figure drawings of such masters as Michelangelo, Rembrandt, Rodin,
Picasso, and other great artists. Dynamic Anatomy presents a
comprehensive, detailed study of the human figure as artistic
anatomy. This time-honored book goes far beyond the factual
elements of anatomy, providing generations of new artists with the
tools they need to make the human figure come alive on paper.
Originally written for an exhibition Jean-Luc Nancy curated at the
Museum of Fine Arts in Lyon in 2007, this book addresses the medium
of drawing in light of the question of form--of form in its
formation, as a formative force, as a birth to form. In this sense,
drawing opens less toward its achievement, intention, and
accomplishment than toward a finality without end and the infinite
renewal of ends, toward lines of sense marked by tracings,
suspensions, and permanent interruptions. Recalling that drawing
and design were once used interchangeably, Nancy notes that drawing
designates a design that remains without project, plan, or
intention. His argument offers a way of rethinking a number of
historical terms (sketch, draft, outline, plan, mark, notation),
which includes rethinking drawing in its graphic, filmic,
choreographic, poetic, melodic, and rhythmic sense. If drawing is
not reducible to any form of closure, it never resolves a tension
specific to drawing but allows the pleasure of drawing to come into
appearance, which is also the pleasure in drawing, the gesture of a
desire that remains in excess of all knowledge. Situating drawing
in these terms, Nancy engages a number of texts in which Freud
addresses the force of desire in the rapport between aesthetic and
sexual pleasure, texts that also turn around the same questions
concerning form in its formation, form as a formative force.
Between the sections of the text, Nancy has placed a series of
sketchbooks on drawing, composed of a broad range of quotations on
art from different writers, artists, or philosophers.
It contains over 200 sketches and shows a magical Corfu, its town
and villages, as seen through the eyes of an artist who has lived
on the island since 1961.
Features access to video tutorials Designed to help architects,
planners, and landscape architects use freehand sketching to
quickly and creatively generate design concepts, "Freehand Drawing
and Discovery" uses an array of cross-disciplinary examples to help
readers develop their drawing skills. Taking a "both/and" approach,
this book provides step-by-step guidance on drawing tools and
techniques and offers practical suggestions on how to use these
skills in conjunction with digital tools on real-world projects.
Illustrated with nearly 300 full color drawings, the book includes
a series of video demonstrations that reinforces the sketching
techniques.
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