Acclaimed Royal Academy artist Jeanette Barnes and Paul Brandford breathe new life into sketching for town and city dwellers everywhere.Mercurial, inspirational, practical and charming, this guide covers everything from architecture to accidental paintings, cocktails to clouds, smudges to skyscrapers.With easily digested bite-size entries, it introduces many types of art materials, their uses and a number of insights and exercises to build confidence in a range of approaches to drawing. For the more experienced sketcher, the artists discuss the processes behind drawing and strategies to inject more creativity and open-mindedness about how to take a drawing forward.With great charm, the book gives a window onto the experiences of Jeanette, who has travelled to many cities worldwide in search of inspiring city subjects and a half-decent cocktail. Full of tips and ideas about working on location and back in the studio, this book is filled with the scribbles, sketches and preparatory drawings that feed into the larger works for which she is known.As a whole, the book is a multipurpose tool which can be used to unlock the potential of drawing both technically and philosophically so that the reader can be the architect of their own drawing experience rather than the recipient of someone else's. After thirty years of drawing, many of them teaching, the authors still feel an excitement when picking up a pencil or some charcoal. This book gives every reader the chance to share that excitement and bring urban living to life.

Many people crave a creative outlet, but more often than not, don't know where to start. In Yellow, Valentina Zucchi and Sylvie Bello invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate yellow, the most cheerful and inviting of colours.

Explore some of the many different yellows that artists have used over the years to give substance to the beauty of light, from precious gold to butterscotch and cadmium yellow.

Throughout the book, Valentina and Sylvie provide creative and fun prompts - many based on famous works of art - which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Olafur Eliassoni, Vincent van Gogh, JMW Turner and more, you will discover the many shades of yellow and just some of the ways it can be used to convey meaning.

Yellow is a short course in unlocking your creative self - perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.

Let's be honest, staying in is SHITE, but we need to keep that bloody curve down. We're guessing there are a lot of not-very-PC thoughts running through your head right now, such as: Why is my PISS WIZARD boss emailing me during my home workout?; Do my kids always behave like total GOBSHITES or just while being home-schooled?; And why oh why won't this virus just go FUCKETY BYE? Don't internalise your stress until you're social distancing from the people you live with. Now you can colour yourself calm with COLOUR MY BOLLOCKS, the adult colouring book that says exactly what you think.

Records Renaudo's formidable production with detailed information for the collector.

Around 1500, Lucas Cranach the Elder steps onto the world stage - in Vienna. The publication explores this, the artist's earliest period of work and presents all the paintings he produced during this time, their expressiveness radically different from the courtly-elegant compositions he subsequently produced as court painter in Wittenberg. Lucas Cranach the Elder (1472-1553) produced his earliest works around 1500 in Vienna, shortly before moving to Wittenberg to become court painter to the Elector of Saxony. These brilliant paintings, drawings, and woodcuts document both the thirty-year-old's close contacts with the humanist circles of Konrad Celtis and Johannes Cuspinian, and identify him as a precursor of the so-called Danube School.

The Exile of George Grosz examines the life and work of George Grosz after he fled Nazi Germany in 1933 and sought to re-establish his artistic career under changed circumstances in New York. It situates Grosz's American production specifically within the cultural politics of German exile in the United States during World War II and the Cold War. Basing her study on extensive archival research and using theories of exile, migrancy, and cosmopolitanism, McCloskey explores how Grosz's art illuminates the changing cultural politics of exile. She also foregrounds the terms on which German exile helped to define both the limits and possibilities of American visions of a one world order under U.S. leadership that emerged during this period. This book presents Grosz's work in relation to that of other prominent figures of the German emigration, including Thomas Mann and Bertolt Brecht, as the exile community agonized over its measure of responsibility for the Nazi atrocity German culture had become and debated what Germany's postwar future should be. Important too at this time were Grosz's interactions with the American art world. His historical allegories, self-portraits, and other works are analyzed as confrontational responses to the New York art world's consolidating consensus around Surrealism and Abstract Expressionism during and after World War II. This nuanced study recounts the controversial repatriation of Grosz's work, and the exile culture of which it was a part, to a German nation perilously divided between East and West in the Cold War.

Rake's Progress, Harlot's Progress, Ilustrations for Hudibras, Before and After, Beer Street and Gin Lane, 96 more; commentary by Sean Shesgreen.

A master of animal portraiture presents an extensive course in creating lifelike drawings of a host of creatures: great apes, tigers, lions, dogs, bears, horses, crocodiles, snakes, fish, and many others. Subjects include animal musculature, bone structure, psychology, movements, habits, and habitats. Suitable for commercial and fine artists, painters, sculptors, and students. 123 illustrations.

Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the first major study of Salon caricature, a kind of graphic art criticism in which press artists drew comic versions of contemporary painting and sculpture for publication in widely consumed journals and albums. Salon caricature began with a few tentative lithographs in the 1840s and within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press. This broad survey of Salon caricature examines little-known graphic artists and unpublished amateurs alongside major figures like Edouard Manet, puts anonymous jokesters in dialogue with the essays of Baudelaire, and holds up the material qualities of a 10-centime album to the most ambitious painting of the 19th century. This archival study unearths colorful caricatures that have not been reproduced until now, drawing back the curtain on a robust culture of comedy around fine art and its reception in nineteenth-century France.

This accessible book explains the significance of relationships between the body and the mark, visual imitation, drawing and writing and visual storytelling, providing a simple guide to these key ideas. For millennia drawing has been conceived as an exploratory activity, mediating between the vision of the drafter and what they are drawing. Drawing reveals hidden relationships, directs attention, scrutinises the material world and provides plans for further action. The book unpacks the key ideas that have shaped the rich, complex and foundational activity of drawing. It presents an unexpected, engaging and authoritative range of illustrated examples of drawings made by culturally and historically diverse people for different purposes, with different media, in widely different times and situations. Educator, author and artist Simon Grennan builds together concepts to create a complete guide to ideas about drawing.