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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings > General
Around 1500, Lucas Cranach the Elder steps onto the world stage -
in Vienna. The publication explores this, the artist's earliest
period of work and presents all the paintings he produced during
this time, their expressiveness radically different from the
courtly-elegant compositions he subsequently produced as court
painter in Wittenberg. Lucas Cranach the Elder (1472-1553) produced
his earliest works around 1500 in Vienna, shortly before moving to
Wittenberg to become court painter to the Elector of Saxony. These
brilliant paintings, drawings, and woodcuts document both the
thirty-year-old's close contacts with the humanist circles of
Konrad Celtis and Johannes Cuspinian, and identify him as a
precursor of the so-called Danube School.
Die Autorin analysiert umfassend das Fruhwerk des deutschen
Kunstlers Otto Freundlich (1878-1943). Dieser begann bereits
wahrend seines ersten Paris-Aufenthaltes 1908 eine eigenstandige,
nicht-gegenstandliche Formensprache zu entwickeln, ohne sich wie
zahlreiche seiner Zeitgenossen den vorherrschenden Kunststilen
anzupassen oder unterzuordnen: "Ich habe [...] nach meiner inneren
UEberzeugung geschaffen, die verlangte, von der Tradition
abzugehen." Anhand der Rekonstruktion seines Netzwerkes
positioniert die Untersuchung den Kunstler als selbstbewussten
Wegbereiter der Abstraktion innerhalb der Pariser Avantgarde.
Dazzling works on paper from a vast and celebrated collection The
Harvard Art Museums house one of the most significant collections
of works on paper in North America. Among its many strengths are
sheets by draftsmen of the French School, including notable masters
such as Simon Vouet, Claude Lorrain, Nicolas Poussin, Jean-Antoine
Watteau, François Boucher, Jean-Baptiste Greuze, and Jean-Honoré
Fragonard. Following an introductory essay that charts the
formation of this group of drawings, this catalogue provides
thorough entries on more than 100 outstanding examples from the
16th to 18th century that encompass a range of genres and
motifs—from landscapes and figure studies to historical and
mythological scenes—many of which were produced for major
commissions or mark key moments in the development of style and
taste in early modern France. Alvin L. Clark Jr. marshals his
decades-long engagement with these works, pairing a discerning eye
with perceptive readings that deepen our understanding of the
drawings and their makers. Distributed for the Harvard Art Museums
Connect with your deepest emotions through a daily sketching
practice and transform negative thinking and anxiety into abundant
possibilities, mindfulness and joy. 'Through profound yet simple
teachings and practices Sheila Darcey invites our innate human
creativity to express and transcend our turbulence. Following her
guidance, we move from turmoil to peace by liberating the artist
that lives in us all.' Gabor Mate You don't need to be an artist to
express yourself. All you need is a pen and paper, and a
willingness to look within. Sketch by Sketch shows you how to
create a practice that will help you to move away from a negative
headspace and spiralling emotions towards the realm of possibility,
happiness and clarity. As you embrace the process, you'll begin to
experience a shift in perspective and find true fulfilment, one
sketch at a time. You'll discover: * over 40 sketching prompts on a
variety of insightful topics, from hope to courage * easy-to-follow
guidance for beginners and keen sketchers alike, and blank space
for you to sketch * a comprehensive, inspiring visual library and
example sketches * a detailed Q&A at the back of the book This
inspiring book will unlock your basic human need to create, express
and feel. Step by step, you'll find peace on the page. 'An
exquisite inquiry into the deepest parts of yourself. This book
will help you bring to light the things that have been haunting
you, so they no longer hold you back. Highly recommended.' Pedram
Shojai OMD, New York Times bestselling author
Originally published in 1916, this book contains guidance on
drawing with perspective, with specific reference to architectural
drawings. Wright and Rudd illustrate their principles with over
three hundred drawings of complex architectural features such as
ovolo moulding and mastabas. This book will be of value to anyone
with an interest in illustration, art or perspective.
Magnificent compendium of the finely detailed plant images from the Victorian era-all identified with Latin and common names and arranged alphabetically by family. Hundreds of plant species-from lilies, lichens, poppies and palms to mushrooms, mosses, marigolds and maples-supplemented by specialized appendices on edible foods, medicinal herbs, plants used in decoration and in graphic design. Indispensable source of inspiration and copyright-free graphics for designers and artists; a captivating compendium for botanists, gardeners, and collectors of old engravings.
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Citrus Fruit
(Hardcover)
David Freedberg, Enrico Baldini
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R5,822
R3,390
Discovery Miles 33 900
Save R2,432 (42%)
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Ships in 12 - 19 working days
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The first volume to appear in the Natural History series catalogues
a group of spectacular drawings of citrus fruit in watercolour and
gouache, most of which were commissioned to illustrate Giovanni
Battista Ferrari's Hesperides, an ambitious attempt at a complete
taxonomy and classification of the entire citrological world, which
was published in Rome in 1646. Cassiano dal Pozzo played a
fundamental role in this project: it was he who commissioned and
supplied most of the drawings and then arranged for them to be
engraved for Ferrari's projected work. The citrus drawings -
grouped in the Catalogue under the headings of citrons, lemons,
oranges, pummelos, hybrids, monstrosities and unidentified citrus
fruit - are reproduced in full colour and are accompanied by a
wealth of comparative material which includes the Hesperides
engravings, additional drawings and photographs of actual
specimens, mainly of the monstrous kind. In addition to detailed
scientific descriptions of the specimens themselves, the catalogue
also gives art historical information on watermarks, annotations,
types of mount, provenance and literature. The introductory essays
explain Cassiano's method of gathering information from a network
of correspondents around Europe and consider the relationship
between these drawings and other natural history subjects
commissioned by Cassiano. The authors discuss the work of the
artists involved in the project and assess the major contribution
made the classification of citrus fruit by the collaborative
efforts of Cassiano of Ferrari.
With a rare combination of great economy of means and unfailing
panache, Antony Cleminson's drawings of palatial buildings and
urban settings are endlessly delightful and fascinating. Collected
from more than 60 years of traveling with his wife Jan, a concert
violinist, they take in England, France, Italy, Spain, Germany,
Croatia, Russia, Jordan, Syria, and Yemen. They bring not only
extreme sensitivity to place, but also an engineer's understanding
of structure, and an historian's understanding of style. Pencil,
chalk, charcoal, red and black ink, and india ink are some of the
media used, and the book is printed on genuine Ingres paper to
reproduce these beautiful drawings as closely as possible. Will
appeal to those with a love of architectural heritage in Europe and
the Middle East.
This hands-on practical guide provides dyslexic young people with
techniques to improve their observational drawing skills, showing
them how they can work around the issues commonly reported by
students with SLDs. Many creative and talented individuals with
neurological differences report difficulties with short-term
memory, co-ordination and planning ahead within a project, and a
lack of specialised teaching may even dissuade them from pursuing
art at school. This book addresses those challenges. The authors,
who have many years' experience of teaching art to dyslexic and
dyspraxic students, also include examples not just of the
techniques described, but also of the creative ideas other
neurodiverse students have come up with. Fully illustrated, with
clear explanations, and space to draw and sketch, this much needed
book will provide dyslexic art students with the tools and
confidence to achieve their goals and become the creative
professionals of the future.
Victor Perard's concise guide for artists at every level features
easy-to-follow steps for capturing the magnificence of trees.
Shading techniques, composition, shadow and light methods, and
outlining approaches are all aimed to help artists draw dozens of
varieties with vitality and expression.
Describing drawing as her "primary activity," for over thirty years
Roni Horn (b. 1955) has created innovative and experimental works
on paper marked by both conceptual and technical complexity. This
carefully curated survey of the artist's drawings from the early
1980s through 2016 explores works revolving around the mutability
of identity and the fragility of place, time, and language; it also
delves into Horn's unique approach to mark-making and her process
of cutting up and reassembling words and images. With sumptuous
illustrations, this catalogue features an insightful look at and
selected details of Horn's large-scale-sometimes over ten feet
tall-works on paper; the artist's series of cadmium red drawings;
and her cut-and-pasted word drawings that combine well-known
literary texts by Gertrude Stein and William Shakespeare with
colloquial expressions.
"Seventeenth-Century European Drawings in Midwestern Collections:
The Age of Bernini, Rembrandt, and Poussin" brings together more
than one hundred treasures of the Baroque age from museum
collections throughout the Midwest. The volume presents a
fascinating and representative selection of Italian, Dutch,
Flemish, and French drawings in Midwestern repositories, offering
new insights on many of these works of art. Many are relatively
unknown, and some have never before been published.
Authored by major scholars in the field, the catalogue presents
each drawing along with a concise description with full scholarly
apparatus. Four essays, written by Babette Bohn, George S. Keyes,
Kristi A. Nelson, and Alvin L. Clark, Jr., respectively, introduce
the Italian, Dutch, Flemish, and French schools. The catalogue's
introductory essay, by Shelley Perlove, places these works within
the historical, iconographic, and stylistic currents of
seventeenth-century art. The catalogue is designed to have
widespread appeal for art historians, curators, artists,
collectors, students, and general readers interested in art and
cultural history. Moreover, "Seventeenth-Century European Drawings
in Midwestern Collections "highlights the surprising number of
institutions throughout the Midwest that have acquired
distinguished European drawings from the seventeenth century worthy
of full recognition by collectors and connoisseurs.
In Mythical Beasts: An Artist's Field Guide to Designing Fantasy
Creatures, thirty talented artists show you how to sketch, draw,
and render thirty mythical creatures. Learn how to create some of
the best-known fantasy creatures including the werewolf, unicorn,
and of course the fantasy staple the dragon. Also included are
lesser-known mythical beasts such as the Slavic Leshy, Japanese
Jorogumo, and the Congolese Dingonek. Each creature has its own
chapter which covers its history, how to render main elements, and
variations, and one large final illustration. If you are a fan of
mythology and fantasy, then Mythical Beasts is the book for you!
The Monochrome of the Sala delle Asse is a portion of wall
decoration left at the drawing stage and represents the roots of
one of the sixteen mulberry trees that, regularly spaced on the
walls of the room, intertwine above to create a polychrome arboreal
pavilion on the vault. The Monochrome of the Sala delle Asse is a
portion of wall decoration left at the drawing stage and represents
the roots of one of the sixteen mulberry trees that, regularly
spaced on the walls of the room, intertwine above to create a
polychrome arboreal pavilion on the vault. The decoration of the
room, which was never completed, is historically tied to the name
of Leonardo da Vinci by a letter written in April 1498 by Gualtiero
da Bascape, the secretary of Ludovico il Moro, to the duke of
Milan, explaining that Lunedi si desarmara la camera grande da le
Asse c[i]oe da la tore. Magistro Leonardo promete finirla per tuto
Septembre. The room was subjected to radically changing fortunes
over the centuries, and was later the object of two complex
restoration campaigns, the first carried out between 1893 and 1902
by Luca Beltrami and the second between 1955 and 1956 by Costantino
Baroni. This volume provides an account of the result of these
restorations. It describes the complex diagnostic research and the
technical assessments that form the foundations of a broader
project for the conservation of the painted area. Text in English
and Italian.
This practical introduction to botanical illustration is formed of
ten graded lessons, where each teaches you new skills to build upon
the last. From mushrooms to orchids to hawthorn berries and leaves;
once you've completed these lessons in drawing and painting
botanical subjects, you will have all the techniques you need in
order to tackle far more complex arrangements. An experienced
teacher of botanical illustration, Valerie Price shows even the
uninitiated illustrator how to produce accurate and beautiful
results, with her step-by-step instructions on how to tackle each
individual project. With advice on topics including accurate
drawing, measuring and recording your subject, right the way
through to preparing a well-composed botanical plate, this book
covers everything you need to know to get ahead in botanical
illustration.
If you are passionate about DIY and simple things, creating your
own journal is the perfect system for you! It allows you to enjoy
the usefulness of an agenda, but within a completely personalized
system; it is a methodical system that will help you organize your
day, month, and year. 17 people who are passionate about journals
explain first-hand what notebook they like to work with, what are
the most-used materials, and how you can organize and decorate your
own.
Hanna Nagel's focus as an artist was on drawing and graphic prints.
Like no other woman artist of her time, she examined the
relationship between men and women as well as the problematic
balancing act between professional work and motherhood. Her work
following her studies in Karlsruhe was at first characterized by
objective precision. With her move to Berlin, she, however,
distanced herself from the stringent drawing style of Neue
Sachlichkeit. The oft-biographical works executed with a brush and
pen in Indian ink are formally more complex and painterly, whereby
the impression of these so-called "Dunkle Blatter" (Dark Works)
corresponds to the narratively and symbolically charged topics
chosen. The focus of the exhibition and catalogue is on the works
of the 1920s and the early 1930s.
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