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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings > General
Want to know how to draw the scales on a fire-breathing dragon? Or
on a Mermaid's tail? How about the feathers on a giant Roc? Or the
clothes of a giant? Drawing fire-breathing beasts and mysterious,
magical creatures has never been so much fun-or so easy! In this
64-page how-to-draw book, fantasy artist Kythera of Anevern
demonstrates how to draw dragons, fairies, ogres, merfolk, and
everything in between! Readers will discover in-depth tips and
techniques for drawing textures such as fur, hair, scales, and
teeth, as well as features like tails, wings, talons, hooves, and
horns. With a wealth of fanciful drawings and in-depth instruction
on re-creating extraordinary creatures in graphite, this book is
ideal for anyone who is fascinated by the fantastic.
This revised 15th anniversary edition of the bestselling beginning drawing book updates art and text examples to include new student pieces, up-to-date materials, and additional sections on drawing in 3D and travel sketching, along with refreshed and contemporary design.
Based on author and art instructor Claire Watson Garcia's successful courses and workshops for beginning and aspiring artists, Drawing for the Absolute and Utter Beginner applies a positive, accepting tone to a progressive series of lessons in sketching and rendering. The book's step-by-step methodology and examples of student works from earliest efforts to completed drawings give novices the tools and techniques needed to make competent and eloquent renderings of still lifes, portraits, and more. In this revised edition, Garcia covers such in-demand subject matter as drawing-on-the-go, drawing in three dimensions, and drawing the portrait at a three-quarter view. The reinvigorated art and text ensure that this drawing instruction classic will continue to appeal to new generations of aspiring artists.
This is an inspiring must-have resource for artists seeking new
approaches to drawing the human figure. It features more than 20
fundamental figure drawing exercises. It empowers students and
artists of all levels to make progress with the figure beyond their
expectations. Throughout the history of art, figure drawing has
been regarded as the very foundation of an artist's education and
at the centre of the art-making process. In "Expressive Figure
Drawing", innovative teacher and author, Bill Buchman, explores the
idea that the way we draw is a direct expression of our emotions
and perceptions. It includes 20 plus fundamental figure drawing
exercises that are undertaken one step at a time so that students
and artists of all levels are empowered to make progress with the
figure beyond their expectations. Throughout the book, the author
reveals his methods for developing proficiency using a variety of
traditional media and the latest art materials available today.
Drawing from Your Imagination shows anyone who draws and paints how
to successfully tap into a vast resource for their work: the
envisaged and remembered scenes that form their own imagination.
Renowned illustrator Ron Tiner leads readers through a unique
development course, demonstrating how they can access their own
imaginations to create engaging and distinctive images. The
structured text is accompanied by an inspirational selection of
sketches, examples and finished works showcasing the various
degrees and endless possibilities of imaginative work.
An inspiring sourcebook, this guide helps artists discover a wide
variety of subjects and ideas for their next sketch. More than 140
of the author's drawings illustrate nostalgic scenes, old
engravings, atmospheric effects, photographs, and landscapes.
Latin inscriptions found on buildings, tombstones, altars and
votive monuments form a rich source of information for historians
about classical Rome. By the early seventeenth century, ancient
epigraphy had become a highly developed branch of learning, and the
drawings of inscriptions preserved in the Paper Museum offer a
fascinating insight into this earlier world of scholarship - in
some cases providing our only record of the piece being
illustrated. The drawings in this volume cover a wide chronological
range and provide details about Roman law, the Roman army and
officials of the Roman Empire as well as aspects of Roman life
overlooked in literary sources.
"As long as humans have been alive, we have drawn." Justin Maas
Drawing is the most essential of all visual arts. Everyone, from
sculptors to painters, draws in one form or another. It is also the
simplest and most affordable form of artistic expression. All you
need is a pencil and paper to make something magical. But to create
a successful portrait, one must understand how to capture a
person's likeness--their spirit--and portray it in graphite. In
Drawing Realistic Pencil Portraits, artist and teacher Justin Maas
provides a step-by-step guide for both novice and experience
portraitists looking to enhance their skillsets. His tried-and-true
techniques for mastering the basics and accurately rendering
proportion, placement and nuance when drawing the head and face
will help you add energy and life to your drawings and create
recognizable and moving portraits. In this book: Lessons in drawing
basics, including value, line, shadow, light and anatomy How to
work from both reference photographs and live models, plus tips for
selecting your subjects Step-by-step demos to create crucial
features, such as eyes, ears, and hair Methods for building
successful portraits, including the grid method, the tracing method
and the author's own Maas method 15 detailed step-by-step
portrait-drawing demos with subjects of different ages, genders and
ethnicities A gallery of additional portrait examples in both
black-and-white and full color
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Uduit
(Paperback)
H W Dinlocker
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R451
Discovery Miles 4 510
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Ships in 18 - 22 working days
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Praised by critics and teachers alike for more than 40 years, Burne
Hogarth's Dynamic Anatomy is recognized worldwide as the classic,
indispensable text on artistic anatomy. Now revised, expanded, and
completely redesigned with 75 never-before-published drawings from
the Hogarth archives and 24 pages of new material, this
award-winning reference explores the expressive structure of the
human form from the artist's point of view. The 400 remarkable
illustrations explain the anatomical details of male and female
figures in motion and at rest, always stressing the human form in
space. Meticulous diagrams and fascinating action studies examine
the rhythmic relationship of muscles and their effect upon surface
forms. The captivating text is further enhanced by the magnificent
figure drawings of such masters as Michelangelo, Rembrandt, Rodin,
Picasso, and other great artists. Dynamic Anatomy presents a
comprehensive, detailed study of the human figure as artistic
anatomy. This time-honored book goes far beyond the factual
elements of anatomy, providing generations of new artists with the
tools they need to make the human figure come alive on paper.
The Monochrome of the Sala delle Asse is a portion of wall
decoration left at the drawing stage and represents the roots of
one of the sixteen mulberry trees that, regularly spaced on the
walls of the room, intertwine above to create a polychrome arboreal
pavilion on the vault. The Monochrome of the Sala delle Asse is a
portion of wall decoration left at the drawing stage and represents
the roots of one of the sixteen mulberry trees that, regularly
spaced on the walls of the room, intertwine above to create a
polychrome arboreal pavilion on the vault. The decoration of the
room, which was never completed, is historically tied to the name
of Leonardo da Vinci by a letter written in April 1498 by Gualtiero
da Bascape, the secretary of Ludovico il Moro, to the duke of
Milan, explaining that Lunedi si desarmara la camera grande da le
Asse c[i]oe da la tore. Magistro Leonardo promete finirla per tuto
Septembre. The room was subjected to radically changing fortunes
over the centuries, and was later the object of two complex
restoration campaigns, the first carried out between 1893 and 1902
by Luca Beltrami and the second between 1955 and 1956 by Costantino
Baroni. This volume provides an account of the result of these
restorations. It describes the complex diagnostic research and the
technical assessments that form the foundations of a broader
project for the conservation of the painted area. Text in English
and Italian.
This is the book that can teach anyone to draw (yes, even you )
If you're not getting the kind of true-to-life results you want
in your drawings (or if you can't even draw a straight line),
Carrie and Rick Parks can help. As award-winning teachers, they
have a proven game plan for helping artists of all levels overcome
common problems and see immediate improvement in their work. As
professional composite artists, they know the tricks and tools for
achieving incredibly lifelike results. In this friendly, foolproof
guide to drawing, they share it all:
- Easy-to-master techniques for achieving a convincing sense of
depth
- How to draw challenging textures like metal and fur
- Putting personality into your portraits
- 40+ step-by-step demonstrations featuring a variety of people,
animals and nature
Easy enough so that beginners can jump right in, and comprehensive
enough to help more accomplished artists refine their skills. This
book covers all the essentials, teaching you the secrets of
realistic drawing one step at a time, building the skills you need
to tackle any subject convincingly--even those you've always
thought were beyond your reach. Before you know it, you'll be
turning out picturesque landscapes, stellar portraits--any subject
that inspires you to put pencil to paper
Drawing the Nude is an exciting approach to drawing the human body.
Divided into three parts, on structure, anatomy and observation, it
introduces a set of principles and develops a treasury of ideas for
the artist to follow. Whilst recognizing the importance of
observation, it focuses more on a conceptual understanding of the
construction of the body in anatomical terms. In doing so, it
encourages the cultivation of more informed observation and
accommodates those who work from memory, imagination and invention.
Ben Woolfitt begins each day by drawing. Using graphite, silver and
metal leaf and selected objects for frottage, Woolfitt plumbs the
depths of his unconscious as he draws on each page of his books.
Although best known for his large-format paintings, Woolfitt has
completed hundreds of drawings which showcase his signature
process: taking a pre-existing sign -- a piece of bamboo, for
example -- and imbuing it with subjective energies through the act
of recording and accentuating its impression on the page. The
drawings in Ben Woolfitt: Rhythms & Series are charged with
rich psychological meaning; they speak where language fails.
Distributed randomly in his drawing books, Woolfitt's work
transforms the linear structure of the bound volume into a
nonlinear repository of his sensations and feelings, offering a
special glimpse into his psyche. Ben Woolfitt: Rhythms & Series
contains more than 65 reproductions of Woolfitt's distinctive
drawings along with an interview with the artist by AGO curators
Kenneth Brummel and Alexa Greist.
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