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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings > General
In Facets of Eros, David Sobelman, an award-winning writer of
documentaries, explores the early drawings of Canadian artist
Claire Wilks, their presciently feminist visual vocabulary. He does
so by looking at the drawings-so open in their sexuality, so
puzzling in their vision of motherhood, so sensually affirming in
their engagement with death in the Shoah camps-through the lens of
that ancient figure Eros, as first discussed by Plato. This is a
startling, original approach to a startling, original artist, the
meta-portrait of a singular woman who expressed the world she saw
around her with her hands.
This is the first scholarly treatise to tell the remarkable story
behind the making of the Flora Graeca, a monumental collection of
drawings and descriptions of plants in mainland Greece and the
Balkan Peninsula. Originally described by Diskorides in the sixth
century, the flora and fauna of the Balkan Peninsula were neglected
until the gentlemen botanists-naturalists John Sibthorpe and John
Hawkins, with the help of illustrator Ferdinand Bauer, travelled
the region and produced a class of paintings superior to anything
of their kind in existence then. These were to become one of the
most valuable treasures of the University of Oxford. Based on the
original diaries, letters, and specimen, this fine work is
illustrated with prints from the original illustrations which are
still housed at the Department of Plant Sciences at Oxford.
 |
The Labyrinth
(Hardcover, Main)
Harold Rosenberg, Nicholson Baker, Saul Steinberg
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Explores the 'lost kingdoms' with brush, ink and colour. A
breathtakingly beautiful quest. In the age of mechanical
reproduction, many fail to appreciate intricate drawings made by
hand, hands having become mere obsolete instruments these days,
compared to the fast precision of the digital camera. Christian
Peltenburg-Brechneff's drawings capture what the camera can never
capture: the spirit of the places he has rendered. Brechneff takes
on the challenge of exploring and translating the architectural and
spiritual wonders of the 'lost' kingdoms of the Himalayas with
brush and ink and colour washes: Laddakh, Nepal, Sikkim, Bhutan,
India, Burma, Cambodia and Laos. Brought to life through
imaginative investment, Brechneff's subjects become more
mysterious, and preciously exciting than ever. They sparkle with
subjective life and become rapturously alive in a way that a
photograph could never be. The ancient architecture of India - many
old palaces and temples - and ageless mountains are already
inspired creations, with archetypal import, emphasising that
Brechneffs's journey to them is a spiritual journey. The intricate
drawings form a visual diary of his travels. Each drawing is dated,
and the place depicted named, indicating that the drawing is a
documentary as well as personal journal. Peltenburg-Brechneff
decodes and maps India's architecture and mountains with the hope
of grasping the secret of their creative dynamic, rather than only
preserving their dramatic appearance for posterity. Homage is a
breathtakingly beautiful spiritual quest.
The Mandala Sketchbook is a new and exciting sketchbook, which will
appeal to both adults and children, for the creation of beautiful
Mandalas in 8 easy steps. A Mandala is a Sanskrit word meaning
circle or discoid object and creating a Mandala involves using a
variety of own unique shapes and patterns. Designing, drawing and
colouring a Mandala can be a highly enriching and calming personal
experience. With 48 pages to complete or share with others, the
Mandala Sketchbook guides you through the design process before
setting you free to enjoy creating your own unique designs, which
can be coloured in or painted once completed. The perforated pages
allow the illustrations to easily be removed for framing or
card-making
This book analyzes a wide range of Beardsley's most characteristic
work. It establishes his assumptions about the underlying nature of
his world, and clarifies why so many observers have considered
Beardsley's art indispensable to understanding fin-de-siecle
Victorian culture. Beardsley's pictures present a dialogue between
seemingly polarized impulses: a desire to scandalize and
destabilize the old order, and, equally strong, a need to affirm
traditional authority.
Beardsley depicted various grotesque shapes, caricatures, and
mutated figures, including foetus/old man, dwarf, Clown, Harlequin,
Pierrot, and dandy (the icon of the Decadent "Religion of Art").
Incarnating the fearful contradictions of decadence, these images
served as objective correlatives of some "monstrous" metaphysical
contortion. His grotesques suggest the impossibility of resolving
these contradictions, even as his elegant designs try
formalistically to control and recuperate the disfiguration.
As a canonical style, Beardsley's "dandy" sensibility and
grotesque caricatures become his means of realigning canonical
meaning. Thus, he effects what might be termed a "caricature" of
traditional signification. An aesthete devoted to the "Religion of
Art," Beardsley, nonetheless, creates a world inescapably
"de-formed." He is a Dandy of the Grotesque."
This book presents a major new thematic and chronological catalogue
survey of the Columbus Museum's most significant holdings of
drawings and works on paper, including examples in graphite,
charcoal, monotype and pastel. At the heart of the Columbus
Museum's collection, and of this volume, is the work of a
remarkable individual, Dr. Phillip L. Brewer, who has amassed a
truly significant collection of American works on paper - both in
terms of its depth and breadth. For the first time this volume
presents nearly 200 of these master drawings, 120 of the most
important of which are grouped into six chapters, illustrated in
full colour, and accompanied by extended catalogue entries written
by leading experts. A further 79 works are presented as colour and
mono thumbnails interspersed amongst the images of the key works.
Included are images by Copley, West and Cole that date from the
earliest years of American nationhood; works by Oscar Bluemner,
Arthur Dove and Morton Schamberg which herald the advent of
modernism; while others by Hans Hoffmann, Yasuo Kuniyoshi, Blanche
Lazzell and Rico Lebrun confirm its continued presence through such
varied expressions as social realism, surrealism and abstraction.
While artists like Milton Avery, Jack Beal, Paul Cadmus, Philip
Evergood, Nancy Grossman, and Louise Nevelson explore the strength
and beauty of the human form, James Valerio and Andrew Wyeth
document the changing faces of the natural world. Together these
works, and Lines of Discovery, offer a comprehensive survey of the
history of American art.
The Impossible Arises explores the life and work of Oscar
Reutersvard (1916-2002), founder of the Impossible Figures
movement. The movement began in Stockholm in 1934 when
eighteen-year-old Reutersvard drew the first impossible triangle.
Over the course of his life he would go on to draw around 4000
impossible figures and be honored by the Swedish government with an
issue of stamps showing his work. Based on a large collection of
Reutersvard's art and correspondence held at the Lilly Library at
Indiana University Bloomington, the lavishly illustrated Impossible
Arises examines the evolution of Reutersvard's impossible figures
and how they influenced other modern artists in the later twentieth
century. The Impossible Arises offers a detailed look at the
philosophy guiding Reutersvard's art and presents a rich array of
stories from his eccentric personal life. It is an essential
introduction to the life and career of one of the most fascinating
artists of the twentieth century.
Discover special colouring tips and tricks to make flat
illustrations appear as if they're about to jump right off the
page! Each drawing is accompanied by step-by-step instructions and
techniques tailored to the specific image. You'll also find
finishing techniques for maximizing the impact of the illusion,
such as how to cut out and display your artwork and which angles
are best for photographing your work to capture the full effect.
There are 20 fantastic pictures included for you to cut out and
show off!
Anyone wanting to develop their drawing skills, as well as artists,
teachers and students, will enjoy the creative challenge of form
drawing. Regular practise can help discover what the art of line
can mean. Drawing skills are developed through systematic
exercises, and can develop self-confidence, balance and
tranquillity. Simple form drawing is used in Steiner?Waldorf
schools as a companion discipline to handwriting and drawing
skills. It offers a healthy antidote to screen culture.
A deluxe, hardcover sketchbook with archival-quality paper that works for a variety of drawing media with pages that are large enough for you to take rough sketches all the way to final artwork.
The classic Watson-Guptill Sketchbook, first created by artists for artists, was released in 1993 and has since earned a strong reputation among recreational and professional artists for its durability, lay-flat binding, and premium pH neutral paper pages that are ideal for a variety of drawing media, from pencil and charcoal to pen and ink. Committed artists are increasingly attracted to the utility and enduring qualities that distinquish the Watson-Guptill Large Sketchbook including the sturdy hardcover binding that stands up to daily use and abuse, and the removable sticker. In response to demand, the Large Sketchbook is now available in a new color--calfskin brown--for artists who are looking for an alternative to the black sketchbook and want to make a serious style statement.
Draw amazingly accurate portraits starting today! Even if you're an
absolute beginner, you can render strikingly realistic faces and
self-portraits! Instructor and FBI-trained artist Carrie Stuart
Parks makes it simple with foolproof step-by-step instructions that
are fun and easy to follow. You'll quickly begin to: Master
proportions and map facial features accurately Study shapes within
a composition and draw them realistically Use value, light and
shading to add life and depth to any portrait Render tricky
details, including eyes, noses, mouths and hair Proven, hands-on
exercises and before-and-after examples from Parks' students ensure
instant success! It's all the guidance and inspiration you need to
draw realistic faces with precision, confidence and style!
This volume covers Chinese art during the reign of the Sui and Tang
Dynasties during which the various disciplines of plastic and
performing arts all entered a stage of unprecedented prosperity and
development. It also traces new explorations in calligraphy,
painting, and mural art and highlights architectural achievements
during the historic period. A General History of Chinese Art
comprises six volumes with a total of nine parts spanning from the
Prehistoric Era until the 3rd year of Xuantong during the Qing
Dynasty (1911). The work provides a comprehensive compilation of
in-depth studies of the development of art throughout the
subsequent reign of Chinese dynasties and explores the emergence of
a wide range of artistic categories such as but not limited to
music, dance, acrobatics, singing, story telling, painting,
calligraphy, sculpture, architecture, and crafts. Unlike previous
reference books, A General History of Chinese Art offers a broader
overview of the notion of Chinese art by asserting a more diverse
and less material understanding of arts, as has often been the case
in Western scholarship.
This volume investigates the artistic development during the Qing
Dynasty, the last of imperial Chinese dynasties, and shows the
importance of opera and playwriting during this time period.
Further analysis is dedicated to the development of scroll painting
and the revival of calligraphy and seal carving. A General History
of Chinese Art comprises six volumes with a total of nine parts
spanning from the Prehistoric Era until the 3rd year of Xuantong
during the Qing Dynasty (1911). The work provides a comprehensive
compilation of in-depth studies of the development of art
throughout the subsequent reign of Chinese dynasties and explores
the emergence of a wide range of artistic categories such as but
not limited to music, dance, acrobatics, singing, story telling,
painting, calligraphy, sculpture, architecture, and crafts. Unlike
previous reference books, A General History of Chinese Art offers a
broader overview of the notion of Chinese art by asserting a more
diverse and less material understanding of arts, as has often been
the case in Western scholarship.
Pioneer of chaos mathematics, Edward Lorenz posited in his 1988
paper Unventions what the hell? the now accepted theory that
unventions were a necessary reaction to humans getting all uppity
with their big ideas. So what is an unvention? Some say unventions
are simply everyday objects that are familiar to all. They are
correct. But they are also wrong. Unventions tell new stories about
the things around you releasing them from the mundane trudge of
daily routine to take on epic new roles. When you begin to see them
you are set free, and soon you will discover your own. Your mind
has been in chains for too long! Unventionswill change your world
forever.* *Largely in utterly useless ways
This elegant Fourth Edition of Chip Sullivan's classic Drawing the
Landscape shows how to use drawing as a path towards understanding
the natural and built environment. It offers guidance for tapping
into and exploring personal creative potential and helps readers
master the essential principles, tools, and techniques required to
prepare professional graphic representations in landscape
architecture and architecture. It illustrates how to create a wide
range of graphic representations using step-by-step tutorials,
exercises and hundreds of samples.
A deluxe, hardcover sketchbook with archival-quality paper that works for a variety of drawing media with pages that are large enough for you to take rough sketches all the way to final artwork.
The classic Watson-Guptill Sketchbook, first created by artists for artists, was released in 1993 and has since earned a strong reputation among recreational and professional artists for its durability, lay-flat binding, and premium pH neutral paper pages that are ideal for a variety of drawing media, from pencil and charcoal to pen and ink. Committed artists are increasingly attracted to the utility and enduring qualities that distinquish the Watson-Guptill Large Sketchbook including the sturdy hardcover binding that stands up to daily use and abuse, and the removable sticker. In response to demand, the Large Sketchbook is now available in a new color--metallic gold--for artists who are looking for an alternative to the black sketchbook and want to make a serious style statement.
This is the first volume from a new series of illustrated books,
tracing the life and times of a modern gentleman. Edward is a man
about town. He is educated, cultured with an eye for beauty and he
has a fascination with history and people. These books are a
collection of whimsical illustrations of Edward's adventures as
imagined by the illustrator Robin Lucas. The first book of the
series sees Edward's adventures in London. We will start with
Edward's adventures in London. Later in the series we will explore
further afield, such as the rolling Tuscan countryside with its
mediaeval hill towns, or the delights of India with its rich layers
of history and magnificent wildlife. The aim of this project is to
produce a series of small sketchbooks that give a real flavor of
iconic places around the world through the eyes of Edward - our
modern gentleman. 1- The book will be a beautiful object with an
eye-catching cover and illustrations that will give a different
perspective on London. 2- The first book written by a new
up-and-coming illustrator to the market. The author has a growing
social media presence and following for his work. 3- Introducing a
new character of the modern Englishman to the market, he will
appeal to a wide audience and make the perfect gift to a brother,
sister, father, mother , son, partner. The intention is that the
character will reappear in subsequent volumes and will become
collectable.
Observe, draw, paint, explore and master the art of botanical
illustration. Award-winning botanical artist Isik Guner shares her
passion for drawing and painting living plants from around the
world. Her work is both artistically accomplished and
scientifically accurate, and will inspire you to master the skills
you need to produce your own botanical illustrations from life. -
Discover how to select, preserve and position your specimens. -
Develop your understanding of perspective and composition. - Learn
the techniques of drawing and watercolour painting. With the help
of Ekin Ozbicer's striking photography and numerous illustrations
by Isik and other renowned botanical artists, this visually
stunning book bridges the gap between science and art and will
inspire artists, illustrators, botanists and plant lovers in equal
measure.
Amazing results can be achieved surprisingly quickly using the
author's step-by-step techniques to create a wonderful selection of
23 wild animals in various poses--including head shots and full
body illustrations. Aspiring artists will discover how easy it is
to learn how to draw with this simple and inspirational guide, and
more experienced artists will develop specific skills for drawing
animals. Each animal starts as basic geometric shapes and lines and
becomes a completed drawing within four or five steps. Despite the
simplicity of the construction methods, these images are realistic
representations of the animals portrayed. Once mastered, the
traditional approach used in this book can be used for any subject.
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