If you are passionate about DIY and simple things, creating your own journal is the perfect system for you! It allows you to enjoy the usefulness of an agenda, but within a completely personalized system; it is a methodical system that will help you organize your day, month, and year. 17 people who are passionate about journals explain first-hand what notebook they like to work with, what are the most-used materials, and how you can organize and decorate your own.

Hanna Nagel's focus as an artist was on drawing and graphic prints. Like no other woman artist of her time, she examined the relationship between men and women as well as the problematic balancing act between professional work and motherhood. Her work following her studies in Karlsruhe was at first characterized by objective precision. With her move to Berlin, she, however, distanced herself from the stringent drawing style of Neue Sachlichkeit. The oft-biographical works executed with a brush and pen in Indian ink are formally more complex and painterly, whereby the impression of these so-called "Dunkle Blatter" (Dark Works) corresponds to the narratively and symbolically charged topics chosen. The focus of the exhibition and catalogue is on the works of the 1920s and the early 1930s.

Latin inscriptions found on buildings, tombstones, altars and votive monuments form a rich source of information for historians about classical Rome. By the early seventeenth century, ancient epigraphy had become a highly developed branch of learning, and the drawings of inscriptions preserved in the Paper Museum offer a fascinating insight into this earlier world of scholarship - in some cases providing our only record of the piece being illustrated. The drawings in this volume cover a wide chronological range and provide details about Roman law, the Roman army and officials of the Roman Empire as well as aspects of Roman life overlooked in literary sources.

Pierre Rosenberg, the distinguished art historian and director of the Musee du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honore Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas.

How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques.

Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C., "From Drawing to Painting" gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library."

"Hallum's painting is charged with delight in colour, line, surface and composition, in powerfully unconventional ways." - Hettie Judah This is the first monograph on the London-born, Devon-based artist Jacqui Hallum. The publication documents Hallum's solo exhibition at The Walker Art Gallery, Liverpool (10 October 2019 - 1 March 2020), along with a series of solo, two-person and group exhibitions held between 2014 and 2020. Hallum is best-known for her mixed-media paintings on textiles - techniques she has developed and refined over the course of twenty years since completing her studies. Incorporating imagery and visual languages ranging from medieval woodcuts and stained-glass windows to Art Nouveau children's illustrations, tarot cards and Berber rugs, Hallum employs ink staining, painting, drawing and printing to create layers of pattern, abstraction and passages of figurative imagery. As part of her working process, Hallum often leaves the fabrics in the open air, exposed to the elements, in order to introduce weathering into the works. History, religion, mysticism and the beliefs and creativity of past civilisations are among the themes that overlap - often in a literal sense of pieces of fabrics layered, pinned, draped and hung together - to form painterly palimpsests that carry a sense of the past with them into the present. Along with a foreword by Professor Caroline Wilkinson, Director of the School of Art and Design at Liverpool John Moores University, and an introductory essay by artist, curator and director of Kingsgate Workshops and Project Space in London, Dan Howard-Birt, the publication features newly commissioned essays by arts journalist and critic Hettie Judah and by Andrew Hunt, Professor of Fine Art and Curating at the University of Manchester. Also featured is the edited transcript of a conversation between Hallum and Howard-Birt held at The Walker Art Gallery, Liverpool. Jacqui Hallum (b.1977, London) graduated with a BA in Fine Art from Coventry School of Art& Design, Coventry University, in 1999, and an MFA in Painting from the Slade School of Fine Art, University of London, in 2002. Hallum's solo exhibition at The Walker Art Gallery followed a three-month fellowship at Liverpool John Moores University, which resulted from winning the prestigious John Moores Painting Prize in 2018. The monograph, designed by work-form and edited by Susan Taylor, has been produced by Kingsgate Project Space and co-published with Anomie Publishing.

Ben Woolfitt begins each day by drawing. Using graphite, silver and metal leaf and selected objects for frottage, Woolfitt plumbs the depths of his unconscious as he draws on each page of his books. Although best known for his large-format paintings, Woolfitt has completed hundreds of drawings which showcase his signature process: taking a pre-existing sign -- a piece of bamboo, for example -- and imbuing it with subjective energies through the act of recording and accentuating its impression on the page. The drawings in Ben Woolfitt: Rhythms & Series are charged with rich psychological meaning; they speak where language fails. Distributed randomly in his drawing books, Woolfitt's work transforms the linear structure of the bound volume into a nonlinear repository of his sensations and feelings, offering a special glimpse into his psyche. Ben Woolfitt: Rhythms & Series contains more than 65 reproductions of Woolfitt's distinctive drawings along with an interview with the artist by AGO curators Kenneth Brummel and Alexa Greist.

The 30-Day Sketchbook Project will forever transform the way you view your sketchbook. Through gorgeous yet simple step-by-step projects for each day of the month, illustrator Minnie Small will help you improve your skills, build your confidence and eradicate your fears of the blank page. Each day presents a new practice with three forms of inspiration: first, an overview of the topic with an approachable tutorial, followed by a prompt to help you make the lesson your own. Last, you'll get a glimpse into Minnie's process, as she shares some of her own sketchbook pages. Through this insight, you'll not only learn how to put the prompts into practice, but you'll also gain a greater appreciation of intuitive learning and the beauty of creative imperfection. Get started in the first days with exciting exercises like the Timed Challenge and Master Study before easing into more elaborate ones like Observational Drawing and Monochrome Paintings. Keep the rhythm going with Collage Paintings and Ink Illustration. Then, see how far you've come when you reach more advanced lessons like Plein Air, Realism and Alternative Self-Portrait. Whether your artwork lives only in the pages of your sketchbook or you use these exercises as a launching point for other work, it won't take long to see the positive impact of this daily practice in your art. Let your imagination run wild, your love of creativity renew and your faith in your skills flourish, one day at a time.

412 rare copyright-free woodcut engravings of men in every conceivable attitude, costume, activity. Men at work, play, leisure. Eskimos, gladiators, knights, bullfighters, workers, doctors, artists, etc., taken from 19th-century periodicals. Invaluable sourcebook for artists and illustrators.

Innovative method of drawing by tonal masses. Step-by-step demonstrations, over 200 illustrations, cover foreshortening, drawing the face, other aspects.

A fascinating and fun educational coloring book perfect for adults and children with an interest in birds or those studying ornithology. "Water-loving birds, like ducks, geese, herons, and sandpipers, have fascinated us for centuries. . . . [The Aquatic Birds Coloring Book] is a great way to deepen your knowledge of these wonderful birds while relaxing with your colored pencils." - David Yarnold, CEO & President, National Audubon Society The Aquatic Birds Coloring Book is designed to enhance the knowledge of anyone interested in learning more about birds, their anatomy and physiology, habitats, characteristics, mating habits, and more. It includes more than sixty detailed colorable illustrations and is divided into four sections: Introduction to Aquatic Birds; Beaks and Bills; Systems and Characteristics; and Orders of Aquatic Birds. Short educational text accompanies each illustration. Those seeking to expand their knowledge of birds will find this book fun and enlightening-and it's sure to enthrall artists and learners of all ages!

Understanding the full possibilities of scene design with CG artwork is not easy. Learning from the work of experts is the path that most experienced CG designers recommend. Successful CG artwork grows from hard work, constant experiment, and realistic self-criticism. This book shows how experts develop and improve their skills.

Jan Hendrix is a Dutch-born, Mexico-based contemporary artist. His work is all about observation and analysis; nature and its diff erent ways of representing and telling extended stories, often in a non- linear narrative. Based on an exhibition at Kew Gardens, this book is a visual report of Hendrix's multiple visits to the Kamay Botany Bay Area of New South Wales, Australia, made over a 20-year period. Beautiful and thought-provoking works convey his response to the fragile, changing landscape, under constant threat of fi re and destruction. His work also draws on first collections of plants at Kamay Botany Bay documented by botanists Joseph Banks, Daniel Solander and Sydney Parkinson as part of the HMS Endeavour expedition in 1770. Supporting texts by Art Historian Dawn Ades, CEO of the Bundanon Trust Deborah Ely, and filmmaker Michael Leggett contextualise the work of the artist. With a foreword by Kew Director Richard Deverell.

Refresh your creativity and boost your motivation to draw with the expert help of The Drawing Ideas Book. If you're stuck in a rut - or simply just stuck - this book is filled with ideas for what to draw, how to draw and even where and when to draw. Packed with arresting examples of creatives' drawings and sketchbooks from all over the world, it's sure to fire up your creativity. Imagine it, doodle it, sketch it, ink it and more. Discover the infinite possibilities of this essential art form, from its key mediums to unusual processes, across subjects from figure drawing and landscape sketching to abstract compositions.