This elegant & accessible primer from master contemporary artist Juliette Aristides distils the drawing process into its essential elements. In "Lessons in Classical Drawing", award-winning author, artist and teacher, Juliette Aristides breaks down the drawing process and shows what all great drawing has in common. The book conveys a start-to-finish overview of the drawing experience and shows what to tackle when first starting a drawing and then how to lay the groundwork for each subsequent step in creating a well-crafted drawing. Packaged with a companion DVD, which aims to eliminate any gaps in the learning process, the reader becomes a virtual participant in a drawing workshop filmed at the Santa Repararta School in Florence, Italy.

'This is, I think, the best book on drawing animals I've seen. The sheer breadth of the coverage and the amount of detail that Tim goes into is breathtaking.' Henry Malt, Artbookreview.net 'Tim is a genius in every respect and this really could be the only book on animal drawing you'll ever need.' Paint Magazine Artist Tim Pond's lively and engaging book fuses science with art, providing you with the skills, techniques and knowledge you need to create sketches of animals filled with life and movement. Tim shows you how to observe and draw animals in zoos, farms, wildlife parks and aquariums, teaching you some fascinating facts about the animals along the way and ultimately bringing you closer to nature. One of the challenges with sketching wildlife is that animals are constantly moving. However, having some basic understanding of biology can help you capture the form, movement and ultimately the spirit of the animal in question. This combination of scientific knowledge and practical guidance is key to creating lively drawings and Tim's ability to convey this in an accessible and engaging way makes this a unique and inspiring guide.

Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons "is the most comprehensive collection available of Kentridge s thoughts on art, art-making, and the studio.

Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of drawing lessons.

Incorporating elements of graphic design and ranging freely from discussions of Plato s cave to the Enlightenment s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons "is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge"makes us more aware of the mechanisms and deceptions through which we construct meaning in the world."

Pierre Rosenberg, the distinguished art historian and director of the Musee du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honore Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas.

How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques.

Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C., "From Drawing to Painting" gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library."

An invaluable resource for fashion students, teachers and designers, this book looks at research sketchbooks and the role they play in the research and design process. Demonstrating how ideas are constructed, for single garments as well as entire collections, the book looks at how pages and whole sketchbooks are put together. New Fashion Designers' Sketchbooks includes work and sketchbook pages from over 30 fashion designers, and examines a range of work from foundation fashion students through to professional designers. Included in the book is information about each designer on what inspires them, how they express this in their work, and how they use research sketchbooks in the design process.

Connect with your deepest emotions through a daily sketching practice and transform negative thinking and anxiety into abundant possibilities, mindfulness and joy. 'Through profound yet simple teachings and practices Sheila Darcey invites our innate human creativity to express and transcend our turbulence. Following her guidance, we move from turmoil to peace by liberating the artist that lives in us all.' Gabor Mate You don't need to be an artist to express yourself. All you need is a pen and paper, and a willingness to look within. Sketch by Sketch shows you how to create a practice that will help you to move away from a negative headspace and spiralling emotions towards the realm of possibility, happiness and clarity. As you embrace the process, you'll begin to experience a shift in perspective and find true fulfilment, one sketch at a time. You'll discover: * over 40 sketching prompts on a variety of insightful topics, from hope to courage * easy-to-follow guidance for beginners and keen sketchers alike, and blank space for you to sketch * a comprehensive, inspiring visual library and example sketches * a detailed Q&A at the back of the book This inspiring book will unlock your basic human need to create, express and feel. Step by step, you'll find peace on the page. 'An exquisite inquiry into the deepest parts of yourself. This book will help you bring to light the things that have been haunting you, so they no longer hold you back. Highly recommended.' Pedram Shojai OMD, New York Times bestselling author

This book is a practical manual intended specifically for anyone interested in delving into the technique of granting colour to fashion figurine illustrations to give them more life and expressiveness. In a clear and educational way, Tiziana Paci, author of the well-known book Figure Drawing for Fashion Design, explains in detail the different themes examined in the work through images and examples along with concise and to-the-point texts ideal for neophytes as well as people who have been working in this field for years. The book is divided into the following chapters: poses, colour and colour combinations, watercolour technique, tools such as professional markers, coloured pencil and water-soluble graphite, digital techniques and mixed techniques. Together, these suggestions allow both beginner and professional illustrators to depict figurines in vivid poses with incredible effects including the imitation of any type of material: leather, jewellery, bright fabrics and transparencies, and many more, following very different styles.

Want to know how to draw the scales on a fire-breathing dragon? Or on a Mermaid's tail? How about the feathers on a giant Roc? Or the clothes of a giant? Drawing fire-breathing beasts and mysterious, magical creatures has never been so much fun-or so easy! In this 64-page how-to-draw book, fantasy artist Kythera of Anevern demonstrates how to draw dragons, fairies, ogres, merfolk, and everything in between! Readers will discover in-depth tips and techniques for drawing textures such as fur, hair, scales, and teeth, as well as features like tails, wings, talons, hooves, and horns. With a wealth of fanciful drawings and in-depth instruction on re-creating extraordinary creatures in graphite, this book is ideal for anyone who is fascinated by the fantastic.

An inspiring sourcebook, this guide helps artists discover a wide variety of subjects and ideas for their next sketch. More than 140 of the author's drawings illustrate nostalgic scenes, old engravings, atmospheric effects, photographs, and landscapes.

Originally published in 1916, this book contains guidance on drawing with perspective, with specific reference to architectural drawings. Wright and Rudd illustrate their principles with over three hundred drawings of complex architectural features such as ovolo moulding and mastabas. This book will be of value to anyone with an interest in illustration, art or perspective.

This hands-on practical guide provides dyslexic young people with techniques to improve their observational drawing skills, showing them how they can work around the issues commonly reported by students with SLDs. Many creative and talented individuals with neurological differences report difficulties with short-term memory, co-ordination and planning ahead within a project, and a lack of specialised teaching may even dissuade them from pursuing art at school. This book addresses those challenges. The authors, who have many years' experience of teaching art to dyslexic and dyspraxic students, also include examples not just of the techniques described, but also of the creative ideas other neurodiverse students have come up with. Fully illustrated, with clear explanations, and space to draw and sketch, this much needed book will provide dyslexic art students with the tools and confidence to achieve their goals and become the creative professionals of the future.

"As long as humans have been alive, we have drawn." Justin Maas Drawing is the most essential of all visual arts. Everyone, from sculptors to painters, draws in one form or another. It is also the simplest and most affordable form of artistic expression. All you need is a pencil and paper to make something magical. But to create a successful portrait, one must understand how to capture a person's likeness--their spirit--and portray it in graphite. In Drawing Realistic Pencil Portraits, artist and teacher Justin Maas provides a step-by-step guide for both novice and experience portraitists looking to enhance their skillsets. His tried-and-true techniques for mastering the basics and accurately rendering proportion, placement and nuance when drawing the head and face will help you add energy and life to your drawings and create recognizable and moving portraits. In this book: Lessons in drawing basics, including value, line, shadow, light and anatomy How to work from both reference photographs and live models, plus tips for selecting your subjects Step-by-step demos to create crucial features, such as eyes, ears, and hair Methods for building successful portraits, including the grid method, the tracing method and the author's own Maas method 15 detailed step-by-step portrait-drawing demos with subjects of different ages, genders and ethnicities A gallery of additional portrait examples in both black-and-white and full color

The first volume to appear in the Natural History series catalogues a group of spectacular drawings of citrus fruit in watercolour and gouache, most of which were commissioned to illustrate Giovanni Battista Ferrari's Hesperides, an ambitious attempt at a complete taxonomy and classification of the entire citrological world, which was published in Rome in 1646. Cassiano dal Pozzo played a fundamental role in this project: it was he who commissioned and supplied most of the drawings and then arranged for them to be engraved for Ferrari's projected work. The citrus drawings - grouped in the Catalogue under the headings of citrons, lemons, oranges, pummelos, hybrids, monstrosities and unidentified citrus fruit - are reproduced in full colour and are accompanied by a wealth of comparative material which includes the Hesperides engravings, additional drawings and photographs of actual specimens, mainly of the monstrous kind. In addition to detailed scientific descriptions of the specimens themselves, the catalogue also gives art historical information on watermarks, annotations, types of mount, provenance and literature. The introductory essays explain Cassiano's method of gathering information from a network of correspondents around Europe and consider the relationship between these drawings and other natural history subjects commissioned by Cassiano. The authors discuss the work of the artists involved in the project and assess the major contribution made the classification of citrus fruit by the collaborative efforts of Cassiano of Ferrari.

This is a complete and innovative practical guide that offers artists simple solutions to common drawing problems in a unique question and answer format. Answers are presented through clearly annotated pictures and easy-to-follow technique demonstrations. It provides detailed solutions for all the most common drawing problems including rendering trees accurately, drawing figures from life and how to recreate animal fur and feathers. It focuses solely on graphite to provide clear and comprehensive answers for all the key drawing questions.

With a rare combination of great economy of means and unfailing panache, Antony Cleminson's drawings of palatial buildings and urban settings are endlessly delightful and fascinating. Collected from more than 60 years of traveling with his wife Jan, a concert violinist, they take in England, France, Italy, Spain, Germany, Croatia, Russia, Jordan, Syria, and Yemen. They bring not only extreme sensitivity to place, but also an engineer's understanding of structure, and an historian's understanding of style. Pencil, chalk, charcoal, red and black ink, and india ink are some of the media used, and the book is printed on genuine Ingres paper to reproduce these beautiful drawings as closely as possible. Will appeal to those with a love of architectural heritage in Europe and the Middle East.

New Orleans-based painter and admired children's author Alex Beard is the creator of a unique style of painting called "Abstract Naturalism," which combines abstract expressionism with naturalist environmental art. His precise yet abstract visual arithmetic is why many consider Alex Beard a successor to the school of visual mathematicians championed by M.C. Escher. Inspired by his travels, wildlife, and recurring natural patterns, Beard draws and paints intensely colourful, detailed interpretations of the world around us. Included in this lavishly produced book are works made over the past 25 years, and a handwritten introduction that illuminates Beard's fascinating philosophy of the interconnectedness of life, art, and mathematics. This magnificent collection of drawings and paintings will have wide appeal, pleasing not only art aficionados, but those whose enthusiasms range from the environment to mathematics.

This reader-friendly guide allows artists and would-be artists at all levels of achievement to experience the satisfaction of drawing with pen and ink techniques. Richly illustrated and containing dozens of simple exercises, it covers everything from the basic tools and materials to the production of advanced effects.
A seasoned instructor, author Frank Lohan presents dozens of exercises for beginning, intermediate, and advanced artists. His topics range from the creation of hatching, tones, and stippling to dealing with the problems that can arise when adding texture, light, and shade. An extensive reference section features examples of landscapes, trees and foliage, flowers, faces, animals, and a wealth of other subjects. Helpful suggestions include tips for copying, reducing, and enlarging sketches; instructions for easy matting; and guidelines for reproducing sketches on greeting cards and notepaper.

Learn to create and color your own manga characters! Massive Manga shows you step by step how to bring your ideas to life on paper. Learn by practicing the skills needed for drawing a wide range of manga in a huge variety of hairstyles, faces, and clothing, as well as animals, mechas, weapons, and vehicles. Each subject has a chapter of its own in which you’ll find line-by-line instructions and tons of designs. From teens to tech, cuddly pups to dangerous dragons, you’ll find them all here in these pages. Step-by-step drawings in pencil, ink, and color show you how to draw bodies, faces, eyes, hair, hands, and feet across a range of human and fantasy creations. Learn scores of hairstyles, facial expressions, hand gestures, and body poses. To complete your scenes, you’ll learn how to draw accessories and gadgets, weapons, vehicles, and so much more!