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Books > Arts & Architecture > Art forms, treatments & subjects > Prints & printmaking > General
Gateways to the Book investigates the complex image-text
relationships between frontispieces and illustrated title pages on
the one hand and texts on the other, in European books published
between 1500 and 1800. Although interest in this broad field of
research has increased in the past decades, many varieties of title
pages and a great deal of printers and books remain as yet
unstudied. The fifteen essays collected in this volume tackle this
field with a great variety of academic approaches, asking how the
images can be interpreted, how the texts and contexts shape their
interpretation, and how they in turn shape the understanding of the
text.
The most extensive collection of nature printing ever assembled,
featuring 43 different printing techniques. Hailed as the earliest
precursor to photography, nature printing is the practice of using
impressions from the surface of a natural object such as leaves,
flowering plants, ferns, seaweed, snakes and more to produce an
image. The Zucker Collection is the most extensive collection of
nature prints ever assembled, with more than 13,000 images across
120 rare and seminal works, including journals, published books,
unique manuscripts, American Currency, and instructional texts
related to nature printing from 1733 to 1902. For the first time,
readers will be able to see these nature prints presented side by
side, enabling unique comparisons while creating a visually
stunning journey through the developments over a 150 year period in
printing methods including photography with examples of cyanotypes.
Capturing Nature is the ultimate guide to Nature Printing, and a
beautiful reference work for scholars, artists, designers,
botanists and anyone interested in nature, botanical illustration
and printing.
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