The World of Silk is the third in the Secrets of Silk series on the history of silk. It explores both the similarities and differences between each country and highlights the people and the fascinating stories that make it all come alive. Each chapter focuses on a particular country and its history, unique culture and priorities, problems and solutions. The first chapters are on silk in Japan, Korea and India. Silk was well suited to both tropical and subtropical regions, so the next chapters are on Thailand, South-East Asia, Turkey and the post-Soviet states. The dream of establishing sericulture in both England and the United States met with mixed results and that led to their move from sericulture to manufacturing. 'Old World, New World' includes Central and South America and South Africa and looks again at the changes in Europe. China has come full circle and once more it is the world's leader and this chapter looks at some of its most recent developments, and the effect of its policies on its lands and people, and worldwide. Finally, The World of Silk brings together some of the exciting scientific developments, including fluorescent silkworms and exotic food products. It concludes with a review of the future for silk and a practical section on sewing with silk. It is richly illustrated, with an extensive bibliography and index.

A graphic and photographic representation of the Seasonal Color Harmony theory as it relates to the fashion industry and is being taught by color consultants around the world. This book is an essential reference for designers, buyers, sales associates, as well as consumers who wish to expand their knowledge and refine their style with or without having had their colors painted or draped. For the designer: If the style, fabric and color are in harmony with a seasonal type, the item will be more successful at retail, as well as more successful for the consumer. For the retail buyer: the book shows you how you can improve your buying and reduce markdowns by using the guidelines. The book resulted from the experiences of the author in her women's clothing stores, Tarika, in Davis, Ca. and Sacramento. An awareness of what at the time many thought was just a fad improved her buying, increased sales, and reduced markdowns and customer returns. For the sales associate: The Color Connection shows you how to be thought of as more than "just a clerk." For the consumer: The guidelines illustrated in The Color Connection show you how to reduce "closet mistakes," by using your best colors, planning your wardrobe, and developing a personal outer style consistent and in harmony with your inner style. Whether you have already a color fan in your possession or are just beginning to think about having your colors painted or draped, this book will help you refine your style. Much of the book is a composite of theories asthat I have learned through reading, seminars and from having my colors done eight times, including by Suzanne Caygill, author of Color, The Essence of You. Hundreds of illustrations and photographs, as well as text, translate what I have learned and believe to be more fact than fad or fiction - a theory whose time has come. The book is designed as a workbook with plenty of white space for you to add your notes, your sketches, your photos. Make it your own

In the shops of London's Oxford Street, girls wear patterned scarves over their hair as they cluster around makeup counters. Alongside them, hip twenty-somethings style their head-wraps in high black topknots to match their black boot-cut trousers. Participating in the world of popular mainstream fashion-often thought to be the domain of the West-these young Muslim women are part of an emergent cross-faith transnational youth subculture of modest fashion. In treating hijab and other forms of modest clothing as fashion, Reina Lewis counters the overuse of images of veiled women as "evidence" in the prevalent suggestion that Muslims and Islam are incompatible with Western modernity. Muslim Fashion contextualizes modest wardrobe styling within Islamic and global consumer cultures, interviewing key players including designers, bloggers, shoppers, store clerks, and shop owners. Focusing on Britain, North America, and Turkey, Lewis provides insights into the ways young Muslim women use multiple fashion systems to negotiate religion, identity, and ethnicity.

For centuries the Huichol (Wixárika) Indian women of Jalisco, Mexico, have been weaving textiles on backstrap looms. This West Mexican tradition has been passed down from mothers to daughters since pre-Columbian times. Weaving is a part of each woman’s identity—allowing them to express their ancient religious beliefs as well as to reflect the personal transformations they have undergone throughout their lives. In this book anthropologist Stacy B. Schaefer explores the technology of weaving and the spiritual and emotional meaning it holds for the women with whom she works and within their communities, which she experienced during her apprenticeship with master weavers in Wixárika families. She takes us on a dynamic journey into a realm of ancient beliefs and traditions under threat from the outside world in this fascinating ethnographic study.

Australian Architect and Senior Lecturer at Melbourne University Derham Groves just published a book of his students' design of new shoes for the Chinese-American actress Anna May Wong with Culicidae Press. Groves writes in the design brief to his students: "At its best, fashion-like architecture-can be biographical. In 1939 the beautiful and intriguing Chinese-American actress Anna May Wong performed at the Tivoli Theatres in Melbourne and Sydney. ...] Wong was a fashionista of her day. It appears that she was particularly fond of shoes: while in Melbourne she was photographed buying shoes at Foy's department store and in Sydney she revealed to a reporter that a Chinese-style shoe she wore as a child and kept in her dressing-room was her lucky charm. Design and make a pair of shoes for Anna May Wong by 'altering' (i.e. adding to, cutting, painting, etc.) a second-hand pair of shoes purchased from an op shop. ...] Hand in the shoes, along with a 200-word explanation of how they relate to Anna May Wong, on the 12th of October 2010]. Also upload an image of the shoes on the subject's Wiki page."

"Sewing for Superheroes" is the fifth title in Marie Porter's "Spandex Simplified" series, and is all about designing and creating flattering, comfortable, and show-stopping spandex cosplay. (BAM POW ) This sewing manual is written from the experience of not only a spandex designer, but a former "performance" athlete. Written in layman terms, "Sewing for Superheroes" features carefully explained, step-by-step instructions and more than 250 full colour photos and diagrams. Requiring only basic sewing knowledge to get started, beginner and advanced seamstresses alike can enjoy using this book... and produce spectacular results from it. Learn how to design costumes, and how to alter patterns for shape, size, and style. Learn the tips, tricks, and techniques to make many of the design elements that can be used to design and create almost any style of spandex costume imaginable

Exploring the origins and lasting significance of a dynamic, subversive, and interactive art form This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement that mirrored the cultural, political, social, and spiritual concerns of a generation that came of age in the late 1960s and 1970s. Trained primarily in the fine arts, they adopted nontraditional forms, materials, and techniques to create works using the body as an armature. Collectively, these practitioners have had a significant but underrecognized impact on art making and education. Their legacy continues today among younger artists who have embraced multimedia forms of expression. Rich archival and newly commissioned photography bring to life one-of-a-kind work by more than 75 artists, including Gaza Bowen, Jean Cacicedo, Marian Clayden, Ben Compton, Marika Contompasis, Nicki Hitz Edson, Tim Harding, Sharron Hedges, Ana Lisa Hedstrom, Nina Vivian Huryn, Whitney Kent, Ina Kozel, Susanna Lewis, Janet Lipkin, K. Lee Manuel, Linda Mendelson, Norma Minkowitz, Anna VA Polesny, Debra Rapoport, Mario Rivoli, Dina Knapp, Joan Steiner, Arlene Stimmel, Jamie Summers, JoEllen Trilling, and Katherine Westphal. Off the Wall provides a detailed introduction to art to wear between 1967 and 1997 and elucidates the movement's origins by linking it to developments in the arts of the period, from fiber art to painting. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (November 8, 2019-May 17, 2020)

This text features six Qing imperial costumes from the University of Hawai'i Asian Costume Collection and four Qing imperial costumes from the Honolulu Museum of Art. The author has explored the concept of Chinese design theory to realize how important the concept of balance and harmony as realized in the yin-yang philosophy is in Qing imperial robes design.

"Finally...a first-hand peek into an untold chapter of Coco Chanel's amazing life." "Richard Parker's recollections of his time as the assistant to the fashion industry icon, chronicles the untold challenges encountered in opening a new showroom for Chanel Perfumes in New York; the hand-to-hand corporate infighting between Gregory Thomas, the powerful Chairman of Chanel America, and Tom Lee, its legendary designer; and the ultimate resurrection of Coco Chanel's reputation and legend. Parker's insights and comfortable writing style bring this industry-defining event and its era to life in page-turning fashion." Archie J. Thornton, President and CEO, The Thornton Works, Inc., formerly Managing Director, Ogilvy & Mather Worldwide "Coco Chanel's effervescent and strong personality is clearly delineated in this lively story of the launch of the Chanel Perfume Showroom in New York. After years of exile, her return to fame, as personally witnessed by her assistant, Richard Parker, was the second act in the astounding career of this fashion icon. Parker brings a sharp eye and dry humor to his first-hand account of working with Coco on the project which revived her career and made her a fashion star again." Holley Flagg, noted New York artist

Flip on the entertainment news, open an issue of a popular magazine, or step into any department store-and you'll appreciate the impact of the multibillion-dollar fashion industry on American culture. Yet its origins in the nineteenth-century "rag trade" of Jewish tailors, cutters, pressers, pedlars, and shopkeepers have yet to be fully explored. In this copiously illustrated volume, scholars from varied backgrounds consider the role of American Jews in creating, developing, and furthering the national garment industry from the Civil War forward. Drawn from an award-winning exhibition of the same title at the Yeshiva University Museum, A Perfect Fit provides a fascinating view of American society, culture, and industrialisation. Essays address themes such as the development of the menswear industry; the early film industry and its relationship to American fashion; the relationship of the American industry to Britain and France; the acculturation of Jewish immigrants and its impact on American garment making; advertising history and popular culture; and regional centres of manufacturing. This multivalent group of essays compellingly weaves together important threads of the complex history of the American garment industry.

Talbot Hughes (1869-1942) was a British painter, a collector of historical costumes and miniature portraits, and writer on fine art and costume design. His collection of historical costumes and accessories was huge - totalling 750 pieces dating from 1450 to the through the 1870s. He used the costumes as props in his studio which enabled him to produce his historical paintings. In 1913, he published this book on Dress Design: an account of costume for artists and dress makers, illustrated by the author from old examples. The contents Include: Prehistoric Dress, Male and Female, The Development of Costume to the Tenth Century - Male and Female, Tenth to the Fifteenth Century - Male and Female. Fifteenth Century - Male and Female, Sixteenth Century - Character of Trimmings and various Male and Female designs, The Character of Trimmings through the Seventeenth Century and various Male and Female designs, The Character of Decoration and Trimmings of the Eighteenth Century and various Male and Female designs, Character of Trimmings of the Nineteenth Century and various Male and Female designs, Patterns of Various Reigns from Antique Costume, Patterns to Scale and an Index. This book is new and has been carefully reproduced from the original, complete with all the photographs and illustrations.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Costume; Indumentaria; Prendas de vestir; United States; Clothing and dress; Art / Fashion; Health

Huichol Indian yarn paintings are one of the world's great indigenous arts, sold around the world and advertised as authentic records of dreams and visions of the shamans. Using glowing colored yarns, the Huichol Indians of Mexico paint the mystical symbols of their culture—the hallucinogenic peyote cactus, the blue deer-spirit who appears to the shamans as they croon their songs around the fire in all-night ceremonies deep in the Sierra Madre mountains, and the pilgrimages to sacred sites, high in the central Mexican desert of Wirikuta. Hope MacLean provides the first comprehensive study of Huichol yarn paintings, from their origins as sacred offerings to their transformation into commercial art. Drawing on twenty years of ethnographic fieldwork, she interviews Huichol artists who have innovated important themes and styles. She compares the artists' views with those of art dealers and government officials to show how yarn painters respond to market influences while still keeping their religious beliefs. Most innovative is her exploration of what it means to say a tourist art is based on dreams and visions of the shamans. She explains what visionary experience means in Huichol culture and discusses the influence of the hallucinogenic peyote cactus on the Huichol's remarkable use of color. She uncovers a deep structure of visionary experience, rooted in Huichol concepts of soul-energy, and shows how this remarkable conception may be linked to visionary experiences as described by other Uto-Aztecan and Meso-American cultures.

Following Argentina's revolution in 1810, the dress of young patriots inspired a nation and distanced its politics from the relics of Spanish colonialism. Fashion writing often escaped the notice of authorities, allowing authors to masquerade political ideas under the guise of frivolity and entertainment. In Couture and Consensus, Regina A. Root maps this pivotal and overlooked facet of Argentine cultural history, showing how politics emerged from dress to disrupt authoritarian practices and stimulate creativity in a newly independent nation. Drawing from genres as diverse as fiction, poetry, songs, and fashion magazines, Root offers a sartorial history that produces an original understanding of how Argentina forged its identity during the regime of Juan Manuel de Rosas (1829-1852), a critical historical time. Couture and Consensus closely analyzes military uniforms, women's dress, and the novels of the era to reveal fashion's role in advancing an agenda and disseminating political goals, notions Root connects to the contemporary moment. An insightful presentation of the discourse of fashion, Couture and Consensus also paints a riveting portrait of Argentine society in the nineteenth century-its politics, people, and creative forces.

" Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.