In this beautifully designed and illustrated volume, leading craft scholars, curators and artists come together to assess the post-War history and contemporary flourishing of craft in America. Their critical gaze encompasses craft practice by artists, professional makers, and amateurs; crafting as it takes place in the studio and in the domestic space, and as it is exhibited in museums and galleries; craft that uses materials and crafting in the digital arena, and critical issues confronting craft such as industry, education and digitization.

The paperback edition of this captivating story of Tudor dress, and the people who made and wore it The Tudors are some of the best-known figures in history. They continue, even today, to spark our curiosity and imagination. Their enduring popularity is no doubt partly due to the iconic portraits in which they are depicted, in farthingales and ruffs, furs and jewels, codpieces and cloaks, and vast expanses of velvet and silk. Far from being mere decoration, fashion was pivotal in the communication of status and power. This paperback edition of Tudor Fashion presents insights into the fashions of the Tudor dynasty. Histories of Kings and Queens complement stories of unsung dressmakers, laundresses, and officials charged with maintaining and transporting the immense Tudor wardrobes from palace to palace. Evidence from rare surviving garments and textiles, original documents, fine and decorative art, and archaeological findings enhance our understanding of the Tudors and their courts. Handsomely illustrated, this sumptuous book contextualizes Tudor dress and fills in gaps in our knowledge of the period and its fascinating historical figures. Published in association with Historic Royal Palaces

Digital Textile Design, Second Edition covers everything students and practitioners of textile design will need to learn about designing and printing digitally. Written specifically for textile designers, Digital Textile Design, Second Edition provides the know-how for students and professionals who wish to use Adobe Photoshop and Illustrator as design tools. A series of inspirational tutorials, presented in step-by-step format, guide the reader through the process of creating designs that will be suited to both the traditional textile production process and to digital printing onto fabric. The book examines how designers can access the techniques of digital textile printing, looking at the work of those currently exploring its possibilities, and provides an insight into the technology involved. With a stunning new design, this edition has been updated in line with the latest developments in Adobe Creative Suite and contains new images throughout.

The Conservators of Ethnographic Artefacts organised a two-day workshop on barkcloth (tapa) that was tutored by Ruth Norman. The workshop took place on 2nd and 3rd of December 1997 at the Royal Albert Memorial Museum, Exeter. Following this successful workshop, a one-day seminar was held on December 4th 1997 at Torbay Museum, at which these eight papers were presented. Topics covered include: the preparation of tapa from Africa, the Pacific rim and Papua New Guinea; how to survey a collection of tapa and the points to look out for; the deterioration of tapa and the form that this deterioration takes; the effects of iron in the processes of deterioration; the conservation of tapa in the United Kingdom, Australia and the United States; the conservation of a Tahitian mourner's outfit; methods of displaying tapa.

This text sets out to explain fashion design and product development as an integrated process the function of which is to market a continuous stream of garments at a profit. It explores materials, manufacture, costs, quality and the organization of the design and development process. The book is aimed at students of BTEC courses in clothing, CFI diploma and degree courses in clothing, management technologists in the clothing business, and members of retail buying departments.

'There is a certain feeling - standing between rows of richly dyed blue cloth - that you are within an enclave of protection, that within this ocean you can feel calm; a separation from the outside world.' One summer, a mother and daughter are reunited in the small village of Betws Gwerful Goch in North Wales following the death of a father and grandfather. Ellie returned from studying at university, while Jeanette had been studying the art of indigo dyeing in Japan. In this lyrical memoir, Ellie Evelyn Orrell transports readers to their hillside garden, reflecting on a summer spent learning to work with indigo, and witnessing the power of creativity in moments of mourning and recovery. In it, she weaves together stories of resettling in a once-familiar landscape; the healing powers of art; the historical, mythological and present day properties of indigo; and the presence of this indelible colour within the Welsh landscape. An Indigo Summer is an absorbing mediation on art, rural life and roots, grief, creativity and the artistic process.

The Japanese artist Koho Mori-Newton is a master when it comes to handling silk, which he places in an exciting dialogue with architecture. In this way he creates cult-like spaces which interact with light in a fasci nating way. In addition to the works in silk, this volume also shows various graphic work groups from the last 35 years as well as the Path of Silk, created especially for no intention. Koho Mori-Newton (*1951) is a master of intentional lack of intention. His works appear simple, but the aesthetic which lies behind them is complex. Time and again he investigates the basis of art itself, questions the concept of the originality of the artistic creative process and explores the boundaries of artworks. His oeuvre lures us into a world that exists beyond the obvious. Path of Silk, a labyrinthine installation of room-high panels of silk, worked in China ink by Mori-Newton, presents a fragile interplay of space and light, of heaviness and lightness. Further areas of focus in his creative work are repetition and copy, from which his graphic works derive their own special charm.

This beautiful, practical guide to creating and embellishing embroidered boxes is written by Heather Lewis, a tutor with the Royal School of Needlework. It contains a history of the embroidered box, from the seventeenth century to the present day, and features techniques and guidance for needleworkers wishing to apply their skills to a practical application of the craft. There are three projects to try: a small treasure chest with a curved lid, embroidered dragonfly detail and a false floor; a hexagonal box with a beautiful embroidered lid depicting afternoon tea, and an intricate stumpwork casket with a mirror in the lid and a hidden drawer. Each has a template and extensive instructions for preparation, embroidery and construction.

A groundbreaking, informative, and thought-provoking exploration of fur's fashionable and controversial history The first and only book of its kind, Fur: A Sensitive History looks at the impact of fur on society, politics, and, of course, fashion. This material has a long, complex, and rich history, culminating in recent and ongoing anti-fur debates. Jonathan Faiers discusses how fur-long praised for its warmth, softness, and connotation of status-became so controversial, at the center of campaigns against animal cruelty and the movement toward ethical fashion. At the same time, fake fur now faces a backlash of its own, given the environmental impact of its manufacture and its links to fast fashion. Divided into five sections-dedicated to hair, pelt, coat, skin, and fleece-the book surveys not only the politics of fur but also its centrality to western fashion, the tactile pleasure it gives, and its use in literature, art, and film. This thoughtfully reasoned, eloquently written, and spectacularly illustrated examination of fur is both timely and essential, filling a gap in fashion scholarship and appealing to a broad audience.

"[A] 'greatest hits' riffing on Miuccia Prada's own obsessions with maid's uniforms, schoolgirl garb and twists on luxury."--Alexander Fury, AnOther Magazine This dazzling book "makes the perfect coffee-table book for style-savvy bibliophiles"--Los Angeles Times Founded in 1913 as a leather-goods house in Milan, Prada entered the field of fashion when Miuccia Prada took the helm of the company in 1979. After initially focusing on accessories, she presented the house's first fashion collection in 1988, quickly transforming Prada into one of the world's most influential luxury brands. Her deeply personal, sophisticated, and subtly subversive approach often works against the cliches of beauty and sexy as she strives, in her own words, to be "more clever, or more difficult, or more complicated . . . or more new." Published in collaboration with Prada to celebrate 30 years of trend-setting creations, this stunning volume offers a comprehensive and definitive history of the house. Organized chronologically, each of Prada's collections is introduced by a description of its influences and highlights and is illustrated with stunning catwalk images of models such as Naomi Campbell, Kate Moss, and Gisele Bundchen showcasing clothing, accessories, and beauty looks. With a biographical profile of Miuccia Prada and an extensive reference section, this handsome and well-researched retrospective reflects the passion, craftsmanship, and creative spirit that define Prada.