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Books > Arts & Architecture > Music > Western music, periods & styles > General

Humoresque No. 4 - Conductor Score (Sheet music): Jean Sibelius, Julia A Burt Humoresque No. 4 - Conductor Score (Sheet music)
Jean Sibelius, Julia A Burt
R202 R189 Discovery Miles 1 890 Save R13 (6%) Out of stock
Poulenc - The Life in the Songs (Hardcover): Graham Johnson Poulenc - The Life in the Songs (Hardcover)
Graham Johnson
R1,223 R1,139 Discovery Miles 11 390 Save R84 (7%) Ships in 9 - 15 working days

Francis Poulenc (1899-1963) is widely acknowledged as one of the twentieth century's most significant masters of vocal music-solo, choral and operatic-quite apart from his achievements in instrumental spheres. But what it cost him has been underestimated. In this seminal biography, which will serve as the definitive guide to the songs, Graham Johnson shows that it is in Poulenc's extraordinary songs and seeing how they fit into his life-his hidden sexuality, addiction and all-that we discover the composer's essential artistic being. With Jeremy Sams's song translations, the first in over forty years, and the insight that comes from a lifetime of performing this music, Johnson provides an essential volume for singers, pianists, listeners and readers interested in the artistic milieu of modernism in the first half of the twentieth century.

Ernest Newman - A Critical Biography (Hardcover): Paul Watt Ernest Newman - A Critical Biography (Hardcover)
Paul Watt
R1,881 Discovery Miles 18 810 Ships in 12 - 17 working days

Examines the genesis of Ernest Newman's major publications in the context of prevailing intellectual trends in history, criticism and biography. Ernest Newman (1868-1959) left an indelible mark on British musical criticism in a career spanning more than seventy years. His magisterial Life of Richard Wagner, published in four volumes between 1933 and 1946, is regarded as his crowning achievement, but Newman wrote many other influential books and essays on a variety of subjects ranging from early music to Schoenberg. In this book, the geneses of Newman's major publications are examined in thecontext of prevailing intellectual trends in history, criticism and biography. Newman's career as a writer is traced across a wide range of subjects including English and French literature, evolutionary theory and biographical method, and French, German and Russian music. Underpinning many of these works is Newman's preoccupation with rationalism and historical method. By examining particular sets of writings such as composer-biographies and essays from leading newspapers such as the Manchester Guardian and the Sunday Times, this book illustrates the ways in which Newman's work was grounded in late nineteenth-century intellectual paradigms that made him a unique and at times controversial figure. PAUL WATT is Senior Lecturer in Musicology in the Sir Zelman Cowen School of Music at Monash University.

Every Good Boy Does Fine - A Love Story, in Music Lessons (Paperback): Jeremy Denk Every Good Boy Does Fine - A Love Story, in Music Lessons (Paperback)
Jeremy Denk
R498 R378 Discovery Miles 3 780 Save R120 (24%) Ships in 10 - 15 working days
Dissemination of Music - Studies in the History of Music Publishing (Paperback): Hans Lenneberg Dissemination of Music - Studies in the History of Music Publishing (Paperback)
Hans Lenneberg
R1,415 Discovery Miles 14 150 Ships in 12 - 17 working days

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

William Lawes (1602-1645) - Essays on his Life, Times and Work (Paperback): Andrew Ashbee William Lawes (1602-1645) - Essays on his Life, Times and Work (Paperback)
Andrew Ashbee
R1,057 Discovery Miles 10 570 Ships in 12 - 17 working days

First published in 1998, this volume comprises papers given at a conference on Lawes and his music held at Oxford in September 1995 to commemorate the 350th anniversary of his death. They examine not only Lawes's music but the milieu in which he worked. Part One examines the musical life of the English Court in Lawes's day, noting his activities there and his involvement with companies of players. Manuscript studies and a detailed account of the fatal battle are also included. Part Two comprises seven essays exploring the wide range of his instrumental and vocal music. William Lawes is acknowledged as the most exciting and innovative composer working in England during the reign of Charles I. His tragic early death at the Siege of Chester in 1645 only served to heighten his reputation among his contemporaries, lending him also the cloak of martyrdom in the service of his king.

Hexachords in Late-Renaissance Music (Paperback): Lionel Pike Hexachords in Late-Renaissance Music (Paperback)
Lionel Pike
R1,035 Discovery Miles 10 350 Ships in 12 - 17 working days

First published in 1998, this broad survey includes a large number of musical illustrations and provides an indispensable guide for both students and teachers. Hexachords and solmization syllables formed the foundations of musical language during the sixteenth century. Yet, owing to changes over time in music education and style, there no longer exists widespread general knowledge of hexachords. Without this awareness it is impossible to appreciate fully the music of the most important composers of the Renaissance such as Palestrina, Lasso and Monteverdi. This book is the first attempt to fill such a gap in our understanding of hexachords and how they were employed in late-Renaissance music. Lionel Pike's research covers the period from Willaert to Dowland (c. 1530-1600) and examines the ways in which the uses of hexachords developed in the hands of different composers. The book concludes with an investigation of English examples of hexachords in vocal and instrumental music.

Musical Mosaic - A Journey through Music: A Memoir (Hardcover): Eric Antoni Musical Mosaic - A Journey through Music: A Memoir (Hardcover)
Eric Antoni
R1,209 Discovery Miles 12 090 Ships in 12 - 17 working days

Follow a multi-faceted journey by an improviser and a musicosopher, Eric Antoni, from the cobbled streets of Paris to the Far East. Musical Mosaic lays coherent excursus of the author's thought-provoking collection of anecdotes. With the absence of lengthy verbiage of a political-social-economic nature, the book is full of compassionate truthful descriptions of persons and experiences and written with total objectivity, brevity, originality, and musical creativity as inspired by the sense of tonality, throughout the history of music in Europe, since Monteverdi, and all over the world nowadays. As a text that is "musico-sophical" instead of being "musico-logical," it is inspired by the founder of phenomenology, Edmund Husserl (1859-1938), and his philosophical seizure of consciousness. It discusses the author's journey in the world of music and describes "musical consciousness" and the ways in which it moves and works within us. The book presents to the readers the author's account of the composers he met along the way (Slamet Sjukur, Giacinto Scelsi) and the composers who are currently active (Jean-Francois Laporte, Pierre Michaud, Myriam Boucher, George Benjamin), along with historical narratives that center around Monteverdi, Bach, Ravel, Debussy, and Bartok. It underlines the interrogations held by today's musicians in light of yesterday's mutations. With this book, the author would like to reach out to composers, performers, and music lovers and contribute towards opening them to the scope of experimentation in music and in the world of sound, all of which keep on becoming more expansive and more intensely conscious.

Etudes-Tableaux (Paperback): Sergei Rachmaninoff Etudes-Tableaux (Paperback)
Sergei Rachmaninoff
R295 R254 Discovery Miles 2 540 Save R41 (14%) Ships in 10 - 15 working days
Richard Wagner - A Research and Information Guide (Paperback, 2nd edition): Michael Saffle Richard Wagner - A Research and Information Guide (Paperback, 2nd edition)
Michael Saffle
R1,430 Discovery Miles 14 300 Ships in 12 - 17 working days

Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.

Everything You Ever Wanted to Know About Classical Music... - But Were Too Afraid to Ask (Classic FM) (Paperback): Darren... Everything You Ever Wanted to Know About Classical Music... - But Were Too Afraid to Ask (Classic FM) (Paperback)
Darren Henley, Sam Jackson
R233 Discovery Miles 2 330 Ships in 12 - 17 working days

Just what exactly is classical music ...and why should it be a part of everyone's life? Who are the big names behind the classical hits ...and which are the best recordings of their music? What are you supposed to wear to a classical concert ...and when on earth are you supposed to applaud? Everything You Ever Wanted to Know About Classical Music ...But Were Afraid to Ask answers these questions and much more. In the pages of this book, Darren Henley and Sam Jackson set out to make the classical world not only accessible, but also disarmingly simple and utterly engrossing, as they share their passion for the greatest music ever written. Celebrating 20 years of the world's most successful classical music radio station, this book lifts the lid on the burning questions that Classic FM's listeners have most often asked over the past two decades. Three sections steer you through the terminology and etiquette of classical music, open the fascinating history of the genre and its key figures over the last 1,000 years, and provide a detailed reference guide. Since its transmitters were first switched on in 1992, the team behind Classic FM has believed that classical music can and should be a part of everyone's life, no matter who they are or where they live. So, whether you are a long-time listener or completely new to the genre this book equips you to begin your own personal journey of discovery into the world's greatest music.

Music at the Maison royale de Saint-Louis at Saint-Cyr (Paperback): Deborah Kauffman Music at the Maison royale de Saint-Louis at Saint-Cyr (Paperback)
Deborah Kauffman
R1,254 Discovery Miles 12 540 Ships in 12 - 17 working days

The history of music at the Maison royale de Saint-Louis at Saint-Cyr - the famous convent school founded by Madame de Maintenon and established by Louis XIV in 1686 as a royal foundation - is both rich and intriguing; its large repertory of music was composed expressly for young female voices by important composers working within significant contemporary musical genres: liturgical chant, sacred motets, theatrical music, and cantiques spirituels. While these genres reflect contemporary styles and trends, at the same time the works themselves were made to conform to the sensibilities and abilities of their intended performers. Even as Jean-Baptiste Moreau's music for Jean Racine's biblical tragedies Esther and Athalie shows a number of similarities to contemporary tragedies lyriques, it departs from that more public genre in its brevity, generally simpler solo writing, and the integral use of the chorus. The musical style of the choral numbers closely parallels that of other choral music in the repertory at Saint-Cyr. The liturgical chant sung in the church was composed by Guillaume-Gabriel Nivers, and is an example of plain-chant musical, a type of new ecclesiastical composition written during the seventeenth and eighteenth centuries, primarily for female religious communities in France. The large repertory of petits motets (short sacred Latin pieces for solo voice), mostly composed by Nivers and Louis-Nicolas Clerambault, are simpler and more restrained than works by their contemporaries. A close study of the motets reveals much about changes to musical style and performance practices at Saint-Cyr during the eighteenth century. The cantique spirituel, a song with a spiritual text in the vernacular French language, played a significant role in both the education and recreation of the girls at Saint-Cyr. Cantiques composed for the girls vary widely in terms of their style and difficulty, ranging from simple strophic melodies to more sophisticated works in the style of contemporary airs. In all cases, the stylistic features of the music for Saint-Cyr reflect a careful consideration of the needs and capabilities of the young singers of the school, as well as an awareness of the rigorous requirements of Madame de Maintenon, who kept a close watch over the propriety of all things relating to the piety, behavior, and image of her charges.

Music and Musicians in Renaissance Rome and Other Courts (Paperback): Richard Sherr Music and Musicians in Renaissance Rome and Other Courts (Paperback)
Richard Sherr
R1,048 Discovery Miles 10 480 Ships in 12 - 17 working days

First published in 1999, the essays that follow have been selected from the author's writings to explore musical institutions in 15th and 16th century Italy with a detailed focus on the papal choir, but with additional comments on Mantua (Mantova), Florence and France. Much of the material which formed the basis of those essays was largely drawn from archives. Richard Sherr explores diverse areas including the Medici coat of arms in a motet for Leo X, performance practice in the papal chapel during the 16th century, the publications of Guglielmo Gonzaga, Lorenzo de' Medici as a patron of music and homosexuality in late sixteenth-century Italy.

Thomas Salmon: Writings on Music - Volume I: An Essay to the Advancement of Musick and the Ensuing Controversy, 1672-3... Thomas Salmon: Writings on Music - Volume I: An Essay to the Advancement of Musick and the Ensuing Controversy, 1672-3 (Hardcover, New Ed)
Benjamin Wardhaugh
R1,760 Discovery Miles 17 600 Ships in 10 - 15 working days

Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Salmon proposed a radical reform of musical notation, involving a new set of clefs which he claimed, and Locke denied, would make learning and performing music much easier. The incident has tended to be passed over rather briefly in the scholarly literature, but beneath the unedifying invective employed by Salmon, Locke and their supporters, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles. A second volume to follow will present Salmon's writings on pitch - previously only available mostly in manuscript.

Measure - In Pursuit of Musical Time (Hardcover): Marc D. Moskovitz Measure - In Pursuit of Musical Time (Hardcover)
Marc D. Moskovitz
R621 R565 Discovery Miles 5 650 Save R56 (9%) Ships in 9 - 15 working days

Follows the fascinating story of musical timekeeping, beginning in an age before the existence of external measuring devices and continuing to the present-day use of the Smartphone app. The book opens with an exploration of musical time keeping as expressed in the artwork and musical writing of the Renaissance, sources that inform our early understanding of an age when music making was bound up with motions of the body and the pulsing of the human heart. With the adoption of the simple pendulum and the subsequent incorporation of tempo-related language, musicians gained the ability to communicate concepts of speed and slowness with ever-increasing precision. The seventeenth and eighteenth centuries witnessed the development of a diverse array of musical time-keeping devices, yet it was not until the nineteenth century that a single device combined the critical elements of accuracy, functionality and affordability. Enter the metronome: portable and affordable, a triumph of innovation that enabled musicians to establish and faithfully reproduce musical time with accuracy and ease. From Beethoven to Ligeti, Moskovitz looks to a number of distinguished composers who used or refused this revolutionary machine and explores the complicated relationship that unfolded between the metronome, the musical world and practitioners in other disciplines who sought to exploit its potential. Engagingly written, Measure: In Pursuit of Musical Time will appeal to professionals and amateurs alike.

Women, Music, Culture - An Introduction (Hardcover, 3rd edition): Julie C. Dunbar Women, Music, Culture - An Introduction (Hardcover, 3rd edition)
Julie C. Dunbar
R4,091 Discovery Miles 40 910 Ships in 12 - 17 working days

Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses. A compelling narrative, accompanied by 112 guided listening experiences, brings the world of women in music to life. The author employs a wide array of pedagogical aides, including a running glossary and a comprehensive companion website with links to Spotify playlists and supplementary videos for each chapter. The musical work of women throughout history-including that of composers, performers, conductors, technicians, and music industry personnel-is presented using both art music and popular music examples. New to this edition: An expansion from 57 to 112 listening examples conveniently available on Spotify. Additional focus on intersectionality in art and popular music. A new segment on Music and #MeToo and increased coverage of protest music. Additional coverage of global music. Substantial updates in popular music. Updated companion website materials designed to engage all learners. Visit the author's website at www.womenmusicculture.com

Schubert's Instrumental Music and Poetics of Interpretation (Hardcover): René Rusch Schubert's Instrumental Music and Poetics of Interpretation (Hardcover)
René Rusch
R1,751 Discovery Miles 17 510 Ships in 12 - 17 working days

Music scholarship has been rethinking its understanding of Franz Schubert and his work. How might our modern aesthetic values and historical knowledge of Schubert's life affect how we interpret his music? Schubert's Instrumental Music and Poetics of Interpretation demonstrates how updated analysis of Schubert and his instrumental works reveals expressive meaning. In six chapters, each devoted to one or two of Schubert's pieces, René Rusch explores alternate forms of unity and coherence, offers critical assessments of biographical and intertextual influence, investigates narrative, and addresses the gendering of the composer and his music. Rusch's comparative analyses and interpretations address four significant areas of scholarly focus in Schubert studies, including his use of chromaticism, his unique forms, the impact of events in his own life, and the influence of Beethoven. Drawing from a range of philosophical, hermeneutic, historical, biographical, theoretical, and analytical sources, Schubert's Instrumental Music and Poetics of Interpretation offers readers a unique and innovative foray into the poetics of contemporary analysis of Schubert's instrumental music and develops new ways to engage with his repertoire.

Music and Performance Culture in Nineteenth-Century Britain - Essays in Honour of Nicholas Temperley (Hardcover, Festschrift):... Music and Performance Culture in Nineteenth-Century Britain - Essays in Honour of Nicholas Temperley (Hardcover, Festschrift)
Bennett Zon
R4,231 Discovery Miles 42 310 Ships in 12 - 17 working days

Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

German and Song 1740 - 1900 (Hardcover): John Smeed German and Song 1740 - 1900 (Hardcover)
John Smeed
R3,042 Discovery Miles 30 420 Ships in 12 - 17 working days

Originally published in 1987, this volume charts the development of German song across a century and a half, relating it both to poetry and to the cultural scene in Germany. By emphasising genre rather than individual composers and while paying heed to acknowledged masterpieces - by quoting extensively from forgotten composers, the book avoids historical over simplification and arrives at a fuller picture of this rich tradition. In so doing, it uncovers much neglected material. The book investigates the relationship between German poets and composers and their native folk tradition. It further explores the interaction between convention and innovation and demonstrates how one poem can be interpreted quite differently by different composers. The book is accessible both to students of literature and music.

Classical Recording - A Practical Guide in the Decca Tradition (Hardcover): Caroline Haigh, John Dunkerley, Mark Rogers Classical Recording - A Practical Guide in the Decca Tradition (Hardcover)
Caroline Haigh, John Dunkerley, Mark Rogers
R4,090 Discovery Miles 40 900 Ships in 12 - 17 working days

Classical Recording: A Practical Guide in the Decca Tradition is the authoritative guide to all aspects of recording acoustic classical music. Offering detailed descriptions, diagrams, and photographs of fundamental recording techniques such as the Decca tree, this book offers a comprehensive overview of the essential skills involved in successfully producing a classical recording. Written by engineers with years of experience working for Decca and Abbey Road Studios and as freelancers, Classical Recording equips the student, the interested amateur, and the practising professional with the required knowledge and confidence to tackle everything from solo piano to opera.

Beethoven - A Political Artist in Revolutionary Times (Hardcover): William Kinderman Beethoven - A Political Artist in Revolutionary Times (Hardcover)
William Kinderman
R855 Discovery Miles 8 550 Ships in 9 - 15 working days

We have long regarded Beethoven as a great composer, but we rarely appreciate that he was also an eminently political artist. This book unveils the role of politics in his oeuvre, elucidating how the inherently political nature of Beethoven's music explains its power and endurance. William Kinderman presents Beethoven as a civically engaged thinker faced with severe challenges. The composer lived through many tumultuous events--the French Revolution, the rise and fall of Napoleon Bonaparte, and the Congress of Vienna among them. Previous studies of Beethoven have emphasized the importance of his personal suffering and inner struggles; Kinderman instead establishes that musical tensions in works such as the Eroica, the Appassionata, and his final piano sonata in C minor reflect Beethoven's attitudes toward the political turbulence of the era. Written for the 250th anniversary of his birth, Beethoven takes stock of the composer's legacy, showing how his idealism and zeal for resistance have ensured that masterpieces such as the Ninth Symphony continue to inspire activists around the globe. Kinderman considers how the Fifth Symphony helped galvanize resistance to fascism, how the Sixth has energized the environmental movement, and how Beethoven's civic engagement continues to inspire in politically perilous times. Uncertain times call for ardent responses, and, as Kinderman convincingly affirms, Beethoven's music is more relevant today than ever before.

Hamilton Harty - Musical Polymath (Hardcover): Jeremy Dibble Hamilton Harty - Musical Polymath (Hardcover)
Jeremy Dibble
R958 Discovery Miles 9 580 Ships in 12 - 17 working days

An in-depth study of the life of Sir Hamilton Harty (1879-1941), pianist, composer and conductor of the Halle Orchestra, who arguably made Manchester the most important focus for music in Britain in his day. Sir Hamilton Harty (1879-1941) is best known as the conductor of the Halle Orchestra, who arguably made Manchester the most important focus for music in Britain in his day. This book chronicles and analyses Harty's illustrious career, from his establishment as London's premiere accompanist in 1901 to his years as a conductor between 1910 and 1933, first with the LSO and then with the Halle, to his American tours of the 1930s. Tragically, Harty died from cancer in 1941 at the age of only 61. This book also looks at Harty's life as a composer of orchestral and chamber works and songs, notably before the First World War. Although Harty's music cleaved strongly to a late nineteenth-century musical language, he was profoundly influenced during his days in Ulster and Dublin by the Irish literary revival. A great exponent of Mozart and especially Berlioz, Harty was also a keen exponent of British music and an active supporter of American composers such as Gershwin. Harty's role in the exposition of standard and new repertoire and his relationship with contemporary composers and performers are also examined, against the perspective of other important major British conductors such as Sir Thomas Beecham, Malcolm Sargent and Sir Henry Wood. Additionally, the book analyses the debates Harty provoked on the subjects of women orchestral players, jazz, modernism, and the music of Berlioz. JEREMY DIBBLE is Professor of Music at Durham University and author of John Stainer: A Life in Music(The Boydell Press, 2007) and monographs on C. Hubert H. Parry, Charles Villiers Stanford and Michele Esposito.

Classic Ephemera (Hardcover): Darren Henley, Tim Lihoreau Classic Ephemera (Hardcover)
Darren Henley, Tim Lihoreau 1
R312 R234 Discovery Miles 2 340 Save R78 (25%) Ships in 12 - 17 working days

Which famous composer could play the piano at the age of 2? - How long did it take Rossini to compose The Barber of Seville? - Why was Elgar depicted on the back of a GBP20 note? Find out all this and more in Classic Ephemera: A Classic FM Musical Miscellany, the irresistible new collection of facts, figures and amusing anecdotes from Darren Henley and Tim Lihoreau. Covering everything from composer biographies to explanations of the ten most famous operas, Classic Ephemera contains everything you need to know about classical music, and more besides. Amusing, light-hearted but always enlightening, Classic Ephemera is the perfect gift for anyone who loves classical music, history or trivia.

Uncovering Music of Early European Women (1250-1750) (Hardcover): Claire Fontijn Uncovering Music of Early European Women (1250-1750) (Hardcover)
Claire Fontijn
R4,054 Discovery Miles 40 540 Ships in 12 - 17 working days

Uncovering Music of Early European Women (1250 - 1750) brings together nine chapters that investigate aspects of female music-making and musical experience in the medieval and early modern periods. Part I, "Notes from the Underground," treats the spirituality of women in solitude and in community. Parts II and III, "Interlude" and "Music for Royal Rivals," respond to Joan Kelly's famous feminist question and suggest that women of a certain stature did have a Renaissance. Part IV, "Serenissime Sirene," plays with the notion of the allure of music and its risks in Venice during the Baroque. The process of uncovering requires close listening to women's creative endeavors in an ongoing effort to piece together equitably the terrain of early music. Contributors include: Cynthia J. Cyrus, Claire Fontijn, Catherine E. Gordon, Laura Jeppesen, Eva Kuhn, Anne MacNeil, Jason Stoessel, Elizabeth Randell Upton, and Laurence Wuidar. An invaluable book for college students and scholars interested in the social and cultural meanings of women in early music.

Richard Wagner - A Research and Information Guide (Hardcover, 2nd edition): Michael Saffle Richard Wagner - A Research and Information Guide (Hardcover, 2nd edition)
Michael Saffle
R4,394 Discovery Miles 43 940 Ships in 12 - 17 working days

Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.

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