The clocks are set. The line is drawn. They've got a chance to be champions. But at what cost? When Ann joins Sophie's running club she's thrown into a world of regimented training and pure focus. The two girls couldn't be more different, but soon their shared passion makes them inseparable - dreaming in lanes and lap-times, waking up picturing Olympic medals, each day stronger and faster... But set head to head in the run up to the World Championships, they find themselves and their friendship put to the ultimate test. As their relationships, their bodies and their very identities are pulled into public scrutiny, does being exceptional come at too high a price? A gripping exploration of the underside of women's athletics, Fair Play is the new work from Ella Road (The Phlebotomist) - 'the most promising young playwright in Britain' (The Telegraph). This edition was published to coincide with the world premiere at Bush Theatre, London, in December 2021.

Exam Board: AQA, Edexcel, Eduqas & CCEA Level: AS/A-level Subject: Modern Languages First Teaching: September 2016 First Exam: June 2017 Literature analysis made easy. Build your students' confidence in their language abilities and help them develop the skills needed to critique their chosen work: putting it into context, understanding the themes and narrative technique, as well as specialist terminology. Breaking down each scene, character and theme in Der Besuch der alten Dame (The Visit), this accessible guide will enable your students to understand the historical and social context of the play and give them the critical and language skills needed to write a successful essay. - Strengthen language skills with relevant grammar, vocab and writing exercises throughout - Aim for top marks by building a bank of textual examples and quotes to enhance exam response - Build confidence with knowledge-check questions at the end of every chapter - Revise effectively with pages of essential vocabulary and key mind maps throughout - Feel prepared for exams with advice on how to write an essay, plus sample essay questions, two levels of model answers and examiner commentary

Blood Wedding is set in a village community in Lorca's Andalusia, and tells the story of a couple drawn irresistibly together in the face of an arranged marriage. This tragic and poetic play is the work on which his international reputation was founded. Like many of Lorca's passionate and intensely lyrical plays that focus on peasant life and the forces of nature, Blood Wedding combines innovatory dramatic technique with Spanish popular tradition. Methuen Drama Student Editions are expertly annotated texts of a wide range of plays from the modern and classic repertoires. As well as the complete text of the play itself, the volume contains a chronology of the playwright's life and work; an introduction giving the background to the play; a discussion of the various interpretations; notes on individual words and phrases in the text; and questions for further study.

Household Servants in Early Modern Domestic Tragedy considerably advances existing scholarship on the institution of service in early modern culture and as represented on the early modern stage. With its focus on the homes of the middling sorts, to whom the protagonists of domestic tragedy belong, the book expands our understanding of employer-servant relationships beyond elite and aristocratic circles, the focus of previous studies. Drawing on early modern advice literature, household guides, domestic manuals, sermons, treatises, proverbs, mothers' legacies, funeral sermons, diaries, letters, and jest books as well as making use of the recent findings by social and cultural historians of early modern England, the book examines the consequences of disordered domesticity for the master-servant relationship. This study nuances the picture of domestic servants constructed by both early modern moralists and modern scholarship, arguing against overarching, reductive narratives. The book argues that the experience of household service as depicted in domestic tragedy, like in real life, was complex and varied and that there was no typical experience of service.

This book explores, through a multidisciplinary approach, the immense influence exerted by Bernard Shaw on the Spanish-speaking world on both sides of the Atlantic. This collection of essays encompasses the reception and dissemination of his ideas; the translation of his works into Spanish; the performance history of his plays in Spain and Latin America; and Shaw's influence on many key figures of literature in Spanish. It begins by delving into Shaw's knowledge of Spanish literature and gauging his acquaintance with the Spanish cultural milieu throughout his tenure as an art, music, and theatre critic. His early exposure to Spanish-speaking culture later made the return trip in the form of profuse critical reception and theatrical success in countries like Spain, Argentina, Mexico, and Uruguay. This allows for a more detailed investigation into the unmistakable mark that Bernard Shaw left in the oeuvre of leading Spanish-speaking authors like Ramiro de Maeztu, Jorge Luis Borges or Nemesio Canales. This volume also assesses the translations of Shaw's works into Spanish-while also providing a detailed publication history of these translations.

The authoritative edition of King Lear from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. Shakespeare's King Lear challenges us with the magnitude, intensity, and sheer duration of the pain that it represents. Its figures harden their hearts, engage in violence, or try to alleviate the suffering of others. Lear himself rages until his sanity cracks. What, then, keeps bringing us back to King Lear? For all the force of its language, King Lear is almost equally powerful when translated, suggesting that it is the story, in large part, that draws us to the play. The play tells us about families struggling between greed and cruelty, on the one hand, and support and consolation, on the other. Emotions are extreme, magnified to gigantic proportions. We also see old age portrayed in all its vulnerability, pride, and, perhaps, wisdom--one reason this most devastating of Shakespeare's tragedies is also perhaps his most moving. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by Susan Snyder The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Motherhood. No one can prepare you for it. No matter how much you tell yourself you can do it - can you? Where's the rush of love? When will sleep again? What if the thing you fear most is also the thing you crave? All you wanted was one night of unbroken sleep, what have you done? Mum is a feverish journey through every parent's worst nightmare. A raw and real exploration of early motherhood from the award-winning writer of Emilia, Morgan Lloyd Malcolm. This edition was published to coincide with the world premiere at Theatre Royal, Plymouth and Soho Theatre, London.

This book examines the French theatricalization of India from 1770 to 1865 and how a range of plays not only represented India to the French viewing public but also staged issues within French culture including colonialism, imperialism, race, gender, and national politics. Through examining these texts and available performance history, and incorporating historical texts and cultural theory, David Hammerback analyses these works to illustrate a complex of cultural representations: some contested Orientalism, some participated in Western colonialist discourses, while some can be placed somewhere between these two markers of ideology in Western culture and the arts. He also assesses the works which participated in shaping the theatrical face of Western hegemony, ones directly participating in Orientalism as delineated by Edward Said and others. This book will be of great interest to students and scholars in theatre, French literature, history and cultural studies.

Originally published in 1987, this is a thorough and lucid introduction and commentary to the whole of Goethe's Faust. It gives the student of German and European literature valuable insights into the most important work of Germany's foremost poet. German quotations are translated or paraphrased in English and a detailed knowledge of German literature is not assumed. The book traces Goethe's work on the play over 60 years of his creative career and surveys its critical reception over the 200 years since its first appearance. Part One is analysed as a mimetic tragedy, Part Two as an historical and cultural profile of Goethe's own times. The commentary guides the reader carefully through its subtleties and multi-layered references and provides a broad and coherent structure for the overall understanding of the work. It suggests provocative interpretations of some figures and episodes in Part Two and places renewed emphasis on parts of the work that often receive relatively little attention. An appendix surveys the metres and verse forms of the play.

Originally published in 1951 this full length study gives an account of Buchner's life and personality, together with an account of his three plays, his unfinished short story, his scientific publications and his translations of Hugo.

Originally published in 1965, this study examines the concealed meanings in the second part of Faust, often considered obscure. It is of value not only to students of literature but also comparative religions, as it deals with Goethe's knowledge of ancient myths, mysteries and Hellenistic religions. It is of value too, to those interested in alchemy as it traces the many alchemical references in Faust. The book gives a psychological interpretation of elements of Goethe's personal life and work, which succeeds in making the man and the veiled references in his most profound work accessible to the modern reader.

This book takes us through the life and works of George Bernard Shaw as a feminist. It critically explores his major plays to showcase how his works discuss ideas, practices, discourses, and ideologies that are considered to be antecedents to the modern feminist movements. While the involvement of male feminists in feminist movements prior to the twentieth century were sporadic, isolated, and relatively unconnected, Shaw used the dramatic form of realistic theatre to communicate socialist and feminist ideas to his contemporary audience. The volume sheds light on how Shaw in his plays and prefaces exposes the iniquities suffered by women. His women characters do not conform to the Victorian notions of femininity; voice self-awareness, self-evaluation, and realisation of personal worth; and break free from the typical mythical representation in literature, to pave the way for the future generations of female character. Shaw's women break the stereotypes of Victorian society to voice and follow their dreams and desires without the fear of societal sanction. Through selections from texts such as Back to Methuselah, Pygmalion, Candida, Arms and the Man, Saint Joan, Mrs. Warren's Profession, Man and Superman, The Black Girl in search of God, and The Simpleton of the Unexpected Isles, this book highlights how Shaw gave the world ideologies that have since been adapted by the second- and third-wave feminists. Foregrounding Shaw's critical role in strengthening feminist characters in modern literature, this volume will be of great interest to scholars and researchers of literature and literary criticism, theatre studies, feminism, freudian studies and gender studies.

This book critically analyzes the body of English language translations Moliere's work for the stage, demonstrating the importance of rhyme and verse forms, the creative work of the translator, and the changing relationship with source texts in these translations and their reception. The volume questions prevailing notions about Moliere's legacy on the stage and the prevalence of comedy in his works, pointing to the high volume of English language translations for the stage of his work that have emerged since the 1950s. Adopting a computer-aided method of analysis, Ploix illustrates the role prosody plays in verse translation for the stage more broadly, highlighting the implementation of self-consciously comic rhyme and conspicuous verse forms in translations of Moliere's work by way of example. The book also addresses the question of the interplay between translation and source text in these works and the influence of the stage in overcoming formal infelicities in verse systems that may arise from the process of translation. In so doing, Ploix considers translations as texts in and of themselves in these works and the translator as a more visible, creative agent in shaping the voice of these texts independent of the source material, paving the way for similar methods of analysis to be applied to other canonical playwrights' work. The book will be of particular interest to students and scholars in translation studies, adaptation studies, and theatre studies

Designed to introduce the student or general reader to a largely unfamiliar area of Elizabethan theatrical activity, Five Elizabethan progress entertainments focuses on a group of entertainments mounted for the monarch in the closing years of her reign. Richly annotated, and prefaced by a substantial introduction, the texts enable an understanding of the motives underlying not only the progress itself, but the choice of locations the monarch elected to visit and the personal and political preoccupations of those with whom she determined to stay. Selected for their diversity, the entertainments exhibit the tensions underlying some royal visits, the lavish expenditure entailed for the monarch's hosts and the overlap in terms of both material and authorship between the progress entertainments and the more widely studied products of the sixteenth-century stage. -- .

In Salford alone, 34,000 children are caring for someone. Adapted from real-life testimonies, this bold and pertinent piece of documentary theatre examines our failing care system, the impact of austerity and what happens when a child becomes the parent. Jade, Connor and Nicole all care for parents and siblings. They must juggle school and homework with caring for family members, making appointments, collecting prescriptions and running the home. Their hidden lives of caring have impacted their education, social life and health. Their testimonies are woven together, alongside those of social workers and parents, in this hard-hitting play. "It's tear-jerking throughout - accidents, abuse, disability, depression and suicide, all born on the backs of teenagers - and infuriating, too. Woodhead's script, filleted from interviews with real people who really faced these issues, points the finger squarely at austerity and its crippling effects on local councils and the services they can provide." (The Stage) A gripping verbatim theatre production based on a year of interviews that offers a rare insight into a year in the lives of young carers.

The important influence of the Tudor 'interlude' on later Elizabethan drama is now widely recognized and the inherent theatrical values of these short plays of the era which preceded the opening of permanent theatres have become increasingly apparent through modern productions and study. Largely written for performance by travelling players in a variety of situations, their dramatic technique and methods of staging provide valuable clues for an understanding of Shakespearean theatre. The plays given here represent the interlude in its popular and courtly forms. All are newly edited from the earliest originals and the volume includes an introduction and full explanatory notes.

The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare's plays, designed specifically to accommodate both small and large casts. This volume, More Comedies and Tragedies, includes the following plays: The Comedy of Errors The Taming of the Shrew Antony and Cleopatra King Lear These accessible and versatile scripts are supported by: an introduction with emphasis on the evolution of the series and the creative process of editing; the One-Hour projects in performance, a chapter on implementing money-saving ideas and suggestions for production whether in or outside of a classroom setting; specific lesson plans to incorporate these projects successfully into an academic course; suggested casting assignments for small to large casts; the how-tos of producing a radio play; and cross-gender casting suggestions. These supplementary materials make the plays valuable not only for actors, but for any environment, cast or purpose. Ideal for both academics and professionals, One-Hour Shakespeare is the perfect companion to teaching and staging the most universally read and performed playwright in history.

The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare's plays, designed specifically to accommodate both small and large casts. This volume, More Comedies and Tragedies, includes the following plays: The Comedy of Errors The Taming of the Shrew Antony and Cleopatra King Lear These accessible and versatile scripts are supported by: an introduction with emphasis on the evolution of the series and the creative process of editing; the One-Hour projects in performance, a chapter on implementing money-saving ideas and suggestions for production whether in or outside of a classroom setting; specific lesson plans to incorporate these projects successfully into an academic course; suggested casting assignments for small to large casts; the how-tos of producing a radio play; and cross-gender casting suggestions. These supplementary materials make the plays valuable not only for actors, but for any environment, cast or purpose. Ideal for both academics and professionals, One-Hour Shakespeare is the perfect companion to teaching and staging the most universally read and performed playwright in history.

Sophocles, Aeschylus and Euripides are often described as the greatest tragedians of the ancient world. Of these three pivotal founders of modern drama, Euripides is characterized as the interloper and the innovator: the man who put tragic verse into the mouths of slaves, women and the socially inferior in order to address vital social issues such as sex, class and gender relations. It is perhaps little wonder that his work should find such resonance in the modern day. In this concise introduction, Isabelle Torrance engages with the thematic, cultural and scholarly difficulties that surround his plays to demonstrate why Euripides remains a figure of perennial relevance. Addressing here issues of social context, performance theory, fifth-century philosophy and religion, textual criticism and reception, the author presents an astute and attractively-written guide to the Euripidean corpus - from the widely read and celebrated Medea to the lesser-known and deeply ambiguous Alcestis.

This study of the Piscatorbuhne season of 1927-1928 uncovers a vital, previously neglected current of radical experiment in modern theater, a ghost in the machine of contemporary performance practices. A handful of theater seasons changed the course of 20th- and 21st-century theatre. But only the Piscatorbuhne of 1927-1928 went bankrupt in less than a year. This exploration tells the story of that collapse, how it predicted the wider collapse of the late Weimar Republic, and how it relates to our own era of political polarization and economic instability. As a wider examination of Piscator's contributions to dramaturgical and aesthetic form, The Piscatorbuhne Century makes a powerful and timely case for the renewed significance of the broader epic theater tradition. Drawing on a rich archive of interwar materials, Drew Lichtenberg reconstructs this germinal nexus of theory and praxis for the modern theatre. This book will be of great interest to students and scholars in theatre, performance, art, and literature.

With its fantasy of magical travel and inexhaustible riches, Thomas Dekker's Old Fortunatus is the quintessential early modern journeying play. The adventures of Fortunatus and his sons, aided by a magical purse and wishing-hat, offers the period's most overt celebration of the pleasures of travel, as well as a sustained critique of the dangers of intemperance and prodigality. Written following a period of financial difficulty for Dekker, the play is also notable for its fascination with the symbolic, mercantile and ethical uses of gold. This Revels Plays edition is the first fully annotated, single-volume critical edition of Old Fortunatus. It offers scholarly discussion of the play's performance and textual history, including attention to the German version printed and performed in the early seventeenth century. It provides a long overdue critical reappraisal of this unjustly neglected play. -- .

Lorca in English examines the evolution of translations of Federico Garcia Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation. As new translations of Federico Garcia Lorca continue to appear in the English-speaking world and his literary reputation continues to be rewritten through these successive re-translations, this book explores the reasons for this constant desire to rewrite Lorca since the time of his murder right into the 21st century. From his representation as the quintessential Spanish Republican martyr, to his adoption through translation by the Beat Generation, to his elevation to iconic status within the Queer Studies movement, this volume analyzes the reasons for this evolution and examines the current direction into which this canonical author is heading in the English-speaking world.

Moliere et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Moliere's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Moliere took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Moliere's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity. This will appeal to lecturers and students of French Studies and Theatre Studies. -- .

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.