Jane Austen collected her childhood writings into three manuscript notebooks, both as a record of her earliest work and for the convenience of reading aloud to her family and friends. Volume the First (as she entitled it) contains fourteen pieces - literary skits and family jokes - dating from about 1787, when she was eleven, to 1793. Amusing in themselves, they give us a direct picture of the lively literary and family milieu in which the novelist's juvenilia was formed. This new edtion carries a Foreword by Lord David Cecil, a former president of the Jane Austen Society and Professor of English Literature at the University of Oxford. There is also a Publisher's Preface by Brian Southam, author of Jane Austen's Literary Manuscripts and other works on Jane Austen.

It's the countdown to Christmas at Hedgehog Hollow Wildlife Rescue Centre, and everyone is gearing up for a festive season to remember...It should be the most wonderful time of the year for Samantha and Josh as they prepare for the arrival of their first baby. But life at Hedgehog Hollow rarely goes to plan and the pair are faced with adversaries, old and new, and unexpected challenges to overcome. Fizz's job at the heart of the rescue centre is a dream come true but her personal life is more like a nightmare. With her love life a disaster and her past about to dramatically catch up with her, she needs the love and support of her Hedgehog Hollow family more than ever. As the snow falls over Hedgehog Hollow, will Samantha and Fizz find the Christmas miracle they need to overcome their heartache and find happiness? Top 10 bestseller Jessica Redland welcomes you back to Hedgehog Hollow this Christmas for the final time in this series for a heartfelt story of love, family, friendship - and hedgehogs of course! Praise for the Hedgehog Hollow series: 'I loved my trip to Hedgehog Hollow. An emotional read, full of twists and turns' Heidi Swain 'The Hedgehog Hollow series is a tonic I'd recommend for everyone. There is so much to make you smile in Jessica's stories and they are always uplifting reads, which will make you really glad you decided to pick up a copy.' Jo Bartlett 'A beautifully written series that offers the ultimate in heartwarming escapism.' Samantha Tonge 'Hedgehog Hollow is a wonderful series that has found a special place all of its own deep in the hearts of readers, including mine.' Jennifer Bohnet 'An emotional, romantic and ultimately uplifting read. Jessica always touches my heart with her sensitive handling of difficult subjects. The gorgeous community she has built around Hedgehog Hollow is one I hope to visit again and again.' Sarah Bennett 'A warm hug of a book. I never wanted to leave Hedgehog Hollow. Very highly recommended.' Della Galton 'A wonderful, warm series full of family, friends and romance.' Katie Ginger 'Jessica Redland writes from the heart, with heart, about heart' Nicola May 'An emotional but uplifting page turner.' Fay Keenan

York Notes Advanced have been written by acknowledged literature experts for the specific needs of advanced level and undergraduate students. They offer a fresh and accessible approach to the Study of English literature. Building on the successful formula of York Notes, this Advanced series introduces students to more sophisticated analysis and wider critical perspectives. This enables students to appreciate contrasting interpretations of the text and to develop their own critical thinking. York Notes Advanced help to make the study of literature more fulfilling and lead to exam success. They will also be of interest to the general reader, as they cover the widest range of popular literature titles. Key Features: Study methods - Introduction to the text - Summaries with critical notes - Themes and techniques - Textual analysis of key passages - Author biography - Historical and literary background - Modern and historical critical approaches - Chronology - Glossary of literary terms. General Editors: Martin Gray - Head of Literary Studies, University of Luton; Professor A.N. Jeffares - Emeritus Professor of English, University of Stirling.

Empowerment as a concept is making its impact on the field of literary studies. This volume shows its intricate relation to contemporary fiction in English with a broad range of approaches such as feminist, transcultural, and intersectional studies and dealing with genres as diverse as dystopia, science fiction, TV adaptations, the historical novel and immigrant fiction.

How do we understand memory in the early novel? Departing from traditional empiricist conceptualizations of remembering, Mind over Matter uncovers a social model of memory in Enlightenment fiction that is fluid and evolving - one that has the capacity to alter personal histories. Memories are not merely imprints of first-hand experience stored in the mind, but composite stories transacted through dialogue and reading.Through new readings of works by Daniel Defoe, Frances Burney, Laurence Sterne, Jane Austen, and others, Sarah Eron tracks the fictional qualities of memory as a force that, much like the Romantic imagination, transposes time and alters forms. From Crusoe's island and Toby's bowling green to Evelina's garden and Fanny's east room, memory can alter, reconstitute, and even overcome the conditions of the physical environment. Memory shapes the process and outcome of the novel's imaginative world-making, drafting new realities to better endure trauma and crises. Bringing together philosophy of mind, formalism, and narrative theory, Eron highlights how eighteenth-century novelists explored remembering as a creative and curative force for literary characters and readers alike. If memory is where we fictionalize reality, fiction--and especially the novel--is where the truths of memory can be found.

Haitian-American writer Edwidge Danticat is one of the most recognized writers today. Her debut novel, Breath, Eyes, Memory, was an Oprah Book Club selection, and works such as Krik? Krak! and Brother, I'm Dying have earned her a MacArthur ""genius"" grant and National Book Award nominations. Yet despite international acclaim and the relevance of her writings to postcolonial, feminist, Caribbean, African diaspora, Haitian, literary, and global studies, Danticat's work has not been the subject of a full-length interpretive literary analysis until now. In Edwidge Danticat: The Haitian Diasporic Imaginary, Nadege T. Clitandre offers a comprehensive analysis of Danticat's exploration of the dialogic relationship between nation and diaspora. Clitandre argues that Danticat-moving between novels, short stories, and essays-articulates a diasporic consciousness that acts as a form of social, political, and cultural transformation at the local and global level. Using the echo trope to approach Danticat's narratives and subjects, Clitandre effectively navigates between the reality of diaspora and imaginative opportunities that diasporas produce. Ultimately, Clitandre calls for a reconstitution of nation through a diasporic imaginary that informs the way people who have experienced displacement view the world and imagine a more diverse, interconnected, and just future.

Introduces key terms, research traditions, debates, and histories, and offers a sense of the new frontiers emerging in the field of comics studies Across more than fifty original essays, Keywords for Comics Studies provides a rich, interdisciplinary vocabulary for comics and sequential art. The essays also identify new avenues of research into one of the most popular and diverse visual media of the twentieth and twenty-first centuries. Keywords for Comics Studies presents an array of inventive analyses of terms central to the study of comics and sequential art that are traditionally siloed in distinct lexicons: these include creative and aesthetic terms like Ink, Creator, Border, and Panel; conceptual terms such as Trans*, Disability, Universe, and Fantasy; genre terms like Zine, Pornography, Superhero, and Manga; and canonical terms like X-Men, Archie, Watchmen, and Love and Rockets. This volume ties each specific comic studies keyword to the larger context of the term within the humanities. Essays demonstrate how scholars, cultural critics, and comics artists from a range of fields take up sequential art as both an object of analysis and a medium for developing new theories about embodiment, identity, literacy, audience reception, genre, cultural politics, and more. Keywords for Comics Studies revivifies the fantasy and magic of reading comics in its kaleidoscopic view of the field's most compelling and imaginative ideas.

Examines both academic and popular assessments of Conan Doyle's work, giving pride of place to the Holmes stories and their adaptations, and also attending to the wide range of his published work. Twenty-first-century readers, television viewers, and moviegoers know Arthur Conan Doyle as the creator of Sherlock Holmes, the world's most recognizable fictional detective. Holmes's enduring popularity has kept Conan Doyle in the public eye. However, Holmes has taken on a life of his own, generating a steady stream of critical commentary, while Conan Doyle's other works are slighted or ignored. Yet the Holmes stories make up only a small portion of Conan Doyle's published work, which includes mainstream and historical fiction; history; drama; medical, spiritualist, and political tracts; and even essays on photography. When Doyle published - whatever the subject - his contemporaries took note. Yet, outside of the fiction featuring Sherlock Holmes, until recently relatively little has been done to analyze the reception Conan Doyle's work received during his lifetime and since his death. This book examines both academic and popular assessments of Conan Doyle's work, giving pride of place to the Holmes stories and their many adaptations for print, visual, and online media, but attending to his other contributions to turn-of-the-twentieth-century culture as well. The availability of periodicals and newspapers online makes it possible to develop an assessment of Conan Doyle's (and Sherlock Holmes's) reputation among a wider readership and viewership, thus allowing for development of a broader and more accurate portrait of Doyle's place in literary and cultural history.

Hold on to the feeling of sunshine at the seaside with this gorgeous romance, perfect for fans of Holly Martin and Jo Thomas. When Sacha Collins, cafe owner and sundae-maker extraordinaire, meets Italian archaeologist, Alessandro Salvatore in Rome, she's grateful to him for being her tour guide. Now he's turned up in the seaside village where she lives and is setting up a gelateria in direct competition to her retro Summer Sundaes Cafe. She's only been running her cafe for two years since taking over from her father. Until now the only other shops on the boardwalk have been a wool shop, an antique shop and a second-hand book shop. These have helped rather than hindered her custom. How will her creative sundaes made from fresh Jersey ice cream compete with his delicious Italian gelato? Sacha is worried. Is there enough custom for both businesses to thrive? Who is behind the strange changes being made on the boardwalk? And when the oldest resident on the boardwalk is threatened with eviction can Sacha and Alessandro come together and find a way of helping her? For a peaceful little boardwalk overlooking one of the quieter beaches on the island, there's an awful lot going on and some of it is going to lead to big changes. Previously published by Georgina Troy as Summer Sundaes. Read what people are saying about Summer Sundaes on the Boardwalk: 'A gorgeous beachside setting, divine ice-cream sundaes, and a scorching summer love story - this book has it all!' Christina Jones 'I thoroughly enjoyed spending time in this charming, evocative story. It's a perfect book to enjoy by the pool, in the sunshine, with a glass of Prosecco!' Kirsty Greenwood 'A wonderfully warm and sweet summer read' Karen Clarke

Poet, columnist, artist, and fiction writer Gwendolyn Bennett is considered by many to have been one of the youngest leaders of the Harlem Renaissance and a strong advocate for racial pride and the rights of African American women. Heroine of the Harlem Renaissance and Beyond presents key selections of her published and unpublished writings and artwork in one volume. From poems, short stories, and reviews to letters, journal entries, and art, this collection showcases Bennett's diverse and insightful body of work and rightfully places her alongside her contemporaries in the Harlem Renaissance-figures such as Zora Neale Hurston, Langston Hughes, and Countee Cullen. It includes selections from her monthly column "The Ebony Flute," published in Opportunity, the magazine of the National Urban League, as well as newly uncovered post-1928 work that proves definitively that Bennett continued writing throughout the following two decades. Bennett's correspondence with canonical figures from the period, her influence on Harlem arts institutions, and her political writings, reviews, and articles show her deep connection to and lasting influence on the movement that shaped her early career. An indispensable introduction to one of the era's most prolific and passionate minds, this reevaluation of Bennett's life and work deepens our understanding of the Harlem Renaissance and enriches the world of American letters. It will be of special value to scholars and readers interested in African American literature and art and American history and cultural studies.

What do the novelists Charlotte Bronte, Charlotte M. Yonge, Rose Macaulay, Dorothy L. Sayers, Barbara Pym, Iris Murdoch and P.D. James all have in common? These women, and others, were inspired to write fiction through their relationship with the Church of England. This field-defining collection of essays explores Anglicanism through their fiction and their fiction through their Anglicanism. These essays, by a set of distinguished contributors, cover a range of literary genres, from life-writing and whodunnits through social comedy, children's books and supernatural fiction. Spanning writers from the nineteenth to the twenty-first century, they testify both to the developments in Anglicanism over the past two centuries and the changing roles of women within the Church of England and wider society.

Pre-order the BRAND NEW laugh-out-loud romantic comedy from bestseller Portia MacIntosh! Two reluctant housemates. One question: Is this your place or mine...? When Serena is kicked out of her flat, an offer from her friend, Taylor, to house sit for her while she and her husband go travelling could not be better timing. But unfortunately for Serena she's not the only one to have received this offer... Enter Ziggy: arrogant, messy (and annoyingly handsome) musician, and friend of Taylor's husband. Living with him is far from ideal, especially when he claims the best room, has loud parties - and the least said about his kitchen manner the better... There's just one solution for Serena - drive him out of the house by being twice as difficult to live with than he is! But Ziggy knows Serena's game and as war ensues between them, being forced together under one roof may result in some unexpected consequences... Don't miss bestseller Portia MacIntosh's brand new laugh-out-loud romantic comedy, guaranteed to put a smile on your face.

Representative of a unique literary genre and composed in the 13th and 14th centuries, the Icelandic Family Sagas rank among some of the world's greatest literature. Here, Heather O'Donoghue skilfully examines the notions of time and the singular textual voice of the Sagas, offering a fresh perspective on the foundational texts of Old Norse and medieval Icelandic heritage. With a conspicuous absence of giants, dragons, and fairy tale magic, these sagas reflect a real-world society in transition, grappling with major new challenges of identity and development. As this book reveals, the stance of the narrator and the role of time - from the representation of external time passing to the audience's experience of moving through a narrative - are crucial to these stories. As such, Narrative in the Icelandic Family Saga draws on modern narratological theory to explore the ways in which saga authors maintain the urgency and complexity of their material, handle the narrative and chronological line, and offer perceptive insights into saga society. In doing so, O'Donoghue presents a new poetics of family sagas and redefines the literary rhetoric of saga narratives.

In the richly interdisciplinary study, Challenging Addiction in Canadian Literature and Classrooms, Cara Fabre argues that popular culture in its many forms contributes to common assumptions about the causes, and personal and social implications, of addiction. Recent fictional depictions of addiction significantly refute the idea that addiction is caused by poor individual choices or solely by disease through the connections the authors draw between substance use and poverty, colonialism, and gender-based violence. With particular interest in the pervasive myth of the "Drunken Indian", Fabre asserts that these novels reimagine addiction as social suffering rather than individual pathology or moral failure. Fabre builds on the growing body of humanities research that brings literature into active engagement with other fields of study including biomedical and cognitive behavioural models of addiction, medical and health policies of harm reduction, and the practices of Alcoholics Anonymous. The book further engages with critical pedagogical strategies to teach critical awareness of stereotypes of addiction and to encourage the potential of literary analysis as a form of social activism.