Sephy and Callum sit together on a beach. They are in love. It is forbidden. Sephy is a Cross and Callum is a Nought. Between Noughts and Crosses there are racial and social divides. A segregated society teeters on a volatile knife-edge. As violence breaks out, Sephy and Callum draw closer, but this is a romance that will lead them into terrible danger. This gripping Romeo and Juliet story by acclaimed writer Malorie Blackman is a captivating drama of love, revolution and what it means to grow up in a divided world. Sabrina Mahfouz's stage adaptation first toured the UK in 2019 and won the Excellence in Touring category at the UK Theatre Awards. It was commissioned and presented by Pilot Theatre in co-production with Derby Theatre, Belgrade Theatre Coventry, Mercury Theatre Colchester and York Theatre Royal.

A collection of short stories and plays links characters on the edge of self-destruction with their favorite watering holes- highlighting their stream of whiskey consciousness.

Sidle up to a bar stool and stake a claim. In "Next Whiskey Bar: Stories, Plays, and Drunk Talk," Charlie Moodie shares an eclectic collection of entertaining tales that bring to life the kinds of lonely characters who teeter on the periphery of self-destruction, lurk in dark watering holes, and tell timeless stories to anyone who will listen.

Moodie begins with three tales about people who are on a perpetual quest to find themselves. Declan is a young man who attempts to drown his troubles in a glass of whiskey; Katrina is a maid who lives in Paris-if only on Sunday afternoons; and Cara has a big heart, but only she knows if she can achieve her dreams. With a common theme of music, Moodie weaves a tapestry of stories that illustrate his characters' challenges as they struggle to understand each other in an uncertain world where love, loss, acceptance, and grief swirl within streams of whiskey consciousness.

From the Great Depression to the driving buzz of the today's cities, "Next Whiskey Bar" takes you to the back of a bar, where listening to the music and eavesdropping on the sweet drunk talk make it all worthwhile. Moodie begins with three tales about people who are on a perpetual quest to find themselves. Declan is a young man who attempts to drown his troubles in a glass of whiskey; Katrina is a maid who lives in Paris-if only on Sunday afternoons; and Cara has a big heart, but only she knows if she can achieve her dreams. With a common theme of music, Moodie weaves a tapestry of stories that illustrate his characters' challenges as they struggle to understand each other in an uncertain world where love, loss, acceptance, and grief swirl within streams of whiskey consciousness. From the Great Depression to the driving buzz of the today's cities, "Next Whiskey Bar" takes you to the back of a bar, where listening to the music and eavesdropping on the sweet drunk talk make it all worthwhile.

Aristophanes' Peace was performed at the City Dionysia in Athens in 421 BC as a decade-long war with Sparta seemed finally to be drawing to an end, and is one of only eleven extant plays by the greatest Old Comic poet. Olson's edition of the play, which replaces Platnauer's of 1969, is based on a complete new collation of the manuscripts, many of which have never been adequately reported before. The extensive commentary explores matters of all sorts, but it focuses in particular on the realities of day-to-day life in classical Athens and also examines the practical problems of staging. The substantial introduction includes essays on Aristophanes' early career, the politics of the Greek world in the late 420s, and the poet's theology.

Alcestis is one of Euripides' richest and most brilliant - as well as most controversial - plays. But, apart from D. J. Conacher's student text, no annotated edition in English has appeared for more than fifty years. The present work is designed to aid close reading and to serve as an introduction to the serious study of the play in its various aspects. The introduction covers the background to the story in myth and folktale, its treatment by other writers from antiquity to the present, the critical reception of Euripides' play, and its textual transmission and metres. The notes are designed in particular to help readers who have been learning Greek for a relatively short time. More advanced matter, such as discussion of textual problems, is placed in square brackets at the end of the note.

With General Motors gone, her twins sons at each other's throats and friends and neighbors fleeing Flint, single mom Vinice Foley tries to keep her diner business going. Only when Miguel, a mysterious Latin stranger with a dangerous secret and an eye for fine art enters her cafe, does Vinice question which of her feuding sons has talent and which is heading for a life of failure. Can she find romance with this shadowy Latin stranger or will his secret past come between them, as a buried issue between her sons tears her family to pieces? Set in the backdrop if industrial decline and family dysfunction. This dramedy reaches its climax as two feuding brothers confront a painful issue that must be resolved.

Daphne and Ralph are young classics professors who have just made a discovery that's sure to turn them into academic superstars. But something goes disastrously wrong, and Daphne cries out in a panic, "Save me, gods of ancient Greece!"...and the gods actually appear! The Ivy League will never be the same as a pair of screwball deities encounters the carnal complexity of college coeds, campus capers, and conspicuous consumption.

Two generations of sisters navigate class, race, love and family on "Mud Row," an area in the East End of West Chester, Pennsylvania. Elsie hopes to move up in the world by marrying into "the talented tenth," while her sister Frances joins the fight for Civil Rights. Decades later, estranged sisters Regine and Toshi are forced to reckon with their shared heritage and each other, when Regine inherits granny Elsie's house. "Morisseau gives exquisite voice to four women occupying the same four walls - and by doing so, an entire community sings." - The Philadelphia Inquirer "Morisseau's writing is rich and authentic. Tense, heartbreaking, and ultimately inspiring, Mud Row pulses with the the love Morisseau feels for her characters and the real life people who inspire them." - Talkin' Broadway "A tale so exciting and engrossing." - Broad Street Review

Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE 65 CE). The two volumes of The Complete Tragedies presents all of his dramas, expertly rendered by preeminent scholars and translators. The first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. This second volume includes Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, and Agamemnon. High standards of accuracy, clarity, and style are maintained throughout the translations, which render Seneca into verse with as close a correspondence, line for line, to the original as possible, and with special attention paid to meter and overall flow. In addition, each tragedy is prefaced by an original translator's introduction offering reflections on the work's context and meaning. Notes are provided for the reader unfamiliar with the culture and history of classical antiquity. Accordingly, The Complete Tragedies will be of use to a general audience and professionals alike, from the Latinless student to scholars and instructors of comparative literature, classics, philosophy, drama, and more.

Marquis and Tru are both fourteen-year-old black boys, but they exist in two totally different worlds. Marquis is a booksmart prep-schooler living in the affluent suburb of Achievement Heights, while Tru is a street-savvy kid from deep within the inner city of Baltimore. Their worlds overlap one day in a holding cell. Tru decides that Marquis has lost his "blackness" and pens a how-to manual entitled "Being Black for Dummies." He assumes the role of professor, but Marquis proves to be a reluctant pupil. They butt heads, debate, wrestle and ultimately prove that Nietzsche and 2pac were basically saying the same thing.

Gabriel (1839) is a romantic and adventurous play about a woman's struggle for freedom and love. Raised as a Renaissance prince, Gabriel gives up her entitlement and assumes a feminine identity to satisfy the demands of her male lover. A prescient "protofeminist" dramatic treatment of gender, the play makes a passionate plea for female equality in education and opportunity. Available for the first time in an English translation, the script is supplemented by an introductory essay that examines questions posed by the play with regard to conventional gender representations and how the protagonist contrasts with other cross-dressed heroines, such as Shakespeare's Rosalind in As You Like It. The introduction also recounts George Sand's struggle to get the play accepted for production on the Paris stage, and an appendix examines her 1850s revision, "Julia," in which the protagonist's role is greatly diminished. Now available for theatrical production in English, Gabriel, together with the analytical material, also will be of value for women's studies and literary and dramatic courses.

This is the first collection from groundbreaking playwright Alistair McDowall, "an exceptionally talented and fast-rising writer. Still only in his twenties, this writer is surely going places. Whatever he dreams up next, his name will almost certainly be in lights at the Royal Court soon, if not at the National Theatre." (The Times) Having won a Judges Award at the Bruntwood Prize in 2011 and been shortlisted for the Writers' Guild Best Play Award in 2013, Alistair McDowall is one of the most exciting playwrights of this generation. The anthology features the play that brought McDowall to people's attention, Brilliant Adventures, up to his latest major play, Pomona, that received ecstatic reviews, transferred to the National Theatre, and hailed him as one of the most important playwrights of this generation. It also includes two previously unpublished plays. Brilliant Adventures (Royal Exchange/Live Theatre, 2013) is a fast paced tale of brotherhood, addiction and breaking the laws of physics. It won McDowall a Bruntwood Prize. Captain Amazing (Live Theatre, 2013) is a funny and poignant one-man show that thrusts us into the life of Britain's only part-time superhero. Talk Show (Royal Court, 2013) is black comedy about talking and transmission. It was premiered as part of the Royal Court's Open Court season and has not previously been published. Pomona (Royal Welsh College of Music and Drama/Orange Tree Theatre, 2014) is a sinister and surreal thriller, which takes as its setting Manchester's Pomona - an abandoned concrete island at the heard of the city; a place where journeys end and nightmares are born. The anthology is introduced by the author and includes a foreword by Olivier-award-winning playwright Simon Stephens.

Because of a shared experience of European colonialism and trans-Atlantic slavery, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanization and loss of freedom, which left imprints on the collective psyches of the colonized Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case. _______________________________________ Osita Okagbue studied English/Dramatic Arts at the University of Nigeria, Nsukka, Arts Administration and Theatre Management at the University of Ibadan, Nigeria, and holds a Ph.D. in African and Caribbean Theatre from the University of Leeds, United Kingdom. He has taught at the University of Nigeria, Nsukka, University of Plymouth, United Kingdom, and since 2002 at Goldsmiths, University of London. Dr Okagbue has published extensively on African and Caribbean drama and theatre in journals such as Maske und Kothurn, New Literatures Review, ASSAPH: Studies in Theatre and Theatre Research International. He has also contributed chapters in many books. His most recent book is African Theatres and Performance (Routledge, 2007).

After an explosive argument with Mum on a Victoria line station, eleven-year-old Alice leaps onto the tube seconds before the doors hiss shut. Trapped on a train speeding into Nonsense, surrounded by weird and wonderful passengers, and at the mercy of a Queen who won't relinquish the controls, can Alice turn this train around? Multi-award-winning company Poltergeist weaves rap music together with the sights and sounds of Brixton into a hundred-mile-an-hour Christmas adventure.

On a stormy, winter night in nineteenth-century Massachusetts, young Joshua Jenkins becomes orphaned by a blizzard. For a short time two loving strangers, Tom and Belle, care for the boy, but they know the nearby Shaker village will provide him with a better upbringing. It is here Joshua grows and learns the goodness and values of the Shaker people.

As Joshua matures into a young man, he falls in love with Sara. They leave the community to start a new way of life in a growing America. The enterprising Joshua establishes a fine foundation for his family by building a factory-only to have tragedy take it from him. But his Shaker upbringing and values lead him to fight back and regain the American dream for himself, his family, and his grandson Rags.

Rags, although having inherited the abilities of his grandfather, is different from his grandfather Joshua in many ways. However, unbeknown to him, he too will have to one day raise a son, a young boy named Patches who has adopted Rags as his family.

Spanning several generations, "Rags" tells of hard times and good times, of more simple times and more complex times, and brings us back to a way of life in the hard but fun-filled "good old days."