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Books > Language & Literature > Literature: texts > Drama texts, plays > General
Staging History unites essays by nine specialists in the field of
late medieval and early Renaissance drama. Their focus is on
English, Dutch and Humanist German drama, as well as on a modern
Swiss adaptation of Shakespeare's Henry V. Featuring prominently in
this book are plays by, among others, John Bale, Jacob Schoepper,
Johannes Agricola and Jacob Duym. Special attention is also paid to
the Croxton Play of the Sacrament and the Dutch abele spelen. So
far this topic has not received wide attention within the world of
medieval and early Renaissance studies. This exploration aims at
arousing more interest in this field by scholars working on
European drama from the late Middle Ages and the early Renaissance.
Contemporary Irish Documentary Theatre is the first anthology of
Irish documentary drama. It features five challenging plays by
Irish writers, and one by an international author, interrogating
and commenting on crucial events of Irish history and of the
diaspora, with introductory essays by established academics.
Together these plays represent the most innovative development in
contemporary Irish theatre and illuminate the social and political
realities of contemporary Ireland. The first two plays, of 2010 and
2013, deal with scandals of clerical and institutional abuse, and
use as source material the Ryan Report of 2009, and the documents
from the 2008 Irish Bank Guarantee. The next two, of 2014 and 2013,
concern interpretations of the most iconic moment of Irish history:
the Easter Rising. The first of these is based on published
statements of participants in the event and the second on the lived
experiences of those in the contemporary Republic whose founding
ideals have not been realized . The last two plays, of 2015 and
2016, widen the view to the history of the Irish in the diaspora:
one retelling the history of emigration to England based on
published research material; and the other tracing Roger Casement's
experiences in the Amazon and his subsequent participation in the
Easter Rising using extracts from his diaries and other writings.
The plays included and discussed are: No Escape by Mary Raftery
Guaranteed by Colin Murphy Of This Brave Time by Jimmy Murphy
History by Grace Dyas My English Tongue, My Irish Heart by Martin
Lynch The Two Deaths of Roger Casement by Domingos Nunez
Islam in Performance brings together six contemporary plays from
Bangladesh, India, and Pakistan that highlight the political
performance of Islam in South Asia, especially since the 1947
partition of the subcontinent. The plays invite comparison with one
another, engaging with the issue from perspectives of the three
countries concerned: Hindutva politics in India othering the Muslim
population for electoral gains, radical Islamization of Pakistan
paralyzing political governance and encouraging jihadi violence,
and the ever-increasing Islamist threat to Bangladesh's founding
secular ethos. Finally, this anthology focuses on the suffering
such exclusionary politics of religious nationalism has piled upon
minorities across the region. Widely performed but largely
unpublished, the plays with their geographic and stylistic range
provide a good spectrum of some of the best writing in contemporary
South Asian drama. The editor's scholarly introduction offers a
framework for studying the plays as both texts and performance
pieces.
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Kelly
(Paperback)
Matthew Ryan
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R447
Discovery Miles 4 470
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Ships in 10 - 15 working days
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Ned Kelly sits in a grimy cell at Old Melbourne Gaol on the night
before his execution. His brother and fellow gang member Dan, who
Ned believes died at the siege of Glenrowan, visits disguised as a
priest. He's seeking Ned's blessing and forgiveness before heading
north to start a new life in Queensland. But after everything
they've been through together over the years, and how all of this
has affected them, a blessing is not an easy ask. Referencing
historical events, Kelly is a masterfully balanced with light and
shade, and the quick-fire banter between the characters resonates
with a crass but irresistible brand of Australian humour.
'Wars do not break out, they are not brokered or declared as is
always written. They are brought about by those who desire them.'
In June 1914, Europe was enjoying unprecedented peace and
prosperity. Little over a month later, the world was at war - and
only a handful of people knew it was happening. Inspired by the
medieval mystery plays Sommer 14 - A Dance of Death is an epic
telling from a German and European perspective of the world's
descent into war. Employing the character of Death as a guide, the
play uses the classic Danse Macabre structure of a series of
searing vignettes to illuminate the people and the events that led
up to the outbreak of the First World War.
The Trouble with Harry, the story of Eugenia Falleni, the notorious
'ManWoman' of Sydney in the early 1900's, is a thrilling new play
by award winning Australian playwright Lachlan Philpott Colder/
Silent Disco]. Falleni enjoys a unique place in Sydney's bawdy
history and her story continues to fascinate. An Italian immigrant,
Falleni lived much of her life as a man - Harry Crawford - and
served time in prison for the murder of her own wife. Developed as
part of the PlayWriting Australia National Script Workshop, this
work takes an idiosyncratic look at the Falleni story, questions
versions of this history and looks at contemporary debates and
assumptions surrounding gender.
This is a play about Dave Milne (an immigrant, military school
survivor/victim, Ivy League graduate, Naval officer, 10% disabled
veteran, dissident philosopher and much more) adapted by his son,
from recordings made of Dave in the last six months of his life.
The play travels from a fairly normal childhood until age 12, to
being sent off to a fancy military boarding school and being
literally tortured and ostracized by the children of the rich (and
sometimes famous), his classmates. Then he went on to Columbia
University, to participate in NROTC, got married, eventually went
to Vietnam, had a mental collapse after returning home and just
three months later, he became a parent. Dave then had to struggle
in the civilian economy to try to support his family. While the
play is generally tragic, there is a fairly large amount of humor
(dark and otherwise) along the way and Dave even breaks into song
once. While Dave might not always be a sympathetic character, his
take on life is one of a kind. This anecdote filled play shows Dave
in virtually the whole range of human emotions.
Now reprinted, this revealing autobiography includes a prologue and
epilogue written by two of the author's sons, Leeroy and Peter, who
have pieced together more of this poignant love and life story.
Nora's father, as Director General of the Soviet Foreign Office
based in Moscow, is purged by Stalin, leaving his young daughter
without kith or kin. The State forces her to meet up with diplomats
and foreigners to report back with any information on their
activities. One of her targets is John Murray, a cypher (code
writer/decoder) at the British Embassy in Moscow. However, by
falling in love with him she is classified as a traitor, arrested
and imprisoned. John achieves her release by Stalin. In 1939, John
and others of the Embassy staff are evacuated when the German army
enters Moscow's suburbs. He is sent to Archangel, leaving Nora
alone in his John's embassy quarters. With only forged papers, she
begins a terrifying 1,000 kilometer journey to the desolate wastes
of the Arctic port to bid farewell to John. Instead, they decide to
marry; this and their eventual escape to safety and happiness in
England shapes a thrilling climax to this true story.
The Haunting of Daniel Gartrell is a comedic thriller where Edgar
Allen-Poe meets Banjo Paterson; Gulpilil Is a one man show about
the life of, and starring, indigenous performer, David Gulpilil;
The Chatroom explores the impact of our changing world on
relationships; Ruby's Last Dollar is the story of a woman who would
risk everything to ensure a better life for her granddaughter.
This book (hardcover) is part of the TREDITION CLASSICS. It
contains classical literature works from over two thousand years.
Most of these titles have been out of print and off the bookstore
shelves for decades. The book series is intended to preserve the
cultural legacy and to promote the timeless works of classical
literature. Readers of a TREDITION CLASSICS book support the
mission to save many of the amazing works of world literature from
oblivion. With this series, tredition intends to make thousands of
international literature classics available in printed format again
- worldwide.
Ferdinand forbids his widowed sister to marry again. When he
discovers that she is not only married but had a child he is driven
mad with fury. The Duchess of Malfi is a study in strong
characters, dark deeds and dreadful revenge. This edition includes
close textual analysis, notes on different interpretations,
interviews with actors and directors and a selection of critical
scenes.
At one time or another, as creatures of creation, we will all
face a storm. The storm may be rocky, or it may be smooth. It is up
to us as beings of existence to recognize when a storm is
approaching. We all deal with our storms in our own personal
manners of difference.
The Strong's, is a story of a family who faced many storms. No
matter how great, their faith remarkably carried them through each
and every storm. Walking into a storm blindsided, indubitably
causes destruction, pain, and even death. As with any other
challenge, preparation is the key in overcoming unbearable
situations.
We must ask ourselves, if a mighty and great storm came into our
lives today, would we be able to weather it?
Simone Maxwell believes she's met the man of her dreams and is
ready to spend the rest of her life with him. Even her insistence
on staying a virgin until her wedding night doesn't deter her
fiance, but Simone has doubts. While making rash decisions left and
right in regards to her life, can she finally get herself together
or will a final decision turn this good girl bad.
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