Humans ask this question frequently, what is love? A lot of us believe that we know the true meaning of the word, while in reality; it is a word that has a lot of definitions according to each person's point of view. Some think that love can be told by words, others think it's something felt by actions. But the problem isn't in the meaning of the word. The real question is how far could you go for someone you love? To what extent would you endure and bear the pain subjected by the one you love? When is it time to let go? Is it possible? "Ironic isn't it, we ignore the ones who adore us, adore the ones that ignore us, love the ones who hurt us, and hurt the ones that love us? " Jordan Neil Yet, sometimes that hurt makes us blind to see the truth. Or maybe what you think is the truth, is actually the camouflage of the truth. Sometimes the truth isn't on the surface. You have to see what lies beyond that...You have to look for the truth behind truth.

On paper, David Epslamowitz has it all. At only thirty years old, he is the proud owner of one the most successful hedge funds and resides in a posh three-story penthouse on the most prominent street in the Big Apple. He is known on the street as a devoted philanthropist renowned for his good-looks and obnoxiously infinite bank account. Nevertheless, David struggles internally for the balance of what truly inspires him while at the same time trying to fulfill his deceased father's expectations. Ultimately he fills this void in the eyes of an alluring French actress and learns what truly fulfills him... love. It seems that nothing can keep David from being with her but the closer he gets, the more it seems someone is trying to sabotage the relationship. Slowly, David discovers that not only is someone out to ruin him, but that he and those close to him are in extreme danger.Living in a suburb of the Big Apple since a teen, Viktor Kozlov became the most sought-after assassin, just like his father before him. He's been hired by the government, the mafia and anyone who could afford him for his extraordinary ability to make his "hits" appear as accidental deaths. However, Viktor struggles for the balance of who he is and who he is destined to be until one day when an unusual client arrives at his house with an extra unusual request.Don't Bite the Apple is a suspenseful thriller that will keep you pleading for clues to solve the mystery of David's fate. Fear, laugh and cry with David as the twists are revealed and you discover why, when, and who connects him to the most dangerous assassin in the world. This story epitomizes the question of what it is to be successful. Success is not measured by wealth; rather, it has to do with the difference between what you were born with and what you did with it. In that search for who you are, the greater your access to money, the more temptations that are available to you and those around you, especially in the Big Apple.

After an interval of some months or years, and at Phlius, a town of Peloponnesus, the tale of the last hours of Socrates is narrated to Echecrates and other Phliasians by Phaedo the 'beloved disciple.' The Dialogue necessarily takes the form of a narrative, because Socrates has to be described acting as well as speaking. The minutest particulars of the event are interesting to distant friends, and the narrator has an equal interest in them. During the voyage of the sacred ship to and from Delos, which has occupied thirty days, the execution of Socrates has been deferred. (Compare Xen. Mem.) The time has been passed by him in conversation with a select company of disciples. But now the holy season is over, and the disciples meet earlier than usual in order that they may converse with Socrates for the last time. Those who were present, and those who might have been expected to be present, are mentioned by name. There are Simmias and Cebes (Crito), two disciples of Philolaus whom Socrates 'by his enchantments has attracted from Thebes' (Mem.), Crito the aged friend, the attendant of the prison, who is as good as a friend-these take part in the conversation.

Host is a historical drama which covers the journey not of one set of characters but of a whole nation, the Kingdom of Tizlius. Within these pages are the stories of Tizlius monarch's and nobles, usurpers and Chancellors, clans and generals, its alliance with its co-religionists against their common enemy, years of plague and unrest, political conspiracies, regicide and civil war.

Safa and Aisha have been best friends for years. They used to bunk off school, revise for exams together and even went to the same university. But now they're forging different paths for the first time: Safa to work in the City, and Aisha to teach in Newham. When London is attacked one day in July, Safa and Aisha feel the whole world spinning. As extremes from all sides take hold of the city, can their friendship survive the upheaval? Spun is the exhilarating debut play from Rabiah Hussain. Seen through the eyes of two British Pakistani Muslim girls from East London, this funny and moving drama unravels the makings of a friendship, microaggressions in the city, and the challenge of keeping rooted through unstable times.

Gabriel de la palabra. Gabriel de la persecucion. Gabriel del nirvana a ultranza de la "metalitica" civilizacion condicionada Anfitrion de las esferas luminicas de la alegria, evangelista de las calles de Dios. Hedonista frontal y por tal excomulgado. Que mas da? Cuando el habla de sus hermanos desangelados. Gabriel frente al " angelus nominis" prefiere por todo lo alto el nombre de hermano. Este es el autor que te dejamos en los ojos de tus manos. No preguntes de donde viene, sino comienza a andar el camino para encontrartelo

This book is a collection of 22 essays by scholars in the field of Medieval Drama, mostly relating to performance both past and present. Alford wrote one essay in the book.

The spellbinding story of a family that spans two generations;It's 1946. Tomas is 17 years old, living in Franco's fascist Spain, on the Canary Islands, where they are still recovering from three years of a bloody civil war. Torn between his family and the desire for freedom, Tomas makes a decision that changes his life and those around him forever. Journey is based on the true story of a man named Tomas Castellano, and the secret he's kept from his family his entire life.It all begins on the night before Tomas and Marlene's 50th wedding anniversary, when their son Mike Castellano, discovers the secret. Because of the political circumstances, and economics, Tomas leaves his home, his family, everything he knows, and loves - in search for freedom, and a better life, which nearly cost him, his. Journey shows us vividly, the ache and the pain one goes through - and the courage one needs to leave behind their home, their family, everything they know and love to live a life of freedom.Without telling anyone, Tomas and his friend Antonio risk their lives to escape. The story follows the extraordinary adventure of two young men, their struggle for survival, and the suffering a family goes through not knowing whether their son is alive or dead.Journey is a story about freedom...Freedom, to live the life you dream of...Freedom, that happens when you to let go, And... Freedom, that comes from knowing who your father is and where you came from.

The Peaceful brothers, Tommo and Charlie, have a tough rural childhood facing the death of their father, financial hardship and a cruel landlord. Their fierce loyalty to each other pulls them through, until one day they both fall for the same girl. And then the Great War comes. It tells the story of a country lad fighting a war he doesn't understand for people he cannot respect. We join 18-year-old Private Tommo Peaceful in the trenches as he tells us a story of courage, devotion and sibling rivalry on what may be his last night on earth. Private Peaceful was shortlisted for the Carnegie Medal, won the Red House Children's Book Award and the Blue Peter Book Award and is acknowledged by Michael Morpurgo (War Horse, The Butterfly Lion) to be his favourite work. This new, small ensemble version by Simon Reade was commissioned by Nottingham Playhouse.

Based on the conviction that only translators who write poetry themselves can best re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The tragedies collected here were originally available as single volumes. This new collection retains the informative introductions and explanatory notes of the original editions, with Greek line numbers and a single combined glossary added for easy reference.
This volume collects for the first time three of Sophocles most moving tragedies, all set in mythical Thebes: Oedipus the King, perhaps the most powerful of all Greek tragedies; Oedipus at Colonus, a story that reveals the reversals and paradoxes that define moral life; and Antigone, a touchstone of thinking about human conflict and human tragedy, the role of the divine in human life, and the degree to which men and women are the creators of their own destiny.

In hierdie drama word die leser/gehoor gekonfronteer met die gevolge van keuses waarmee bykans alle Suid-Afrikaners kan identifiseer: kwessies soos emigrasie, die behoud van bande met die geboorteland, nagevolge van die Angolese bosoorlog, moorde op bejaardes en sosiale onsekerhede as gevolg van kriminele geweld. Hiermee gee Opperman dramaties gestalte aan die gedagte dat die persoonlike dikwels ’n politieke strekking het. Ook ander verwysingsraamwerke tree na vore, waaronder die invloed van die geskiedenis en die soeke na identiteit.

Hate knows no bounds... It was a cold dark night, and Andre was eager to get home to his family. A 35-year old African-American, he is a successful businessman. Driving down a deserted road, he has to abruptly stop for what apparently is a body on the pavement. Getting out to help, he is suddenly surrounded by men in white hoods - and realizes he has fallen for a trap. Will he get out alive? In a world where hate driven crimes dominate headline news, A High Price for Justice is a compelling account of one man's fight to expose an evil conspiracy and unsolved murders involving some of Mississippi's high society.

THE ENGLISH FOLK-PLAY By E. K. CHAMBERS OXFORD AT THE CLARENDON PRESS 1933 ST. GEORGE AND THE DRAGON OXFORD UNIVERSIXY PRESS AMEN HOUSE, E. G. 4. London Edinburgh Glasgow-Leipzig New York Toronto Melbourne Capetown Bombay Calcutta Madras Shanghai HUMPHREY MILKORD PUBLISHER TO THE UNIVERSITY PRINTED TN GREAT BRITAIN AT THE UNIVERSITY PRESS, OXFORD BY JOHN JOHNSON, ANALYSIS THE MUMMERS PLAY AND ITS CONGENERS PAGE THE MUMMERS PLAY ..... 3 THE PRESENTATION . . . . .13 THE COMBATANTS . . . . .23 THE DISPUTE . . . . . - 33 THE LAMENT . . . . . .38 THE WESTON-SUB-EDGE PLAT . . .41 THE CURE . . . . . .50 JACK FINNEY ...... 57 MULTIPLIED COMBATS . . . 59 THE Quite . . . . . .63 THE MYLOR PLAY . . . . .71 COSTUME . . . . . .83 ABNORMAL MUMMERS PLAYS . . .87 THE PLOUGH PLAY . . . . .89 THE REVESBY PLAY . . . . .104 THE SWORD DANCE . . . . .123 THE AMPLEFORTH PLAY . . . .131 THE MORRIS DANCE . . . . .150 JACK OF LENT . . . . .153 MEDIEVAL PARALLELS . . . .160 vi ANALYSIS PAGE SAINT GEORGE 170 THE SEPEN CHAMPIONS . . . .174 THE STAGE AND THE FOLK . . . .185 THE RESIDUAL PROBLEM . . .192 THE PROBLEM OF ORIGIN PARALLELS FROM WESTERN EUROPE . . 197 PARALLELS FROM THE BALKANS . . .206 A PRIMITIVE LUDUS . . . . .211 THE SIGNIFICANCE OF THE LUDUS . .216 WOOING PLATS . . . . .229 1 52 OF TEXTS 236 INDEX 245 ILLUSTRATIONS 1. ST. GEORGE AND THE DRAGON. Drawing by THOMAS FISHER in J. G. Nichols, Ancient Paintings at Stratford upon-dvon 1838, from Fresco in the Chapel of the Gild of Holy Cross. frontispiece 2. A KIRMESS IN THE NETHERLANDS. Engraving in the British Museum from Painting by PIETER BRUEGHEL c. I53 6 9-facing p. 204 THE MUMMERS PLAY AND ITS CONGENERS The Mummers Play. years ago, I attempted, in TheMediaeval Stage, to give an account of the Mummers Play, as one of several ludi of the folk which involve an element of mimesis. Since then, much additional material has been collected on the play and its congeners, notably by the late Reginald Tiddy and Cecil Sharp, and by Professor C. R. Baskervill, Mr. Douglas Kennedy, and Mr. Stuart Piggott and fresh light has been thrown on the possible origin of such ludi by the discovery of close analogues still surviving in various parts of the Balkans. It seems, therefore, worth while to go over the ground again, and to bring together the threads of the old and the new evidence with regard to this singular and long-enduring seasonal ceremony. In 1903 I was able to make use of twenty-nine examples of the play. I can now draw upon well over a hundred, more or less complete, together with a few entangled in ludi of other types. Probably there are others, even in print, which have eluded my search, and there are references, in Tiddys valuable study and elsewhere, to performances at various places from which no texts, so far as I know, are upon record. But my hundred or so examples cover the greater part of the country, and extend to Wales, the Isle of Man, the eastern coast-line of Ireland, and the Lowlands of Scotland. From the more purely Celtic