Contemporary Irish Documentary Theatre is the first anthology of Irish documentary drama. It features five challenging plays by Irish writers, and one by an international author, interrogating and commenting on crucial events of Irish history and of the diaspora, with introductory essays by established academics. Together these plays represent the most innovative development in contemporary Irish theatre and illuminate the social and political realities of contemporary Ireland. The first two plays, of 2010 and 2013, deal with scandals of clerical and institutional abuse, and use as source material the Ryan Report of 2009, and the documents from the 2008 Irish Bank Guarantee. The next two, of 2014 and 2013, concern interpretations of the most iconic moment of Irish history: the Easter Rising. The first of these is based on published statements of participants in the event and the second on the lived experiences of those in the contemporary Republic whose founding ideals have not been realized . The last two plays, of 2015 and 2016, widen the view to the history of the Irish in the diaspora: one retelling the history of emigration to England based on published research material; and the other tracing Roger Casement's experiences in the Amazon and his subsequent participation in the Easter Rising using extracts from his diaries and other writings. The plays included and discussed are: No Escape by Mary Raftery Guaranteed by Colin Murphy Of This Brave Time by Jimmy Murphy History by Grace Dyas My English Tongue, My Irish Heart by Martin Lynch The Two Deaths of Roger Casement by Domingos Nunez

Islam in Performance brings together six contemporary plays from Bangladesh, India, and Pakistan that highlight the political performance of Islam in South Asia, especially since the 1947 partition of the subcontinent. The plays invite comparison with one another, engaging with the issue from perspectives of the three countries concerned: Hindutva politics in India othering the Muslim population for electoral gains, radical Islamization of Pakistan paralyzing political governance and encouraging jihadi violence, and the ever-increasing Islamist threat to Bangladesh's founding secular ethos. Finally, this anthology focuses on the suffering such exclusionary politics of religious nationalism has piled upon minorities across the region. Widely performed but largely unpublished, the plays with their geographic and stylistic range provide a good spectrum of some of the best writing in contemporary South Asian drama. The editor's scholarly introduction offers a framework for studying the plays as both texts and performance pieces.

Ned Kelly sits in a grimy cell at Old Melbourne Gaol on the night before his execution. His brother and fellow gang member Dan, who Ned believes died at the siege of Glenrowan, visits disguised as a priest. He's seeking Ned's blessing and forgiveness before heading north to start a new life in Queensland. But after everything they've been through together over the years, and how all of this has affected them, a blessing is not an easy ask. Referencing historical events, Kelly is a masterfully balanced with light and shade, and the quick-fire banter between the characters resonates with a crass but irresistible brand of Australian humour.

'Wars do not break out, they are not brokered or declared as is always written. They are brought about by those who desire them.' In June 1914, Europe was enjoying unprecedented peace and prosperity. Little over a month later, the world was at war - and only a handful of people knew it was happening. Inspired by the medieval mystery plays Sommer 14 - A Dance of Death is an epic telling from a German and European perspective of the world's descent into war. Employing the character of Death as a guide, the play uses the classic Danse Macabre structure of a series of searing vignettes to illuminate the people and the events that led up to the outbreak of the First World War.

The Trouble with Harry, the story of Eugenia Falleni, the notorious 'ManWoman' of Sydney in the early 1900's, is a thrilling new play by award winning Australian playwright Lachlan Philpott Colder/ Silent Disco]. Falleni enjoys a unique place in Sydney's bawdy history and her story continues to fascinate. An Italian immigrant, Falleni lived much of her life as a man - Harry Crawford - and served time in prison for the murder of her own wife. Developed as part of the PlayWriting Australia National Script Workshop, this work takes an idiosyncratic look at the Falleni story, questions versions of this history and looks at contemporary debates and assumptions surrounding gender.

This is a play about Dave Milne (an immigrant, military school survivor/victim, Ivy League graduate, Naval officer, 10% disabled veteran, dissident philosopher and much more) adapted by his son, from recordings made of Dave in the last six months of his life. The play travels from a fairly normal childhood until age 12, to being sent off to a fancy military boarding school and being literally tortured and ostracized by the children of the rich (and sometimes famous), his classmates. Then he went on to Columbia University, to participate in NROTC, got married, eventually went to Vietnam, had a mental collapse after returning home and just three months later, he became a parent. Dave then had to struggle in the civilian economy to try to support his family. While the play is generally tragic, there is a fairly large amount of humor (dark and otherwise) along the way and Dave even breaks into song once. While Dave might not always be a sympathetic character, his take on life is one of a kind. This anecdote filled play shows Dave in virtually the whole range of human emotions.

Now reprinted, this revealing autobiography includes a prologue and epilogue written by two of the author's sons, Leeroy and Peter, who have pieced together more of this poignant love and life story. Nora's father, as Director General of the Soviet Foreign Office based in Moscow, is purged by Stalin, leaving his young daughter without kith or kin. The State forces her to meet up with diplomats and foreigners to report back with any information on their activities. One of her targets is John Murray, a cypher (code writer/decoder) at the British Embassy in Moscow. However, by falling in love with him she is classified as a traitor, arrested and imprisoned. John achieves her release by Stalin. In 1939, John and others of the Embassy staff are evacuated when the German army enters Moscow's suburbs. He is sent to Archangel, leaving Nora alone in his John's embassy quarters. With only forged papers, she begins a terrifying 1,000 kilometer journey to the desolate wastes of the Arctic port to bid farewell to John. Instead, they decide to marry; this and their eventual escape to safety and happiness in England shapes a thrilling climax to this true story.

The Haunting of Daniel Gartrell is a comedic thriller where Edgar Allen-Poe meets Banjo Paterson; Gulpilil Is a one man show about the life of, and starring, indigenous performer, David Gulpilil; The Chatroom explores the impact of our changing world on relationships; Ruby's Last Dollar is the story of a woman who would risk everything to ensure a better life for her granddaughter.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Ferdinand forbids his widowed sister to marry again. When he discovers that she is not only married but had a child he is driven mad with fury. The Duchess of Malfi is a study in strong characters, dark deeds and dreadful revenge. This edition includes close textual analysis, notes on different interpretations, interviews with actors and directors and a selection of critical scenes.

At one time or another, as creatures of creation, we will all face a storm. The storm may be rocky, or it may be smooth. It is up to us as beings of existence to recognize when a storm is approaching. We all deal with our storms in our own personal manners of difference.

The Strong's, is a story of a family who faced many storms. No matter how great, their faith remarkably carried them through each and every storm. Walking into a storm blindsided, indubitably causes destruction, pain, and even death. As with any other challenge, preparation is the key in overcoming unbearable situations.

We must ask ourselves, if a mighty and great storm came into our lives today, would we be able to weather it?

Simone Maxwell believes she's met the man of her dreams and is ready to spend the rest of her life with him. Even her insistence on staying a virgin until her wedding night doesn't deter her fiance, but Simone has doubts. While making rash decisions left and right in regards to her life, can she finally get herself together or will a final decision turn this good girl bad.

Revenge. Adultery. Murder. It certainly sounds like a lively play. Unfortunately, archaic translation make understanding Aeschylus' "Agamemnon" a little difficult. Until now If you have struggled in the past reading the ancient classic, then BookCaps can help you out. This book is a modern translation with a fresh spin. The original text is also presented in the book with a comparable version of the modern text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.